Pencil on paper student's technical drawing of concrete spillwaymining engineering, technical drawing, w. a. burrow, school of mining ballarat

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 6. Excavation in progress for foundations of outlet and spillway sections of dam. September 1921.hume reservoir australia, river murray waters scheme, hume weir diagrams, hume plan details

also 2 other photos of the spillway 5220.1.and .2Colour Photograph of spillway at Glenmaggie Weir Gipsland Victoriaweirs

Two A3 pages with drawings of Melbourne Metropolitan Board of Works of the North Ringwood retarding basin

E548 N13 Part of a 51-photo record of the development of the "Kubis" Estate, Ringwood North, including road works to Debbie Place, Kubis Drive, Werac Drive, Manuelo Drive, Iluka Place and Glenvale Road. From the Jack Lundy Clarke collection.

E548 N17 Part of a 51-photo record of the development of the "Kubis" Estate, Ringwood North, including road works to Debbie Place, Kubis Drive, Werac Drive, Manuelo Drive, Iluka Place and Glenvale Road. From the Jack Lundy Clarke collection.

E548 N3 Part of a 51-photo record of the development of the "Kubis" Estate, Ringwood North, including road works to Debbie Place, Kubis Drive, Werac Drive, Manuelo Drive, Iluka Place and Glenvale Road. From the Jack Lundy Clarke collection.

Contains references to students of the time, also form photos and sporting teams9 x black and white printed magazines approx. 30 pages stapled at spine. Includes black and white photos Plus Year 12 A4 size with plastic cover and plastic ring binding (1989). All Roneo printed. (2 x 1984) and (2 x 1985)see photos of front pagesyarrawonga high school

Gives lists of students in their year groups, also teachers of the time. Headmaster Alph Smale 1973 to 1975 Headmistress Marjorie Mortimer 19764 Yarrawonga High School magazines 1973, 74,75,76. A4 size black and white printing and photos. Stapled at spines. Contain contributions from students and teachersSee photosyarrawonga high school, magazine

One of a series of photographs featuring the Fisken Family on the Lal Lal EstateThe image shows a water system on an early Estate near BuninyongA black and white photograph showing a creek and Arthur Fisken standing on a wooden bridge to the rear over the spillwayArchibald Fisken on the New Bridge Early 1900s, an early bridge over the spillway Lal Lal Parkfisken family, lal lal estate, rural life, water ways

Bogong Village was built for the workers of the State Elecricity Commission of Victoria who were employed to construct the Kiewa Hydro electric Scheme. This photo shows their homes and offices etc., Lake Guy and the spillway during construction days.Bogong village was built as part of the Kiewa Hydro Electric Scheme. This photo gives a view of the village when it was at its peak. Large photo of Mt Bogong Township with snow on the mountain in the background and the spillway over-flowing in the foreground. Some small trees amongst those burnt by the 1939 bushfire. (2 photos - one an enlarged copy)bogong village. kiewa hydro electric scheme. s.e.c.v.. lake guy.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Slide. Eppalock Spillway. Water cascading over the spillway.slide, bendigo, eppalock spillway., eppalock spillway.

Slide. Eppalock Spillway. Water flowing over the spillway.slide, bendigo, eppalock spillway., eppalock spillway.

Slide. Eppalock Spillway. Water flowing over and down the spillway.slide, bendigo, eppalock spillway., eppalock spillway.

Slide. Eppalock Spillway. Water flowing over and down the spillway.slide, bendigo, eppalock spillway., eppalock spillway.

Negative. Lake Eppalock spillway, water running over spillway. Dated November1986slide, bendigo, lake eppalock spillway, water running over spillway

Negative. Lake Eppalock spillway, water running over spillway. Dated November1986slide, bendigo, lake eppalock, lake eppalock water over spillway

Negative. Lake Eppalock spillway, water running over spillway. Dated November1986slide, bendigo, lake eppalock, lake eppalock spillway near bendigo