This metal sphere is part of the wooden barque, the Grange, built in 1840. The sphere was recovered from the shipwreck of the Grange in around 1968, 110 years after the Grange was wrecked (see below for further details on the Grange). It is part of the John Chance Collection. THE GRANGE, 1840-1858- The wooden barque ’Grange’ was a three-masted ship built in Scotland in 1840 for international and coastal trade. On March 22, 1858, the Grange set sail from Melbourne under Captain A. Alexander, carrying a cargo of ballast. The barque had left the Heads of Phillip Bay and was heading west along the Victorian coast towards Cape Otway. The ship struck Little Haley’s Reef at Apollo Bay due to a navigational error and was stuck on the rocks. The crew left the ship carrying whatever they could onto the beach. Eventually, the remains of the hull, sails and fittings were salvaged before the wreck of the Grange broke up about a month later. About 110 years later, in 1968, the wreck of the Grange was found by divers from the Underwater Explorers Club of Victoria. They were amazed to find a unique, six to nine pound carronade (type of small cannon) and a cannonball on the site. There have been no other similar carronades recorded. In that same year the anchor of the Grange was recovered by diver John Chance and Mal Brown. The sphere is significant historically as an example of hardware used when building wooden ships in the early to mid-19th century. The sphere is historically significant as an example of the work and trade of blacksmith. The sphere also has significant as it was recovered by John Chance, a diver from the wreck of the Grange in the 1968. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The sphere is historically significant for its association with the 1840s wooden barque, the Grange. The Grange is an historical example of a Scottish built vessel used for international and coastal trader of both cargo and passengers in the mid-19th century. The Grange is an example of an early ship, designed with a wooden hull. It is significant as a ship still available to divers along the south coast of Victoria, for research and education purposes. The Grange is an example of a mid-19th century vessel that carried a weapon of defence onboard. Sphere; thin hollow copper, various shades of brown, dimpled or hammered surface with a sheen, no joins. Base has a small hole and is fitted with a hollow, cylindrical brass collar. The collar had a rim on top, inward curving sides and a narrower rim on the bottom. The sphere looks similar to a bed post knob.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, west coast trader, apollo bay, mid-19th century shipwreck, the grange, scottish barque, little henty reef, captain a alexander, underwater explorers club of victoria, 1840s carronade, vhr 5297, coastal trader, wooden shipwreck, john chance, wooden ship, ship fitting, sphere, knob, bed knob, post decoration

On reverse: Fully inflated 12 foot diameter sphere as it will appear after ejectionalan gardiner collection, space industry, 1960, satellite, nasa

Local artist. Displayed at Rainbow Workshop exhibitionceramic sculptureSignature and date on the side of the base

MALCOLM BOYD Born Gippsland, Victoria In 1977 Malcolm Boyd graduated with a Diploma of Visual Arts from the Gippsland Institute of Advanced Education. It was at this time that he presented this work to the Jan Feder Memorial Ceramics Collection. Over thirty years later he still has a passion for ceramic history and design. Boyd operated the Black Cockatoo Pottery from around 1980-1995, starting in Essendon, then moving to Ascot Vale, Stratford, Bairnsdale and finally Fernbank in Gippsland. His handbuilt stoneware pots and clay sculptures are wood fired at his East Gippsland studio. He often uses ochre coloured dam banks on his property at Fernbank. The local clays are crushed, screened and blended with a white stoneware body to produce a number of shades and textures. All Malcolm Boyd's pot's are hand built using moulding, coiling, slabbing, and modelling techniques, and are high temperature fired (1300C) to allow some of the very ancient oriental glazes to mature. All works spend at least 20 hours in the wood fired kilns. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. Jan Feder Memorial Collection Presented by the artist in 1977. malcolm boyd, ceramics, stoneware, artists, artwork, jan feder memorial ceramics collection, alumni, woodfire

Garry BISH (03 March 1950- ) Born Charlton, Victoria After training as a secondary school art teacher in Melbourne in 1968-69, Gary Bish moved to Bendigo, where he established the Potters Arms Studio in Epsom in 1972 while studying for a Diploma of Art and Design in ceramics at the Bendigo Institute of Technology, graduating in 1974. Establishing an independent studio in Epsom in 1972, Garry Bish has lectured in Ceramics for many years. Bish marks his work with his signature or an impressed 'B' with a stem like a feather.Black ceramic bottle with green dots. ceramics, gary bish

Index, ill, maps, p.541.non-fictionThis book tells for the first time one of the best kept secrets of World War Two. British Security Co-ordination made a major contribution to the eventual allied victory.world war 1939 – 1945 – secret operations – britain, secret service - britain

Index, notes, ill, p.699.non-fictionMemoirs of the man who was appointed as the head architect and minister of armaments and war production for the Nazi government.germany - politics and government - 1933-1945, albert speer - autobiography

SoftcoverChild's Drawing inside, dated 12/7/1998 by Lucy Gunnwalsh st library

2.v., index, ill, p.240.non-fictionAn account of Mr and Mrs halls tour of 1840ireland - travel, ireland - description

Index, map, p.158.non-fictionDescribes the transformations in aerial warfare that took place in 1918 on the western frontworld war 1914-1918 aerial operations, world war 1914-1918 - western front

Ill, index, p.464.non-fictionThis book tells for the first time the full story of the infiltration of Germany by the Office of Strategic Services, a closely guarded secret for over thirty yearsworld war 1939-1945 - espionage, office of strategic services

This rail holder is one of a pair of two. The opening in the sphere holds one end of a rail and the screw holes allow the holder to be attached to a flat surface such as a wall or shelf. Pail holders can be found in homes, marine vessels, offices, hotels and many other locations. They are used with a fitted rail for hanging towels, coat hangers in cupboards and wardrobes and curtains over windows. They can also be used for the ends of handrails and shelf rails.This rail holder represents the the type of fittings used on ships in the 19th century. Similar fittings are still used today in the 21st century.Rail holder; one of two brass rail fittings. Hollow sphere on top of a pedestal that has a round base with three holes in it. The sphere has an opening on one side.flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, rail holder, rail fitting, brass ware, domestic item, bathroom furnishing, ball rail fitting, single outlet rail holder

These two items have been linked together as a decorative pair but it is not clear why, as the sphere or bulb does not have an opening and cannot hold a light and there is nothing very attractive about the two items as they appear today. The stand may have been set in front of a coloured light to ensure reflection or the sphere may have been decorated in some way.These items are kept as ornamental curiosities.This is a clear glass sphere on a metal stand. The stand is painted light brown and has a fretwork decorative base, a moulded stem and an open top with a curved pattern edge.vintage ornaments, glass ornaments

This newspaper supplement has a series of pictures specially drawn by 'Sphere" artists to show a pictorial record of the journey of the Unknown Warrior from a lonely grave on the battlefield to a tomb in Westminster Abbey on 11th November 1920. 11 November 1920 On 11 November 1920, the second anniversary of the Armistice, the commemoration became a funeral when the remains of an unknown soldier were returned from the battlefields of the Western Front. The remains were interred with full military honours in Westminster Abbey in London. In attendance were King George V, Queen Mary, The Queen Mother, The Queen of Spain and Princess Mary. The service was conducted by the Dean of Westminster.Eight page newspaper supplement of "The Sphere" which gives a series of pictures specially drawn by "Sphere" artists of Armistice Day celebrations 1920. A pictorial record of the journey of the Unknown Warrior from a lonely grave on the battlefield to a tomb in Wesminster Abbey.armistice day 1920, the warrior's pilgrimage 11/1/1920, the unknown warrior, "verdun", bluejackets, king george v, westminster abbey, the cenotaph london

Bullets for early firearms were made as lead balls in iron scissor moulds. The moulds had scissor action, with ends shaped as a hollow half-sphere that formed a ball when the handles closed. Melted lead was poured into a small filling hole in the top of the closed mould. When the lead was set the handles were opened and the ball was released from the mould. Excess lead was trimmed using the cutting edge of the mould. The task of pouring the melted lead into the mould had to be performed slowly so that air pockets didn’t form. The shot would have a join line around it, which would make it inaccurate; the join needed to be carefully filed to make the ball into a smooth sphere. Larger quantities of lead shot were often cast in a multi-bullet mould that was used in a similar way. Lead shot mould; cast iron, scissor type metal object with sphere shaped mould at end used to make lead shot balls for a shotgun. Mould has a cutting edge to trim off excess lead.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, firearms, bullet, cast bullet, lead ball, lead shot, scissor mould

Bullets for early firearms were made as lead balls in iron scissor moulds. The moulds had scissor action, with ends shaped as a hollow half-sphere that formed a ball when the handles closed. Melted lead was poured into a small filling hole in the top of the closed mould. When the lead was set the handles were opened and the ball was released from the mould. Excess lead was trimmed using the cutting edge of the mould. The task of pouring the melted lead into the mould had to be performed slowly so that air pockets didn’t form. The shot would have a join line around it, which would make it inaccurate; the join needed to be carefully filed to make the ball into a smooth sphere. Larger quantities of lead shot were often cast in a multi-bullet mould that was used in a similar way. Lead shot mould; cast iron, scissor type metal object with sphere shaped mould at end used to make lead shot balls for a shotgun. Mould has a cutting edge to trim off excess lead.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, firearms, bullet, cast bullet, lead ball, lead shot, scissor mould

Print black and white in wooden frame, at bottom of print the words in large font "SAVING AMIENS" / " A brilliant Bayonet Charge by the 9th Australian Brigade" Ornately carved wooden frame with Gold inlay on the inner edge closest to the glass with off white mounting board. The print appears to sit loosely in the frame. The picture is signed by F. Mantania in the bottom left corner and on the picture mounting board "by F. Mantania, R. J." centered on the top mounting board is "Copyright published 15th May 1919 by "The Sphere and Tatler", LTD, 6, Great New Street E.C.4Copyright published 15th May 1919 by "The Sphere and Tatler", LTD, 6, Great New Street E.C.4

This circular was issued to both Legacy Club of Melbourne and The 'Carry On' Club of Melbourne, and signed by presidents: JHB Armstrong for Legacy and WL Sinclair for Carry On. It was after a series of annual conferences between the two clubs and shows an agreement between the clubs on the spheres of work carried out by each club to prevent duplication of effort. As a general rule, Legacy would concentrate on the care of widows and children of DECEASED servicemen; the 'Carry On' Club would focus on the LIVING ex-servicemen and their dependents. A note was made that the Intermediate Legacy Club was a group formed of sons of deceased soldiers who had progressed through the Junior Legacy Club and now 'interest themselves in the physical well-being of totally and permanently incapacitated ex-servicemen.' When an ex-serviceman dies leaving dependents the case will be transferred from the Carry On Club to Legacy, with the occasional exception. Employment: 'Legacy will pass to 'Carry On' the employment opportunities or vacancies that can be filled by ex-servicemen or their dependents in instances were Legacy is unable to fill such vacancies from it's own register' and vice versa. Welfare: close liaison is important and copies of reports will be transferred when transferring cases. These resolutions and discussions about them are shown in the minutes of the "Combined Meeting of Members of Legacy and 'Carry On' Clubs held at Legacy Club Rooms on 27 May 1937, which is the second document included here. Present for Legacy were Legatees Armstrong, Russell, Birrell, Kemsley, Clements. And present for the 'Carry On' Club were Messrs Hall, Pears, Masterson, Neil and Ramsay. The notation H10 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. A record that Legacy was in contact with similar clubs with the intent of sharing the work load and not duplicating effort. Notice to the members of Melbourne Legacy and 'Carry On' clubs 15 October 1937 outlining the agreed spheres of work of each club.Handwritten H10 in red pen. history, carry on club, intermediate legacy club

Sapper L S Sempel of Royal Australian Engineers traded an Australian Army shirt for this knife, then used it to probe for mines during his service, 1966-1967.Knife with metal blade attached to a wooden handle and bolt hilt. The handle is made up of six wooden spheres joined to the blade. A wooden bolt secures the spheres.Shelham 4131 Japan inscribed on the knife blade.knife, mines, survival knife, us army kabar knife, kabar, engineer, sapper, vietnam, trade, sempel, ka-bar

Wooden half sphere shaped buttons in two sizes for clothingbuttons for clothing

Float glass, transparent, hollow. Raised area where the sphere was sealed.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, float, glass float

Golf trophy awarded by the Thomastown Golf Club. Bob Jones was a foundation member of the Club and Secretary for many years.Thomastown Golf Club was a social golf club formed in 1976. This is part of the Robert (Bob) Jones collection of Club memorabilia.Golf trophy, plastic golfer on timber stand with plastic sphere and timber base."Thomastown Golf Club. Best Clubman 1992. Robert Jones." engraved on plaque.thomastown golf club, golf trophies, bob jones, robert jones

Won by thoroughbred horse Mega Pixel at the Warrnambool May carnivalLarge sphere map of the world. Blue in colour with world map. Supported on standwarrnambool, horse racing, globe, may carnival, mega pixel

Metal sample holder for optics measurements with three circular, intertwined and moveable spheres.Logo and Cyrillic characters with 'No 650157' at top of holder.sample holder, russia, scientific equipment

Spherical brass bell with a rectangular handle. Half of the sphere has been sheared away.Lower hemisphere is etched with a 'flower petal' design. Upper hemisphere has a 10mm diameter hole behind the handle and an '8' at the side of the handle.bell, brass, buckland valley, goldfields