Souvenir ashtray made from a metal alloy materaial (probably Aluminium). The ashtray is in the form of a ships wheel and has a central circular insert which is stamped "MV DORSETSHIRE". Stamped with the inscription "MV DORSETSHIRE"

Square glass ashtray, souvenir of Bendigo showing photograph of Lake Weeroona.personal effects, smoking accessories, ash tray

Miniature model of a WW2 era Avro Anson twin engine aircraft mounted on an ashtray. The aircraft is supported by a curved arm attached to the circular ashtray base. The base has a small metal RAAF 'winged eagle' insignia attached to the front edge. The items have been made from chromed metal materials. The RAAF was equipped with Avro Anson aircraft in the late 1930 period prior to WW2. These aircraft were used by the RAAF for general and maritime reconnaissance and training throughout WW2 and into the early 1950s. The first version of the Avro Anson was developed in 1935 by the British Avro aircraft company.Chromed metal RAAF 'winged eagle' insignia on the front edge of the base.plane, trench art, ashtray, aircraft, souvenir, avro anson

A trench art souvenir of HMAS Australia. This brass ashtray is apparently made from part of a propellor. The HMAS Australia was a heavy cruiser class fighting ship which was commissioned by the RAN on the 24th September, 1928 and de-commissioned on the 31st August, 1954.The ashtray has the following stamped inscription across the top rim. "H.M.A.S. AUSTRALIA", "1928 - 1954".trench art, brass, ashtray, ran, navy, world war 2, ww2, hmas australia,

Metal, china and glass ashtrays and other small pieces carrying scenic views of holiday destinations were a popular kind of souvenir during much of the 20th century. The pictures on the souvenirs ranged across natural beauty spots (beaches, waterfalls, rivers), civic buildings and monuments (town halls, war memorials), and indicators of local progress (commercial centres and occasionally even industrial sites).This ashtray is representative of a range of souvenirs used in the 20th century to depict Wodonga, Victoria and also on a State and National level throughout Australia.A metal circular ashtray including a coloured enamel image of the Hume Weir in the cenre."Above the central image "HUME WEIR" Beneath the central image "WODONGA"souvenir, hume weir, wodonga, ashtray

The school was opened in 1857 and was known as School No. 378, Belvoir. In 1862 the Board of Education took control and called it Belvoir School No. 37, later known as No. 37 Wodonga. In 1938 it was made a Higher Elementary School and in 1954 it reached the status of a High School. The school's motto was "Labora ut Servias", which translates as "Work to Serve”Wodonga High School has a long history dating back to 1857. It has had several changes of name and provided a variety of levels of education as Wodonga itself grew and community needs changed. It developed from a primary school to become a Higher Elementary School and then a High School. It has since evolved further to become Wodonga Senior Secondary College.A circular metal ashtray with indentations for 4 cigarettes. The ashtray bears the symbol representing the school motto for Wodonga High School Around the edge of the circular yellow, red and gold logo "WODONGA HIGH SCHOOL / LABORA UT SERVIAS"education, wodonga high school, school souvenirs

The Sarroff family were one of the earliest Lebanese families to arrive in the area of Albury-Wodonga in the 1890s, originating from Kousba, Lebanon. They opened a drapery business in Townsend Street, Albury. Father Carl and Nassim (Charles) were naturalised in 1897. Carl died in 1926. By the 1950s his grandsons were operating dry cleaning businesses in both towns. In 1970 their business was located in Wodonga Mall on the corner of High Street and Stanley Street.Sarroff's Dry Cleaning was operated by the family of one of the earliest Lebanese migrant families to the Wodonga area in the 1890s.A blue metal ash tray bearing the name SARROFF's Dry Cleaners in a white disc in the centrePrinted on the white disc in the centre "SARROFF'S/Wodonga/Dry Cleaners/ Phone 639/ 2 Hour Service"lebanese migrants, wodonga businesses, high street wodonga

Picture of Carinya GuesthouseWhite vitrified china oblong ash tray , with indentations on two sides to rest cigarettes on, with red sketch of Carina Guesthouse with writing underneath “A new Happiness, A new outlook on life, a new circle of friends.”Makers mark on base is Grindleycarinya guesthouse, guesthouses, souvenirs

The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir item has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. This Souvenir glass ashtray, used as a receptacle for ash from cigarettes, features a black and white photograph of The Maroondah Dam on the base, with text reading “Maroondah Dam, Healesville”. The ashtray is round in shape with three indents on the rim to place cigarettes. melbourne metropolitan board of works, mmbw, maroondah, dam, healesville, melbourne water, scenic view, souvenir, glass, ashtray

A wide range of small china or glass pieces carrying scenic views of holiday destinations or key locations were a popular kind of souvenir during much of the 20th century. Several different items have been produced to commemorate Wodonga and its landmarks over time. These items document key changes in Wodonga and its heritage. This ashtray showcases a photo of High Street, Wodonga, VictoriaThis item has local historic and social significance as it depicts which features of the city the community valued in the past. It has artistic significance as an example of the kinds of souvenirs used widely across Australia to represent communities and the landscape.An oval shaped glass ashtray, incorporating a sepia print image of High Street, Wodonga, Victoriawodonga victoria, souvenir, high street wodonga, ash trays

The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir item has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally.This Souvenir glass ashtray, used as a receptacle for ash from cigarettes, features a photograph of the Graceburn Weir on the base, with text reading “The Graceburn Weir, Healesville”. Rather small in size, this ashtray has a unique shape with four protruding glass points to place cigarettes. melbourne metropolitan board of works, mmbw, maroondah, dam, healesville, melbourne water, scenic view, souvenir, glass, ashtray, graceburnweir

Refer to the service of "Richard Noel Levy" No. 428329 RAAF WW2.This is a stylised model of a B25 Bomber -WW2. It is mounted by a stand to a heavy ashtray. All the metal is of a green tint. It probably used to be chromed brass. It has 2 radial engines and the propellors rotate. The model has twin tails.souvenir, ww2, b25, ashtray

Several items were given by a seafarer, Mr Nicholas Garlick (1926-2009) into the care of Father Brady who retired from St Pauls Cathedral, Melbourne in 2018. Father Brady later donated the collection of objects (souvenir ashtrays), documents and an extensive collection of ship menus (1937-end of 20thC) to the Mission via the intermediary William Hastie, volunteer at the Mission for Seafarers. Nicholas Garlick was a ship engineer.A white 12-page memorial booklet produced for the thanksgiving service held for Nicholas Garlick at St Paul's Cathedral, Melbourne on Thursday 17th December 2009. The front cover has a small sketch of St Paul's Cathedral and features a black and white photograph of Nicholas Garlick with a colour photo him on the second last and back pages. Inside pages contain the names of the officiating clergy, organist and order of service.nicholas garlick, st paul's cathedral, melbourne, nick garlick, ship engineer, seamen, sailors, seafarers, father brady, william hastie

A souvenir brass ashtray in the form of a small circular dish. The ashtray is decorated with an embossed Middle East scene depicting a helmeted soldier riding a camel. The scene also shows palm trees, local plants, a pyramid and a monkey. The edge of the dish is scalloped. The underside of the ashtray has been engraved indicating that it was a sports competition trophy. This is one of a pair, see 00274.1, Souvenir, Trophy.The underside of the ashtray has been engraved with the following text "ATHLETIC SPORTS MEETING NAZARETH, OCTOBER 5th 1941 HIGH JUMP 1ST CPL M.R.WILLIAMS"

A souvenir brass ashtray in the form of a small circular dish. The ashtray is decorated with an embossed Middle East scene depicting a helmeted soldier riding a camel. The scene also shows palm trees, local plants, a pyramid and a monkey. The edge of the dish is scalloped. The underside of the ashtray has been engraved indicating that it was a sports competition trophy. This is one of a pair, see 00274.2, Souvenir, Trophy.The underside of the ashtray has been engraved with the following text "ATHLETIC SPORTS MEETING NAZARETH, OCTOBER 5th 1941 KICKING THE FOOTBALL 1ST CPL M.R.WILLIAMS"

This ash tray is a souvenir of the City of Geelong and has been inscribed and used in 1927 as a presentation piece by the Southern Union Insurance Company of Australia. It has been presented to an employee of the company, N. Robilliard. He is possibly the son of James and Ellen Robilliard, De Jersey Norman Robilliard, who died in Warrnambool in 1973. This ash tray is of interest as an example of the type of gift given to employees in the 1920s. It is believed that the recipient was a resident of Warrnambool. This is a circular clear glass ash tray with a silver-coloured metal rim around the top edge. There are four metal scoops and a metal badge affixed to the top rim. There is also an inscription engraved on the metal rim. The silver rim is tarnished. Badge: ‘Souvenir City of Geelong’ Inscription: ‘Presented by the Southern Union Ins Co Ltd to N. Robilliard in recognition of his service as agent 7.2.27’ norman robilliard, southern union insurance company of australia

This is an ash tray sold to tourists as a souvenir of a visit to Warrnambool. It would have been relatively cheap to buy. Souvenirs such as this were mass-produced for the tourist market and a relevant photograph inserted on the base to suit the town or settlement where they were sold. As cigarette-smoking is no longer so socially acceptable, items such as this one are no longer sold as tourist souvenirs. This item is of interest as an example of the type of souvenir sold to tourists in Australia in the first half of the 20th century, probably in the 1940s or 1950s. It is of particular local interest because it contains a photograph of Warrnambool during that time. This is a souvenir tin ash tray circular in shape. It has a colour photograph of Warrnambool inserted into the base of the dish (Flagstaff Hill showing part of the fortifications, the Lower Lighthouse, a camping ground and Warrnambool Bay). The ash tray has three lips on the side of the dish for resting a cigarette. The base is gold-coloured and is slightly tarnished. ‘Warrnambool Victoria’ tourism in warrnambool

This item was bought as a souvenir of Warrnambool in the mid 20th century when cigarette smoking was more widespread and was socially acceptable. Tourism in Warrnambool has been an important industry for over 100 years. In the late 19th century Warrnambool was promoted as a spa resort with its mild climate, sea bathing and its hot and cold sea water baths complex. Today visitors come in winter for the May Racing Carnival and to see the Southern Right whales at Logans Beach and in summer they come for a beach holiday. The image on the dish shows the Warrnambool Hopkins River near its mouth. The boatshed is no longer there with sections of the building being relocated to a site in Henna Street and used for indoor recreational purposes.This ash tray is retained as an example of a local tourist souvenir sold to tourists in the 1960s. This is a small white china dish made in an oval shape and slightly raised from the surface on which it sits. The ends of the dish have four gold coloured indents for stubbing cigarettes. There is a gold rim around the edge of the dish and a coloured image of the old boat shed and jetty on the Hopkins River in Warrnambool. On the base of the dish is the logo of the maker and printed details.Warrnambool Hopkins River Alka Kunst Bavaria tourism in warrnambool, history of warrnambool

HMAS Sydney was paid off in 1928 and broken up in 1929 and sunk off Sydney Heads. Numerous souvenirs – from fruit and nut bowls, ash trays, match holders, tobacco jars and paperweights to specially framed prints of the Sydney – were fashioned from teak and other wood fittings salvaged from the Sydney before she was scuttled.Brass ashtray made from brass sourced from used shell cases H.M.A.S. SydneyH.M.A.S. Sydney

Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. 18-Pounder Artillery Shells: The Great War Recycled and Re-Circulated Categories :Material Culture Machine Subscribe Share on facebook Share on twitter The intention of war is to kill, to maim and to destroy using, for example, the agency of 18-pounder artillery shells (so-called because they weighed 18 pounds). The shells were loaded in to the 18-pounder field guns used by the Royal Artillery and targeted to destroy German batteries and trenches as well as to shoot down aeroplanes. Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA In Under Fire, Henri Barbusse recounts how the incessant and diabolical din of war constantly bombarded the soldier body with the unendurable noise of bursting shells that caused pain to the ears (Barbusse 2010 [1933]: 207). The noise was so ‘monstrously resounding’ that one felt ‘annihilated by the mere sound of the downpour of thunder’ (Barbusse 2010 [1933]: 206). Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. People’s experience of the First World War did not end with the armistice. Whilst the noise of the artillery had ceased, the noise of war was remembered. Harry Patch on arriving home injured recalled being ‘jumpy for a while’ with the least noise prompting him to dive for cover (2009: 114). Something else materialised. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. The head-stamp of these particular shells displays the British broad arrow and the initials ‘EOC’ indicates that they were made at the Elswick Ordnance Company, England; the initials ‘CF’ signal that the charge was loaded with cordite, a standard propellant. Spent shells were illicitly scavenged from massive mounds by both soldiers and civilians alike to become personal souvenirs or to swap or sell. Spent artillery shells were crafted, often using a hammer and a bent nail. The crafting of trench art reflects the construction of an identity that offers momentary relief from the hell experienced in the trenches. The lid of an 18Pounder shell which has been adapted for use as an ash tray.Lot 27 1927, 18Pr, III, EOC, C/F, Defence broad arrow,