Black and white photograph showing rough water lashing foreshore west of entrance, walings and crane middle distance on right, waves splashing on rocks in foreground, photo taken near Schnapper Cottage, Hopetoun channel, Lakes Entrance, Victoria.jetties, waterways

Coloured printed postcard. Image is of a black and white painting entitled 'Runswick Bay'. Image is of a steep cliff with houses and cottages above rocks. Waves are breaking over the rocks and gulls are flying over the waves and in the sky. The words Runswick Bay are printed in white along the lower right hand edge. On the reverse, it is addressed to Miss Dean McKenzie Street Golden Square with a one penny stamp affixed postmarked Bendigo. The words Raphael Tuck and Sons "Sapphire Rough Seas" Series 6307 Phototyped in Berlin "Whitby" Art Publishers to Their Majesties The King and Queen appear along the lefthand edge.Raphael Tuck and Sons 'Sapphire Rough Sea' Series 6307 'Whitby'postcard

Printed coloured postcard. Image is of The Eddystone Lighthouse and depicts a lighthouse on rocks with a smaller brick structure nearby in stormy seas and gulls in the sky. The words The Eddystone Lighthouse with a small symbol in white appear along the bottom left hand edge. Reverse is addressed to Miss Dean 'Esmond' Golden Square Bendigo and has a one penny stamp affixed postmarked Kerang. The words Raphael Tuck and Sons "Oilette" (Regd) postcard 7062 "Rough Seas" Art Publishers to Their Majesties the King and Queen after the black and white originals by Elmer Keene are printed in red along the left hand edge.Raphael Tuck and Sons 'Oilette' Regd Postcard 7062 'Rough Seas'postcard

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of waves breaking on the rocks at The Nobbies.local history, photography, photographs, coastline, rough seas, the nobbies, phillip island, waves, john jenner, bryant west

Framed bookplate featuring a sailing ship on rough seasEx Libris K. Brian Stonier Melbourne Grammar Melbourne Universitybookplate

Framed black pencil sketch of HMAS Vendetta plowing through rough seas.Do 8framed pencil sketch, hmas vendetta

No. 9 'The Sealers". BHP "History of Bass Strait"Series. Lithograph copy in 'The Illustrated Australian News", May 4th 1881. From the La Trobe Collection, State Library, Victoria. BHP Oil and Gas Division Hematite Petroleum Pty. Ltd. From The Australian Financial Review, 15 Sep 1972HistoricalLarge, black & white lithograph of sailing vessel in rough seas showing seals and rocks, with typed explanation. In the early of the nineteenth century, The sealers took cargoes of up to 100,000 skins per ship. Within 10 years, there were virtually no seals left. Today, the seals are returning to Bass Strait and colonies of them are thriving around the five BHP and Esso offshore production platforms. We enjoy having them around. And we've even made them the stars of "Solstice", a film we've made to encourage an interest in preserving the ecology of Bass Strait.sealing, westernport bay, broken hill proprietary ltd.

Black and white photograph of the sea looking South East showing the island in the background and a rough sea inbetweenbeach, south beach, waves, ocean, island, rocks, reef

One of 11 photographs left in the museum for the Society by an anonymous donor.Black & White postcard of the Pinnacles at Cape Woolamai. Photo Shop Series The Pinnacles - Cape Woolamai Phillip Island 3/3/47 On back: Rough sea about here. Beautiful trip.the pinnacles, the pinnacles cape woolamai, cape woolamai pinnacles, phillip island coastline

This print is one of a pair (Thermopylae). The original was painted by Arthur Chidley, an English artist from the late 19th Century. The Cutty Sark was a British clipper ship. Built on the Clyde in 1869 for the Jock Willis shipping line, she was one of the last tea clippers to be built and one of the fastest. , This item is an example of a piece of art likely to be found in a home where a framed print was considered to be an essential finishing touch. The Cutty Sark is the last tea clipper in existence and is considered a maritime treasure. Black framed print of "Cutty Sark" - ship in full sail. Ship is on rough seas. The wooden frame sections are simply mitred and nailed at the corners.Back- 4296picture cutty-sark chidley

Blue hard covered book with an image of a vessel on a rough sea glued to the front, 140 pages plus 48 pages of photographs. Reprinted 1956.non-fictiondick richards, sir ernest shackleton, frank hurley, endurance, shakleton's argonauts, r.w.richards, richard w. richards, antarctica, exploration

Black and white photograph showing wooden piers with newly completed concrete extensions. Rough seas breaking in entrance to Gippsland Lakes from ocean Bass Strait. Kiosk by boardwalk closed.boardwalk, waterways, beaches, piers

Part of a collection of photographs out of an old photo album with multiple photos on each page. Donated by Margaret Webster. Margaret's parents were Sir Charles & Lady McGrath who lived near the RSL in Ventnor Road, Cowes.286-18 - Sepia photograph of The Tea Room at Shelly Beach, Phillip Island or San Remo?. Two men, a lady and dog beside two cars. One car has a woman inside. 286-19 - Sepia photograph of a group of 13 people in coastal scrub land at Shelly Beach. 286-20 - Sepia photograph of a group of 13 people in coastal scrub land at Shelly Beach. 286-21 - Sepia photograph of a group of people having a picnic in front of the San Remo Hotel. 286-22 - Sepia photograph of 3 people at The Nobbies, Phillip Island. 286-23 - Sepia photograph of rough seas at The Nobbies, Phillip Island. 286-24 - Sepia photograph of a man with a young penguin possibly at Slummerlands Phillip Island. 286-25 - Sepia photograph of breakers at The Nobbies, Phillip Island. 286-26 - Sepia photograph of The Continental Guesthouse with guests on the verandah. 286-27 - Sepia photograph of an unmade road with scrub vegetation on the sides. 286-28 - Sepia photograph of Cowes foreshore with the Jetty in the background. 286-29 - Sepia photograph of the Cowes Jetty with people arriving off a ferry. 286-30 - Sepia photograph of Cowes foreshore with the Jetty in the background and a ferry.286-18 - "The Teahouse - Shelly Beach" 286-19 - "A Confidential Chat - Shelly Beach" 286-20 - "The Wanders - San Remo" 286-21 - "Lunch at San Remo" 286-22 - "The Nobbies - P.I." 286-23 - "Rough Seas - The Nobbies" 286-24 - "A Young Penguin" 286-25 - "Breakers - The Nobbies" 286-26 - "The Contin - Cowes" 286-27 - "The Road to the Back Beach" 286-28, 29 & 30 - "Beach and Jetty at Cowes"the nobbies phillip island, young penguins, wildlife - penguins, tea house behind shelly beach, shelly beach, san remo hotel, the continental guesthouse, the continental hotel, cowes jetty, margaret webster

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 postcards. See 1400 Coloured image entitled 'Storm off Brighton'. Dark moonlit night with rough seas. Just visible is a pier on the right. Lights of a house in background. Hull of a ship in centre? Addressee - Miss H.Y. Shatford, Watson's Creek, via Kangaroo Grounds, Melbourne Sender J Y D Dated Jan 31, 1906 postcard, collector, alice mcgregor

Frank Hurley was a photographer and member of Shackleton's Antarctic Expedition. Former Principal of the Ballarat School of Mines, Richard W. Richards, was a member of this expedition. He is the author of this children's information book which was also illustrated by Hurley, and won the Children's Book of the Year Award: Older Readers in 1948.Hard covered book with coloured image of a vessel in a rough sea glued onto the front. The 140 page book includes numerous reproductions of photographs by Frank Hurley, including Ernest Shackleton, the Endurance, Penguins, whales, Frank Wild, Tom Crean, Frank Hurley.antarctica, ernest shackleton, richard w. richards, dick richards, frank hurley

Softcover Book, 442 Pages, Apps 1-9, Bibliography and Index, by Paul W Simpson. Front cover depicts the vessel in question in rough seas (oil painting), wide blue horizontal bands above and below the picture. Back covers is portion of a period photograph of the Loch Soy.non-fiction“The Loch Soy was built for Aitken, Liburn & Co of Glasgow. She sailed between Britain and Australia for more than twenty years. In that time she established a reputation as a crack wool clipper. … The clipper lasted twenty one years before coming to grief on the jagged shore of Kangaroo Island during the predawn hours of April 24th 1899 ...”--Back cover. Contains biographical information. Includes bibliographical references (pages 407-420) and index.clipper, loch, jammer, shipwreck, simpson, kangaroo island, loch sloy ship, wool, transportation

Large, framed painting. Frame gold, painting depicts sailing ship in rough seas, headland on RH side of painting. Painting done by Carl Mueller and donated by his great, great grandson Peter Jackson. Family believes it to be a copy of similar painting in Victorian Government House, Melbourne. (to be verified).artwork, oil painting, seascape

The interior of the Saloon on the S.S.Casino showing the elaborate table arrangements and the swivel chairs that were bolted to the floor to allow passengers more comfort when the ship was moving through rough seas.Black and white photographs.s.casino, port fairy, ship, boat, sea, moyne river

The photograph shows the wreck of La Bella in Lady Bay, Warrnambool, Australia. It was probably taken on 11th November 1905, the morning after she was wrecked. “Foyle” written on the photograph is the name of Foyle’s Photographic studio. At the time of the photograph the studio was owned by both Charles and Lilian Foyle (sometimes known as Lillian or Lily), either of whom could have taken this photograph. They also worked together at a later date on the photographs, sketches and paintings of the famous and historical Pioneers’ Honour Board, which is currently on view in the Warrnambool Library. Foyles Photography was the studio of James Charles Foyle. He owned “Foyle’s Photo Card Studios” in Liebig St , Warrnambool, which operated between 1889 – 1919 . A letter to the editor (by Mr Edward Vidler) in the Melbourne Argus, 3rd August, 1907, mentions that in that year Warrnambool would celebrate its 60th anniversary of its proclamation as a town, and that talented local artist Miss Lily Foyle would paint 200 portraits in watercolour of the pioneers who settled in the district prior to 1860. The Pioneer Honour Board can still be seen on display in the Warrnambool Library. In the Warrnambool Standard, Dec. 1917, “Mr Foyle’s studio was awarded contract to decorate rail cars on newly opened Trans-Continental railway, assisted by his sister, Miss Findlay.” The subject of the painting, La Bella, has its own tragic story. Read on for further details … On November 10th, 1905, the Norwegian-built barquentine La Bella approached Warrnambool at the end of her 37 day voyage. She was carrying a cargo of timber from Lyttleton, New Zealand, in heavy seas and evening mist. (On its only other visit to Warrnambool a year earlier the master had gone to shore to find a tow. He returned to the ship to find the crew drunk and unwilling to take up their posts, even though the ship was dragging its anchors and in a dangerous position.) As Captain Mylius steered La Bella to Lady Bay Channel the ship was tossed onto its side by heavy breakers and ran aground on what is now known as La Bella Reef. The sea was so rough that it wrenched a one-and-a- half ton anchor from the vessel. Several attempts were made by parties of volunteers in lifeboats to rescue the stricken sailors, but the rough conditions made this difficult for the boats to get close enough to the ship and the parties had to return to shore. The La Bella’s crew became exhausted and sailors were being washed overboard, one by one. By sunrise only five of the twelve crew still clung to the wreck. A local fisherman, 25 year old William Ferrier, rowed his small dingy through the heavy seas and managed to rescue the captain, whilst the volunteer lifeboat crew rescued a further three sailors, returning to shore. Ferrier made a final attempt at rescue and was able to reach its stern as the conditions eased slightly, saving the last remaining, terrified sailor just before the ship broke up and sank. William Ferrier became a national hero as news of the daring rescue spread. He was awarded the Silver Medal for bravery by the Royal Humane Society and was honoured by the Prime Minister and the Governor. He was presented with several other awards for his daring rescue. Ferrier’s rescue efforts are one of the most heroic in Victoria’s shipwreck history. The wreck now lies in 13m of water and is home to an abundance of marine life. Flagstaff Hill’s La Bella Collection includes a rail holder from La Bella, a photograph of William Ferrier with four of the five men rescued, a rail holder from the ship and the letter from the Prime Minister and other Members of Parliament that was sent to William Ferrier to commend him for his bravery. La Bella has been protected under the Commonwealth Historic Shipwrecks Act (1976) as a Historic Shipwreck since 23 April 1982 (VHR S401). It is archaeologically significant as the remains of an international and inter-colonial passenger and cargo ship. Flagstaff Hill’s collection of artefacts from the La Bella is of historical and archaeological significance because of its association with the La Bella, which is on the Victorian Heritage Register, and because of the relationship between the objects. The collection represents aspects of Victorian history, and the letter to William Ferrier demonstrates how important his rescue efforts were to Victoria and Australia. Black and white photograph of the wreck of the sailing ship La Bella in the bay at Warrnambool. The photograph shows the ship lying on its side in rough sea, with mast and rope rigging hanging loosely. Several large rocks are also visible. The photograph is a rectangle shape, mounted on heavy card, with slightly ragged edges. The photographer’s name, a title for the photograph and the location are hand written in white along the bottom third of the photograph. The back of the photograph is blank. Printed in white hand writing “Foyle”, “WRECK OF “LA BELLA”, “W’Bool”foyle, la bella, william ferrier, lady bay, lifeboats, lilian foyle, lillian foyle, charles foyle, james foyle, royal humane society medal, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village

Rick Amor was a good friend of three times Archibald Prize winner Clifton Pugh, living and working at Pugh's artist colony Dunmoochin, (Cottles Bridge) during the 1980-1990s. Amor made frequent outdoor painting trips with Pugh. His studies of Williamstown and areas around the port fuelled a period of sustained painting in his studio at Dunmoochin. Amor is an artist of national significance who had lived locally in Dunmoochin (Cottles Bridge) during the time of this work's making. This painting was exhibited/entered into the 1993 Shire of Eltham Art Awards. The work is representative of Amor's style and interest in seascapes as subject matter. Oil on linen, seascape painting. A solitary and motionless male figure in an overcoat stands at the edge of a dock/jetty with his hands in his pockets looking out to sea with his back towards the viewer. A motorised boat is moored close by and a white house with a blue roof can be seen in the distance. The figure is engulfed by the landscape and a resounding sense of desolation. A storm is brewing; the mood forecast by dark, heavy and thick ominous clouds, alternately darkening with the approach of night, a polluted haze and rough seas. In red paint, lower right, signed 'RICK AMOR '93'amor, seascape, painting, personal, boat, dramatic, atmospheric, ekphrasis 2015, dunmoochin

12 photographs from a collection of 33 donated by Leonie Brennan. Photographs belonged to Edward (Ted) Sands, hairdresser.Photograph 215-22. Penguins coming home after a day of fishing at the nightly parade Summerland Beach. Photograph 215-23. Pyramid Rock, Phillip Island. Photograph 215-24. Cowes beach with a large group of people gathered together and others under beach umbrellas. Beach west side of the Cowes Pier. Photograph 215-25. Large group of Seals at Seal Rocks, Phillip Island. Photograph 215-26. The Killara Ferry at Cowes pier with chimney smoking. Photograph 215-27. The Pinnacles at Cape Woolamai, Phillip Island. Photograph 215-28. Looking towards the Isle of Wight Hotel at Cowes and the Jetty Shed at the end of the Cowes Pier. Photograph 215-29. The Cowes Pier with the Killara Ferry docked. Photograph 215-30. The Killara Ferry heavily laden with passengers. A close-up showing the back entrance for vehicles. Photograph 215-31. The War Memorial at Cowes looking towards the pier. Shows the pier and the Jetty Shed on the pier. Photograph 215-32. View from inside Forrest Caves, Phillip Island, with two people standing in front. Photograph 215-33. The Nobbies, Phillip Island, with waves crashing onto the rocks.215-22 "Penguins at Phillip Island" 215-23 "Pyramid Rock, Phillip Island" 215-24 "The Beach, Cowes" 215-25 "Seals at Cowes, Phillip Island" 215-26 "The Killara at Cowes" 215-27 "Cape Woolamai, Phillip Island" 215-28 "The Pier, Cowes" 215-29 "The Pier, Cowes" 215-30 "The Killara at Cowes" 215-31 "War Memorial, Cowes" 215-32 "Forest Caves, Phillip Island" 215-33 "Rough seas at The Nobbies, Cowes"penguins coming ashore, penguins, wildlife - penguins, pyramid rock, phillip island, pyramid rock, coastline - rock formation - pyramid rock, cowes beach, phillip island, seals on seal rocks phillip island, wildlife - seals, the killara ferry, killara ferry, the pinnacles, the pinnacles cape woolamai, the pinnacles, phillip island, the isle of wight hotel cowes phillip island, cowes pier, phillip island, cowes jetty, phillip island, war memorial, cowes, phillip island, forrest caves, phillip island, the nobbies, phillip island, mr edward (ted) sands, leonie brennan

Coloured printed postcard. Image is of a painting entitled 'When waves do rise and tempests rage'. A stormy sea with large waves crashing onto rocks. Gulls are in the sky against a cloudy background. The words When waves do rise and tempests rage are printed in white along the bottom right hand edge. On the reverse it is addressed to Miss Dean Esmond Golden Square Bendigo. A one penny stamp is affixed and is postmarked Kerang. The words Raphael Tuck and Sons 'Oilette" (regd) Postcard 7062 "Rough Seas" Art Publishers to Their Majesties The King and Queen After the black and white originals by Elmer Keene are printed in red along the left hand edge.postcard

Thought to have originated in Austria in 1869, postcards first gained popularity in Australia in the 1890s.They were used to send short messages to friends and family. This collection was generated by Mary Emma Elliot of Talgarno. Talgarno is a rural locality in Victoria, Australia, situated on the southern shoreline of Lake Hume, about 23 km east of Albury-Wodonga. The collection contains postcards from across the world. Mary Emma Sibley was born in Ironbark, Bendigo in 1859. She married James Elliot in 1893 and they settled at “Kelso”, Talgarno. They had two children – Mona and Sibley. Mary Emma Elliot died in Melbourne in 1944, aged 84 years. Australian postcards collected by Mrs. James Elliot between 1898 and 1915. 1405.381 A Children's Portrait 1405.382 A Good Story 1405.383 To One I Love 1405.384 Friends 1405.385 St. John's Church Albany W. A. 1405.386 Mill Pond, South Perth W. A. 1405.387 Government Gardens, Perth, W. A. 1405.388 Serpentine Falls, Darling Range, W. A. 1405.389 King River, Albany, W. A. 1405.390 Perth from Terraces, National Park 1405.391 Cave House Yallingup W. A. 1405.392 Presbyterian Church, Perth, W. A. 1405.393 Entrance to King's Park, Perth, W. A. 1405.394 Central Hay Str. Perth, W. A. (Sunday morning) 1405.395 Municipal Gardens, Subiaco, W. A. 1405.396 The Anglican Cathedral, Perth, W. A. 1405.397 Hall and School 1405.398 River Scene 1405.399 Giant Breakers 1405.400 Rough Seas postcards, collecting, collections, talgarno

Thought to have originated in Austria in 1869, postcards first gained popularity in Australia in the 1890s.They were used to send short messages to friends and family. This collection was generated by Mary Emma Elliot of Talgarno. Talgarno is a rural locality in Victoria, Australia, situated on the southern shoreline of Lake Hume, about 23 km east of Albury-Wodonga. The collection contains postcards from across the world. Mary Emma Sibley was born in Ironbark, Bendigo in 1859. She married James Elliot in 1893 and they settled at “Kelso”, Talgarno. They had two children – Mona and Sibley. Mary Emma Elliot died in Melbourne in 1944, aged 84 years. Australian postcards collected by Mrs. James Elliot between 1898 and 1915. 1405.241 The Pilot 1405.242 St. Peter's Cathedral, Adelaide, South Australia 1405.243 Hindmarsh River, Victor Harbour, S. A. 1405.244 Breakers Ahead 1405.245 At Glenelg - Commemoration Day 1405.246 Pleasant Cove, Ocean Beach 1405.247 Millicent, S. A. 1405.248 Leg of Mutton Lake, Mount Gambier 1405.249 On the Torrens 1405.250 Bronte, Sydney 1405.251 Adelaide Hills, Montacute Rd 1405.252 Rough Seas, Australian Coast 1405.253 St. Leonards Road. Tasmania 1405.254 On the Gordon River, W. Coast. Tas. 1405.255 A Pretty Cascade. Sheffield Tas 1405.256 Floods 1929 1405.257 The Gorge at Launceston in Flood (1929) 1405.258 Lower End of Launceston during the Floods (1929) 1405.259 Beauty Point, River Tamar 1405.260 Hobart, Tasmaniapostcards, collecting, collections, talgarno

Thought to have originated in Austria in 1869, postcards first gained popularity in Australia in the 1890s.They were used to send short messages to friends and family. This collection was generated by Mary Emma Elliot of Talgarno. Talgarno is a rural locality in Victoria, Australia, situated on the southern shoreline of Lake Hume, about 23 km east of Albury-Wodonga. The collection contains postcards from across the world. Mary Emma Sibley was born in Ironbark, Bendigo in 1859. She married James Elliot in 1893 and they settled at “Kelso”, Talgarno. They had two children – Mona and Sibley. Mary Emma Elliot died in Melbourne in 1944, aged 84 years. Australian postcards collected by Mrs. James Elliot between 1898 and 1915. 1405.101 Mysteries. Jubilee Cave. Jenolan. N.S.W. 1405.102 Courtyard. Hotel Koscuisko 1405.103 Lachlan St. Forbes 1405.104 Forbes District Hospital, Forbes. N.S.W. 1405.105 Scow, Sydney Harbour 1405.106 Clifton Village 1405.107 Alabaster Hall. Jubilee Cave. Jenolan. N.S.W. 1405.108 Marguerite Cave. Left Imperial. Jenolan. N.S.W. 1405.109 Lavendar Bay, Sydney 1405.110 Lila Falls, Leura 1405.111Katoomba Cascade Blue Mts., N.S.W. 1405.112 New Falls, Wentworth 1405.113 New Falls, Wentworth 1405.114 National Park, Sydney, N.S.W. 1405.115 Rough Sea, Ocean, Beach, Bondi, Sydney, N.S.W. 1405.116 Town Hall, Albury 1405.117 The Murray River 1405.118 Smollet Street, Avenue, Albury 1405.119 Mosman 1405.120 Convent from Rose Bay, Sydney postcards, collecting, collections, talgarno