Portrait. Bricklayer Joseph Shilton 1870stawell

Newspaper page from the Melbourne "The Sun", Wed. 12 July 1972, column written/authorised by Les Shilton, member for Midlands, titled "Country Ignored", in a Section "Labor Says" of the newspaper. Item notes the stand by the Bolte Government against the retention of part of the Bendigo tramway system as a tourist attraction. Article written around decentralisation and regional development. Item and date has been circled in ink. On rear has advertisements for Kelvinator products and adjacent an advertisement for P&O cruises.bendigo, tourism, bendigo trust

This envelope has been used at the Warrnambool chemist shop of Harry Shilton to protect the films (snapshots) developed for a customer. Harry Shilton’s shop was at 119 Liebig Street. He took over the pharmacy business of Ralph Barnes in 1937 and Alan Anderson became his business partner in 1953. Mr Shilton retired from the business in 1960. No information is available on the recipient of the photographs (‘Mrs. Leah’)This envelope is retained as a memento of the pharmacy business of Harry Shilton, a mid 20th century chemist in This is a buff-coloured paper envelope with an overlapping flap with adhesive on it for sealing the envelope. The front of the envelope contains black printing (slightly askew) and one pencil mark. ‘Shilton’s Snapshot Service’ ‘Mrs. Leah, 116 film’ warrnambool pharmacies, 20th century photography, history of warrnambool

This bottle has been issued to a customer of Shilton's Pharmacy 11 9 Liebig Street, Warrnambool. The bottle contained tablets to be taken for a cold. Harry Shilton bought the business in 1937 and added a chiropody clinic and a hairdressing salon and he was known as the " Man in White.' . In 1953 Harry Shilton took on a partner Alan Anderson . Harry Shilton retired in 1960 and Alan Anderson continued as the proprietor, transferring the partnership to John Lindsay in 1967. The name Shilton was still used until 1972. This bottle is of minor importance as an example of tablets in a bottle as used by customers in the 1960s.A brown glass bottle with a plastic lid. It has a label with red and black printing. The base of the bottle has embedded in it letters and numbers AMCAL CHEMIST SHILTON'S PHARMACY 119 LIEBIG STREET WARRNAMBOOL TEL 2006 M 1017

An induction coil consists of two coils of insulated copper wire wound around a common iron core. One coil, called the primary winding, is made from relatively few (tens or hundreds) turns of coarse wire. The other coil, the secondary winding, typically consists of many (thousands) turns of fine wire. An electric current is passed through the primary, creating a magnetic field. Because of the common core, most of the primary's magnetic field couples with the secondary winding. The primary behaves as an inductor, storing energy in the associated magnetic field. When the primary current is suddenly interrupted, the magnetic field rapidly collapses. This causes a high voltage pulse to be developed across the secondary terminals through electromagnetic induction. Because of the large number of turns in the secondary coil, the secondary voltage pulse is typically many thousands of volts. This voltage is often sufficient to cause an electric spark, to jump across an air gap separating the secondary's output terminals. For this reason, induction coils were called spark coils. The size of induction coils was usually specified by the length of spark it could produce; an '8 inch' (20 cm) induction coil was one that could produce an 8 inch arc. (http://en.wikipedia.org/wiki/Induction_coil)A metal and plastic object on a timber stand. In an induction coil the distance between the plates is often used to measure the voltage of the spark since the air breaks down at 30 000 volts per centimetreballarat college of advanced education, scientific instrument, induction coil, scientific instruments, electricity

Large Framed photo of Gough Whitlam visiting Bendigo with Left to Right Les Shilton, Gough Whitlam, Stewart Anderson and Dave Boyle suits, formalities, smiles, politics, signage

This label comes from the Warrnambool pharmacy of H.W.Shilton. It appears to be a cardboard stopper inserted into the top of a bottle. Harry Shilton’s business was at 119 Liebig Street. He commenced in 1938 when he purchased the business from Ralph Barnes. In 1953 Alan Anderson went into partnership with Harry Shilton. The latter retired in 1960 and in 1967 John Lindsay became the proprietor of the pharmacy business. This label is of minor interest as a memento of a 20th century Warrnambool chemist and as an example of a cardboard bottle top insert. This is a round piece of light card with a blue border and blue printing.H.W.Shilton Pharmacist Warrnambool No………h.w. shilton, warrnambool chemist, history of warrnambool

Home of Joseph Shilton 1870 – Later ( Holy Trinity Vicarage Stawell 1922/23). Main Street Stawell Now demolished.stawell building

Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Collector says: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from.Queen sized checked blanket, red, blue, orange, yellow. An Onkaparinga 100% pure wool production. In emblem: Made in Australia. Name tag sewn below label: R M. Shiltonwool, blanket, blanket fever, onkapringa