Black and white photograph. View of a river. Possibly an excursion. Photographs B91.409 to B91.417 appear to have come from the same photograph album.river, excursion, rural view

Black and white photograph. Woman standing beside a river. Possibly an excursion. Photographs B91.409 to B91.417 appear to have come from the same photograph album.woman, river, excursion, rural view

This photograph was taken in 1900 at Buchan. The River View Hotel was established in Buchan in 1884 and was possibly first called the Cricket Club Hotel. The isgn at the front of the building suggests that a ? Cameron ran the establishment.This an early pictorial record of Buchan in the 1900s.A small black / white photograph of a group of people standing outside a hotel A motor vehicle is in the foreground and another behind the people. On the right side of the wooden building is a sign indicating that this is River View House an accommodation business. At the front is a sign with the name ?. Cameron on it.on front - "Buchan Caves - 1900" on back - "E.A. Paige"buchan-river-view-hotel

Buildings - Malmsbury Mill

1973 flooded Avoca River. Viewed from west side of Paterson Bridge behind the shire office.B/W photograph of 1973 flooded Avoca River. View West side of Paterson Bridge behind Shire Officeflood, avoca river, charlton

Purchased by the Surrey Hills Historical Society for the Surrey Hills Neighbourhood Centre History collection. Includes: illustrations, maps, portraits. Connie Dickens is believed to have spent some of her last year(s) in Surrey Hills. Traces the life of Mrs Edward (Plorn) Dickens, born in 1859 at River-View, Kangaroo Point, Tasmania, the third daughter of Alfred and Emily Desailly (nee Stanfield).Traces the life of Mrs Edward (Plorn) Dickens, born in 1859 at River-View, Kangaroo Point, Tasmania, the third daughter of Alfred and Emily Desailly (nee Stanfield).(mrs) constance emily rose dickens, (mrs) edward (plorn) dickens, (dr) (mr) francis desailly, (mr) alfred desailly, (miss) constance emily rosa desailly, (miss) emily desailly, (miss) florence eva desailly, (mrs) (ann) nancy sophia desailly, box hill cemetery

Janefield Precinct: View of river bend. The remains of this site are between Greensborough and Janefield. A RAAF Hygiene Training Camp was located on the Plenty River, just south of the Janefield community. It was in use from 1944 to 1946. The Camp was constructed from salvaged materials. Instruction included building and maintenance of grease traps, latrines, elementary plumbing and carpentry.Early remains of a WW2 training camp Digital colour photograph.janefield

Historic picture of the Curdies River, with reference to the farm known as The Lodge. the Lodge is also the name given to the good fishing spot on the banks of the Curdies which is accessed by a track through farmland.Historic and social significancePostcards depicting the Curdies River at The Lodge.Hand written letter on the back "To Cora, from Auntie May"james irivine, the lodge farm, curdies river - view, curdies river peterborough, curdies river, vintage postcards

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. River views, unknown location, RussiaMade in Australia / 33 / AUG 64Mrussia, slide

Plenty River in flood at the Rand Street Crossing. There were two major floods in Greensborough at the time, 1972 and 1974. Poulter Reserve was created after the 1972 flood and had to be re-established following the 1974 flood.Digital copy of black and white photograph.plenty river, floods

Photograph showing men at work on the G.O.R near Wye River. View of Pier centre photographg.o.r.; workmen; pier-at-wye-river;

Also three black and white copies 17 x 25First generation black and white postcard of the Kalimna area of the Gippsland Lakes. It shows a residence surrounded by a paling fence at Maringa Creek in foreground, dead vegetation at mouth of creek. Steep cliffs of lake shore opposite low lying Rigby Island. Lakes Entrance VictoriaKalimna and Reeves River. Gen View.waterways, topography

Black and white photographs. Aerial Views of Burnley Campus. Enlargements. (A) Heyington Bridge to South, Yarra River on North side. (B) Heyington Bridge at top of photograph i.e. reverse view of (A). (C) Original of (B) mounted on board. Probably taken at the time of the floods of 30 November 1934. heyington bridge, yarra river, aerial view, burnley campus, 1934 flood

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘The boulders on the Erskine River’ : Views of Victoria (General Series) No.58 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘For a distance of several miles this river runs its course over a granite bed, and is interrupted frequently by immense Boulders, which causes the stream to be broken up into rivulets, pools, rapids, falls, cataracts, &c. Many of these massive blocks of granite weigh from 40 to 50 tons. In the mid-distance of the present illustration, several of these great blocks can be seen obstructing the river in its course.’nicholas caire (1837-1918), erskine river, lorne (vic), landscape photography - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View on the upper Buckland River’ : Views of Victoria (General Series) No.46 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buckland River is situated near the western extremity of the Australian Alps, and forms one of the sources of the Ovens River. Its watercourse is very shallow, except in flood time. Our illustration is taken on the upper portion of the River, near Reeve’s dam.’nicholas caire (1837-1918), buckland river (vic), landscape photography - victoria

Sepia toned montage views in and around Bairnsdale showing two Main street gardens with white picket fence and two Mitchell river views one showing wharf with a paddle steamer and railway wagon Bairnsdale Victoriatownship, waterways

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Waterfall scene near the Buchan River’ : Views of Victoria (General Series), No.39 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buchan River is a tributary of the great Snowy River, which extends itself from Port Ricardo, on the Gipps Land coast, to considerably beyond Mt. Kosciusko, in New South Wales. It is comparatively but a stream, but, like most of the smaller rivers in Victoria, it contains some beautiful scenery, peculiar to itself. Our present illustration is characteristic of its scenery, and is taken from a creek close to the River.’nicholas caire (1837-1918), buchan river, landscape photography - victoria

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Charles river, with view of Prudential Tower and Harvard Bridge, Boston, Massachusetts, USAMade in Australia / 14 / AUG 64M slide, robin boyd

SS Casino - Moyne River - Portside viewBlack & white photograph of S.s. Casino sailing up rivership, steamer, coastal transport, ss casino, moyne river

Colour aerial photograph of West Gate Bridge under construction. Fishermans Bend factories in foreground. Ship in the river and view to Williamstown"Master copy. Not to be removed from marketing Department" stamped on top right corner and on backtransport, engineering, engineering - bridges, fishermans bend, industry, west gate bridge, rotten row, williamstown, yarra river

Black and white postcard taken from the hummocks looking across one of the low islands and the Snowy River showing view of the township of Marlo Victoriawaterways, township, islands

Varying views of the old bridge, which was a valuable connection to the East side of the river. A view of the landscape at that time.Historic views of the town and bridge 4 photocopied reproductions of different aspects of the Old bridge at Peterborough, including one which is a copy of The Rose Series Postcards No P2470.peterborough, peterborough old bridge, curdies river bridge, rose series postcards, rose series p2470

Wimmera Falls Glenorchy. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. The fact that there was ever a natural waterfall in the Wimmer River would probably be a surprise to anyone who has known the river at all. There are many man-made weirs across it in several places today, one of them at Glenorchy is thought to hide the original falls. A Stawell Paper dated 21st August 1888, refers to them being a mile below the Township. View of river amongst gum trees with shallow falls at centre of photograph.stawell

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘The Erskine River waterfall’ : Views of Victoria (General Series) No.52 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The River Erskine, which empties itself into Loutitt Bay, is noted for the grandeur of its scenery. Its sources, owing to the impenetrability of the bush and the mountainous nature of the country, are unknown. They may eventually be traced a long way into the Cape Otway Ranges. An idea of the difficulty with which the present very beautiful illustration was obtained may be gained from the fact that it took our assistants, several days to convey the apparatus a distance of six miles and back. The depth of the fall is 150 feet. The foliage as seen comprises the very rare staghorn tree, the myrtle, the dogwood tree, and ferns.’nicholas caire (1837-1918), lorne (vic), erskine river (vic), landscape photography

2 colour photographs. 1. Lagoon or Boulevard Paddock and Quad Classrooms from the other side of the Yarra River. 2.View towards the rock bank behind Swan Street from the other side of the Yarra River.lagoon paddock, boulevard paddock, quad classrooms, yarra river