Cover design wraps around the spine and both covers. Lower section is a pale yellow/white colour with silver text. The higher section is a torn green image of a grassed field and tree with black and white images of a lady and pram, a young boy, and a man in a wheelchair with one red poppy. The back cover image is a welcome home sign with a gathering of people beneath it.non-fictionLiving with the Scars of War tells the untold story of thousands of Australian families who welcomed home disabled soldiers after the First World War. It offers a poignant account of the impact of physical injury and shell shock upon returned soldiers, and explores the profound and lasting consequences of disablement for their kin in the 1920s and 1930s. Drawing the reader into the emotional interior of family life, it evocatively brings to light the daily struggles of Australia's 90,000 'changed men', and reveals the significant burdens carried by their family members--Provided by publisher.australian and new zealand army corps, war veterans, disabled veterans australia, soldiers-family relationships, post-traumatic stress disorder, social aspects of war, psycholgical aspects of war, ww1, wwi, first world war, world war 1914-1918

This book deals almost entirely with occurrences within Australia. It describes the background - political, social, industrial, economic-against which the war effort of Australia was projected.This book deals almost entirely with occurrences within Australia. It describes the background - political, social, industrial, economic-against which the war effort of Australia was projected.Official History of Australia in the War of 1914-18 - Volume XI - Australia During the War. Illustrations, Photographs,australia, declaration of war, commonwealth cabinet, war pledges of political leadeers, censorship of newspapers, censorship of mail, blind codes, internment camps, hughes, stress of war, military organisations of australia, formation of armies, equipment of armies, matters of policy, gallipoli, conscription, conscription movement, military service referendum act, the last months of the war, economy aspects of the war, commonwealth taxation, patriotic funds, peace conference

Nola (Nettie) Maher was born in Beechworth on 31st December, 1935. Her father returned from World War One and purchased a miner’s cottage in 1919 where Nettie lived in for the majority of her life. Nettie worked for ten years at the Pittman’s Shoe Factory, once located on Ford Street, which was in operation from 1 July 1947 to 28 August 1961. She fondly recalls the camaraderie amongst the staff and certain managers, and details the factory processes, union activities and the work she continued to do once she was married and had children. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. Nola Nettie Maher’s account of her personal and working life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural heritage of the region. She details important details about life and working in the region post World War Two, including insights into women’s working roles, as well as the social aspects of town life. This oral history account is socially and historically significant as it is part of a broader collection of interviews conducted by Jennifer Williams which were published in the book ‘Listen to what they say: voices of twentieth-century Beechworth.’ While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town’s residents during the 20th century, many of which would have been lost had they not been preserved. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Nola Maher /beechworth, nola maher, nettie maher, listen to what they say, jennifer williams, oral history, hospital, private hospital, birth, miner’s cottage, kerosine, eucalyptus, rabbit, laundry, dressmaking, dressing certificate, dry cleaners, hotel, shoe, leather, shoe factory, uppers, pittman, ford street, charlie king, union, wages, new years eve, dance, memorial hall, married women, flexible hours, ice cream, milk bar

Index, notes, appendices, glossary, ill (plates b/w), p.463.non-fictionIt was one of the most controversial and still haunting aspects of World War One: the execution of 351 British soldiers for cowardice and desertion in the face of the enemy. Using new material that only now has become available from the Public Records Office and other sources, this compelling history sets out the facts of these courts-martial and shootings--and just as important, places them in the context of the military, social, and medical context of the period.world war 1914-1918 - history, world war 1914-1918 - military tribunals

index, bib, maps, p.164.non-fictionFrom its origins to its terrible legacy, the course of the First World War is vividly set out in a series of 173 fascinating maps. Together, these maps form a comprehensive and compelling picture of the war that devastated large parts of Europe, destroying three Empires; these maps illustrate the military, social, political and economic aspects of the war. This revised edition contains a new section depicting the visual remembrance of the war; a guide to the memorials and cemeteries that commemorate the Battle of the Somme.world war 1914-1918 - history, world war 1914-1918 - maps

Index, bib, ill, p.319.non-fictionSome rescues involve the soldiers, sailors and airmen who risked all for their brothers and sisters in arms. Other concern civilians who hid Jews in their homes or helped Allied soldiers trapped behind enemy lines. All are an inspirational testament to bravery and human kindness.world war 1939-1945 - rescues, world war 1939-1945- social aspects

Index, ill, p.208.non-fictionRationing - Red Cross - Women's role in wartime - Japanese midget submarines - Clothes rationing - Coalminers' strike - Censorship - Ration books.australia 1939-1945 - social conditions, world war 1939-1945 - social aspects

Index, bib, ill, p.208.non-fictionSix chapters and picture essays describe the conditions and situations in the United States during World War II.world war 1939-1945- social aspects, world war 1939-1945 - united states - war preparations

Index, ill, maps, p.175.non-fictionAn illustrated history of social and military aspects of the Great warworld war 1914-1918 - history, world politics - 20th century

Index, bib, ill, p.216.non-fictionSeven chapters and picture essays describe conditions and situations contributing to the beginning of World War II.world war 1939-1945 - causes, world war 1939-1945- social aspects

The toy soldier is a relic from the shipwreck of the LOCH ARD in 1878. It has a companion piece in the Flagstaff Hill collection. The toy soldier is unpainted, but the style of uniform, and the weapons carried (a musket and a basket-handled cutlass), indicate it is a representation of the Napoleonic Wars period from the beginning of the nineteenth century. Mass-produced toy soldiers made of cast metal (lead or tin) became popular during the 1800s. Heyde of Germany manufactured silhouette-shaped ‘flats’ early in the century; then Mignot of France released three-dimensional ‘solids’; and later (1893) Britain of England made ‘hollow cast’ figures. These innovations were designed to make sets of toy soldiers more affordable for middle and lower-class children, extending the market beyond the intricately made and hand-crafted replicas that were the preserve of the rich in the eighteenth century. Wooden military figures, specially carved and unpainted ones, were therefore not particularly common at the time when the LOCH ARD went down on Victoria’s southwest coast. Mignot was the first to sell unpainted soldiers, leaving their customers to fill in the colours according to their own patriotic preferences. If a similar attitude is assumed for the two virtually identical figures in the Flagstaff Hill collection, it is possible they were part of a new set intended for sale, rather than part of a passenger’s existing collection. A similarly light composite material of sawdust, glue and linseed oil (press-moulded onto a metal frame) was used by the German firm O & M Hausler to create toy soldiers, but this type of modelling was not commercialised until after 1912. The first heat-moulded plastic toy soldiers did not become available until after 1945.The toy soldier represents a 19th century child's interest in military history. The item is one of two toy soldiers recovered from the Loch Ard that are in Flagstaff Hill's collection. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.An unpainted replica or toy soldier, presented in a Napoleonic Wars era uniform. The moulded figure is in a standing posture and is bearing a musket at the slope-arms position, with a sabre or cutlass slung behind. It wears a plumed helmet, short-fronted coat with longer buttoned tails at the back, button-fastened bib-front trousers, a pair of crossed bandoliers, and tasselled shoulder epaulettes. The figure is a creamy colour with red-brown stains on the head and shoulder. There is a hole in the end of the musket. The model is detailed and sharp. It was recovered from the wreck of the Loch Ard.Cataloguing numbers: “6599” on the rear of the left trouser leg “PWO 2308” on the sole of the left boot, (partially obscuring “R122” written in biro) “2218” on the sole of the right boot.flagstaff hill, warrnambool, loch ard, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, napoleonic uniform, toy soldier, replica soldier

The toy soldier is a relic from the shipwreck of the LOCH ARD in 1878. It has a companion piece in the Flagstaff Hill collection. The toy soldier is unpainted, but the style of uniform, and the weapons carried (a musket and a basket-handled cutlass), indicate it is a representation of the Napoleonic Wars period from the beginning of the nineteenth century. Mass-produced toy soldiers made of cast metal (lead or tin) became popular during the 1800s. Heyde of Germany manufactured silhouette-shaped flat toy soldiers early in the century. Mignot of France released three-dimensional solid figures and later around 1893 W. Britain, a toy company became known for its die-cast lead toy soldiers. These innovations were designed to make sets of toy soldiers more affordable for middle and lower-class children, extending the market beyond the intricately made and hand-crafted replicas that were the preserve of the rich in the eighteenth century. Wooden military figures, specially carved and unpainted ones, were therefore not particularly common at the time when the Loch Ard foundered on Victoria’s southwest coast. Mignot was the first to sell unpainted soldiers, leaving their customers to fill in the colours according to their own patriotic preferences. It is, therefore, possible the two figures in the Flagstaff Hill collection were part of a new set intended for sale, rather than part of a passenger’s existing collection. Loch Ard History: The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The toy soldier represents a 19th-century child's interest in military history. The item is one of two toy soldiers recovered from the Loch Ard in Flagstaff Hill's collection. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history, allowing us to interpret Victoria's social and historical themes. Through is associated with the worst and best-known shipwreck in Victoria's history.An unpainted, cream-coloured toy soldier, recovered from the Loch Ard. The figure wears a Napoleonic Wars-era uniform, a plumed helmet, a short jacket with tails, bib-front trousers with button closure, straps crossed at the front and back, and epaulettes. The figure is in marching posture with one foot extended forward, and is bearing a musket at the slope-arms position, with a sabre or cutlass slung behind. It is unable to stand on its own. There are reddish-brown and orange-brown stains on the head and body. The body has seams along both sides that are uneven at the lower leg. There is a hole in the back and the inside is hollow. The material has a rough texture.flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch ard, toy soldier, napoleonic uniforms, military toy, moulded soldier

In 2014, The Sunshine and District Historical Society in conjunction with the Brimbank City Council and the Sunshine R.S.L. presented an exhibition "Remembering: 100 Years On" in commemoration of the outbreak of World War 1. The exhibition included elements from various collections and touches on both individual stories and artefacts which serve as points of broader reference to the overall conflict.The year 2014 marked a milestone in history as it was the 100th anniversary of the outbreak of the Great War. In Sunshine and the surrounding districts, the war permeated all aspects of life. The exhibition featured some significate artefacts which emphasise the cultural, social and historical impact the Great War has.5696.01 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Flyer Back.jpg 5696.01 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Flyer Front.jpg 5696.02 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Victor Barnett Letter Home Hand Written Page 1.jpg 5696.02 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Victor Barnett Letter Home Hand Written Page 2.jpg 5696.03 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Victor Barnett Letter Home Transcript Label.jpg 5696.04 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Will Dyson A Voice From ANZAC Label.jpg 5696.05 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Overseas Club Melbourne 1915 - 1916 Label.jpg 5696.06 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Pte Albert Jackson To My Dear Jean From Her Loving Husband Albert Label.jpg 5696.07 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Royal Burial Of The Unknown Warrior.jpg 5696.08 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - H. M. Burton A Call From The Dardanelles Coo-ee Won't You Come Label.jpg 5696.09 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Homes For Soldiers Day Label.jpg 5696.10 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Loris Richard Clark If You Know Of A Better Badge Get It Label.jpg 5696.11 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Enlist In The Sportmen's Thousand Label.jpg 5696.12 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Join The A.I.F. This Is Serious Enlist Now Label.jpg 5696.13 - Sunshine And District Historical Society Remember 100 Years Old Exhibition 2014 - Various Information Labels.jpg world war 1914 - 1918, victor barnett, will dyson, albert jackson, h. m. burton, loris richard clark, albert jacka

Wristwatches became popular after World War 1, where they were used to ensure soldiers could undertake operation at the same time over a last distance. In the 1920s the automatic watch was invented by John Harwood and the mass production of wristwatches began, allowing all members of society the ability to keep track of time.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.Small silver watch, with black and white number face, with the exception of a red ink 12. The watch has a small gold hand mechanism turner on the right side and a small silver spike sitting on the bottom of the watch.Clock is currently set on five past one. watch, horology, early 20th century

Specific historical and contextual information pertaining to this object is unknown. There are no hallmarks or documentation to indicate provenance or historical significance. This coin purse appears to have a covering made of mother of pearl. Evidence of interest from over 20,000 years ago mark Aboriginal groups in Australia as some of the first people to value the power and beauty of pearlshell, while evidence of Australian pearlshell being taken across the sea to other countries dates back as early as the 1500s. The 1850s-60s saw the beginnings of the Australian pearling industry. Following the popularisation of plastic for items such as buttons the pearlshell market waned in the mid-twentieth century but was soon after began to re-forge in Australia with a new industry of cultured pearl farms. Most of Australian's pearling industry was initially located in Western Australia and off the Torres Strait Islands. The Australian War Memorial notes on their website that many tokens made from mother of pearl were sent home to loved ones throughout World Wars One and Two from the Middle East, England, the South West Pacific, Australia and elsewhere, but that unfortunately provenance such as the manufacture and sale of many of these items is not recorded.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small rectangular purse with silver edging and half clasp, covered in white and cream coloured shell (mother of pearl?)A01154burke museum, social history, accessories, mother of pearl, nacre, australian industry

What was it like in Vietnam? This book describes the experiences of a small group of Australian infantrymen who were at the sharp end of the war. Ti covers their time in Vietnam, he emotional cost of their service, and a return trip to that country many years later. 1961-1975 - social aspects, vietnamese conflict, 1961-1975 - psychological aspects

Is this a war that we - or anyone - should support? In one of the most honest, most heart-rending reports to come out of Vietnam, Mary McCarthy shrews America fighting a war it cannot win in a treatre it will not leave. vietnam war (1961-1975), vietnam war, 1961-1975 -- social aspects, saigon

Is this a war that we - or anyone - should support? In one of the most honest, most heart-rending reports to come out of Vietnam, Mary McCarthy shrews America fighting a war it cannot win in a treatre it will not leave.vietnam war (1961-1975), vietnam war, 1961-1975 -- social aspects, saigon

What was it like in Vietnam? This book describes the experiences of a small group of Australian infantrymen who were at the sharp end of the war. Ti covers their time in Vietnam, he emotional cost of their service, and a return trip to that country many years later.vietnamese conflict, 1961-1975 - social aspects, vietnamese conflict, 1961-1975 - psychological aspects, australian infantry

Just over five hundred Australians were killed in action in the Vietnam War. Of those who returned 280 Vietnam veterans have officially been recognized as having committed suicide.vietnam veterans association of australia, 1961-1975 - australia, vietnamese conflict, 1961-1975 - social aspects

What was it like in Vietnam? This book describes the experiences of a small group of Australian infantrymen who were at the sharp end of the war. Ti covers their time in Vietnam, he emotional cost of their service, and a return trip to that country many years later. 1961-1975 - social aspects, vietnamese conflict, 1961-1975 - psychological aspects, australian infantry

It ended a generation ago and is still with us. this superb reference work provides understanding and perspective on one of the greatest crises in U.S. history, and covers every conceivable aspect.vietnamese conflict, 1961-1975 encyclopedias

Vietnam Wives is a profoundly moving book on the phycological and social consequences of war for families; a "must read" for anyone interested in the realities of war. It should be required reading for all politicians. There are lots of helpful suggestions for wives at the end post-traumatic stress disorder - patients - family relationships, veterans - united states - mental health, vietnamese conflict, 1961-1975 - psychological aspects

Vietnam Wives is a profoundlly moving book on the phychological and social consequences of war for families; a "must read" for anyone interested in the realities of war. It should be required reading for all politicans. There are lots of helpful suggestions for wives at the end.post-traumatic stress disorder - patients - family relationships, veterans - united states - mental health, vietnamese conflict, 1961-1975 - psychological aspects

Australia's Vietnam veterans were finally 'Welcomed Home' in Sydney during the first weekend in October, 1987, with civic ceremonies, a Sawn service, a concert and, most importantly, a parade or march.vietnam war, 1961-1975 - social aspects - australia, parades - new south wales - sydney, welcome home parade 1987

Australia's Vietnam veterans were finally 'Welcomed Home' in Sydney during the first weekend in October, 1987, with civic ceremonies, a Sawn service, a concert and, most importantly, a parade or march.vietnam war, 1961-1975 - social aspects - australia, parades - new south wales - sydney, vietnam veterans march, welcome home parade 1987

True stories by ex-Servicemen, that did a tour of duty in the Vietnam War, and how the war affected them once they returned home. 1961-1975 - personal narratives, australian, vietnam war, 1961-1975 - social aspects - australia

True stories by ex-Servicemen, that did a tour of duty in the Vietnam War, and how the war affected them once they returned home.vietnam war, 1961-1975 - personal narratives, australian, vietnam war, 1961-1975 - social aspects - australia