Michael INGLETON (1952- ) After studying at RMIT Michael Ingleton exhibited from the 1970s. This work is from a rare series if prints produced while the artist was in residence at the Montmartre Atelier in France. Five plates depicting from top to bottom: a wind sock; a self portrait; a shell; towers; sailing boats.LL ca "self portrait with pocket plates" LR Michael Ingleton 82'85. LR at base BAT Lawngill (illegible)available

Early self portrait of famous painter Lionel Lindsay. Lionel was one of the famous family of artists, which included Norman Lindsay, Percy Lindsay, Daryl Lindsay and Ruby Lindsay.A rare early self portrait by Lionel Lindsay, showing himself in a "Spanish style", before he followed his dream and went to Spain. Lionel became a famous artist in Australia and Europe, especially noted for his Spanish etchings.Watercolour painting on paper of self portrait by Lionel Lindsay.Signed "Lionel Lindsay 1899"lionel lindsay, creswick, etching, watercolour, spain, norman lindsay

Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Self portrait of artist.art, artwork, loris button, self portrait, alumni, available

Portrait of an old man wearing glasses and striped robe in front of a paint palette and surrounded by collaged newspaper cuttings. Signed (l.l) 'Clifton '85'. Inscribed on reverse: 'Self Portrait Clifton Pugh'clifton pugh, painting, self portrait, dunmoochin

Portrait of a man with dark hair and black shirt smoking with glass goblet against a black background. Signed (U.r) 'Bellamy'. On reverse in black felt pen 'John Bellamy self portrait Hoginonay (?) 1969'.john bellamy, painting, portrait

Ian PAGE Ian Page was an Art Lecturer at the Ballarat Teachers' College, and the Ballarat College of Advanced Education. Both are predecessor institutions of Federation University Australia. Ian Page presented John Mildren with this portrait, they had work together at Ballarat College of Advanced Education. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Black and white pen and ink self portrait of Ian PageIan D. Page, 77available, ian page, self portrait, staff member

Portrait of a old man with glasses and thermometer seated in a hospital bed with Labels 'Fluid Balance', '15 Mr C Pugh, Dr. Kay/Ley 29.7.1977' and two bouquets of red and white flowers. Not signed. On reverse: 'Archibald Prize 1977/Something Happened (Self Portrait)/ Clifton Pugh/ Dunmoochin Hurstbridge Vic 3099/ Phone 7148230'.clifton pugh, painting, hospital suite, self portrait, archibald prize

Neville Mirvane BUNNING (1902-1990) During World War Two Neville Bunning served with the Royal Australian Air Force (RAAF). He was an Art Teacher at the Ballarat Technical Art School (a division of the Ballarat School of Mines) from 05 February 1946 to 22 September 1964. Neville Bunning formed the Ballarat Artist's Society (later the Ballarat Society of Artists), a group that sponsored art and which invited modernist artists to speak to students and to the public of Ballarat. He also wrote a weekly column in the Ballarat Courier. Bunning produced a bust of Australian Prime Minister, The Right Honourable J.A. Lyons from Tasmania, who died in office. Neville Bunning died in Subiaco, Western Australia on 29 April 1990. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Small framed self portrait of the artist Neville BunningLL Neville M Bunning signature in red oil paint art, artwork, neville bunning, available, self portrait, portrait

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil self portrait by Wes Walters drawn close to the time he completed the Archibald Prize winning portrait of Phillip Adams. Signed and dated lower centre: '1/2/79 Walters' art, artwork, walters, wes walters, portrait, sketch, available

‘Self portrait at home’ This artwork was conceived after a series of paintings depicting the interior of my home in Ballarat. Those paintings began as glimpses around the house, mostly captured at night, of hallways, darkened corners, and ominous entrances into bedrooms. Later on I began to fill these spaces with a figure, that of my girlfriend (now wife), and conducted portraits of her placed amongst the shadows in a deliberate attempt to conjure up associations of Baroque painting as well as still images from horror films. I wanted to see what was sinister in this house, to imagine it, as well as observing it directly. ‘Self portrait at home’ is an attempt at summarising the combination of imagination and observation, of wandering through interior spaces as well as being absorbed in it: that what we see is then also taken into our consciousness, or in the case of this painting what we see is about to be swallowed. This concept of combining what is observed with what is imagined and using references to the physical body as a kind of mediator of this process is expressed in Kenneth Slessor’s poem ‘South Country’, a poem that partly inspired my approach to this painting. The following verses provide an example: And over the flat earth of empty farms The monstrous continent of air floats back Coloured with rotting sunlight and the black, Bruised flesh of thunderstorms: Air arched, enormous, pounding the bony ridge, Ditches and hutches, with a drench of light, So huge, from such infinities of height, You walk on the sky’s beach ‘Self portrait at home’ may not express itself as seriously as Slessor’s poem does but I hope it shows the impact as well as the texture and flavour that houses of the Ballarat landscape, and those of the imagination, can have. Duncan LannanDuncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. He completed a Graduate Diploma of Education at the University of Melbourne in 2001. Duncan Lannan's exhibition 'Young, Dumb and Full of Ambition!' was held at the Art Gallery of Ballarat from 13 July to 11 September 2014.ContemporarySelf portrait of the artist with mouth open, and a house on the tongue. This piece was exhibited at the Art Gallery of Ballarat in 2007 in the "Eye to I" exhibition which was curated by former Federation University Art theory lecturer Geoff Wallis. The exhibition was a survey of self portraits by Australian contemporary artists. Gift of Geoff and Nola Wallis, 2017duncan lannan, painting, portrait, alumni, available

Black and white photographTyped below photograph: "Self portrait of Mr. Pierce Boardman, Manager of Ringwood's main antimony mine. Killed in mine, 1879".

Colour photograph of a self portrait of George Rosenkranz, Graytown camp 1945. Brown hair, blue shirt, red trousers, hand in pocket. Holding a grey satchel bag. Rolling hills in background. Trees, plants and creek right hand bottom.internees, george rosenkranz, graytown victoria

This self-portrait exemplifies Karl and Slawa's shared interest in the art forms of other cultures - also seen in the significant number of Viennese art books on these topics in the Duldig Studio library. It takes inspiration from Egyptian sculptures and is strikingly similar to the cover image of Götter Ӓgyptens (Gods of Egypt) by Alexander Scharff (Library) although her short hair puts a stylish and very modern slant upon the image. The sculpture is hollow, with a large opening at the rear. Slawa on full face, eyes downcast, hair parted in the middle & pulled back in bun with large comb. Drapes across both shoulders. modernism

Neville Bunning taught Sculpture and ceramics at the Ballarat Technical Art School, a division of the Ballarat School of mines, from 1945 until 1964. During that time he formed the Ballarat Artist's Society, a group that sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly column in 'The Courier', where his insightful comments made readers aware of significant trends in art. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A framed unfinished portrait by Neville Bunning, teacher of Ceramics at the Ballarat School of Mines. The portrait of the artists shows a camera around his neck, a ceramic pot in one hand, and some of Neville Bunnings paintings in the background.art, artwork, neville bunning, bunning, available

Hardcover w/ Dust Jacketwalsh st library

SEPIA COPY OF PHOTOGRAPH OF JANE DAVIDSON -BORN SUNDAY FEB.7TH. 1867. LATER TEACHER AT CLUNES. ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOXSEPIA COPY OF PHOTOGRAPH OF JANE DAVIDSON.J.R. TANNER - LANDSCAPE & PORTRAIT PHOTOGRAPHER CLUNES. JANE DAVIDSON JNR.local history, photography, photographs, costumes - female

"Self-Acting Mule Type S-8" - Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.Pamphlet for a Self-Acting Mule Type S-8 by Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.textile machinery, metalexport bielsko textile machinery works, spinning machinery, spinning

Founder of Montsalvat Reproduced Page 106 of Pioneers & Painters, edited by Alan Marshall (1971) Note: print in book and print copy are mirror imaged There was probably little earth building done in the district in this century until 1934, when Justus Jorgensen, architect and artist, bought land in Eltham and with his students and followers commenced to build the fascinating complex of buildings now know as ‘Montsalvat’. These buildings and his use of materials, both local stone and earth, and reclaimed materials, were to have a remarkable influence on the Eltham district-particularly in the period following World War II. The first building at ‘Montsalvat’ was a picturesque house of or rammed earth with a high-pitched roof. Jorgensen has used a variety of building materials but it is possibly his use of earth, both pise-de-terre and mud brick, which has had the most influence on the environmental building in Eltham in the post war years. By the end of the 1940s, an impressive array of adobe and pise buildings had been completed. – Alan Marshall, 1971, “Pioneers & Painters”This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch Clr Reversal (3) Print 21 x 16.5 cm (printed in mirror image)justus jorgensen, montsalvat, pioneers and painters, shire of eltham pioneers photograph collection

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Robert Salzer Foundation, 2012.hand coloured photographSigned on verso, lower righthand-coloured, tracey moffatt, self portrait, desert, cameras

Gift of June Davies, 1996

Hardcover w/ Dust JacketTwo newspaper clippings inserted at p. 104: Clark K 1976, 'The National Gallery of Art: Mellon's 'Triumph of Foresight', Washington Post, Tuesday October 19, p. B4 and p.? (article in two parts)walsh st library

Oil on canvasSigned and dated 'Bellany '83' top right corner of painting.