S & G Dairymaster Milk UrnHistoric - Farming - S & G Dairymaster Milk UrnMetal Milk UrnS & G Dairymaster s & g dairymaster milk urn, puffing billy, milk urn, milk can

Earthenware is lightly fired, readily absorbs water if not glazed, and does not allow light to pass through it. Coarse earthenware is made from clay and grog (ground up fired pot). There are two main types of glazed earthenware: One is covered with a transparent lead glaze; when the earthenware body to which this glaze is applied has a cream colour, the product is called creamware. The second type, covered with an opaque white .in glaze, is variously called tin-enamelled, or tin-glazed, earthenware, majolica, faience, or delft. G&S marking could be Grove & Stark, Longton, England (1871-1884). In the 19th century, J. & G. Meakin ,1851 based in Hanley, Stoke-on-Trent, Staffordshire, was known for the vast quantities of cheap ironstone china it produced for the domestic English market and for export to Australia, Canada, New Zealand and the United States. Grove & Stark were taken over by Meakin early 20thC The Mark could also be Gibson & Sons (Ltd), were notably manufacturers of earthenware Burslem, Stoke-on-Trent. Founded around 1885 and traded until the mid 1970's. They were previously Gibson, Sudlow & Co. Manufactured between 1885 to 1905. Small earthen-ware, black-glazed tea-pot. 8 sided. The body of the tea-pot is decorated with hand-painted gold flowers and raised cream flowers. The lid is also hand -painted with green leaves and flowers. This floral pattern is named "Garland" The lid is not of the same pattern as the base. The spout was broken when brush tailed possum entered Cottage via chimney 27/4/2014. Can be repairedOn the base of the tea-pot. Makers Mark is G & S. "Garland". (Pattern), Rg. No. 175153. Also 'Made in England'. Under glaze there is the word: England.crockery, earthenwarre, gibson & son ltd, grove & stark ltd, pioneers, early settlers, bentleigh, market gardeners, moorabbin, cheltenham, pottery, stoke- on - trent, england, longton, burslem, wedgwood

Set of hand written notes recording date of sale of MMTB trams - R, U, S, P, W, G, H, J, and Q class and sometimes the sold location. Notebook - pocket size, wire spiral bound, listing trams sold by the MMTB up to the mid 1970's and similar for Ballarat and Geelong cars.trams, tramways, sale of trams, mmtb, notebooks, personal papers

Unknown donor.Sepia photograph of Lt. G. S. Williams - standing on the Cowes Pier in uniform. He was the son of Mr S Williams, Cowes. Leaving Christmas 1917. The following day he embarked for France. He was decorated with Order of The Star of Roumania.armed forces wwi, lt g s williams

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Single sheet of of white paper with printed header and a typed letter of reference signed by S Hope the editor of 'British Bandsman', a weekly paper.A pen signature - S. Copefrank wright, s cope, british bandsman, reference

Invitation to a Special Meeting of the Ringwood Council of the City of Ringwood and a Citizenship Ceremony at Ringwood Civic Centre on 22nd October 1974. From the Mayor Cr S Morris JP and the Councillors to Mrs G Horman. All material is from Gwen Horman’s three albums that she owned.

Invitation from the Ringwood Council of the City of Ringwood on 22nd October 1974. From the Mayor Cr S Morris JP and the Councillors to Mrs G Horman. Official launch of the "Place of Many Eagles" by KAR Horn BA Mus B State Librarian at the Civic Centre, Maroondah Highway, Ringwood. All material is from Gwen Horman’s three albums that she owned.

Invitation to "Back to Ringwood" from the Ringwood Council of the City of Ringwood on Saturday 19th October 1974. From the Mayor Cr S Morris JP and the Councillors to Mrs G Horman. Official opening of the Golden Jubilee Celebrations of Ringwood's serverance from Lillydale Shire by the Hon AJ Hunt MLC, Minister for Local Government and Planning. All material is from Gwen Horman’s three albums that she owned.

John Sherlock Willaton was born 1.8.1897 in Sebastopol near Ballarat. In 1916 aged 18 years 8 months he enlisted in the 1st AIF and embarked overseas with the blessing of his employer even though he had not completed his apprenticeship. He was wounded in action with a bullet wound to the right foot. His family moved from Ballarat to Sunshine in 1917 and when he was discharged in 1918 he joined the Sunshine Harvester Works as a Fitter and Turner. He was promoted to Sub Foreman of the Bolt Shop toolroom where one of his main responsibilities was training apprentices and he remained in that position until his retirement on the 4.8.1961.Contains original signatures of 112 workmates at Massey-Ferguson (Australia) Ltd of John S. Willaton. It is an original document and the only copy in existence.Farewell signatures of 112 workmates on the retirement on 4-8-1961 of JOHN S. WILLATON from Massey-Ferguson (Australia) Ltd, after working more than 43 years. The document contains 3 pages of signatures bound in a fawn coloured cardboard folder. The 3 pages are bound to the folder with a black ribbon tape and the folder has a green coloured tape on the back edge.112 signatures of John S. Willaton's workmates.willaton john s., farewell card, retirement, massey ferguson, h. v. mckay, workmate signatures, mckay

Written of back of photograph: "L to R. Councillors: Elliot, Hill, Mr. Cole (Gas & Fuel), Cr. G. Lavis". Stamp on back of photograph reads, 'Edwin G. Adamson, A.R.P.S. Chartres House, 165 Collins St. Melbourne'.

Colourised Class photo of School Group, Winnington Grammar School, 35 Ringwood St, Ringwood. Undated but donor identified as "early 1930's"Below Photograph: Margaret Barrett Ringwood On Reverse: Margaret Barrett, Surbiton, Warrandyte Rd, Ringwood, written over photographer's stamp (G.E.Hains)

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This single sheet of typed paper has the printed header of the New Zealand Brass Bands' Association and is a letter of reference for Frank Wright signed by John G Osborne, the Secretary. The typing is purple.Signature in penfrank wright, john g osborne, new zealand brass bands' association, reference

Nine separate original signed certificates. Eight awarded to S. Hudson Burnley Egg Laying Competitions 1956 to 1958: (1) Department of Agriculture, Victoria Certificate of Merit, Class 1 White Leghorns - Wet Mash, Total First Grade Eggs 263, Bird No 144. 1956-1957: (2) Department of Agriculture, Victoria, Certificate of Merit, First Class, Section A Class 1 White Leghorns, Dry Mash. Total First Grade Eggs 240 Bird No 44. 1957 -1958 Government Champion Certificates, (3) First Prize Section A Class 1 White Leghorns Dry Mash. Total number of First Grade Eggs 1401 1957 -58 (4) First Prize Section A Class 1 White Leghorns Dry Mash, Individual Birds Total number of First Grade Eggs 269. (5) Winter Test First Prize Section A Class 1 White Leghorns Dry Mash Total number of First Grade Eggs 95. 1957 -58 (6) Winter Test First Prize Section A Class 1 White Leghorns Dry Mash Total number of First Grade eggs 491.1957-58 Government Certificates, (7) Winter Test, Third Prize Section A Class 1 White Leghorns - Dry Mash Total number of First Grade eggs 92. 1957-58 (8) Second Prize Section A Class 1 White Leghorns - Dry Mash - Individual Birds Total number of eggs 255. 1957-58 (see Sash B98.0620) One Government Certificate awarded to G. Hudson Burnley Egg Laying Competition 1958-59 : (9) Winter Test, Equal Third Prize Section A Class 1 White Leghorns Dry mash (Individual Bird) Total number of First Grade Eggs 81.Awarded to S. Hudson Burnley Egg Laying Competitions 1956 to 1958: (1) Department of Agriculture, Victoria Certificate of Merit, Class 1 White Leghorns - Wet Mash, Total First Grade Eggs 263, Bird No 144. 1956-1957: (2) Department of Agriculture, Victoria, Certificate of Merit, First Class, Section A Class 1 White Leghorns, Dry Mash. Total First Grade Eggs 240 Bird No 44. 1957 -1958 Government Champion Certificates, (3) First Prize Section A Class 1 White Leghorns Dry Mash. Total number of First Grade Eggs 1401 1957 -58 (4) First Prize Section A Class 1 White Leghorns Dry Mash, Individual Birds Total number of First Grade Eggs 269. (5) Winter Test First Prize Section A Class 1 White Leghorns Dry Mash Total number of First Grade Eggs 95. 1957 -58 (6) Winter Test First Prize Section A Class 1 White Leghorns Dry Mash Total number of First Grade eggs 491.1957-58 Government Certificates, (7) Winter Test, Third Prize Section A Class 1 White Leghorns - Dry Mash Total number of First Grade eggs 92. 1957-58 (8) Second Prize Section A Class 1 White Leghorns - Dry Mash - Individual Birds Total number of eggs 255. 1957-58 Government Certificate awarded to G. Hudson Burnley Egg Laying Competition 1958-59 : (9) Winter Test, Equal Third Prize Section A Class 1 White Leghorns Dry mash (Individual Bird) Total number of First Grade Eggs 81.egg laying, competition, s. hudson, g. hudson

Photo taken at 1964 A G M of Mitcham R S L Life members at the timePhotograph of Mitcham R S L Life Members in 1964 Frank Fisher, Charles H Honybun, Cec. A. G. Johnson, Alec C. Cook, Les G. StaceyMitcham R S L Life Members in 1964 Frank Fisher, Charles H Honybun, Cec. A. G. Johnson, Alec C. Cook, Les G. Staceyphotography, photographs / slides / film

Hector Brickbill paid 100 guineas to the Ballarat School of mines to be admitted as a Student-Assistant as part of a course of instruction in Chemistry, Metallurgy, Geology, Mineralogy, Surveying and Electrical Science. The indenture was for a three year period and required the student-assistant to undertake 40 hours of diligent and faithful work at the Ballarat School of Mines. Not less than 24 hours per week was to be devoted to instruction such as lectures at The School, and not less than 20 hours was to be devoted to the service of The School upon duties in connection with the Laboratories and Museum under the direction of a Professor. Upon completion Hector Brickbill became an Associate of the Ballarat School of Mines, and could put the letters ASMB after his name. .1) Printed indenture document which has been folded in half. Hand written sections have been filled out on the printed document. The indenture is between Andrew Anderson, President of the Ballarat School of Mines, and Hector G. Brickhill of Launceston, Tasmania. .2) Blue Ballarat School of Mines envelopehector g. brickhill, alumni, andrew anderson, ballarat school of mines indenture, ballarat school of mines student-assistant undenture, associate

Drying department, R S & S mill.Drying machine/ R S & S/ 2 men operate/ 1 hidden by fabric G Kidman ROBERT POCKLEY/ PHOTOGRAPHERtextile machinery textile mills - history textile mills - staff textile mills, returned soldiers and sailors mill, drying machinery, drying, textile machinery, textile mills - history, textile mills - staff, textile mills

1880's Great Western School Photograph of four rows of Students and Teacherstudents, education

Milling and drying machinery, R S & S mill.R S & S finishing room/ L-millimg & scouring machines/ with wring-dryer ROBERT POCKLEY/ PHOTOGRAPHER/... G Kidmantextile machinery textile mills - history textile mills - staff textile mills, returned soldiers and sailors mill, dyeing, milling, scouring, finishing, kidman, mr g. l., textile machinery, textile mills - history, textile mills - staff, textile mills

256 p. : red cover, section of original dust jacket pasted to front cover. Title and author's name handwritten in black ink on spine. fictionleila s. mackinlay, fiction

The Genista moved from NSW to serve Western Port from 1889-1932A large black & white photo of a postcard of the S S Genista at the Newhaven Pier with a small yacht and people on pier.Phillip Island "S. S. Genista" calling at Newhavenss genista, ferries, water transport, newhaven, photographs, newhaven pier

The letter writer G. R. Locke has read Robin Boyd's newspaper articles on early public buildings and homes. This letter tells Boyd about the historic home "Auburn House", 4 Goodall St Hawthorn, established for Robert Hepburn with land purchased in 1856. It also tells of the confusion with neighbouring house "Auburn Lodge". Since Boyd writes on early Melbourne public buildings and homes, the writer is inviting Boyd to view the house. It is not known whether Robin Boyd took up the invitation. In 1960 it was included in the National Trust Register.

Portrait of H. G. SteeleH. G. (Harold George) Steele was Carey Baptist Grammar School's foundation (first) headmaster and held office for twenty-two years and lived to see the School he had shaped become one of Victoria's eleven Associated Public Schools. headmasters, 1923, carey baptist grammar school

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Thomas G. Jellis, Mayor of Kew 1905-6. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Thomas G. Jellis, Mayor [of Kew] 1905-6cr. thomas g. jellis, mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

Red CoverL Nicholson, Morrl Morrlstawell education

Beni Carr Glyn Burnett (also known as B. C. G. Burnett or Beni Burnett) was born in 1889 to missionary parents in Mongolia. When he was 15 years old he began training as an architect with a firm in Shanghai. He worked in Singapore, Japan and China before moving to Australia around 1933. In 1937 he was appointed as the Commonwealth principal architect in the Northern Territory. He went on to design a series of houses for senior public servants and military personnel which became very popular as they were specifically designed for the tropics - incorporating louvres, high ceilings and good ventilation. When Darwin was bombed in February 1942, he was evacuated to Alice Springs where he continued to work as an architect. He also became a Magistrate and Coroner in Alice Springs. In later life he was well known for sketching clientele in public bars. He died in 1955. Beni Burnett was living in Sydney in 1933 when he produced these three artworks. There were several photography firms operating in Sydney at this time who specialised in photographing ships and the shipping trade (e.g. Samuel J. Hood and William James Hall) and whose photographs were used by artists to produce ship portraits. Both of these photographers took photographs of the two ships in B. C. G. Burnett's watercolours. The "Magdalene Vinnen" was photographed by Samuel J Hood in a series of photos taken in March 1933. It was a 4 masted steel barque, built in 1921 in Kiel, Germany and for almost 80 years was the largest traditional sailing ship in operation. It was used extensively as a cargo ship. It sailed into Sydney Harbour on 27th Feb 1933, loaded with almost 16,000 bales of wool destined for Falmouth, England. In March 1933 (whilst in Sydney) the German Republic flag (on orders from Adolph Hitler) was lowered and replaced with the old monarchist flag which was then to be the official flag and beside it the Nazi flag was to be flown on all ceremonial occasions. It visited Australia again in 1935 with its cargo being wheat from Port Broughton, S. A. In 1936 it was renamed "Kommodore Johnsen" and in 1945 (after WW2) the ship was awarded to the Soviet Union as war compensation and renamed "STS Sedov". The "Winterhude" (originally called "Mabel Rickmers) was a three masted Finnish barque built in 1898 by Rickers - Werft Bremerhaven for use on the East India rice trade and later the South American nitrate trade. After WW1 it came under French control as war compensation. It was also sold several times and at one stage was called "Selma Hemsoth" but in 1925 it was bought by Gustaf Erikson who restored the name "Winterhude" and the vessel became a regular transport in the Australian wheat trade. In 1944 it was sold to the German navy before being taken over by the British at the end of WW2. It was photographed in Sydney by William James Hall in 1931 on its way to Port Lincoln, South Australia to load wheat for Europe. The third ship depicted by B. C. G. Burnett is a pen and wash sketch labelled "The White Ship" and exactly matches a photograph pasted into his personal scrapbook which is in the "Library and Archives N. T.". The name of the ship is unknown and B. C. G. Burnett may have taken some artistic licence with the colouring as in the original photograph, the ship had a dark hull.This set of three small artworks is significant as examples of shipping (particularly the use of sailing ships) that were still being used as late as the 1930's in Australia. They are also important because their creator (B. C. G. Burnett) went on to become a well-known public figure in the Northern Territory in the late 1930's due to his innovative approach to designing homes for the tropical climate.A set of three artworks by B. C. G. Burnett of sailing ships in Sydney Harbour. They are all on rectangular watercolour paper with small diagonal edges at each corner. Painting 1 is a watercolour painting of a sailing ship called "Magdalene Vinnen". It shows a 4 masted barque with a blue and red steel hull in full sail heading towards the viewer. The painter's name (B. C. G. Burnett) and date (1933) are written on the bottom left-hand corner of the painting. Painting 2 is a watercolour painting of a sailing ship called "Winterhude". It shows a 3-masted barque with a blue and red steel hull in full sail heading away from the viewer. A small figure can be seen at the wheel at the rear of the ship. The painter's name (B. C. G. Burnett) and date (1933) are written on the bottom left-hand corner of the painting. Sketch 3 is an ink sketch of an unknown sailing ship moored to a dock. There are several small boats tied up near the sailing ship and a large steel freighter can be seen in the background. There is a faint wash of colour on parts of the sketch - the bottom of the ship, the masts and booms and the water at the end of the pier. The title (The White Ship) and the artist's name (B. C. G. Burnett) are written in ink in the top left corner. 1 (front) - "B. C. G. BURNETT. 1933 2 (front) - "B. C. G. BURNETT. 1933" 3 (front) - "THE WHITE SHIP / B. C. G. BURNETT"flagstaff hill maritime museum and village, warrnambool, great ocean road, sailing ships, ships, barque, magdalene vinnen, winterhude, beni carr glyn burnett, b. c. g. burnett, beni burnett, painting, watercolour painting, sketch, ink sketch, sydney harbour, architect, darwin, burnett house, photography, samuel j. hood, william james hall, sedov, kommodore johnsen, mabel rickmers