During World War II, over 22,000 Australian became prisoners of war to the Japanese. Most of them were captured at the fall of Singapore in February 1942 and were forced to march to Changi (the major Prisoner of War camp). Later on, the soldiers would be dispersed throughout South East Asia. Upon their return to Australia, very few of them told talked about their experience as prisoners (they often felt ashamed). It took almost 30 years before testimonies, books and documentaries would be published. This ship model was built by Australian prisoners of war.Model of a Spanish or Portugese 18th Century sailing ship, manufactured from timber, fabric and string. Natural timber colours as well as white, blue, red, green and gold.To Auntie Helen, many thanks for everything from P.O.W.s Singapore 15.10.45singapore, ships, second world war, model, prisoners

Various photos of Selarang Barracks in Singapore in 1970. Some aerial and some ground level views. Refer items in Collection of LLoyd Farrell. Refer Cat 7889P.1. Photo of 1 RAR on parade for Trooping of the Colours in 1970 at Selarang Base in Singapore. Covering 'A' 'B' 'C' and Admin Company. 2. Extended portrait photo of the Parade Square and buildings of Selarang Base, Singapore in 1970. 3. Aerial photo of Selarang Barracks from a distance. 4. Aerial photo of Selarang Barracks 1970. 5. Aerial photo of Changi Prison 1970 in Singapore.Written on back. 1. "1 M1+" 2. “Selarang Barracks 1970 occupied by 1st RAR” 4. “Selarang 70” 5. "Changi Prison 1970 Singapore".photograhs, changi, selarang, 1970, lloyd farrell.

Local Newspaper dated 16/2/1942 - My War Part 22 - reporting on events of World War 2Local Newspaper dated 16/2/1942 - My War Part 22 - reporting on events of World War 2Local Newspaper reporting on World War 2 Events Dated 16/2/1942 - Special - My Part 22 - Singapore Surrender Claim - The Fall Of Singapore- singapore surrender claim - the fall of singapore, world war 2, local newspaper

Wooden shield with metal shield with yellow Roman numbers V1 with a mortarNils Carborumdum Bastardorum Mortar Platoon 6 RAR Singapore 1971-73plaque, 6 rar, singapore

Items in the collection relating to ARTHUR GEORGE HOLLEY no 13556 RAN Refer cat no 2134 for his service record. The photographs are from his personal album, and are mainly official photographs widely available among the services. The photographs are from Australian , British and American sources. This set coincides with the Hobart's service around the time of the loss of Singapore. The Norah Moller was a British merchantman bombed in Singapore harbor while trying to escape. The Hobart rescued the bulk of crew and passengers. Whilst not taken personally, these photographs do capture some of the events Holley and his Hobart crewmates would have experienced and witnessed.Each description is preceded by an approximate date e.g.1940 06 is June 1940. 1. 1942 02 Singapore Port side view of the destroyer HMS Express (H61)..jpg 2. 1942 02 Singapore docks burning 1.jpg 3. 1942 02 Singapore docks burning 2.jpg 4. 1942 02 Singapore docks.jpg 5. 1942 02 singapore evacuation.jpg 6. 1942 02 Singapore Hobart refueling.jpg 7. 1942 02 SS Norah Moller burned and blind being led down gangway.jpg 8. 1942 02 survivors Norah Moller.jpg 9. 1942 03 HMS Exeter bombed Second battle of Java Sea.jpg 10. 1942 03 March 1942 HMS Stronghold sunk 2nd March 1942.jpg 11. 1942 04 Close bomb HMAS Perth Greek evacuation.jpg hmas hobart, arthur george holley ran, pacific theatre, fall of singapore

ANZUK Force was formed and served in Singapore and Malaya ANZUC Force grew out of ANZUK Brigade at a time when Britain assumed prime responsibility for the dedence of Malaysia and SingaporePlaque shape, wood painted brown, metal cover on top of the wood with the insignia of all Forces involved in ANZUK Force SingaporeInsignia engravings of forces involved in ANZUK Force Singaporeanzuk, brigade, force, malaya, singapore,

Ill, maps, index, p.358.non-fictionOriginally published in 1960, the author of this book is one of the planners of the Imperial Japanese Army's invasion of Malaya and the capture of Singapore-Colonel Masanobu Tsuji himself. In it, he "unreservedly attributes Japan's victory in Malaya to the patriotic fervour and self-sacrifice of the frontline officers and men of her 25th Army, which, in advancing six hundred miles and capturing Singapore in seventy days, achieved one of the decisive victories of World War II and accomplished a feat unparalleled in military history. world war 1939-1945 - campaigns - singapore, world war 1939-1945 - campaigns - malaya

SOE Singapore 1941 - 1942... --... Richard Gough... Richard Gough, a veteran of World War II in Singapore follows the story of Singapore's collapse and the resistance before and after from the perspective of Colonel Alan Warren, with Special Operations Executive (SOE). A true story from the 1940s. 245 pages with conclusion...Includes references to Australian WW2 Special OperationsSoft cover 238 pagesww2, world war 2, specila operations, soe, singapore

Black varnished wooden, shield shaped plaque. Located on the face is a large gold badge of the National Cadet Corps of Singapore. This badge has been separated from the black timber backing by a 2mm red plastic spacer. singapore, cadets, wark vc club, plaque, badge

To share information and gain first hand knowledge, organisations sometimes undertook study visits to various countries. In appreciation for the hospitality and information gained as part of this, the Singapore Association for the Visually Handicapped presented a commemorative plaque to RVIB.1 plastic stand with engraved brown platePresented to Royal Victorian Institute for the Blind in appreciation of the warm hospitality extended to our official during study visit on 18th-19th October 1993. October 1993 from Singapore Association of the Visually Handicappedroyal victorian institute for the blind, singapore association for the visually handicapped

Item is part of the collection of "Lloyd Farrell" 3796187 1 RAR "C" COY. In photo Lloyd is in back row, first from left.Photograph of C. Company, 1st Battalion of Royal Australian Regiment, all in uniform and in formation of four rows, posed in front of a building at Selarang Garrison, Singapore. Sept 1970.Headed "C COMPANY 1st BATTALION THE ROYAL AUSTRALIAN REGIMENT - SELARANG GARRISON - SINGAPORE - SEPT 1970".rar, photograph, butterworth, l. farrell.

British Admiralty Navigation Chart - Cape Rachado to Singapore - Malacca Straitswarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, navigation chart, british admiralty navigation chart, british admiralty

The photo relates to Francis William (Dinky) Dean BEM, VX93960 2nd AIF, 3742 1 RAR. Refer Cat No 124.2 for his service details. Framed photograph of 'A Company 1st Battalion The Royal Australian Regiment/Selarang Garrison - Singapore - Oct 1970' Staff Photograph. Photograph: Group black and white photograph of soldiers in uniform. Printed information (row position and names) provided below photograph. Frame: timber with decorative edge, mid brown colour stain, glass front. Mount: dark green coloured cardboard.Printed label above photograph: "A Company 1st Battalion The Royal Australian Regiment/Selarang Garrison - Singapore - Oct 1970" Bottom left on glass, printed label in black ink. "FRANK (DINKY) DEAN BEM/ Front row 7 from right/ donated by/ Mrs M Dean/ Refer book 54" photography, military, accessories, history, army

A series of scripts for film/video promoting Australian building materials for export to Singapore. Script on pink foolscap is a different script. The double-sided blue carbon copy script is a slightly different version of the first two pages of the 4-page carbon copy on foolscap script.Crawford Productions and Robin Boyd also explored ideas for other television productions, besides the successful 'The Flying Dogtor" series.Typewritten, 1 double-sided page blue carbon copy on foolscap, 1 page carbon copy on pink foolscap, 4 pages carbon copy on foolscap. 6 pages totalbuilding materials, henry wilckens, singapore, malaya, export, advertisement

Framed black and white photograph titled "Singapore 12 September 1945" Glossy black metal frame with grey card window mount. Title and text below image. Image shows the official ceremony in Singapore during the signing of the surrender document by Japan.

Hard, black coloured buckram cover, gold print on spine, 189 cut plain pages, illustrated, black & white photo of author, black & red map. Autobiography - an account of Charles McCormac's escape from a Japanese prison camp in Singapore.Front fly leaf in black ink: RSL Stampbooks, military, history, imprisonment

249 page royal blue buckram hardcover book. Cut edged pages, gold print on spine, maps on front and back end pages. Includes B&W photos and illustrations.Handwritten in blue ink on front flyleaf "Mrs Mary Hall". Blue stamp on front flyleaf "Returned & Services League Memorial Hall Bendigo".books, military history, singapore

A group of Singapore internee women and children in Camp 3 during WW2. Sepia photograph of a group of women and children standing in front of a hut.singapore internee, camp 3 internees

Spotlight on Singapore - A Tribute to the Men & Women Who Were There On front fly leaf in blue ink: oval RSL StampHard, pale khaki coloured buckram cover, red print on spine, 301 cut plain pages, illustrated, maps, & black & white photos.Front fly leaf hand written in grey lead pencil: 200.1.00books, military, history

Deadly Secrets tells the engrossing true story of the Allied raids launched on Singapore in World War II. Laying many myths to rest, military historian Lynette Ramsay Silver, the author of The Bridge At Parit Sulong, outlines Operation Jaywick, which used a stolen Japanese fishing boat, renamed Krait, to attack Singapore Harbour. It also discusses the more ambitious raid; Operation Rimau.Soft Cover without Dust Jacket – 464 pagesworld war ii, ww2, australian commandos, australian special operations, operation jaywick, operation rimau

The Buddhist monk Guangqia visited Karl Duldig’s studio on two consecutive days, in the company of the noted Chinese writer, Professor Yu Dafu, a friend of Karl’s. Karl made two portraits of the monk, the first depicting him sitting, and the second in a standing pose. The portraits were drawn using a Chinese brush and Indian ink. Surviving sketches in the Studio’s collection indicate that Karl thought about creating a life-size sculpture later on, but this was not realised. Guangqia added inscriptions in his own hand to both drawings and stamped them with a red seal. The seated drawing has an inscription in which he quoted from a Buddhist poem, ‘A Contented Mind’ by the scholar Lingfeng of Mt Tiantai. In the summer I went to visit the Austrian sculptor Duldig with Professor Yu Da Fu. My virtue is slight – I cannot accept your offerings and gifts; I am amply rewarded by the clouds and springs. Rather than a table laden with pearl-like rice, I prefer the wind and leaves falling on my bed. Sitting quietly on my meditation cushion Is sweeter than the wheat offered by a thousand families. The pity is that I am gradually growing old; My bitter journey is not worthy of your offerings. The second drawing has a quote from a Buddhist poem on the study of Chán (Zen) Buddhism, by the famed Chán master, Dàjiàn Huìnéng (638–713): The portrait, with its figure positioned on a scroll-like ground and inscription is reminiscent of traditional Zen Buddhist portraiture. In this school of portraiture, which stretched back to at least the thirteenth century, monks were depicted sitting or standing facing the viewer, and typically the monk added an autographic inscription to the portrait. The portraits were often passed from master to disciple, continuing the disciples’ journey of spiritual enlightenment and were revered for their association with remarkable or holy priests. The Buddhist monk, Guangqai who added his inscription and stamp to the drawings would most certainly have been aware of this tradition. It is likely that Karl was aware of this tradition, one of the points where the studio’s collections of art works from Singapore intersect with the earlier Viennese collections can be found in the Library where a catalogue of an exhibition, 'Ausstellung Ostasiatischer Malerie und Graphik' is held. The Viennese Friends of Asian Art and Culture and the Albertina Museum staged this exhibition of East Asian painting and graphic works in 1932. Such was the internationalism of Duldig’s education in Vienna, that adaption to a new environment and culture in the Straits Settlement was swift, and he was able to interpret the artistic traditions of the place, and make them his own. It is part of the strength of the collection, that in many cases contemporary supporting documentation for the works of art is available. In this case there is a photograph of the Monk with Yu Ta-fu, and Karl and Eva Duldig, outside the studio at the time the drawings were made. Ann Carew 2016The portraits of Guangqai have national and international aesthetic significance. The works of art demonstrate the artist’s skill in capturing the physical appearance and demeanour of his subject, and his ability to adapt his working methods to incorporate traditional Asian materials and cultural practices. The portrait is one of few examples in Melbourne of a central European modernist artists working in, and engaging with Asia, during this period and it is culturally and aesthetically significant for this reason. The portraits are also historically interesting in documenting the life and experiences of Karl Duldig in the Straits Settlement (Singapore). Ann Carew 2016Brush drawing in chinese ink on paper. Seated Buddhist Monk. Chinese calligraphy hand written in black ink. Two red stamps under calligraphy.Signed Karl Duldig in l.r. corner. Dated Singapore 1940 in l.l. corner.