Two yellow solar-powered cars on path in a parkchatham-holmes collection, solar, solar-powered, cars

18 slides. An event at the Energy Education Centre at Burnley. C. 1990. Possibly the opening.Labelled "Solar Energy"solar energy, energy education centre, burnley

To help children learn water safety as well as be able to provide physical therapy through water exercises, a swimming pool was opened at the Burwood School. Running a heated indoor pool required the installation of a solar hot water system, which was opened by Victorian MP David White in 1985.Brown plaque with gold coloured writing and Braille tapeThis swimming pool is heated by the sun (also in braille) The solar heating system was opened by The Hon. David White, MLC., Minister for Minerals and Energy February 15, 1985rvib burwood school, david white

20 slides of solar engineering equipment Nov 86. 1 labelled "Solar Propagation Box". 1 Aug 81 and 2 others, Some scanned.solar engineering, equipment, solar propogation box

Donated by the artist through the Australian Government Cultural Gifts Program, 2017Drawing and erasing instrument: solar and mains power, steel, timber, electric motors, solar panel, stainless steel sire, brass, aluminum, eraser, pen/pencil, stone, bearings, glassgippsland, artwork, permanent collection

Newspaper clipping from the Courier, titled "Tramway goes solar powered" Saturday 20/12/2014, about the installation of solar panels on the depot roof and being the second known tramway in the world.btm, solar panels, depot

Ballarat School of Mines lecturer, John Wall, prepared this book for the Astronomy class of the Ballarat School of Mines12 page printed booklet with additional charts. Front cover "Eustace H. Coltman Ballarat'ballarat school of mines, astronomy, john wall, eustace coltman, solar system

A4 Article Green contacted cover

Purchased, 1978Oil, wallpaper, mixed media and found objects on boardgippsland, artwork, permanent collection

10 pages.

174p. : ill., non-fictionHistory of Shepparton's first 150 years. Including closer settlement, irrigation, multiculturalism.shepparton (vic.), history, book

Donated by founder, Mother Gonzaga Barry's, brother, John Barry, to Loreto's Ballarat school, Mary's Mount, in 1887. Brought back by Mother Gonzaga on her return from Europe in 1887. Maintained by Captain Henry Evans Baker, Superintendent of the Oddie Observatory, Mount Pleasant Ballarat, who subsequently made the students a telescope. Used in the curriculum for the study of astronomy.Connection with founder of Loreto in Australia and her family. Evidence of early curriculum. Rare artefact.A clockwork scientific instrument modelling the solar system.Paterson & Son Maker Liverpoolorrery, astronomy, science

Various artifacts from the steamship 'Wattle'. The Steam Tug Wattle, a steel ship, was built as a harbor tug in 1933. Steam is supplied from a two-furnace Scotch Marine wet-back boiler which was originally fired with dewatered and filtered waste oil but has recently been converted to burn distillate for environmental and maintenance reasons. It was launched at Cockatoo Island on 27 June 1933 by Cockatoo Docks & Engineering Co. Ltd. (CODECO) on order from the Commonwealth Shipping Board. Now fully restored it operates excursions in Port Phillip and the Yarra.Solar Reflector with spirit level in wooden boxst wattle, navigational intruments

Colour photograph. Man with glasses and solar hat. Peter Ellisperson, individual, peter ellis oam

Magazine - 20 A4 pages printed in full colour on gloss white paper, centre stapled - "Insite Magazine - November 2015 - January 2016" containing an article "The Ballarat Tramway Museum Goes Solar Powered" written by Paul Mong and Warren Doubleday. Provides the background to the installation of the solar panels to the BTM Depot in Nov. 2014. Has photos of the solar panels and inverters as well as tram 28. Provides information on costs.trams, tramways, btm, solar panels, museums australia

A newspaper article on the first solar village in Australia, built in Nunawading. It has been designed specifically to meet Australian weather conditions.first solar village in Australiaresidential development, mock street forest hill, solar energy council, pullen, barry

On reverse: Tiros II - Mounted in machine to test satellite's stabilisation system. Lights test solar cells.alan gardiner collection, space industry, 1960, satellite, tiros ii

Laminated plans for greenhouse (1) Burnley Low Energy Greenhouse, (2) Solar Boosted Heat Pump - Greenhouse Bench Heating System. C photographs pasted on cardboard and labelled (3) Loading 20 mm gravel into Rock pile. (4) Reinforcement at Bottom Gravel level. (5) Sealing the Top of the Rock pile. (6) Top of Rock pile Before A-Frame Construction. (7) Corner Detail of Portal Frame. (8) Glazing Frames for Solar Panels. (9) Structure Partially Clad, with Solar Panel Supports at Rear. (10) Back of Solar Panels in Place. Laminated C photographs pasted on cardboard and labelled. (11) Burnley Low Energy Greenhouse. (12) Greenhouse Covering Materials Burnley. Pamphlet (13) Burnley College Institute of Land and Food Resources (slightly damaged)burnley, greenhouse, solar energy, construction, pamphlet

number in album 03526.02Black and white photograph Shire Commissioner George Bates and Trevor Bartlett beside one of the solar powered carpark lights at the Aquatice Centre. Lakes Entrance Victoriarecreational facilities, local government

Yields information about the South Gardens Reserve and the BTM, including Depot Junction following its redevelopment late 2014.Laminated colour photograph of the South Gardens Reserve Precinct, showing the revised depot junction - completed late Dec. 2014, the fish hatchery, the tram depot with Solar panels, Nov. 2014. Image downloaded from Google Earth 31/3/2015. Has a single trucker on 2 road and 939 on 3 road. See images i2 and i3 for other digital photos prepared from Google Earth at the same time. Image i2 has the solar panels marked by a red arrow.trams, tramways, btm, depot junction, aerial views, solar panels, gardens, fish hatchery

A solar panel rollout, the introduction of electric vehicles, and an increase in environmental grants are part of a $5 million Banyule Council package to tackle climate change.News article 1 page, black text.banyule city council, environmental change

Hewlett Packard are particularly proud of the use of glass in their building, and its solar qualities. They produce printers, computers, scanners and digital photographic equipment etc2 coloured photographs (a+b) of the Victorian Headquarters of Hewlett Packard in East Burwood. It is located in the Tally Ho Business Park in East Burwood. The number 347 is prominent as is the Hewlett Packard sign on the right,tally ho business park, east burwood, hewlett packard

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio