This vase is part of collection donated by Mrs. Jean Raper. It belonged to her grandmother, Mrs. Alice Dinsmore.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A small ruby glass vase. Although this vase has no markings, decorative items made from ruby glass were popular during the Victorian era and the early 20th century.vase, glassware, decorative items

The First Australian Exhibition of Women's Work was held at the Exhibition Building, Melbourne, from 23 October to 30 November 1907. It was opened by Lady Northcote (the wife of Australia’s Governor General) and Pattie Deakin (wife of the Prime Minister), who also ran a model creche during the exhibition. The five week exhibition showcased the work of women musicians, artists and craftswomen with over 16,000 exhibits in all fields of artistic endeavour. It was attended by approximately 250,000 people. Exhibits were divided into Classes, including Fine Arts; Applied Arts; Photography; Plain Needlework; Cookery, Preserves and Laundry Work; Horticulture; and Medical and Nursing. This item was owned by Mrs. Mary Burrowes, aunt of Mrs. Jean Raper.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A small ruby glass and crystal jug which was produced as a souvenir of the Australian Exhibition of Women's Work held at the Exhibition Building in Melbourne in 1907. It has been inscribed in gold coloured paint. "Mary Women's Exhibition 1907"vase, glassware, decorative items

Ruby glass aka Cranberry glass was first made in the late Roman Empire. The glass is made by adding gold salts or colloidal gold to molten glass. Because of the gold inclusion, true Ruby Glass is expensive to produce and usually reserved for small batches of decorative items.Ruby Cut Glass Bowl with fluted sides, frilled around top. Star pattern in base heavily patterned with diamond shapes on sides.ruby glass, bowl

Ruby glass jar lid with clear cut glass handle.domestic equipment, containers, jar lid

There is no known history attached to this item. Lamps such as this one were common household items in the 19th century and the first three decades of the 20th century until electrical lighting became common in most households. This item has no known local provenance but it is useful for display as an item that was common in households in the past. This item has a cast iron base in a pyramidal shape with the four sides having identical scrolls and star shapes. A piece of brass attaches the base to a violet-coloured bowl. The bowl contains a white wick. The brass wick holder has an external knob for regulating the light intensity. There is more brass between the bowl and the mantle which is made of plain glass. On the base of the lamp: ‘Rd. No. 207869’ history of warrnambool, social history, ruby glass kerosene lamp

This small, ruby glass, hand-painted lady's perfume bottle would have been one of a few small items, (such as small scissors, a pencil and note-pad, keys to the pantry) that Victorian women wore hanging from a Chatelaine attached to a belt around their waist..c1800s a small, ruby glass, hand-painted ladies perfume bottle with a brass hinged lid, small glass stopper and a brass chain attached to a Chatelaine ring. This would have been one of a few small items, (such as small scissors, a pencil and note-pad, keys to the pantry) that Victorian women wore hanging from a Chatelaine attached to a belt around their waist..Hand-painted decoration of a bird and flowers.glassware, toiletries, early settlers, chatelaine, pioneers, moorabbin, brighton, bentleigh, perfume, manufactured glass

Ruby glass sugar caster with silver shaker top.sugar casters

Ruby and clear glass mug with handle. Ruby glass is etched in gold and there is cut pattern glass on the base.mugs, drinking vessels

Ruby glass footed cake stand with clear fluted edge. Victorian era.cake stands, tableware

Ornamental ruby glass lustre with ten faceted prism teardrop vase. Some sections of top are enamelled.domestic items, ornaments / decorative

Ruby glass jam and cream set, with two glass bowls with fluted edge in clear glass. On silver stand with embossed feet. Has large silver oval handle.jam containers, jam, cream containers, cream

Thornton-Pickard was a British camera manufacturer which was established in 1888 and closed in 1939. The company was based in Altrincham, near Manchester, and was an early pioneer in the development of the camera industry. The Thornton-Pickard company was founded by John Edward Thornton and Edgar Pickard in Manchester,. Also referred to as a Magic Lantern Projector, the Ruby enlarger was used to project images from glass negatives using a variety of light sources and eventually adapted for electricity.. As photography technology developed the size of slides became smaller and the "magic lanterns" were replaced by more compact film and slide projectors.This item is significant as it represents a step in the development of photographic technology and home entertainment in the early 19th century.A large photographic enlarger made primarily of wood, tin plate and glass. The enlarger is fully intact and has the original patent and registration on a badge attached on one side. The enlarger extends when in use but folds up accordion style when not required. Its length at maximum extension is 90 centimetres. It has a slot on one side for glass negatives negatives to be inserted in a wooden holder.Badge attached to side:- 'THORNTON-PACKARD/ RUBY ENLARGER/ ALTRINCHAM" On metal rectangle: "PROTECTED BY / PAT. No. 18478. 08. / REG. No8. 529944 & 580047."thornton-pickard, photographic equipment, ruby enlarger, glass negatives

Woolamai House was built in approx 1869 on part of Capt Cleeland's property which covered most of the eastern end of Phillip Island. He maintained the Beacon Light on Woolamai Point close to his house. Owned and occupied by family since 1869.Coloured photograph showing Sideboard with the original silver and glassware brought out to Australia by Capt. John Cleeland. also Trophies and Ruby Glass drinking set from the London Exhibition. This is all displayed on the Sideboard.local history, photographs, buildings - historical, coloured photograph, john cook, woolamai house, cleeland family history

Ruby red cut glass vasevases

Woolamai House was built in approx 1869 on part of Capt Cleeland's property which covered most of the eastern end of Phillip Island. He maintained the Beacon Light on Woolamai Point close to his house. Owned and occupied by family since 1869.Coloured photograph showing section of the Dining room - Sideboard in particular with the original silver and glassware brought out to Australia by Capt. Cleeland. Also Trophies and Ruby Glass drinking set from the London Exhibition. Television on small table.local history, photographs, buildings - historical, coloured photograph, john cook, woolamai house, cleeland family history

Port light from the s.s.Casino - authenticated by sale at Apollo bay - John McDonald purchased 2 lamps the green lamp was later broken and discarded. He planned to use them on his fishing boat "Inverness".This port lamp was used on the s.s.Casino, a coastal trader that serviced the towns from Portland to Melbourne for almost 50 Years quite a significant achievement for a ship of its kind.Galvanised metal lamp with a wind proof chimney on top and ruby coloured glass. Ships Port lamplight, s.s.casino, john mcdonald, inverness, port, kerosene lamp

Edward Miller started his business in Meriden, Connecticut, in the 1840's making and selling camphene and burning fluid burners. By the 1860's, Edward Miller had become an aggressive competitor in the lamp business. Edward Miller died in 1909 at the age of 82. The Miller Company continued to produce its wares to his high standards and is still in existence today.Bicycle Lamp. Miller & Co. Miniature Kerosene Bicycle Lamp. Black Painted, metal. Approx. 60mm x 50mm x 120mm. Clear glass in front lens with a small faceted ruby glass lens on either side. Flexible hinged mounting mechanism at the rear of the lampedward miller, bicycle, lamp

The sanctuary lamp was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. The lamp was donated by Miss C. Roberts to St Nicholas Seamen's Church, Williamstown, as a memorial to Edward Roberts, who passed away on August 7th, 1905, as stated on the plaque. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity in Great Britain that has served the world's seafarers since 1856. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seamen Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, and the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and resembles the Williamstown chapel. The lamp is socially significant as a lasting memorial to Edward Roberts. It is also significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The lamp is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women formed to support seafarers. The connection of this lamp to the Mission to Seamen highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Sanctuary Lamp, a brass six-sided lamp supported by three chains to a main disc, with a single chain above. Base ring. Ruby glass bowl on top. Inscribed glass plates on the sides. The lamp bowl is lit by an electric lamp. Made in England. It is now part of the St. Nicholas Seamen's Church Collection. Marked on plates "In Loving Memory of Edward Roberts who passed away 7 August 1905 Nearer My God To Thee"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, harbor lights guild, joy club for fighters, ladies lightkeepers’ auxiliary, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seamen’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, sanctuary lamp, electric lamp, church lighting, pendant lamp, edward roberts, memorial plaque, 7-08-1905, c. roberts

From the late Miss Eva M SebireVictorian lamp with ruby red glass bowl, decorative ornate gold coloured metal base, wick handle and frosted flue.lamps

Owner and donor was daughter of Alan Richardson, sawmiller at Tabbara and holder of ticket for paddlesteamer Curlip.This item is a souvenir of a significant annual Melbourne event. The Richardson family played a significant role in the history of Orbost.Small ruby and clear glass mug. Souvenir from Melbourne Show.Front - Souvenir from Melbourne, Ruth 1909souvenir melbourne-show richardson-alan mug-glass

Moulded Bohemian ruby flashed glass, with blown storm shades all decorated with enamelled painted floral motifs, c. 1890s. These decorative candlesticks with shades matched the light fittings in the cottage parlour.Decorative candlesticks with faceted glass drops with storm shades demonstrating not only the practical use of the object protecting the lighted candles from being blown out by draughts, but also a decorative element. These candlesticks also matched the light shades of the front parlour of the cottage c.1890s.candlestick, storm shade, ballarat, flashed glass, bohemian,

Interior and exterior views showcase Fortuna's unique design elements.Notable features include the Pompeii fountain with detailed sculptures such as a boy on a pillar, Neptune, and a lion's head. Exquisite stained glass in the music room. Rooftop putti (cherubic figures) that add timeless appeal. Beverley Carter is the author of the document and is a retired secondary school teacher, part-time journalist, reviewer, and editor. She is a member of Bendigo's Lansell family and is currently writing a comprehensive history of her family, covering their European and English origins and their role in Bendigo's development. Carter's 'Fortuna Glimpses' series focuses on the life of mining magnate George Lansell and his home, Fortuna Articles - "Fortuna Details" May 15 2009 The Bendigo Advertiser by Beveley Carter, picture by Julian Prowd This item contains the following: 11217.40a Colour Photo of "Boy on a Pillar". 11217.40b Colour Photo of "Pompei Fountain Detail" 11217.40c Colour Photo of "Pompei Fountain Detail" 11217.40d Colour Photo of "Pompei Fountain Lions Head" 11217.40e Colour Photo of Stained glass from the music room, and ornate plaster. 11217.40f Colour Photo of roof top putti. 11217.40g Colour Photo of Etched and ruby glass panels on the conservatory 11217.40h Part of Page 16 - "Fortuna Details - Fortuna Glimpes"non-fictionbendigo, fortuna, george lansell, beverley carter

Presentation plaque adhered to glass front, bottom centre, gold engraving on black plastic. "Presented to the Bendigo RSL from the Rotary Club of Kangaroo Flat 1 July 2017"The work depicts the Soldiers Memorial Institute Building (Bendigo Military Museum) using a number of coloured gemstone chips adhered to a support board, list of Gemstone chips listed on the back of frame, original hand made craft. Frame timber with gold paint, 3D look with black fabric mount, glass front and MDF board backing and MDF board stand.Information printed on paper on back of board, "Good/idea/ Ph 704973 o0 - 5005115/ Gem name and colour/ Ruby red/Spinel pink/ Sapphire blue/ Lapis La2uh blue/ Jade green, Tomaline black/ Apatite light green/ Peridot light green"framed accessories, rotary club, smirsl, brsl

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsGold coloured pin adorned with two curls. One with fourteen small glass/diamond stones one red/ruby type stone three empty stone clasps gold coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer

Part of Silver Wells, Gembrook collection.VEMU1629.1 Ruby Ware Jug. Ruby colour top and clear cut glass base. Broken handle. Gold writing 'Dear Mother from Lucy 1907'. VEMU 1629.2 Ruby Ware Small Dish/Bowl. Ruby colour top band and clear cut glass base. VEMU1629.3 Ruby Ware Vase. Ruby colour with entwined leaf pattern around side. Turned edge at top.VEMU 1629.1 Gold writing 'Dear Mother from Lucy 1907'.silver-wells; ruby-ware.

This window along with the the second window in the reredos was donated by the Misses Forge in memory of their brother, James Leslie Forge, 33yo, who died on the 23 April 1917 while working on his orchard in Wingello, NSW. A Footscray local, he had donated the funds (100 pounds) for the reredos of the St Peter chapel. Follow Me and Thou of little Faith in the Sanctuary of the Chapel were probably installed at or around the time that the building was erected. The windows are attributed to Brooks, Robinson & Co. on stylistic grounds, probably designed by William Wheildon and drawn up into a full scale cartoon by George H. Dancey c1918.Arched stained glass windows with design and texts from St. Matthew’s Gospel reference water by showing the Sea of Galilee and Christ stilling the water. The ornamental borders have the anchor of hope in the point directly central above the scene.‘Thou of little Faith Wherefore dost thou doubt’ Matt. 4.31 / To the Glory of God, and in loving memory of / J. Leslie Forge / This window is given by his sister R.F.altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, 1917, ww1, memorial chapel, reredos, footscray, james leslie forge, ruby forge, forge's store, gifts-1917