One of 17 postcard donated by Olive BlameySepia postcard of Seabirds on the coast, Phillip Island."Sea Birds on the Coast, Phillip Island." "Valentines Series M 4969"sea birds phillip island, wildlife - sea birds, phillip island coastline, olive blamey

Souvenir Photographic Strip photo envelope donated by Anne LucasBlack & White photographs in a Souvenir Folder. Photos of wildlife and coastal scenes at Phillip Island.On Cover: "Cowes, Phillip Island. Photographic Souvenir" 230-01. "Australian Native Bears (Koalas)." 230-02. "Bathing scene at Cowes." 230-03. "The Pier, showing Isle of Wight Hotel." 230-04. "The Beach at Cowes." 230-05. "Seals on Seal Rock." 230-06. "The Beach, Cowes." 230-07. "War Memorial and Pier". 230-08. "The Pier. Cowes (Phillip Island)" 230-09. "Rocks at Cape Woolamai. Cowes (Phillip Island)." 230-10. "The Nobbies." 230-11. "Sea Birds at Phillip Island." 230-12. "Rocky Headland, Cape Woolamai." 230-13. "Australian Native Bears (Koalas)." 230-14. "Forrest Caves."wildlife - koalas, wildlife - sea birds, coastline cape woolamai, the nobbies phillip island, seals on seal rocks phillip island, wildlife - seals, cowes pier phillip island, cowes jetty, cowes beach phillip island, forrest caves, phillip island, seal rocks phillip island, cowes war memorial, war memorial cowes phillip island, cenotaph cowes phillip island, anne lucas

brightly coloured photo of sea, birds and boat. In glass frame."Hamburg-Amerika Linie" "Wiechmaun" "Sammlung der Webermaterial/ Aktion SEEFAHRT"

A Collection of 12 (1 missing) photographs in a paper envelope. On the front of the envelope is the following: Valentine's Snapshots. 12 Real Photographs for Your Album. Cowes, Phillip Island. Published by The Valentine Publishing Co. Pty. Ltd., Melbourne. Photo No. 9 was originally missing but has now been supplied by James Iveson who had the complete collection. This was supplied to us on the 23/5/2020. We are always pleased when people visit VC and can add or make corrections to our entries and thank James very much. We are sure our original Donor, Anne Lucas, would also be pleased. 231-01. Black & White Photograph of the Cowes Pier looking towards Cowes with The Isle of Wight Hotel in the background. 231-02. Black & White Photograph of Forrest Caves looking out to the sea. Two people on the foreshore. 231-03. Black & White Photograph of seabirds on the coastline of Phillip Island. 231-04. Black & White Photograph of The Nobbies, Phillip Island. 231-05. Black & White Photograph of Pyramid Rock, Phillip Island. 231-06. Black & White Photograph of seals on Seal Rocks, Phillip Island. 231-07. Black & White Photograph of rocks at Cape Woolamai. 231-08. Black & White Photograph of the beach at Cowes. People and beach umbrellas - looking towards Mussell Rocks, Phillip Island. 231-09 Black & White Photograph of a Ferry arriving at the Cowes Pier loaded with people. Originally missing. 231-10. Black & White Photograph of the Killara Ferry at the Cowes Pier, Phillip Island. 231-11. Black & White Photograph looking towards the Cowes Pier. The Killara Ferry at the pier. 231-12. Black & White Photograph looking toward the Cowes Pier with the War Memorial in the foreground.Each photograph has a description of the photo with a number.the nobbies phillip island, australian fur seals, seals, wildlife - seals, wildlife - sea birds, pyramid rock, rocks at cape woolamai, rocky cliffs at cape woolamai, cowes war memorial, the killara ferry, cowes beach phillip island, cowes pier phillip island, forrest caves, phillip island, anne lucas

Colour illustrations, maps, colour photographsbirds, south eastern australia, beaches, sea birds

Silver medallion featuring an image of a Greek ship at sea with dolphins swimming next to the ship and sea birds flying above on verso is image of wreath surrounding Greek text. Sitting in black box with black felt.on medallion: "OΛΠ" on verso: "OΛΠ/ 50/ XPONIA/ 1930-1980/ OPTANIΣMOY/ ΛIMENOΣ / ΠEIPAΩΣ " "PMA 0351/1" on box: "PMA 0351/2" "WMA 82"

Zepher was built by Don Mitchelson in Rosebud Victoria. It was bought by G Peel and J Mitchelson to be converteed to passenger launch Sea Bird in 1952Black and white photograph of twin screw couta boat, "Zepher" Lakes Entrance Victoriaboats and boating, local history

The Upwelling Festival is a community celebration of the Bonney Upwelling. The Bonney Upwelling is a natural, environmental phenomenon which occurs each year where the spring winds shift to the south-east driving a change in ocean currents that power a seven month feeding frenzy of tuna, crayfish, giant crabs, squid, fish, sea birds, krill and blue whales. The Upwelling is at its greatest off the coast of Portland. The Festival features a parade, ocean and science talks, live music and artThe Upwelling Festival is an annual event in Portland which celebrates the unique environmental phenomenon happening off the coast of Portland. It is a community event of great significance.8 page booklet detailing the events of the 2025 Upwelling Festival. The booklet is printed in colour on thick. glossy paper. The front cover features a green margin down the left hand side in which are printed the words, ' Portland: Oct 31st - Nov 1st , 2025' vertically in white. Across the top in dark green script is the title, 'a community celebration'. The top half of the front cover features a photograph of crafted kites/puppets of sea creatures and birds. The lower half of the cover features a photograph of the Gunditjmara dancers, Koondoon Yarkeen Karween. The two photos are separated by text which reads, ' Portland Upwelling Festival / Nyamat Yarkeen Karween'. In the bottom right hand corner there a QR code.non-fictionbonney upwelling, blue whales, environment, portland, glenelg shire council, glenelg shire council cultural collection, gunditjmara, nyamat mirring

The Upwelling Festival is a community celebration of the Bonney Upwelling. The Bonney Upwelling is a natural, environmental phenomenon which occurs each year where the spring winds shift to the south-east driving a change in ocean currents that power a seven month feeding frenzy of tuna, crayfish, giant crabs, squid, fish, sea birds, krill and blue whales. The Upwelling is at its greatest off the coast of Portland. The Festival features a parade, ocean and science talks, live music and artThe Upwelling Festival is an annual event in Portland which celebrates the unique environmental phenomenon happening off the coast of Portland. It is a community event of great significance.16 page booklet detailing the events of the 2015 Upwelling Festival. The booklet is printed in colour on thin paper. The front cover has the date of the festival to the left, next to the words, 'Upwelling Festival'. Underneath is an image of a brass band playing on Portland foreshore. Crowds surround the band and many are holding large colourful flags depicting marine images. The lower part of the image features a wave design which contain the dates of the Rotary Club Art Show and the Upwelling Festival. The bottom left hand corner has the Portland Observer logo. The back page features a full page advertisement for the Henty Bay Holiday Park.non-fictionbonney upwelling, blue whales, environment, portland, glenelg shire council, glenelg shire council cultural collection

The Upwelling Festival is a community celebration of the Bonney Upwelling. The Bonney Upwelling is a natural, environmental phenomenon which occurs each year where the spring winds shift to the south-east driving a change in ocean currents that power a seven month feeding frenzy of tuna, crayfish, giant crabs, squid, fish, sea birds, krill and blue whales. The Upwelling is at its greatest off the coast of Portland. The Festival features a parade, ocean and science talks, live music and artThe Upwelling Festival is an annual event in Portland which celebrates the unique environmental phenomenon happening off the coast of Portland. It is a community event of great significance. Poster advertising Upwelling festival in Portland, Friday 31 October and Saturday 1 November. The poster features colourful marine and sea life images in the background. Over the top is the name of the festival as well as the script, 'Call to the Sea' and 'Nyamat Yarkeen Karween'. The bottom half of the poster features a list of events with logos of partners to the bottom of the poster.portland upwelling festival, whales, whale, mammal, environmental, marine ecology, gunditjmara, portland, live music

The Upwelling Festival is a community celebration of the Bonney Upwelling. The Bonney Upwelling is a natural, environmental phenomenon which occurs each year where the spring winds shift to the south-east driving a change in ocean currents that power a seven month feeding frenzy of tuna, crayfish, giant crabs, squid, fish, sea birds, krill and blue whales. The Upwelling is at its greatest off the coast of Portland. The Festival features a parade, ocean and science talks, live music and artThe Upwelling Festival is an annual event in Portland which celebrates the unique environmental phenomenon happening off the coast of Portland. It is a community event of great significance. Poster advertising Upwelling festival in Portland, Sat. 29 October 2016. The poster features blue and green depictions of eels. The images are drawn. The top left features the title Upwelling Festival Portland with 'Presented by Rotary Club of Portland Bay Inc' typed next to it. The poster details a programme of events including the Song of the Eels Project. Logos to the bottom of the poster.portland upwelling festival, whales, whale, mammal, environmental, marine ecology, gunditjmara, portland

The Upwelling Festival is a community celebration of the Bonney Upwelling. The Bonney Upwelling is a natural, environmental phenomenon which occurs each year where the spring winds shift to the south-east driving a change in ocean currents that power a seven month feeding frenzy of tuna, crayfish, giant crabs, squid, fish, sea birds, krill and blue whales. The Upwelling is at its greatest off the coast of Portland. The Festival features a parade, ocean and science talks, live music and artThe Upwelling Festival is an annual event in Portland which celebrates the unique environmental phenomenon happening off the coast of Portland. It is a community event of great significance. Poster advertising Upwelling festival in Portland, Sat. 29 October 2016. The poster features four photographs of music acts performing at the festival. To the top is the festival title along side dates and times and to the bottom is the music line up - Louise Adams, Cooper Lower, Kelly Menhennett and Mike Stangelportland upwelling festival, whales, whale, mammal, environmental, marine ecology, gunditjmara, portland, live music

The Upwelling Festival is a community celebration of the Bonney Upwelling. The Bonney Upwelling is a natural, environmental phenomenon which occurs each year where the spring winds shift to the south-east driving a change in ocean currents that power a seven month feeding frenzy of tuna, crayfish, giant crabs, squid, fish, sea birds, krill and blue whales. The Upwelling is at its greatest off the coast of Portland. The Festival features a parade, ocean and science talks, live music and artThe Upwelling Festival is an annual event in Portland which celebrates the unique environmental phenomenon happening off the coast of Portland. It is a community event of great significance. Poster advertising Upwelling festival in Portland, Sat. 3 November 2018. The poster features colourful marine images such as fish, shells and tentacles. The images are drawn. The top left features the title Upwelling Festival on a slant with the date next to it. Underneath is written, 'Call to the Sea' in large blue script. At the bottom of the poster are a number of logos of partners to the Festival. The very bottom features - www.upwellingfestival.com.au portland upwelling festival, whales, whale, mammal, environmental, marine ecology

The Upwelling Festival is a community celebration of the Bonney Upwelling. The Bonney Upwelling is a natural, environmental phenomenon which occurs each year where the spring winds shift to the south-east driving a change in ocean currents that power a seven month feeding frenzy of tuna, crayfish, giant crabs, squid, fish, sea birds, krill and blue whales. The Upwelling is at its greatest off the coast of Portland. The Festival features a parade, ocean and science talks, live music and artThe Upwelling Festival is an annual event in Portland which celebrates the unique environmental phenomenon happening off the coast of Portland. It is a community event of great significance.16 page booklet detailing the events of the 2016 Upwelling Festival. The booklet is printed in colour on thin paper. The front cover has the date of the festival to the left, next to the words, 'Upwelling Festival'. Underneath is an image of Portland foreshore with tens, people walking with kites and puppets as well as people in the water. The lower quarter of the front page has blue and green drawing depictions of eels and a wave design which contain the dates of the Rotary Club Art Show and the Upwelling Festival. The bottom right hand corner has the Portlan Observer logo. The back page features a full page advertisement for the Henty Bay Holiday Park.non-fictionbonney upwelling, blue whales, environment, portland, glenelg shire council, glenelg shire council cultural collection

The Upwelling Festival is a community celebration of the Bonney Upwelling. The Bonney Upwelling is a natural, environmental phenomenon which occurs each year where the spring winds shift to the south-east driving a change in ocean currents that power a seven month feeding frenzy of tuna, crayfish, giant crabs, squid, fish, sea birds, krill and blue whales. The Upwelling is at its greatest off the coast of Portland. The Festival features a parade, ocean and science talks, live music and artThe Upwelling Festival is an annual event in Portland which celebrates the unique environmental phenomenon happening off the coast of Portland. It is a community event of great significance.8 page booklet detailing the events of the 2022 Upwelling Festival. The booklet is printed in colour on thick. glossy paper. The front cover features a blue margin down the left hand side in which are printed the words, ' Portland: October 29-30, 2022' vertically in white. Across the top in blue script is the title, 'a community celebration'. The top half of the front cover features a photograph of a crowd of people at Portland foreshore, many holding flags, kites and puppets. The lower half of the cover features a photograph pf runners. The two photos are separated by text which reads, ' Portland Upwelling Festival / 3-Bays Running Festival'. In the bottom left hand corner there is the Portland Runners Club logo.non-fictionbonney upwelling, blue whales, environment, portland, glenelg shire council, glenelg shire council cultural collection

Part of a collection of photographs donated by Julie Barnett. Photographs taken by Julie's In-law's whilst on their honeymoon in November 1946.229-50. Black & White panorama of 4 photographs joined together of Westernport from San Remo looking towards Newhaven. Piers with bridge in background & boats in the bay. 229-51. Black & White photograph of Shelly Beach. 229-52. Black & White photographs (2 pasted together) of Inverloch Inlet. 229-53. Black & White photograph of Westernport with S. S. Reliance in the bay. 229-54. Black & White photograph of a Sea bird sitting on top of a pole. 229-55. Black & White photograph of the Chapel at St. Paul's Training School in Newhaven, Phillip Island. 229-56. Black & White photograph of the Summerland Jetty and coastline. 229-57. Black & White photograph of a Corvette in Westernport Bay. Trees in foreground and man walking on the beach. 229-58. Black & White photograph of Westernport looking towards French Island. 229-59 to 229-62. Black & White photographs of a Koala in a tree.westernport bay, westernport, shelly beach, inverloch inlet, s.s.reliance, wildlife - seabirds, seagull, st. paul's training school newhaven, phillip island, chapel at st. paul's training school, summerland jetty phillip island, corvette westernport bay, wildlife - koala, koala

On Boxing Day 1905, Mr Dudley Le Souef, the director of Melbourne Zoological Gardens, offered the grounds for a picnic. The seamen of the fifteen ships anchored in the harbour were invited. In the centre wearing a white cap is Mr Charles A. Holmes, Honorary Lay Reader of the Mission and behind him is Ethel Godfrey. The following day in the Age we could read: "Yesterday the scene of festivities was the Zoological Gardens, where a number of seamen from fifteen of the ships in the harbor had a sailors' picnic. The director of the gardens, Mr. Dudley Le Souef, kindly, allowed the picnickers the free use of the picnic ground, and also provided them with milk and hot water. A lengthy programme of sports was gone through, and those who were not inclined for athletics spent their time in strolling round examining the zoo logical inmates of the gardens. It was noticeable that the large carnivora were the favorites with the English sailors, whilst foreign seamen were immensely attracted by the kangaroos, wallabies and other Australian marsupials. After tea Mr. Le Souef delivered an interesting illustrated lecture entitled Sea Birds and Their Homes. In carrying out the two days' arrangements Mr. Goldsmith was energetically assisted by voluntary helpers, both ladies and gentlemen, and also received many contributions. " The Age, Wednesday 27 December 1905, page 5.Small monochrome outdoor photograph, very clearly focussed, depicting three men delivering or collecting teacups, and two ladies watching on in backgroundMr Holmes distributing cups Zoo Miss Godfrey Centrezoo, boxing day, mr dudley le souef, ethel augusta godfrey, mr c.a. holmes, picnic, 1905, charles arthur holmes

Harold Gatty was born on January 5th, 1903 in Campbell Town, Tasmania. He was a navigator and aviation pioneer. He began his career learning navigation at the age of 14 as a midshipman at the Royal Australian Naval College but withdrew after three years and became an apprenticed ship's officer with the Patrick Steamship Company of Sydney. After W. W. 1 he joined the Australian Merchant Navy where he learned the constellations while standing night watch and became an expert in celestial navigation while serving on many ships sailing between Australia and California. In 1927 he moved to California and opened a navigation school and also a laboratory repairing navigational equipment. At this time he became very interested in air navigation and was aware of the limitations of existing methods and instruments for aerial navigation. He began researching ways of improving aerial navigation. Two early inventions of his were his air sextant and a ground speed and drift indicator which formed the basis of the automatic pilot which later came to be standard equipment on most aircraft. He worked with several record breaking pilots including Ann Morrow Lindbergh (who went on to serve as a navigator for her husband Charles Lindbergh), helped Wiley Post break the world record circumnavigating the Earth, invented a new method of "dead reckoning" that revolutionised the ability to fly safely through cloudy conditions without drifting off course and famously navigated a small plane (whilst trying to cross the Pacific) over 1900 km through fog (with no radio) and using only his dead reckoning techniques, back to their starting point in Japan after they developed fuel problems. In 1932 Gatty received the Distinguished Flying Cross from President Hoover. In 1934 Gatty formed the South Seas Commercial Company with Donald Douglas with the aim to deliver air services to the islands of the South Pacific. The Company was sold to Pan Am but he continued to work for them. In 1935 he went on a sailing expedition investigating several small islands in the South Pacific and was briefly marooned on Baker Island. He was able to use his extensive knowledge of seabird habits to save the crew. He was also very interested in the ability of the Polynesians to navigate using the stars. During the Second World War Gatty was given the honorary rank of Group Captain in the Royal Australian Air Force (RAAF) and worked for the U. S. Army Air Forces (USAAF) in the South Pacific. In 1943 he moved to Washington where he developed a survival book (The Raft Book) specifically for boat crews or air crews flying over the Pacific to help them survive and navigate their life rafts in remote areas of the ocean. The original book was 152 pages long however a condensed version was made which consisted of a 64 page booklet, combined map and star chart and calendar strip enclosed in a waterproof slipcase, to be placed in life rafts for emergency use. The booklet included navigational advice and ideas such as ocean currents, estimation of distance, using a compass, measurement of angles, recognising and steering by the stars, land indications from sea birds, migration of sea birds and insects, sounds from the land, the scent of the land and ocean currents and the colour of the sea etc. After W.W.2 Gatty moved to Fiji and formed Fiji Airways (which later became Air Pacific). Harold Gatty died in August 1957.The two copies of "The Raft Book" are significant as they are a written summary of the many methods of sea navigation (both modern and historical) that existed in the 1940's. They are also a record of Harold Gatty, who played a significant role in the development of modern day aerial navigation using his understanding of different sea navigational techniques.Two rectangular brown packets with waterproof coverings (oiled paper) titled "The Raft Book" by Harold Gatty. Each packet contains a folded 64 page paper booklet with detailed instructions for navigating a small craft in open seas, a folded chart (with a map of the world and oceans, well known constellations, latitude and longitude charts, Greenwich time and a scale for string lengths and Harp scale) and a long folded paper calendar strip.Front of package - "WATERPROOFED EDITION OF/ THE RAFT BOOK / By Harold Gatty / BOOK AND WORLD CHART / FOR / EMERGENCY NAVIGATION / To open envelope tear along above line. If the envelope is used again fold the flap to keep contents dry. 1. This envelope contains a book, chart and tape for emergency navigation. The contents are folded to take up the least possible space and therefore should not be removed until needed. 2. if the chart and tape are immersed in water for a long period, there will be a slight variation in the scale but the strength and resistence to tear of the paper will not be changed. In the event of long immersion, dry the chart and tape as much as possible before using in order to in order to get the greatest accuracy in scale. Front of booklet - THE RAFT BOOK / LORE OF THE SEA AND SKY /By Harold Gatty IMPORTANT FOR YOUR SECURITY/Upon abandoning ship you may have to be your own navigator. Take the following pre/cautions for your own safety:/ Carry a good type of pocket watch / keep it wound and have it running on Greenwich (England) / Time, which you can get from the navigating officer. / Keep track of the date at Greenwich; and on a 24-hour basis, / know whether the time is, say, 6 hours (6 A.M.) showing on / your watch, or 18 hours (6P.M.) Greenwich. / PROECT YOUR WATCH. GET A RUBBER SACK FOR IT (OBTAIN FROM PHARMACIST) AND KEEP IT DRY / KEEP A PENCIL IN YOUR POCKET/ POSITION OF SHIP WHEN ABANDONED PRINTED IN UNITED STATES OF AMERICA GEORGE GRADY PRESS, NEW YORK/COPYRIGHT, 1943, BY HAROLD AND FENNA GATTYflagstaff hill maritime museum and village, shipwreck coast, warrnambool, the raft book, harold gatty, book and world chart for emergency navigation, ww 2, ww ii, navigation, air navigation, aerial navigation, lindbergh, wiley post, dead reckoning, south seas commercial company, u.s. army airforce, usaaf, survival book, life rafts, sea navigation, emergency navigation, fiji airways, harp scale

Proclamation card presented to I. C. McLean and signed by all other crew members on board the RMS Remuera. The crew left Australia to join HMAS Perth and formed part of Australia's first war contingent for active service in WWII. The document is dated 15th October 1939.This document is significant as a tangible link to a former crew aboard the RMS Remuera. The card also notes that this crew formed part of Australia's first war contingent for active service for WWII. A number of servicemen who signed this card did not return from service. It represents the vital role of these men had in defending Australia. It also represents a tradition of Crossing the Line in RAN culture and has social value.Proclamation card presented to I. C. McLean and signed by all other crew members on board the RMS Remuera. The crew left Australia to join HMAS Perth and formed part of Australia's first war contingent for active service in WWII. The document is dated 15th October 1939.Hereunder are names of men who left Australia to join HMAS Perth on West Indies Station, forming Australia's first war contingent for active service. Mason, F. ... Henry (Printer), M. M. S.... (Printer's Devil), A.G.H. Foley A.B., L. H. Hughes E.R.A, M.G. Packer E.R.A, G.J. McKenzie, W.R. Birbich, R.A.A Shaw, R.de M. Baker O.D; J.N Taylor Ord Serv; R.W. Wilkinson ....; G.E Jones O.D; G.F. Bli... Ord Sea; E.E. Bird Ord Sea; V.L. Watson A.B; A.W. Newman; A.W. Graham O.D; L.P. Woolbrough; G.G. Kummins; H.W. Durham Sto II; R. McBryde Sto II; M. Gordon A.B.; F. Milner O.D; N.D. Coleman O.D; F. Norris ERA; M.J. O'Brien; E.R. Phillps Stok II; D.J. McPherson S.A; ....Liddell; L.E. Head A.B.; V.B. McGovern ERA; N. Leitch L/Sea; K.G. Stockbridge A.B.; F.W. Robinson (Master); C.H.G. John "Speed" Sto II; C.E. Ingram A.B. 64; E.V.W. Pockley Surg Lt RANR; George Christie A.B.; I.C. McLean.rms remuera, i.c. mclean, hmas perth, geelong naval and maritime museum, wwii, crossing the line wwii

Soft card cover with photograph of the Portuguese Padrao and Lake Pertobe surrounded by gold navy blue text. Back cover has photo of birds flying across the sea in cloudy sky. 36 Pages with text and coloured photographs.non-fictionA photographic history of Warrnambool and surrounds.warrnambool, shipwreck coast, portuguese padrao, southern right whale, lady bay

Sent by FRANK BARNES (AIF 4156) to UNA FRANKLING of Harcourt. Refer Cat No 2380 for details re Frank Barnes service.Rectangular postcards, hand coloured photographs of South Africa.2402.1 “Under the Oaks, Royal Hotel, Hout Bay CA” 2402.2 “Birds, Groote Schour, CP” 2402.3 “Clifton-on-Sea, CP”documents - photographs, postcards

On a piece of paper subsequently glued near one end of its curved upper face, this length of planed and polished hardwood timber bears the inscription: “A [p]iece of w[r]ec[k] of the Loch Ard wrecked near Sherbroke River”. The timber is carefully worked with rich dark colouring and a uniformly moulded design, suggesting that it was part of a fitting or furnishing that was publicly visible and prominent. If the artefact is what it is declared to be, then it is possible that it formed part of the ship’s railings or companionway stairs. The LOCH ARD was a 1,693 ton, 3 masted barque, built on the Clyde in 1873. In an age of increasing competition for the emigrant passenger trade from steam-driven vessels, special attention was paid to her wooden furnishings and fittings. The Loch Line owners prided themselves on their attractive, distinctively painted, sailing ships. Below decks, where cargo and third class passengers were stowed, was made of iron. But everything above deck, and on show to the saloon and second class passengers, was carved and varnished timber. Captain Daish’s 1878 report for the ship’s underwriters notes “a quantity of general Cargo washed up in a confused mass” in the cove and “a number of Cases, Casks and Bales; also deals and boards floating about in some of the gorges” further west of the shipwreck. Contemporary newspaper accounts also reported a large quantity of cargo and timber washed ashore in the days following the LOCH ARD shipwreck, adding “but those were speedily removed by persons who came down from Port Campbell, Scott’s Creek and other places with carts and pack horses”. The appearance and good condition of this wood artefact, and the aged patina and dated hand-writing style of its pasted on inscription, support the suggestion that it was ‘souvenired’ from the floating debris of the LOCH ARD at or near the 1878 date of its foundering off Mutton Bird Island. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The Loch Ard wreck is of state significance – Victorian Heritage Register S417. However there is a lack of documented provenance that limits the interpretive value of this piece of timber (for example, its potential to interpret nineteenth century souveniring and scavenging from shipwrecks along the south west coast of Victoria). Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. A length of hardwood timber, planed and varnished to smooth finish on three sides, with two unfinished tongues protruding from each end (one broken off), possibly from the wreck of the LOCH ARD. The front or upper face is moulded and routed to a regular, linear (skirting board type) design along its entire length, the two sides flat planed. One side contains two inserted dowel rods that have been broken off. The bottom face has not been finished to the same standard. The sample is good quality wood that has retained its density and weight and shows no evidence of having been submerged in seawater for any length of time. Glued on to the upper face of the length of timber near the right hand end is a deteriorated square of paper bearing an inscription. The paper, peeling back and with torn edges, is stuck over an original wood stain but under a subsequent layer of varnish. The faded ink words are indecipherable where paper is missing, but written carefully in an old fashioned cursive script.The inscription on the paper reads: “A [p]iece of w[r]ec[k] of the Loch Ard wrecked near Sherbroke River”. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, nineteenth-century souveniring, shipwreck scavenging, loch line sailing ships, wood sample

This design of ink bottle was commonly referred to as a ‘penny ink well’ because it was very inexpensive to produce. It is also known as a dwarf ink bottle. Pen and ink has been in use for hand writing from about the seventh century up until the mid-20th century up until around the mid-19th century a quill pen made from a bird’s feather was used. In the 1850s the steel point pen was invented and could be manufactured on machines in large quantities. In the 1880s a successful portable fountain pen was designed, giving a smooth flowing ink and ease of use replacing the quill or dip pen. History of the Loch Ard: The Loch Ard got its name from "Loch Ard" a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen, and candles, as well as a heavier load of railway irons, cement, lead, and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy that had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost families in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce, and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefact's have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.This ink well is historically significant as it represents methods of hand written communication that were still common up until the mid-20th century, when fountain pens and ballpoint pens took over in popularity and convenience. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefact's from Loch Ard and its collection is significant for being one of the largest accumulation of artefact's from this notable Victorian shipwreck of which the subject items are a small part. The collection's objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.Stoneware penny Ink bottle ironstone salt-glazed, stoneware cylindrical shape with small mouth and squat neck, broad shoulders brown colour, . with light coloured encrustation spots.flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, penny ink well, writing equipment, domestic, stoneware, clay, ceramic, pottery, ink well, inkwell, ink bottle, dip pen, ink, hand writing, business, vintage, dwarf ink

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of fourteen Seagulls on a rocky shelf above the sea.local history, photography, photographs, seagulls, black & white photograph, wild life, sea gulls, coast line, wildlife - birds, john jenner, bryant west

The illustration published in the Illustrated Australian News (Melbourne, Vic. : 1876 - 1889), p. 144, on 2 September 1885, depicts Sandridge now Port Melbourne in 1885 from a seamen's point of view on board a ship.This engraving is a rare depiction fo the Bethel church as there is no early photograph. The Sailors' Rest is located at the back. In 1887, the church was demolished to erect the building still standing on the corner of Nott Street and Beach Road.Copy of an engraving depicting a sailor sitting on the mast of the ship and looking at the shore from the sea. A Bird's-eye View Of Melbourne From Sandridge.nott street, sandridge, melbourne, port melbourne, beach road, seamen, ships, sails, sailing ships, customs house, bethel church

A GLOBAL PERSPECTIVE Before the increase of air transport, everything that arrived or departed from Australia did so via the ports and wharves. The Mission to Seafarersis not a Victorian initiative, but rather a global network that currently operates in over 260 ports worldwide, assisting over 1.3 million seafaring men and women each year. The importance of the Mission’s role is demonstrated in the Chaplain’s Report 1947, which notes that ships and their crews are: “...inextricably linked with the well-being of Australian industrial and economic life... This, in turn, means that you cannot escape some share in responsibility for their welfare.” This window, titled ‘Noli Me Tangere’, was installed in memoriam of Moira Oliver, the wife of the Reverend Frank Oliver, chaplain at the Mission 1930-60, and whose dedication in life and service to the welfare of seafarers was inspirational to many.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Moira Bird Oliver, wife of Padre Oliver , a photograph of Padre Oliver listing a ship and a photograph of sailors playing tug-of-war during a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Mission to Seafarers' chaplain Frank L Oliver, visiting a ship whilst in port, c1950s BELOW: The crew of the motor ship Nyhaugin a tug-of-war with the crew of the SS Madgeburg at the 1926 Boxing Day picnicreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, moira bird oliver, moira bird oliver (nee good), padre frank leslie oliver, picnic, tug-of-war, flinders street, catherine mclay, arthouse

Included in the G W Duncan collection this item of memorabilia from 1948 may have been acquired quite early in the donor's career as a ship's engineer. The menu provides a glimpse of shipboard diet and especially celebratory food.Mariner Duncan had a particular regard for the Mission to Seafarers. This plate for display on a commissioned new table at the MTSV chapel acknowledges his bequest and the material donated. Collectively the G W Duncan material includes: photographs, professional data memorabilia and written and commercially printed resources. The memorabilia relates to his career at sea and in particular the role of an engineer, including a handwritten manual of notes and references relating to the mechanical and engineering aspects and areas of responsibility for maintenance. Single fold heavy card menu with colour cover featuring birds of Australia: King parrot, Rifle bird, Leadbetter's cockatoo. Inside cover typed sheet of paper with menu listing adhered to card.see imagesmenu, birds, australian, christmas, ss athenic, shaw savill line, george winfield duncan (1922-2017), ship engineer