Warrnambool Tourist Maps collected over the years by Warrnambool Historical Society membersPreservation of local maps for historical purposesEnclosed in A4 size plastic envelopes in an A4 size archival box and numbered and catalogued according to the date of acquisition.This collection has 16 pamphlets containing maps of Warrnambool and district and some accompanying printed materialwarrnambool tourism, city of warrnambool, shipwreck coast tourismwarrnambool tourism, city of warrnambool, shipwreck coast tourism

An information brochure regarding the accommodation and facilities available at Kooringa Guest House in Marysville. The brochure was produced by R.A.C.V. The original house was built in 1914 for Frederick Webb by the Cuzens Brothers.An information brochure regarding the accommodation and facilities available at Kooringa Guest House in Marysville.marysville, victoria, australia, kooringa, frederick webb, cuzens brothers, betha wilhelmina christina unmack, minnie webb, t.e. foster, edgar charles webb, clarence thomas pitman, jacob pitman, sir isaac pitman, caroline anna blood newenham, henry newenham pitman, carrie rosalind persse pitman, reginald william stringer, alice burton pitman, clarence edward pitman, newenham mueller pitman, olive birch, constance may pitman, olive dora blakeney pitman, gwendoline de burch pitman, kooringa guesthouse, lilian may shelton, thomas henry branchflower, wilbur anderson, peter mackey, caroline anna pitman, r.a.c.v., accommodation brochure

An information brochure regarding the accommodation and facilities available at Kooringa Guest House in Marysville. The brochure was produced by R.A.C.V. The original house was built in 1914 for Frederick Webb by the Cuzens Brothers.An information brochure regarding the accommodation and facilities available at Kooringa Guest House in Marysville.marysville, victoria, australia, kooringa, frederick webb, cuzens brothers, betha wilhelmina christina unmack, minnie webb, t.e. foster, edgar charles webb, clarence thomas pitman, jacob pitman, sir isaac pitman, caroline anna blood newenham, henry newenham pitman, carrie rosalind persse pitman, reginald william stringer, alice burton pitman, clarence edward pitman, newenham mueller pitman, olive birch, constance may pitman, olive dora blakeney pitman, gwendoline de burch pitman, kooringa guesthouse, lilian may shelton, thomas henry branchflower, wilbur anderson, peter mackey, caroline anna pitman, r.a.c.v., accommodation brochure

Discussion of the need to provide a link between the Metropolitan Ring Road at Greensborough and the Eastlink at either Bulleen or Ringwood, to alleviate traffic congestion on Rosanna Road and other streets in the Banyule area.Four pages, text and coloured photographsRoyal Auto Feb. 2016 p. 15-19eastlink, metropolitan ring road, rosanna road rosanna

Country street directory which contains maps, lists, and tourist information.Maps, colour photographsroad maps

Shows the central part of Ballarat, Ballarat Outlets, streets, principal attractions, Ballarat and district maps and information. Has the tram lines shown dotted, does not run out to Sebastopol or the Lydiard St North terminus. Each map in the bottom left-hand corner has the number "1061", possibly indicating the date. Has notes on the City, points of interest, and an advertisement for Caltex. See item 4929 for a larger version dated 1966. Yields information about the extent of Ballarat in the early 1960's shows the tram lines and other rail lines in the district. Four fold map printed on white paper, titled "Ballarat including city and district maps" - Map No. MAP 15.314 and dated 10-61. Produced by the RACVmap, tranways, ballarat, racv, railways

Yields information about the extent of Ballarat in the early to mid 1960's shows the tram lines and other rail lines in the district.Printed street map titled "Ballarat District Map", published by the RACV, showing the central part of Ballarat, Ballarat Outlets, streets, principal attractions, Ballarat and district maps and information, and a list of sporting and entertainment facilities. Has the tram lines shown dotted, does not run out to Sebastopol or the Lydiard St North terminus. Each map in the bottom left hand corner has the numbers "1166", possibly indicating the date.trams, tramways, map, ballarat, racv, railways

Printed street map titled "Bendigo District Map", published by the RACV, showing the central part of Bendigo, Bendigo Outlets, streets, principal attractions, Bendigo and district maps and information, and a list of sporting and entertainment facilities. Has the tram lines shown dotted, only shows the full extent of the Golden Square line. The main map has the number "0171" in the bottom left hand corner, indicating the publication date.in ink on the Bendigo Outlet map, "3/4" along bottom edge.trams, tramways, map, bendigo, racv, railways

Printed street map titled "Bendigo Including city and district maps", published by the RACV, showing the central part of Bendigo on the front cover, Bendigo Outlets and notes on the city itself. Has the tram lines shown dotted, only shows the full extent of the Golden Square line. Inside has a district road map. The front cover has the number "0468" in the bottom left hand corner, indicating the publication date.in ink on the Bendigo Outlet map, has various notes showing the location of crossing loops on and off the map and the location of the tram depot itself.trams, tramways, map, bendigo, racv, railways

Two pages from the RACV Royal Auto magazine that concerned Melbourne's tramways, printed on off white paper with some colour. 60.1 - Article titled "Unfair use of Motoring Taxes" about the use of the "motorists" money for the extension the East Preston Tram route. The funds concerned came from the Bicentennial road funds. From the September 1983 issue. 60.2 - Members letters for and against Tram Priority, printed on either side of the sheet, page 17 and 18, from the August 1983? issue of Royal Auto, titled "Members have their Say". 13 letters either way.trams, tramways, racv, mmtb, east preston, fairways, tram priority

Map - folded 8 folds or sections, printed in two colours titled "Melbourne and Suburbs", published by the RACV late 1960's, giving a map of Melbourne and its suburbs, shows all tram and rail lines, highways, freeways under construction, has a detailed index and map of the city or CBD area, shows one way streets and churches, clubs etc.On front cover stamped "Office Copy" and hand written date of "28-1-69"trams, tramways, racv, melbourne, map, tramways, timetables

Illustration from the RACV Royal Auto magazine of June 1957 of an aerial view of Flinders St Station and buildings on the south side of the Yarra River, showing motor cars, trams and one bus. Also possibly shows the curve from Swanston St into Flinders St. Caption: "Flinders street station has almost a monopoly as the point of disembarkation in Melbourne"In ink on the side" "RACV - Royal Auto - 6/57 Before 1955"trams, tramways, flinders st station, swanston st

"Growing Pains" by Sue Hewitt Article from the RACV magazine Royalauto about Melbourne's road congestion. Although the article doesn't mention trams it features two photos of the St Kilda Rd tramways. First photo from 1925 shows construction of tramway at St Kilda Rd and Domain Road. Second photo shows Metro Tunnel Project's ANZAC station at same intersection in 2019.trams, tramways, track construction, trackwork, track laying, metro tunnel, anzac station, domain junction

Letters - carbon copy on quarto paper between the RACV (16/11/1921) and response from the MMTB (23/11/1921), regarding shunting of cars at the Richmond car house or depot. The RACV requested flag men like that at the Toorak corner and Lonsdale St. The MMTB said No, flag men and provided at the two locations to regulate cars. Letter from the Chas J H Hodges, Secretary of the RACV.trams, tramways, racv, cable trams, lonsdale st, toorak, richmond, depots

Set of 8 newspaper clippings, mid 1960's concerning traffic control and congestion issues. .1 - Royal auto - 2/1963 - reporting on the removal of the cable tram track in Victoria Parade between Brunswick and Smith St, noting the old cable tram lines. .2 - Royal auto - 1/65 - Photo of Toorak Road Toorak with a tram and parked cars. .3 - Royal auto - 8/64 on Chapel St with W2 324 (route 77, City) showing the impact of parked cars at 8.45am and a motor car trying to squeeze past. .4 - Royal auto - 9/64, Burke Road Camberwell, showing the impact of parked cars and trams. Photo includes SW6 934 (Route 7 Camberwell) .5 - Royal auto - 8/67 - Swanston St near Collins St. .6 - View of Toorak Road, Hartwell, W2 641 (Spencer St, route 74) photo 8/68 by John Shingler. shows the shopping centre. .7 - Royal auto - 9/64 - Johnston St Collingwood and buses. .8 - MMBW Living City Winter 1971 of Kew Junction, peak hour inbound noting the new Eastern Freeway will reduce congestion.Extensive notes on the rear of the photo, see image i2trams, tramways, congestion, traffic control, racv, chapel st, toorak road, victoria parade, cable trams, w2 class, sw6 class, burke road, camberwell, route 77, route 7, swanston st, kew junction, route 74, hartwell, johnston st, buses, tram 324, tram 641, tram 934

Image of motor car on front cover with title and authornon-fictionThis book tells the story of the Royal Automobile Club of Victoria (RACV) from 1903 to 1980henry sutton, racv, royal automobile club of victoria, the crown of the road, susan priestley, sue bates

RACV members' badge; designed to be attached to owner's car. Issued to members of the RACV over a long period of the twentieth centuryChromed RACV emblem with blue background, with two screws for attachment to carRACV Vicroyal automobile club of victoria, racv, car badges

Four RACV Route Maps and Touring Information, Bendigo to Alexandra via Seymour and Yea, Bendigo to Mt Gambier and return, Bendigo to Horsham via Ararat and Bendigo to Anglesea, dated 1 March 76. Also an unsigned Safe Driving Pledge.j w swatton collection, royal automobile club of victoria

Broadbent's Official Road Guides Company took over George R. Broadbent's business in 1935. In 1963, it changed its name to Broadbent's Road Maps Pty. Ltd. George Robert Broadbent (1863-1947), cyclist and map publisher, was born on 3 November 1863 at Ashby near Geelong, Victoria. At various times Broadbent held most Victorian and Australian road cycling records. Broadbent became an active vice-president of the Good Roads Association of Victoria in November 1912 and was consulted regularly during the preparation of the country roads bill. That year he took over the Argus motoring column, wrote tirelessly on road improvements and maintenance, and became manager of the Automobile Club's new touring department in 1914.A 160 pp road guide book titled Broadbent's Official Road Guide Melbourne - Sydney. The front cover has a yellow background with a map of the coastline from Sydney to Melbourne, the Prince's Highway route marked. This is inset in a drawing of a car driving along the coastal road.The book contains speedometer readings, route maps, advertisements and photos of points of interest. In the top right is the logo of the Royal Automobile Club of Victoria and at the bottom right is the price 1/-.traavel road-guides broadbent-george car-touring

Soft cover book, 300 pages.A comprehensive history of the roads and streets of metropolitan Melbourne, with maps. Dr Max Lay, a Melburnian, is an international authority on roads. His very many publications include the Source Book for Australian Roads, Handbook of Road Technology, History of Australian Roads, Ways of the World, and Encyclopedia Britannica entry on roads. Dr Lay is also the past-president of both the Royal Automobile Club of Victoria and the Australian Automobile Association.

Event programme for the commemorative gathering to celebrate the 90th anniversary (1904–1994) of the Royal Automobile Club of Victoria (RACV). Held at the Shrine of Remembrance on Saturday, 16 April 1994, beginning at 08:00 hours. The Shrine was chosen for it's importance to the extensive membership of the RACV, whether they be ex-service personnel or have family or friends who are. It was also chosen for it's symbolism of democracy and our obligation to provide a secure and free society for future generations. Part of the programme includes a donation slip to complete to contribute to the Shrine of Remembrance Restoration Appeal. Tri-fold programme on cream coloured card with dark blue print. Front cover displays the RACV symbol at the top, in the centre is a solid blue rectangle with ornate border above and below, inside the title is printed in cream. The channel nine symbol and the time and place are printed at the bottom in blue. All other parts of the programme contain text in black type with blue headings.'M76' [handwritten in blue ink top right corner of front page]commemorative ceremonies, melbourne shrine of remembrance, royal automobile club victoria, racv, shrine of remembrance restoration appeal

Letter - PMTT letterhead - from H. Dix Engineer and Manager of the PMTT to the Secretary - R. H. Shackell, of the Prahran and Malvern Tramways Trust, dated 6/8/1918 enclosing a copy of a letter from the Royal Automobile Club of Victoria (RACV) regarding a shelter shed on the corner of St Kilda Road and High St being relocated to the South Side of High St. RACV letter - dated 5/7/1918, location dangerous for pedestrians (Passengers changing from electric to cable trams) and motorists and suggesting the same location as for Commercial and St Kilda Roads. Handwritten memo on a piece of typed paper looking for donations to the Melbourne Hospital, regarding issues to be considered if relocated.trams, tramways, pmtt, letters, racv, high st, st kilda rd, shelters

Possibly a picnic for returned servicemen from Gallipoli. This photo was taken in front of the Police Paddocks with the police station on the left. Model T Fords parked with soldiers, drivers and locals resting on the police paddock in front of the Queenstown (St Andrews) station. The RACV Volunteer Motor Corps service during World War One was the reason the organisation was granted its Royal prefix. Automobile Club of Victoria members volunteered their time and vehicles to collect returning soldiers and nurses from ships at Princes Pier, Port Melbourne. Trips were also often arranged for convalescing soldiers to country areas for picnics and to “revive spirits”. The soldiers were also picked up from the Austin Hospital in Heidelberg and Mont Park Military Hospital in Macleod. Queenstown (St Andrews) was a common picnic spot. The Evelyn Observer reported on June 9. 1916 "Some 75 returned soldiers visited Queenstown on Sunday, 28th ult., and were hospitably entertained by local residents who had provided refreshments sufficient for 150. Mr. Milne in an appropriate speech welcomed the soldiers, and Mr. Robison suitably responded.” The photo was reproduced page 108 of “The Diamond Valley Story" by Diane H. Edwards.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image, 16 x 24 and 12.5 x 9 cm and 4 x 5 inch B&W Neg sepp, shire of eltham pioneers photograph collection, queenstown, cars, police station, st andrews, soldiers, picnic, exhibition yprl 2019-12, gallipoli, model t ford, pioneers and painters, police paddocks, retuned soldiers

Great Hall at Montsalvat built 1938-52, designed by Justus Jorgensen Covered under National Estate, National Trust of Australia (Victoria) State Significance, Victorian Heritage and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p129 At first glance, Montsalvat, the artists’ community at Hillcrest Avenue, Eltham, could belong to another time and place. The French provincial Gothic-style buildings blend picturesquely with the introduced and native trees and farm animals on the five hectare property. But Montsalvat belongs very much to today’s Eltham, having inspired much of its creative activity and style. The use of mud-brick and recycled building materials, for which Eltham is so well-known, was largely popularised by Montsalvat. Montsalvat – unique in Victoria and probably in Australia – is registered by the National Trust and National Estate.1 Montsalvat, named after the castle of the Knights of the Holy Grail, has attracted artists and intellectuals since it was founded in 1934. For years at weekends, artists, lawyers, philosophers, politicians and others, who shared a love for what Montsalvat stood for, gathered for a meal and stimulating discussion. The focus for this gathering of talent was Justus Jörgensen, an eccentric man with vision and charisma. It was Jörgensen’s foresight that saw the creation of Montsalvat, which in 1975 was formed into a trust to benefit the Victorian people. The property was then valued at about three million dollars. It is now visited by thousands of people annually. Born in 1894 and brought up a Catholic, Jörgensen had trained as an architect. He later studied painting at the National Gallery School under artist, Frederick McCubbin, then joined the studio of artist Max Meldrum. In 1924, Jörgensen married medical student Lillian Smith, and with artist friends they travelled to Europe to study the great masters. In London Jörgensen exhibited in several major galleries. One of his still life paintings was included in the book The Art of Still Life by Herbert Furst, which featured 100 of the greatest ever still life paintings.2 In 1929, Jörgensen returned to Melbourne where Lil, now qualified, worked as an anaesthetist at St Vincent’s Hospital. They bought a small house in Brighton and Jörgensen rented a large building in Queen Street for his studio until the Royal Automobile Club of Victoria bought it in 1955. While designing and overseeing the building of a studio for his friend the famous cartoonist Percy Leason, in Lavender Park Road, Jörgensen decided to buy land for a country retreat in Eltham. So the building of Montsalvat began. Jörgensen gathered around a dozen of his friends and students from his Queen Street studio. They set to work, first at weekends then some decided to live permanently on the site. Jörgensen had seen mud-brick buildings in Spain and recognised that Eltham’s clay soil was ideal for mud-bricks and although labour intensive, it was a very cheap way of building. Jörgensen’s students and friends worked under his direction with the help of local tradesmen, including carpenter, Len Jarrold and later stone mason, Horrie Judd. In return Jörgensen would give the students a painting lesson or two. It was the Great Depression when many were out of work. Jörgensen also inspired people to give generously of money and materials. With their help Jörgensen found second-hand materials for building. Friends donated slate for roofing, discarded firebricks were used for flooring and windows and doors and a cast-iron circular staircase came from a wrecker. The students’ day started at 7am with building and domestic chores, shared equally between the sexes. The first building was used by his friends at weekends and then became a home for his wife Lil. It consisted of three rooms and an attic under a high-pitched roof. Jörgensen then built a similar structure with the same high-pitched roof as a more permanent home for his students. The two buildings were joined together with a tower and a studio for Jörgensen. While excavating for the studio a reef of yellow mud-stone was found and then used in construction. The next building was the Great Hall, to be used for dining, exhibitions and meetings and completed in 1958, after a halt during the war. Whelan the Wrecker donated the stone-framed windows from the building that housed the Victorian Insurance Co. in Collins Street, which had been demolished in the 1930s. The swimming pool was donated and cubicles were built for the students with their initials marked in tiles on each doorstep.1 One of Jörgensen’s great abilities was to recognise how to use material which harmonised. He would comb through wreckers’ yards for what he needed. Regarding his buildings as sculptural pieces, his first consideration was for the aesthetic quality of a building and only then for its functionality.2 At Montsalvat, Jörgensen found he was able to put his ideas into practice without compromise and those who worked with him had to conform to his ideas. With the Jörgensens, the colony’s original nucleus consisted of the Skipper family – Mervyn and wife Lena, daughters Helen and Sonia and son Matcham,who was to become an eminent jeweller and sculptor represented in National Gallery collections throughout Australia and in European museums.3 Other members were Arthur Munday, Lesley Sinclair, Helen Lempriere, Ian Robertson, John Smith, George Chalmers, John Busst and Sue Van der Kellan; also Jörgensen’s three sons – Max, Sebastian and Sigmund – and Saskia, Sonia Skipper and Arthur Munday’s daughter. Montsalvat went through some hard times when local gossips spread rumours of sexual shenanigans at Montsalvat. However Montsalvat also had many local supporters – especially amongst the local tradespeople. The colony was certainly unconventional – with Jörgensen’s wife Lil (and son Max) and life-time partner Helen Skipper, (mother of Sebastian and Sigmund) living at Montsalvat. Sonia Skipper says in her biography that the group were ‘very conscious of their responsibilities to each other and a desire to make their relationships work’.4 By World War Two many buildings around the Great Hall were completed. Jörgensen was a pacifist, as were most of his students. Some of the Montsalvat community enlisted while others engaged in essential services like dairy farming and market gardening for the war effort. It was then that Jörgensen constructed farm buildings. After the war many well-known personalities such as Clifton Pugh, landscape gardener Gordon Ford, and builder Alistair Knox, were drawn to Montsalvat. They learnt that building was not a ‘sacred cow’ only for professionals, but that anyone who was willing to get their hands dirty could do it. The post-war shortage of materials also encouraged builders to follow Montsalvat’s lead in reusing materials. When Jörgensen died in 1975, his influence did not – thanks largely to the vigilance of his son, Sigmund, who became its administrator. The weekend dinners have gone, but in 2008 about 14 artists still work at Montsalvat – some living there – including a couple who have been there since its early days. Under Sigmund’s direction Montsalvat further expanded its activities which included festivals, art exhibitions, concerts and weddings. Sigmund completed the Chapel, then the Long Gallery next to the pool, After the barn burnt down, he replaced it in 1999 (the builder was Hamish Knox, Alistair’s son) with a new gallery and entrance and added a restaurant. Sigmund has been careful that any new building blends in with the character of Montsalvat. In 2006 Montsalvat was restructured for its continued financial viability and with the help of Arts Victoria a new executive officer was appointed. A representative board from the wider community was established, which includes members from the former Montsalvat Trust including Sigmund Jörgensen – who is now the heritage and arts adviser to the new company Montsalvat Ltd.5 Today, visiting Montsalvat one still sees artists, students and visitors enjoying the unique and beautiful surroundings.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, great hall, montsalvat

Mr. Bralsford,the Transport Manager at Royal District Nursing Service (RDNS), is instructing RDNS staff in the responsibilities of driving an RDNS vehicle. The Sisters were undergoing a Post Basic Course given by RDNS Educators, Car maintenance was necessary from 1937 when a car was donated by the Rotary Club to Melbourne District Nursing Society, (MDNS). Another car was donated, by General Motors-Holden, via the Duchess of Gloucester, in 1947, and the fleet began to grow from 1950 with seven Ford Prefects being provided by the Hospital and Charities Commission. For many years Melford Motors in South Melbourne maintained the MDNS fleet, until the fleet grew to the point of, the now named, Royal District Nursing Service (RDNS) providing its own Car Maintenance Division to service the cars regularly. The Royal Automobile Club of Victoria, (RACV), attended any breakdowns which occurred when nursing staff were on the road. Each new Sister employed by the Service was taken out for a driving test before she drove a District car. Royal District Nursing Service (RDNS) has had various modes of transport over the last 130 plus years. At first, from 1885 as Melbourne District Nursing Society (MDNS), their Trained nurses (Nurses) walked the streets and lane ways amid the slums of central Melbourne. As the Society expanded public transport was used; bicycles were bought by the Society in 1903 and used in inner areas until 1945. During the Spanish flu epidemic, in 1919, MDNS appealed for assistance to procure Motor vehicles so the Nurses could visit an influx of cases. Through trusts, grants and donations four 'Ford T Model' cars were procured which enabled the Nurses to triple their visits. Through constant use the cars were in such a poor state they were sold in 1927. A Motor Auxiliary was formed in 1929 to take Sisters to patients, and some Sisters used their own cars; even a motorcycle was used by one Sister in 1933. All these forms of transport were intermingled until, having received Royal patronage; the now Royal District Nursing Service (RDNS) had its own full fleet of vehicles by the mid 1960s. In many areas there were unsealed roads, in various conditions, which the Sisters negotiated to reach their patients to give care. Seat-belts had been introduced to Victoria in 1959 and District fitted them to their cars from 1962, even though they did not become compulsory until 1970. The Melways Directory of maps was introduced in 1966 which was a boon to the Sisters, though it was a few years before it went beyond Seville, so those that did the Warburton and Powelltown area worked off a large paper map. By 2009 there were 598 cars in the fleet and the Sisters travelled 9 million 200,000 kilometres – this is equivalent to 12 trips to the moon and back. Black and white photograph showing Mr. Bralsford instructing RDNS staff. In the left foreground is Sister (Sr) Liz Thomson who has her dark hair drawn back, is looking down at a piece of white paper resting on the arm of the wooden chair on which she is sitting. In front of her are the back views of Sr. Betty McDonald with curled dark hair and to her right is Sister Joanne Wilkinson. Mr. Bralsford, who has short dark hair; is wearing glasses, and wearing a grey coat, is standing in front of them pointing to a blackboard with his extended left arm and hand. He is looking down, and has his right hand on a piece of white paper on a desk. A strip heater is high on the left hand wall.Photographers stamp and Quote No. GW 101royal district nursing service, rdns, rdns transport, rdns education, melford motors, racv, sister liz thomson, sister betty mcdonald, sister joanne wilkinson, mr bralsford