The Eureka Stockade was fought on the morning of 03 December 1854. Around 22 soldiers and diggers were killed as the result of the battle. Paper with printed wordsCorrespondence in cemetery files at Community Services Victoria re the disgraceful state of the soldiers' graves in the Ballaarat Old Cemetery. Dated 7.10.91 (1891)eureka graves, ballaarat old cemetery, ballarat old cemetery, miltary, soldier's graves

Two colour photographs at the Eureka Soldiers Graves at Ballaarat Old Cemetery.eureka stockade, ballarat old cemetery, ballaarat old cemetery, military, soldiers graves

Colour photograph of re-enactors of the 40th regiment firing muskets at the Soldiers Graves at the Ballaarat Old Cemetery. eureka sunday, 40th regiment, muskets, ballaarat old cemetery, eureka commemoration, british army, eureka stockade

This object relates to Herbert Francis Henry LYONS. He was born on 1/01/1892 in Egerton, VIC. Herbert Francis Henry served in the AIF(2840) enlisting on, 28/04/1976 in Ballan, VIC before being killed in action on duties with the 3rd LHR MACHINE GUN SQN as a Army Non-Commissioned Private (PTE) on 26/10/1918. Herbert Francis Henry LYONS was not a prisoner of war. His next of kin is Myrtle LYONS (Sister). Herbert Lyons was awarded the British War Medal and the Victory Medal.Photocopies of Grave; Soldierfirst world war (ww1), 1914 - 1918, photo/pictures, ballarat rsl, ballarat

Folded card, pale cream colour with blue printing & illustrated colour prints of wreaths, suitable for placing on soldier's graves. BRITISH ASSOCIATION YPRES SALIENT BELGIUM (An Association of Ex-Soldiers) Cataloguecommerce - advertising, military history, passchendaele barracks trust, belgium, ypres

Ballarat Old Cemetery was officially established in 1856, with a board of trustees. It had been opened by Ethersay and has burials relating back to 1848. The Rules and Regulations of this historic cemetery are dated 1854, two years prior to its official establishment. Of historic significance are the Eureka Diggers' Graves and the Soldiers Graves associated with Eureka. It is now part of the Ballarat Cemetereis Trust, incorporating the Ballarat Old nad New Cemeteries and the Crematorium.Colour headstone at Ballaarat Old Cemetery.Erected by their loving family an Affectionate Remembrance of their beloved parents, Francis Diamond died 25? Dec 1889 aged 54? years, MARY DIAMOND died 21? March 1887 aged 53? years, natives of Co Derry, Ireland. their beloved daughter Sarah died 18 February 1877 aged 21 years, Mary died 8th Dec 1941diamond, sarah diamond, mary diamond, francis diamond, ballarat, cemetery, ballarat old cemetery, gravestone, burials

Ballaarat Old Cemetery was officially established in 1856, with a board of trustees. It had been opened by Ethersay and has burials relating back to 1848. The Rules and Regulations of this historic cemetery are dated 1854, two years prior to its official establishment. Of historic significance are the Eureka Diggers' Graves and the Soldiers Graves associated with Eureka. It is now part of the Ballarat Cemetereis Trust, incorporating the Ballarat Old nad New Cemeteries and the Crematorium.Colour photograph of a gravestone/diamond, sarah diamond, mary diamond, francis diamond, ballarat, cemetery, ballarat old cemetery, gravestone, burials

Photo taken by a member of the public.Sepia photograph of the panel at Menin Gate Memorial showing names of 38th Battalion 1 AIF soldiers with unknown graves. Names and Ranks of members of 38th Battalion 1st AIF.passchendaele barracks trust, photograph, menin gate memorial, 38th battalion

Photographs located in personal items belonging to John Brian MURRAY VX142238 - Photograph of three crosses taken at Bomana Cemetery in Port Moresby where the following servicemen are buried: - Thomas Rutherford HOPE VX141789 born 8/12/1919 at Footscray served with the 57/60 Australian Infantry Battalion and died of wounds on 22/6/1945 at Bougainville; Maxwell FISHER VX149937 born 23/6/1911 at Wangaratta/Carboor - Acting Sergeant with the Australian Army Catering Corp attached to the 58/59 Australian Infantry Battalion and died of wounds on 17/6/45 at Bougainville; and Thomas Martin BROWN WX16690 born 19/4/1916 at Fremantle - Trooper with 2/4 Armoured Regiment attached 24th Infantry Battalion and Killed in Action on 28/4/1945 at Bougainville.Four small black and white unframed photographs 1. Male standing with white towel around waist in front of row of tents 2. Group of soldiers with hill in background 3&4 Identical photographs - three white grave crosses with soldiers behind. Grave sites of j b murray vx142238, thomas rutherford hope, maxwell fisher, thomas martiin brown, bomana cemetery port moresby, ww2, new guinea

The magazine has been produced for ANZAC Memorial Day 25 April 1918, the pages are full of photographs of Australain Troops preparing for departure overseas and preparing for their service overseas. There are two pages 'Heroes of the Southern Cross' authored by A M David, Secretary Victorian Branch, RSL.This magazine is an original of those printed for ANZAC Memorial Day 25 April 1918. The magazine contains photographs of the period 1914-1918 and a dedication authored by the then Secretary of the RSL Victorian Branch, A M David.An oblong magazine, colour photograph on the front page with a soldier at a grave site and the Australian Flag on the left side, 6 paper pages the cover of the magazine has a grease proof paper cover.The magazine has been printed by D W Paterson Co Pty Ltd for the Victorian Branch of the RSL, J W Mc Kenzie, President, A M David Secretary.anzac memorial day, 1918, magazine, ww1, photographs

A file copy of a letter sent from Legatee Rob Allison to Robert Bowring (6th November 2000) in answer to a request regarding the origins of the first Dawn Service. Legatee Rob Allison signed himself as the Chairman, Advisory Tradition and History Committee. To research his response he consulted the AWM and summarised the content in the letter and enclosed four articles. Unfortunately the four articles sent to Robert Bowring are not included here. L/- Rob Allison makes reference to information obtained from Dr Richard Reid (historian at the Australian War Memorial and then the Commonwealth Branch of the Department of Veterans Affairs). Also Rob Allison makes reference to Lyn Witheridge (Australian War Memorial and later with the Centenary Federation Secretariat). He was addressing the rumour that there was a Dawn Service held in Albany WA in 1914 when the first convoy in WW1 from Australia was about to sail from Albany. The letter also makes reference to a gathering at Toowoomba QLD on Anzac morning 1919, however that rumour suggest that flowers were placed on returned soldiers graves, L/- Allison cast doubt about the placing of flowers on graves of returned service personnel, because only Major General Bridges and the Australian Unknown Soldier were the only two WW1 troops killed in action, to be returned to Australia.A record that members of the public approached Legacy with questions about military and post war history. Legatee Allison made an effort to research and base his reply on evidence.White paper with black type, a facsimile of a letterTelephone No 61395620309 top right.research, world war one

Harry Holmes and his battalion friends photographed aspects of their time on the Suez Canal, Egypt. Egypt was a major base for the AIF from December 1914. A number of campaigns were fought in this theatre. There were two campaigns involving the AIF. Note that not all the fighting was actually geographically in Egypt. (http://www.aif.adfa.edu.au:8888/about3.html) This photograph is significant because it was taken by a soldier (rather than an official war artist) and shows one of the day to day activities experienced by Australian Soldiers in Egypt during World War One.1) Four Australian soldiers during World War One in Egypt .2) Soldiers watch while two men 'fight' on a greasy pole during World War One .3) Australian soldiers stand at the grave of a German Officer at the Suez Canal, Egypt.2) Verso - "greasy Pole Fight" .3) verso: - Snap taken at grave of German officer killed in the first tussel (sic) with Turk at the Canalchatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, egypt, cam williamson, greasy pole, ship, vessel, burial

Will Longstaff painted the original oil on canvas in Greater London -United Kingdom in 1927. The Menin Gate commemorates soldiers with no marked graves killed on the Western Front during the 1st World War. It is a dedication to the 350,000 men of the British Empire Forces who died on battle grounds around Ypres in Belgium. It contains the names of 55,000 men with no known grave.Significant memorial to brave men..Wooden framed print of the Menin Gate at Ypres in Belgium'Inscribed brass plaque "MENIN GATE AT MIDNIGHT" by Will Longstaff. Donated by Geary Family on frame above print.

Taken on an unknown date, depicted is a portrait of a young, unidentified male soldier kneeling beside a grave in a cemetery. He is dressed in an Australian military uniform. The cemetery pictured is the Arnos Vale Cemetery in Bristol, United Kingdom. There are multiple crosses marking graves in this photograph, all marked in memory of different soldiers who fought with the Australian Imperial Force (AIF) during World War I. It is believed that the soldier who is kneeling was also part of the Australian Imperial Force. This can be inferred by the chevron rank insignia visible on the uniform. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Another signifier of the Australian Imperial Force uniform are the three inverted chevron stripes positioned on the lower part of the left sleeve, near the wrist. These are called Good Conduct Stripes and were worn by Warrant Officers and NCOs. This patch consisted of a single chevron stripe for each year of military service meeting certain requirements of good conduct. Additionally, the man in this photograph is also wearing a 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Furthermore, the grave that this unidentified soldier is kneeling next to is the resting place of Private John James (J. J.) Simpson. He was born in Stanley, Victoria in 1883. He enlisted in the Australian Imperial Force in Melbourne, Victoria on 12 July, 1915, with the service number 4909. John James Simpson was then posted to the 60th Company Depot at Seymour for military recruit training. John James Simpson was reported wounded in action in France on 19 July, 1916. He was admitted to 13th General Hospital, France with gunshot wounds to his legs. From Boulogne, France, he traveled to the United Kingdom aboard the Hospital Ship 'St. Denis' for medical care. Upon arrival, he was admitted to 2nd Southern General Hospital, Bristol, England on 27 July, 1916. John James Simpson passed away from his wounds on 1 August, 1916. He was 33 years old.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper mounted on card.Obverse: A.I.F. / AUSTRALIA / 441, PTE.T. / T (?) / 26B (?) / 6.1.17 / (?) / LANGTON RD. / ST. ANNES PK. / BRISTOL / A.I.F. / AUSTRALIA. / 708, GNR B.L.CRAWFORD. / FR / 5 D.A.C. / 13.2.17 / A.I.F. / AUSTRALIA. / 4481, P (?) D.MORRIS. / (?) / 31.12.(?) / A.I.F. / AUSTRALIA. / 4909, PTE J.J.SIMPSON. / 608(?) / 1.8.16 / Winchester / LANGTON RD. / ST. ANNES PK / BRISTOL / Reverse: 2641 /military album, military, war, world war i, wwi, australian imperial force, aif, j. j. simpson, uniform, cemetery

'Menin Gate at midnight' was painted by Will Longstaff to commemorate those soldiers with no marked graves on the Western Front during the First World War; also known as 'Ghosts of Menin Gate'. Longstaff attended a ceremony dedicating the Menin Gate memorial to the soldiers of the British empire forces, just outside the town of Ypres, Belgium, on 24 July 1927. The memorial was dedicated to the 350,000 men of the British and Empire forces who had died in battles around Ypres, and bears the names of 55,000 men with no known grave, over 6,000 of whom were Australians. Longstaff was profoundly moved by what he witnessed and that night, unable to sleep, Longstaff returned to Menin Road and later claimed to have had a vision of spirits of the dead rising out of the soil around him. On returning to his studio in London he painted 'Menin Gate at midnight' in a single session. Today 'Menin Gate at midnight' has achieved the status of a national icon. The painting retains its ability to provoke an emotional response and to communicate the scale of the loss of life and the devastation of war. However as people now have a very different understanding of war, the painting serves a slightly different function. Whereas in the past people responded to the painting as it related to the loss of a loved one and their own personal grief, now the painting communicates the loss experienced by a whole generation. The vast number of those who were killed, and the immensity of the damage wrought during the First World War, requires that those who sacrificed their lives should not be forgotten. Longstaff used well-known motifs to trigger emotion. His scarlet poppies are flowers that could be found in the Flanders fields, but they also carry the traditional connotations of shed blood and remembrance; they represent a floral blanket covering the bloodied bodies of unknown soldiers; at the same time, like the paper poppies worn on Remembrance Day, they are a tribute from the living to the dead. The portrayal of the steel-helmeted soldiers rising from the cornfields extends the range of visual emblems used by Longstaff: the plentiful harvest; the harvest of men; the steel-helmeted crosses covering the graves of many soldiers; and the helmeted bayonets raised in cheer and victory.ww1, menin gate, wark vc club

Private Bertie Ernest Alfred Henderson served in the 5th Pioneer Battalion, 5th Division of the AIF. He died of wounds In France on 29/5/1918 or 1/6/1918. His burial place is Crouy British Cemetery, Crouy-sur-Somme. The framed 'In Memoriam' has been in the custody of family members until presented to W&DHS in 2013 by Mrs Beris Porter. Pte BEA Henderson, 1866, 3 Pioneer Battalion(2 Reinforcement Group) was a farmer and single. His father was Mr HH Henderson of Naringal. He enlisted on 27/5/1916 then sailed on the Themistocles on 28/7/1916 and transferred to the 5 Pioneer Battalion. His name is recorded on the War Memorial, Artillery Crescent, Warrnambool as having made the supreme sacrifice.Mass produced Memorial page with a sepia original half portrait photograph of a soldier surrounded with two mounts,narrow white and dark/grey brown, and a thin gold gilt surround next to an inward angled plain, wooden frame with clear glass. Hand white painted name, rank, number, battalion, division with decorative flourishes. A. tarnished plaque is on the mid lower frame Front- White hand painted dedication: 1866/PRIVATE B.E.A. HENDERSON/5th Pioneer Batt 5Division/A.I.F. The mass produced decorative mount has battle place names and a bird's eye view of battlefields in France. In sepia 'Glory' stand atop a rock and cross with a laurel wreath in her right hand and a scroll with ANZACS falling from her left hand. A verse is written Anzacs, you've graved your name upon Immortal Scroll/Naught can compare with what the World a claims/Zenith of a fighting patriotic soul./A host of heroes, you have but echoed back with Clarion tongue/the Spartan Sires from who you fitly sprung Coo-ee! Comrades, 'Kia-Ora' you didn't ant couch will ever be./Sacred to all Eternity. An oval cut-out holds a half portrait of the soldier in uniform. Plaque on lower wooden frame FRANCE/29.5.18 Reverse- in pencil handwriting: ? o/c/... ... A. Henderson/of ...T/Yar..galin memoriam, wwi, 5th pioneer battalion, 5th division, aif, private bea henderson, warrnambool, anzac

William Horne Barrett was the great uncle of the donor and maker of the DVD, Newell Barrett. The DVD contains photographs of Barrett’s enlistment and embarkation for England and the photographs are accompanied by a commentary and text. Sergeant William Barrett enlisted in the 39th Battalion, C Company in 1916, and, although he came from Ballarat, his name is on the Warrnambool War Memorial as a local enlistment. His mother was Mary Ann Horne and the Hornes were farmers in the Allansford/Nullawarre area. Barrett was killed in action in October 1917 at Broodseinde, Belgium. He was buried near the trench he was occupying and today has no known grave. This DVD is of some significance as it contains information on a World War One soldier who was connected to the Warrnambool area through his mother, a member of the Horne family who were farmers in the Allansford/Nullawarre area. It will be useful for researchers.This is a DVD-R disc of the enlistments and embarkation details of William Horne Barrett (World War One). The running time is 56 minutes. The cover has two photographs of the Canberra Australian War Memorial in muted colour and an inset photograph of William Barrett. Front Cover: ‘William Horne Barrett, died 4th October 1917, Battle of Broodseinde, Belgium, Visit to the War Memorial, May 23rd to 24th 2012, Part One, Enlistment to England’. world war one, horne family, william horne barrett

Poster - paper, black and white print with foreground silhouette of a statue of a soldier with background muted colour photograph of a group of soldiers. Frame - moulded black plastic with glass front and MDF Board backing; with metal clips.Lettering on poster "ANZAC/ DAY/ 2014/ HONOURING/ REMEMBERING/ THANKING/ RENEWING"framed accessories, poster, anzac day

Poster - paper, with white print, foreground full length black and white portrait photograph of an indigenous soldier. Background muted red to brown colours. Frame - top and bottom, timber slats adhered to the poster paper with top hanging string.Lettering on Poster. "Commemorating Indigenous Service in the First World War".framed accessories, poster, anzac day

"EMPIRES OF THE DEAD" - HOW ONE MAN'S/ VISION LED TO THE/ CREATION OF WW1'S/ WAR GRAVES"Hard cover book with Dust Cover. Hardcover - cardboard, black colour buckram, gold print on spine. Dustcover - Paper, white, red and black print on front, spine, back and front and back flaps. Illustrated front, black and white photographs (top) soldiers from the rear, (bottom) war graves. Back cover - colour copy of oil painting "The Cemetery, Etaples" 1919 by Sir John Lavery. 289 pages, paper, cut, plain, off white. Illustrated black and white and colour photographs. End papers - red.ww1, books, war graves

Part of the William (Bill) THOMASON Collection. Refer Cat. No. 4136P for more items.Soft cover book. Cover - Brown colour cardboard, black colour print on front and back. Illustrated- front - silhouette sketch in black and blue colour ink, soldier on horseback. 153 pages - cut, plain, off white colour paper. Illustrated, black and white, sepia and colour plates of photographs, maps, diagrams and cartoons. End papers - front and back - illustrated silhouette sketch of soldiers mounted on camels in a line within a landscape of flat hills, two palm trees and a grave cross.publications, books, ww1, palestine campaign, william (bill) thomason collection

This oil painting by Bret Belot was an initiative of his to put something on canvas to celebrate the centenary of ANZAC in 2015. The images depicted on the painting are mostly from the collection of the Bendigo Military Museum in the Soldiers Memorial Institute Pall Mall Bendigo. Some of the figures are Brothers Jack Grinton & Bert Grinton DCM, Bill Durward 38th Bn, the Wright Brothers, Albert Jacka VC, MC and Howard, Poliness & DeAraugo who volunteered to go with Jacka when he won the VC, 38th BN men in Dog Trench, graves of 38th Bn soldiers, a letter written home about the Armentieres raid in 1917 by Robert Suggett 38th Bn. The painting was first unveiled at the Bendigo District RSL Sub Branch Inc pre ANZAC Day 2015. It is now on display in the Foyer of the Bendigo Military Museum.Painting oil on canvas, with numerous images from WW1 covering various aspects of the Great War.“Bret Belot”brsl, smirsl, painting, 2015

Items in the collection relating to Lt Col Jack Swatton Regt No 4905, refer Cat No 6719.2P for his extensive service records and RSL. .6 - No. 2813 James Albert Handley (right), 38th Bn. & No. 6132 Allan Ernest Driscoll (centre), 39th Bn. 1. B & W portrait of an Aust WW1 soldier with slouch hat. He is smiling. 2. B & W photo of 2 Aust soldiers in work clothes. Brick pier and iron gate behind them. 3. B & W photo of 2 Aust soldiers in work clothes. Photo of poorer quality. 4. B & W photo of 2 Aust soldiers casually dressed. A brick building and wooden door is behind them. One soldier is not wearing puttees. 5. Group portrait of 21 soldiers including one officer. They have musical instruments. 6. Snow covered cemetery photo. The wooden grave marker just to the right of centre is that of No. 2813 Pte Handley James Albert. He was KIA 18 July 1918. 7. Portrait of soldier looks like between wars or during WW2. Different shaped photo.1-6 Nil. 7. has '25' on back.passchendaele barracks trust, ww1, aif, photos

The Grinton Collection. The graves of four 38th Bn soldiers. Inscriptions on crosses - left to right; "In Memory of No. 887 Pte G.S.A. GRIMSHAW/ 38th BATTALION/ K.I.A. 29-8-18" "In Memory of No.1709 Cpl V.I.S. WYNNIAT/ 38th BATTALION/ K.I.A. 29-8-18" "In Memory of No. 1907 Pte G.A. LOADER/ 38th BATTALION/ K.I.A. 29-8-18" "In Memory of No. 114 Cpl D.L. TOWNSEND/ 38th BATTALION. K.I.A. 29-8-18". Refer Cat No 5883P for their service details. Refer Cat No 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper depicting view of four crosses with inscriptions marking graves in a field cemetery. Background view of cemetery. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and remembrance". "K. Field cemetery with graves of four 38th Battalion soldiers".framed accessories, camera on the somme, 38th bn, ww1, grinton, cemeteries

The Grinton Collection. The original grave of Albert Gilhooley No 890 38th Bn, KIA 31.8.1918. Refer Cat No 5074P for his photo. Refer Cat No. 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper depicting a field grave with a cross in a field of grass. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and remembrance". "M. Field grave of a 38th Battalion soldier - Gilhooley".framed accessories, camera on the somme, 38th bn, ww1, grinton, field grave

The Grinton Collection. Grave on the left; "In Memory of/ No.7067 Pte W. McEWAN/ 38TH BN A.I.F./ KILLED IN ACTION 31-8-18" Grave on the right, "In Memory of/ No.2839 Pte N.S. HOFFMEYER/ 38TH BN A.I.F./ KILLED IN ACTION 31-8-18". McEwans real name was “Alison”. Refer Cat No 5883P for McEwans and Hoffmeyers service details. Refer Cat No 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting two field graves with memorial crosses, two steel helmets placed at base of crosses. Inscriptions on crosses. Background - grass field. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and remembrance". "L. Field graves of two 38th Battalion soldiers - Hoffmeyer and McEwan". framed accessories, camera on the somme, '38th bn, ww1, grinton, graves

The Grinton Collection. The grave of Cyril Edward Andrew DUNN No 3058, 7th Reinforcements C Coy 38th Bn, enlisted 1916, KIA 31.8.1918 Refer - Cat No. 1280 for Jack Grintons service details. Photograph - framed. Photograph - black and white photograph on paper depicts a field grave with cross, tin helmet, kit bag and rifle with bayonet in the ground. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance." "1. Field grave of a 38th Battalion soldier - Pte Dunn".framed accessories, camera on the somme, ww1, 38th bn, grinton, dunn

Refer Cat No. 1280. "JACK GRINTON No. 1043, 38th Battalion - refer Cat No. 1280 for his service history.Story Board - framed. Story board - black print on white and pale blue background on synthetic paper adhered to backing board. Illustrated - four black and white photographs. Frame - metal with wood backing board."A Camera on the Somme". "Portraiture and Remembrance", Photographs - Top left - "Jack Grinton, France 1918 - 19" Top Right - "Australian soldiers and French civilians 1918-19". Middle Right "Field grave of Lance Corporal Risbey (38th Battalion) killed in action 29 September 1918, France 1919". Bottom right - "Vaire Wood field cemetery, France 1919"framed accessories, camera on the somme, ww1, 38th bn, grinton, risbey

Frame 5. Photo 1. Lonely graves on a battlefield. This has been identified as "Vaire Wood cemetery" just south of the Somme at Vaire-sous-Corbie. Some 28 diggers from Vaire Wood were later reburied at Crucifix Corner Cemetery at Villers Bretonneux. Photo 2 and 3. Two photos, troop train luxury travel. This is possibly 45th quota men 'en route' from Gamaches to Havre in early 1919. From Havre they sailed for England on the "Prince George". Photo 4. Bert Grinton receiving his "DCM" from Lady Denman for actions around Clery on 31/8/1918. His CITATION reads: For conspicuous gallantry and devotion to duty near Clery on 31st August 1918. he became detached from his Company and joined another party in the advance. mainly through his assistance with a Lews Gun, they cleared an enemy trench, killing about 30 and capturing several machine guns. he got on top of the trench and under heavy fire silenced a field gun which was firing over open sights. This is from the official records in his service documents. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. 4 photographs top to bottom. 1. Graves on a battlefield. 2 x 2. Troops in front of a rail wagon. View of rail wagons and troops. 3. Soldier receiving an award. Frame - timber with black colour paint, glass front, mount black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten, blue felt tip pen "5."framed photographs, grinton collection, ww1, 38th