One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of fourteen Seagulls on a rocky shelf above the sea.local history, photography, photographs, seagulls, black & white photograph, wild life, sea gulls, coast line, wildlife - birds, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Historical Society by the Shire of Phillip IslandPhotograph of O. Underdown's first boat gaff rigged "Sea Gull" - bought about 1920.local history, photography, photographs, maritime technology, boats, sail boat, black & white photograph, sailing boats, o underdown, sail boat sea gull, the "seagull", john jenner, bryant west

Printed coloured postcard. Image is of The Eddystone Lighthouse and depicts a lighthouse on rocks with a smaller brick structure nearby in stormy seas and gulls in the sky. The words The Eddystone Lighthouse with a small symbol in white appear along the bottom left hand edge. Reverse is addressed to Miss Dean 'Esmond' Golden Square Bendigo and has a one penny stamp affixed postmarked Kerang. The words Raphael Tuck and Sons "Oilette" (Regd) postcard 7062 "Rough Seas" Art Publishers to Their Majesties the King and Queen after the black and white originals by Elmer Keene are printed in red along the left hand edge.Raphael Tuck and Sons 'Oilette' Regd Postcard 7062 'Rough Seas'postcard

Opened by His Excellency Sir Eric Neal AC CVO on 30 September 2001, the Memorial is located in City Park, Port Pirie, South Australia. The monument commemorates those who were lost at sea while serving with the Merchant Navy. Mr Noel Smith, a resident of Port Pirie, former Merchant Navy seaman and Port Pirie tugboat officer designed the memorial, found the anchor located on the top of the memorial during a dredging operation in a creek near the Nystar plant and wrote the poem inscribed on the main plaque. Front Inscription Lost Ones They live in the curl of the breaking wave, They sing when the sea winds blow, They lay not confined in a land locked grave, Nor in dim dark depths below. Do you hear them laugh in the rippling tide, Call free in the ocean breeze ? Do you see them soar where great gulls glide At peace with the fearsome seas ? They live still in the hearts of those who wait Held strong in the bonds of love 'Til their souls unite and congregate In God`s great harbour above. Noel Smith Merchant Seaman For those who were lost to the depths of the sea Emma Hindmarsh Left Side Inscription Memorial unveiled by His Excellency Sir Eric Neal AC CVO Governor of South Australia and His Worship the Mayor Ken Madigan Port Pirie Regional Council Memorial blessed and consecrated by Right Reverend Garry Weatherill Bishop of Willochra 30 September 2001Colour photograph of the memorial made of an anchor on a bricks and stones base with a black marble plaque titled The Lost Ones. The logo of the Merchant Navy, MN, on the top left corner of the plaque.merchant navy, mn, port pirie, memorial

Coloured printed postcard. Image is of a painting entitled 'When waves do rise and tempests rage'. A stormy sea with large waves crashing onto rocks. Gulls are in the sky against a cloudy background. The words When waves do rise and tempests rage are printed in white along the bottom right hand edge. On the reverse it is addressed to Miss Dean Esmond Golden Square Bendigo. A one penny stamp is affixed and is postmarked Kerang. The words Raphael Tuck and Sons 'Oilette" (regd) Postcard 7062 "Rough Seas" Art Publishers to Their Majesties The King and Queen After the black and white originals by Elmer Keene are printed in red along the left hand edge.postcard

Coloured printed postcard. Image is of a black and white painting entitled 'Runswick Bay'. Image is of a steep cliff with houses and cottages above rocks. Waves are breaking over the rocks and gulls are flying over the waves and in the sky. The words Runswick Bay are printed in white along the lower right hand edge. On the reverse, it is addressed to Miss Dean McKenzie Street Golden Square with a one penny stamp affixed postmarked Bendigo. The words Raphael Tuck and Sons "Sapphire Rough Seas" Series 6307 Phototyped in Berlin "Whitby" Art Publishers to Their Majesties The King and Queen appear along the lefthand edge.Raphael Tuck and Sons 'Sapphire Rough Sea' Series 6307 'Whitby'postcard

Department of Health & Human Services - Dr John A Forbes Fairfield / Gull Force 2/21 Bn AIF / Ziarah & Rumah Sakit Ambon Hospital Indonesia CollectionDepartment of Health & Human Services - Dr John A Forbes Fairfield / Gull Force 2/21 Bn AIF / Ziarah & Rumah Sakit Ambon Hospital Indonesia Collection

In 1943 Westralia was converted into a Landing Ship, Infantry. In this role, Westralia had a capacity of 933 soldiers, and was used primarily to transport units of the United States Army and Marine Corps. The ship arrived at Manus on 7th April 1945 befoe reaching Morotai on the 19th. The 2/24th Australian Infantry Battalion embarked for attack on Tarakan Island, Borneo. On 1 May – After preliminary bombardment by two cruisers and six destroyers ,troops of 26th Australian Infantry Brigade were landed. After the end of the war, Westralia was one of the ships at Ambon on 22 September 1945 for the surrender and occupation of the island where the 164 survivors of Gull Force prisoners had already been taken off on 10 September. She was later used for the repatriation of Australian troops, before being paid off in September 1946. The ship earned five battle honours for her wartime service: Silver frame containing black and white image of a ship at seaGold coloured plaque attached top right "HMAS Westralia" - 2/24th AUST INF BATT TARAKAN ISLAND BORNEO 1ST MAY, 1945hmas westralia, 2/24th aust inf battalion

UnknownScene of two sailing ships on a harbour at sunset. The ship on the left is in full sail, the ship on the right has furled sails. At front left is a flock of gulls and on front right is a figure in a row boat. At centre right is coastline with structures and several small boats. The sky has clouds reflecting the sunset in pink, yellow and indigo. These colours are reflected on the surface of the water. Framed in gilded wooden frame.Front: A.S. Murray (lower left) Port Phillip Bay (Sunset) (brass plate, l. centre of frame) Back: (no inscriptions) Conservation Centre, Melb. label.sea, seascape, maritime, sailing ships, sailing

This painting was inspired by an original painting by Wilhelm Melby held at the National Gallery of Victoria. Melby is a Danish artist (1824-1882). It depicts a famous Devonshire coastal region famous now for its lighthouse and the pick up point for the pilot when entering waters approaching Dartmouth. The sailing vessels pre-date the construction of the famous lighthouse. Over the centuries the view would have been familiar to many sailors as they left or approached the English mainland and south coast ports in the English Channel. Madeline Mary Ravenna Lewellin (1854 – 24 November 1944) was born in Victoria to Dr John Henry Hill Lewellin, a physician, and Grace Elizabeth (née Danneby). She was one of five daughters, and the family lived in Prahran. Lewellin's brother, Captain Herbert Gordon Hill Lewellin, was a commander in the P. and O. fleet (apprentice on the Romanoff, Lieutenant RNR on the HMS Arethusa in 1899, RMS Mongolia in 1913 sunk in 1917, Naldera in 1920). She studied painting at the National Gallery School in 1879 under Eugene von Guerard. She's also known for collecting and painting specimens, and became a member of the Field Naturalists Club of Victoria in 1885. In 1884 she won a silver medal for her studies of fungi. She collected plants for Australian botanist Ferdinand von Mueller, and the variety of Dicrastylis lewellinii (Purple sand-sage) is named after her. Miss Lewellin, who had a love of the sea and ships as subject matter is listed in 1910 as a donor as a 10/6 member donating to the motor launch fund and in 1918 as a working member of the Ladies Harbour Lights Guild which involved regular volunteer shifts at the Mission to Seamen on canteen and other duties.Marine art, Maritime artThis oil painting has a dark polished wood and gold leaf slip. The painting depicts two masted boats. The choppy sea takes up the lower-third of the painting, and the other two-thirds of the image of made up of stormy grey clouds. A rocky cliff face can be seen on the right-hand side of the painting. A small church can be seen on the hillside. The ship on the left third of the painting sits on the horizon line of the sea. The centre ship with two masts appears to be leaning to the right and its deck is exposed to the viewer showing four men attempting to handle the masts and rigging. The left-hand ship with three masts is surrounded by two grey distant silhouetted mast ships. There are three seagulls at the upper left-centre of the image. There are another three gulls down on the lower-left of the image. Front: ENGRAVED PLAQUE: Start Point Light. Devonshire. SIGNATURE: After W. Melby / M.M.R Lewellin. 1875. Reverse: IN BLACK MARKER PEN: * Hang from two points * WHITE STICKER WITH CONSERVATOR DETAILS: Art Conservation Frames / 118 Bridport Street, Albert Park, VIC, 3206 / 9696 9066 / artconservationframers.com.aupainting, ships, mast, church, sea, storm, oil painting, seagulls, madeline r. lewellin, artwork-paintings, ngv, wilhelm melby, eugene von guerard, botanist, rms mongolia, captain herbert gordon hill lewellin (1862-1935), paddy lewellin, reproduction