2 copies black and white photograph, one an enlargement. 2 men holding day old chicks surrounded by fruit, vegetables and blossom.On reverse of enlarged copy, "John Sparkes and Bill Nicholls (Field Superintendent)," and, "Please Quote No. ABC 2166 when ordering. Laurie Richards JW 1528."fruits, vegetables, blossoms, john sparkes, w.j. nicholls, bill nicholls, field superintendent, publicity, show display

Black and white photograph Written on backing sheet, "March 1959. Formerly Bentley's Timber Yard."

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Black and white photographWritten on backing sheet, "A.W. Dickson-March 1959. 136 Maroondah Highway.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Dahlia & Arts Festival, Eaglehawk.16th - 26th March, 1995. Programme. Debutante Ball (1), 'The Festival' Exhibition at the Borough Galleries. Debutant Ball (2). Art Preview and Presentation of Awards. Craft Market. Displays of Cake Decorating. Sidewalk Busking Competition. Gala Fair. Eaglehawk Fire Brigade open day. Porcelain Art and Craft Show. Art Show. Display of Memorabilia-Cornish Assoc. Static Display-Irish Assoc. Children's Multi-Dimensional Art Exhibition. Children's Photographic Display. Flower Show. Photographic Print Competition. Eaglehawk Heritage Society-Display. Bridge to Park, foot race. Street Procession. O'Shea-Ryan Bendigo Irish Dancing School and O'Shea-Ryan Academy of Irish Dance - Melbourne Performance. 2nd Seasons Fashion Show. 13th Annual Dahlia & Arts Half Marathon. Ecumenical Church Service. Picnic Lunch. Free Concert-Guinness Show Band. Cycling Criterium. Mining Heritage Tour of Eaglehawk. Dahlia Diner. Variety Concert. ''High Jinx On The High Seas''. Childrens Fancy Dress Parade. Gala Charity Old Time Ball. Brass Instrument Solo/Party Competition. 'Gardening Through The Drought'-Guided Tour. California Hill Church Open Day Craft & Devonshire Teas. Traditional Cornish Concert. 'A Time to Remember'. Annual Croquet & Bowls Tournaments. Festival Guest of Honor Mr Wayne Gregson - Journalist. Editor - Bendigo Advertiser. Festival President, Mr Noel Thomas. Vice Presidents Alan Bull, Kevin Herdman. Executive Officer Jeanette Moss. Treasurer Lorna Thomas. Acknowledgements and sponsors on back page.event, entertainment, eaglehawk dahlia & arts festival, dahlia & arts festival, eaglehawk.16th - 26th march, 1995. programme. debutante ball (1), 'the festival' exhibition at the borough galleries. debutant ball (2). art preview presentation of awards. craft market. displays of cake decorating. sidewalk busking competition. gala fair. eaglehawk fire brigade open day. porcelain art and craft show. art show. display of memorabilia-cornish assoc. static display-irish assoc. children's multi-dimensional art exhibition. children's photographic display. flower show. photographic print competition. eaglehawk heritage society-display. bridge to park, foot race. street procession. o'shea-ryan bendigo irish dancing school and o'shea-ryan academy of irish dance - melbourne performance. 2nd seasons fashion show. 13th annual dahlia & arts half marathon. ecumenical church service. picnic lunch. free concert-guinness show band. cycling criterium. mining heritage tour of eaglehawk. dahlia diner. variety concert. ''high jinx on the high seas''. childrens fancy dress parade. gala charity old time ball. brass instrument solo/party competition. 'gardening through the drought'-guided tour. california hill church open day craft & devonshire teas. traditional cornish concert. 'a time to remember'. annual croquet & bowls tournaments. festival guest of honor mr wayne gregson - journalist. editor - bendigo advertiser. festival president, mr noel thomas. vice presidents alan bull, kevin herdman. executive officer jeanette moss. treasurer lorna thomas. acknowledgements and sponsors

Note by T.H. Kneen 26.2.1992, View looking North to Principal's office. At left is Fruit Preserving Branch Show Room & Display Windows Circa 1949. Moved to Head Office in Queen Street, Melbourne in 1974.Black and white photograph. Ground floor passage inside Administration Building looking north towards the Principal's Office. Fruit Preserving showroom on the left.On reverse, Commercial Photographic Co. Pty. Ltd. 217 Queensberry Street, Carlton, Melbourne, N.#. FJ 5266 When Ordering Further Prints Please Quote-No K370-1.principal's office, fruit preserving branch, show room, display window, administration building, main building, interior administrastion building, interior main building, fruit preserving

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

colour photograph show light display against the night skycolour, light show, night scene

A photo of the "Garden Flowers" display from one of the earliest Wildflower Shows.The photo shows a display comprising a table of floral arrangements in vases with panels of photos behind it."One of the first Flower Shows. Garden Flowers 1938 Ida Stanton" written on rear in pen.events, wildflower show

This is a photo of items made out of Banksia Bauerii. During the 1960's to the 1990's, local women made wooden items and jewellery of pressed flowers for sale at the Wildflower Show.The photo shows a display of wooden items standing on a white dip[lay stand. Dried flowers and grasses can be seen in the background, as well as a sketch on the wall to the right.events, wildflower show

Black & white photo on carboard mount of A. E. Bilton's Pharmacy, June 1929. Image of front of shop taken from High Street. Shows window displays.Front - R. . Leslie Back - Stamp (A. E. Bilton Chemist Charlton June 1929a. e. bilton, chemists, pharmacys

Photo Album, brown in colour, 'Hanro' on front cover. 10 photo's in album - 'winding room','knitting room', 'knitting room', 'section of knitting room', 'finishing room', 'cutting and pressing', 'raschel machines and lace machines' 'jacquard machines (sports wear Dept)', 'folding and boxing', 'part of shipping room', 'shipping room'. 1932 on inside of cover. 'Hanro'products and 'Benknit' brand of sports wear. 2 loose photo's 'staff and Management' Hanro. Bendigo Show Display, Nov. 1950. A stand with 2 women working it.organization, business, hanro knitting mills, bendigo knitting mills. hanro. benknit.

A photo taken in the Halls Gap Hall at what is said to be one of the best of the early Flower Shows of native flowers. The first flower show was held in 1933 at the suggestion of local resident Jack Watson. Four years later head teacher Grant Greenwood suggested a show be held and due to its success it continues to this day (2010).The photo shows floral displays, arranged on tables along walls and in the centre of a room. There is a bench seat in front of the table in the centre of the room (right side of the photo). Photos and paintings can be seen on the wall on the left side of the photo. "One of the first flower shows Native Flowers Ida Stanton" hand written in pen on back of phto.events, wildflower show

A display in the Historic Section of the 1995 Wildflower Show held in the Halls Gap Hall in 1995. The framed wildflower paintings are by Henrietta D'Alton. Beneath the frame in its current (2010) location in the Halls Gap Hall is a plaque which reads "Henrietta D'Alton (1836-1922). This collection of wildflower water-colours won an award at the Colonial & Indian Exhibition of 1886 in London".The photo shows a display of an historical theme set up in front of a dark fabric draped from a frame and over tables. A framed painting (consisting of twelve individual paintings) can be seen in the centre together with a certificate to its right.events, wildflower show

Coloured photo of tram at North Bendigo, conductor showed changing direction display. Photo taken 03/01/1972 by Roy Mitchell.bendigo, tramways, trams 1972

Black and white photograph: image shows clothing on display at the Golden Days Historical Exhibition 1960. Children in foreground. Poor quality image.bendigo, history, golden days historical exhibition

The Swan Hill Military Museum, unique in Australia, if not the Southern Hemisphere tells a different story to most war museums. Every item has a personal story story with it. Included in the area especially set aside for members of the women's services are the uniforms of Sisters Vivian Bullwinkel and Veronica Clancy, both of which have very interesting stories to tell. Both nurses survived the sinking of the Vyner Brooke, by Japanese bombs. Sister Clancy was able to make it ashore on a raft using her uniform as a sail. After coming ashore Sister Bullwinkel joined a group of other nurses, only to become the sole survivor of the Banka Island massacre, when she feigned death after being machine gunned down with the other nurses by the Japanese. A large newspaper clipping consisting of five columns of text and two black and white photos. The first photo shows a display of a military jacket with medals and a nurse's uniform, while the second photo shows a man and a woman looking at a military display.'WWII' [blue ink, top, right of centre] '26-10.72' [blue ink, top right corner]crimean war, sudan war, boer war, world war 1, world war one, wwi, ww1, world war 2, wwii, ww2, korean war, vietnam war, pioneer settlement, general sir william birdwood, anzac, gallipoli, pow

This postcard shows a display of posters and educational materials relating to health education taught at the Pathfinder school, created by local professional Mary NormanBail. This is one of a collection of several hundred photos, books, documents and teaching aids donated to Langi Morgala Museum by Jessica Norman-Bail (or by her estate). Almost all the collection relates to Jessica's mother, the photographer, artist and educator Mary Norman-Bail, and to Mary Norman-Bail's Pathfinder School, which was located in Ararat for several years in the first half of the twentieth century. Black & white postcard featuring a display of health education teaching materials. The display is on a cloth covered table. The rear of the postcard is handwritten text. "This is some of the / work that brought / credit and honour / to the school. / Through the Australian / Boradcasting / Commission. / You cannot see the / books very well / but they are beautifully / illustrated and are / at present being / sent round the schools / in Japan. / M.Norman Bail / S.A.P.F. / Ararat Vic." pathfinder, normanbail, health education

This photograph shows a display (interior) of goods at the building at 183 Para Road when it was used for Greensborough Grain Store; this photo was taken in August 2014.In 2017, the Greensborough Grain Store closed its Para Road premises and now trades online.Digital copy of colour photographgreensborough grain store, para road greensborough