St Patrick's Cathedral Hall was erected in 1900 to the architectural plans of Clegg, Kell and Miller. The builder was Peter Bodger. The Cathedral Hall is a massive structure in the Gothic manner, with slender proportions and Gothic window detailing. The main hipped roof of the hall is intersected on both sides by four gables, and the front ridge is intersected by two further gables to form the street elevation. Internally the hall resembles many town halls except for the two tiers of Gothic windows and the manner in which the ceiling curves downward towards the walls. Pointed Gothic windows on the upper level intersect the curved ceiling in a simple groined junction. The plaster ceiling is coffered by intersecting beams, while a central skylight floods the hall with natural light. Other features of note are the ridging on the front gables, and the iron bell tower framed in steel angles and braced with criss-crossed rods, complete with a huge wheel and a great bell. St Patrick's Hall demonstrates a notable application of decorative schemes, particularly its highly decorated ceiling which has few parallels amongst other church halls in Victoria. The hall is in an important location as part of St Patrick's complex, as well as part of the group of churches which include St Andrew's Kirk and the former Baptist Church, opposite in Dawson Street. (http://stpatscathedral.weebly.com/cathedral-hall--presbytery.html, accessed 13 November 2013.A series of colour digital photographs showing a large red brick hall associated with St Patrick's Cathedral, Ballarat. The bell tower is situated to the right of the hall.ballarat irish, st patrick's cathedral hall, cathedral hall ballarat, bell, bell tower

The barometer was either made or sold by T. Gaunt & Co. of Melbourne, a manufacturer, importer and retailer of a wide variety of goods including jewellery, clocks and watches, navigational and measuring instruments, dinnerware, glassware and ornaments. Thomas Gaunt photograph was included in an album of security identity portraits of members of the Victorian Court, Centennial International Exhibition, Melbourne, 1888. (See below for further details.) Admiral Fitzroy Pattern Barometer History: The stick mercury barometer was named after Admiral Robert Fitzroy of the Royal Navy (1805-1865) for his detailed instructions on how to interpret the weather, which were included with the instrument. Fitzroy was the captain of the HMS Beagle, also a weather forecaster to Charles Darwin and the second Governor of New Zealand. He developed many different types of barometers and was the first person to introduce the science of weather forecasting to the British Isles. A local manufacturer of scientific instruments, Thomas Gaunt, produced the barometer that was adapted for the southern hemisphere by Robert Ellery, the State Astronomer based at the Melbourne Observatory. In the original sale catalogue for Gaunt's, the item is described as "Gaunt's Fitzroy Barometers" and it was priced from 25/- to ₤9.9s. History of Thomas Gaunt: Thomas Gaunt established Melbourne's leading watchmaking, optical and jewellery business during the second half of the 19th century. Gaunt arrived in Melbourne in 1852, and by 1858 had established his own business at 14 Little Bourke Street. Around 1869 he moved to new premises in Bourke Street on the corner of Royal Arcade. Gaunt's shop quickly became a Melbourne institution. Gaunt proudly advertised that he was 'The only watch manufacturer in the Australian colonies'. While many watches and clocks may have had Gaunt's name on the dial, few would have been made locally. Gaunt did make some watches for exhibitions, and perhaps a few expensive watches for wealthy individuals. Gaunt's received a telegraph signal from Melbourne Observatory each day to correct his main clock and used this signal to rate and repair ship's chronometers and good quality watches. His main horological manufacturing was directed at turret clocks for town halls, churches and post offices. These tended to be specific commissions requiring individualised design and construction. He made the clock for the Melbourne Post Office lobby, to a design by Government Astronomer Robert Ellery, and won an award at the 1880-81 Melbourne International Exhibition for his turret clock for the Emerald Hill Town Hall. He became well known for his installation of a chronograph at Flemington Racecourse in 1876, which showed the time for the race, accurate to a quarter of a second. The firm also installed the clockwork and figures for Gog and Magog in the Royal Arcade. Thomas Gaunt also developed a department that focused on scientific instrumentation, making thermometers and barometers (from imported glass tubes), telescopes, surveying instruments and microscopes. Another department specialised in electroplating for trophies, awards and silverware, and the firm manufactured large amounts of ecclesiastical gold ware and silverware, for the church including St Patrick's Cathedral. There are no records that disclose the number of employees in the firm, but it was large enough for Gaunt to hold an annual picnic for the watchmakers and apprentices at Mordialloc from 1876; two years previously they had successfully lobbied Gaunt to win the eight hour day. Gaunt's workforce was reportedly very stable, with many workers remaining in the business for 15 to 30 years. Gaunt's wife Jane died on September 1894, aged 64. They had one son and six daughters, but only three daughters survived to adulthood. Two became nuns at the Abbotsford Convent and one daughter, Cecelia Mary Gaunt (died 28 July 1941), married William Stanislaus Spillane on 22 September 1886 and had a large family. Gaunt died at his home in Coburg, Victoria, leaving an estate valued at ₤41,453. The business continued as T. Gaunt & Co. after his death. The barometer is historically significant as an example of the work of Melbourne’s leading scientific instrument maker, Thomas Gaunt. The barometer has social significance as an example of the type of scientific equipment that Thomas Gaunt expanded his horology business into producing. Further social significance lies in the fact that Robert Ellery, the Government Astronomer who designed the local version of the barometer, had a direct connection with the Melbourne Athenaeum founded in 1839 as the Melbourne Mechanics' Institution. Its purpose was "the diffusion of literary, scientific and other useful information". There are also records of a T Gaunt as a subscription and committee member of this the Athenaeum organisation during the 1870s and 1880s which may be Thomas Gaunt, unfortunately still unverified.Stick mercury barometer known as the Admiral Fitzroy Barometer. It comprises an oblong wooden case with glass front panel, ornate pediment, barometer with bulb cistern (empty of fluid), cleaning brush with printed instructions for interpreting information given by the gauge affixed to left and right face of instrument. Includes a thermometer. The barometer appears to be intact. Adapted to the Southern Hemisphere. Special remarks by Admiral Fitzroy. Made by Thomas Gaunt, Melbourne. Manufacturer's details are on back of wooden casing. Rear has upper and lower brass screw plates for securing to vertical surface."Manufactured by Thomas Gaunt, 14 Little Bourke Street, Melbourne. "flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, barometer, admiral fitzroy, thomas gaunt, thomas gaunt of melbourne, clockmaker, admiral fitzroy barometer, barometer instructions, gaunt’s fitzroy barometer, gaunt’s of melbourne, gog and magog designer, horological manufacturer, meteorological instrument, melbourne athenaeum, melbourne mechanics' institution, melbourne observatory time signal, robert ellery government astronomer, scientific instrument, stick mercury barometer, thermometer, weather forecast, t gaunt & co

Hard covered book of 56 pages, with an orange dust jacket. The book includes information and sketches such as the Ballarat Town Hall, Lake Wendouree, Sovereign Hill, St Andrew's Kirk, St Patrick's Cathedral, Warrenheip, former Ballarat Gaol, Arch of Victory, Old Colonist' Hall, Ballarat Post Office. 2 Copies .1 & .2ballarat, architecture, building, drawings

The newspaper was produced to celebrate the 100th year of the Ballarat Courier.96 page newspaper celebrating 100 years of publishing the Ballarat Courier Newspaper. Stories and images include: Robert Clark, Ballarat history, Sturt Street, Selkirk Bricks, Ballarat Industry, Thomas Bath, Royal Hotel, hotels, Begonia Festival, James Smith, Hollways, Myers, Ballarat Orphanage, Nazareth House, Lake Elsworth, Batches, libraries, Timken, Sunshine Biscuits, M.B. John, AMCAST, reservoirs, Ballarat Council,, Morsheads, Civic Hall, Alfred Hall, Art Gallery, Christies, 3BA, Paddle Bros, South Street, BTV 6, Memorial Theatre, Her Majesty's, Whitelaw-Monier, Coltman, costume, Messer and opie, politics, Dudley Erwin, Bill Stephen, Vance Dickie, Tom Evans, Murray Byrne, McKay - Macleod, Crockers, Ballarat Shire, Sovereign Hill. St Patrick's Cathedral, Christ Church Cathedral, Ballarat School of Mines, Mt Helen Campus, Ballarat Girls School. Ballarat North Technical School , Burke and Wills Memorial, Joe White Maltings, Ballarat Airport, Sunicrust, architecture, women, trams, transport, Faulls, Franklin Caravans, Olympics, football, history of Sunshine Biscuits robert clark, clark, ballarat, sturt street, selkirk bricks, industry, thomas bath, royal hotel, hotels, begonia festival, james smith, hollways, myers, ballarat orphanage, nazareth house, lake elsworth, batches, libraries, timken, sunshine biscuits, m.b. john, amcast, reservoirs, ballarat council, morsheads, civic hall, alfred hall, art gallery, christies, 3ba, paddle bros, south street, btv 6, memorial theatre, her majesty's, whitelaw-monier, coltman, costume, messer and opie, politics, dudley erwin, bill stephen, vance dickie, tom evans, murray byrne, mckay - macleod, crockers, ballarat shire, sovereign hill. st patrick's cathedral, christ church cathedral, ballarat school of mines, churches, mt helen campus, ballarat girls school. ballarat north technical school, burke and wills memorial, joe white maltings, ballarat airport, sunicrust, architecture, women, trams, transport, faulls, franklin caravans, olympics, football, bray raceway, coliseum motors, schoools, education, craig bros, dayelsford, clunes, beaufort, linton, skipton, heinz bors, villiers, flecnoe, jones, robertson, cowles, bulless, cronn, matthews, ballarat library, cowley's eureka iron works, john hollway and sons, ken webb, mayoral chain, ken flecknoe, a.e. flecknoe, bath's hotel, eureka stockade memorial park

This photograph was taken from the newly completed tower of the Ballarat Town Hall. Framed photograph showing Ballarat looking north west. St Patrick's Cathedral bell tower in Dawson Street South is evident at the top right. The street in the central part of the photograph is Errard Street South. Businesses shown in the photograph include: Klug Brothers, O'Farrell and Sons Horse Bazaar, Smith Brothers Timber Yard, J. McKay, Dobson's Timber Yard, Criterion Hotel, Saddler's Arms Hotel, Stork Hotel ballarat, kulg, smith, o'farrell, ballarat townscape, st patrick's cathedral, william bardwell, fotobiennale

This photograph was taken from the newly completed tower of the Ballarat Town Hall. Further details on the photographer, William H. Bardwell, can be found at http://bih.ballarat.edu.au/index.php/William_H._BardwellFramed sepia photograph showing Sturt Street Ballarat as taken from the Ballarat Town Hall. The bluestone St Patrick's Cathedral can be seen in the background to the left, with St Andrew's Kirk opposite it. The two towers in the centre background are the Ballarat West Fire Brigade and the Ballarat Hospital tower (Drummond Street).ballarat town hall, ballarat, bardwell, sturt street, horse drawn carriage, gibbings's livery stables, gibbings, proctor, proctor coach builder, ballarat hospital, carriages, ballarat west fire brigade, ballarat streetscape, ballarat townscape, william bardwell, fotobiennale

At one time Her Majesty's Theatre was known as the Memorial Theatre. When these photos were taken Geoffrey Biddington was highly involved with the Ballarat Branch of the National Trust. Lenaghan of Tourello "Master Dan Lenaghan, eldest son of Mr. and Mrs. R. Lenaghan, of Tourello, has been successful in obtaining a Government scholarship, tenable for four years at St. Patrick's College, Ballarat.(Melbourne Advocate, 02 March 1939) Black folders of Ballarat photographs as follows: .1) Ballarat City Council Logo on Ballarat Botanical Garden Gates .2) Ballarat Railway Station .3) Ballarat Town Hall .4) Ballarat Fire Station, Ballarat East .5) Interior of Ballarat Railway Stations .6) Ballaarat Municipal Libraries Barkly Street Branch, formerly Ballarat East Library .7) Entrance to Ballarat Presbyterian Church? .8) Former Ballarat Baptist Church, Dawson Street .9) Church with small steeple, erected AD 1860 .10) Brick Church with steeple .12) Gates of the former Ballarat Gaol .13) Gates of the former Ballarat Gaol .15) Craig's Hotel, Nominee Brian D. Foley .16) ? .17) Interior of Her Majesty's Theatre, Ballarat .18) Bailey's Mansion, later used as the St John of God Convent .19) Lal Lal Blast Furnace .20) Gates of St Patricks Cathedral Ballarat, looking towards the Cathedral Hall .21) .20) Gates of St Patricks Cathedra, Sturt Street, Ballarat .22) ? .23) Lenaghan's Tourello .24) Ballarat Terrace, c1967 .25) Entrance to Ballarat Terrace, c1967 .26) ? .27) Entrance gate to Novar, Webster Street, Ballarat .28) Interior of Ballarat Railway Station, c1967 .30) Pratt's Warehouse, Camp Street, Ballarat, c1967 .31) Entrance gate to Novar, Webster Street, Ballarat .32) Cast Iron Gate .33) Cast Iron Gate .34) Cast Iron Gate .35) Ballarat New Cemetery Gates .36) Cast Iron Post Cap .37) Cast Iron lamp .38) Cast Iron lamp .39) Ballarat Botanical Gardens Statuary Pavilion .40) 'Flight of Pompeii' statue in the Ballarat Botanical Gardens Statuary Pavilion ballarat city council logo on ballarat botanical garden gates, ballarat botanical garden gates, ballarat railway station, ballarat town hall, ballarat fire station, ballarat east, interior of ballarat railway stations, ballaarat municipal libraries barkly street branch, formerly ballarat east library, entrance to ballarat presbyterian church?, former ballarat baptist church, dawson street, church with small steeple, erected ad 1860, brick church with steeple, gates of the former ballarat gaol, craig's hotel, nominee brian d. foley, brian d. foley, interior of her majesty's theatre, ballarat, bailey's mansion, later used as the st john of god convent, lal lal blast furnace, gates of st patricks cathedral ballarat, looking towards the cathedral hall, gates of st patricks cathedral, lenaghan's tourello, ballarat terrace,, entrance to ballarat terrace, entrance gate to novar, webster street, ballarat, interior of ballarat railway station, c1967, pratt's warehouse, camp street, ballarat, c1967, cast iron gate, ballarat new cemetery gates, cast iron post cap, cast iron lamp, ballarat botanical gardens statuary pavilion, 'flight of pompeii' statue, architectural features

Soft Covered souvenir booklet. Images include * Ballarat Botanical Gardens * Wallace Statue * Sturt Street with Tram * Eureka Stockade Memorial * Lake Wendouree * Ballarat Town Hall * Begonia Glasshouse * St Andrew's Kirk (Presbyterian) * St Peter's (Anglican) * Statues * Ballarat Post Office * Ballarat State Offices * Ballarat Orphanage * Queen Elizabeth Benevolent Home * Adam Lindsay Gordon's Cottage * Lydiard Street * Congregational Church * Ballarat Cenotaph * St Patrick's Cathedral (Catholic) * St Patrick's College * Ballarat Arch of Victory * Arch of Vitoria * Eureka Swimming Pool (natural water) * Prime Ministers Avenue (statues) * I & R. Morley Pty Ltd ballarat botanical gardens, wallace statue, sturt street with tram, eureka stockade memorial, lake wendouree, ballarat town hall, begonia glasshouse, st andrew's kirk (presbyterian), st peter's (anglican), statues, ballarat post office, ballarat state offices, ballarat orphanage, queen elizabeth benevolent home, adam lindsay gordon's cottage, lydiard street, congregational church, ballarat cenotaph, st patrick's cathedral (catholic), st patrick's college, ballarat arch of victory, eureka swimming pool (natural water), prime ministers avenue (statues), i & r. morley pty ltd, ballarat, arch of victory, ballarat churches

The clock was either made or sold by T. Gaunt & Co. of Melbourne, a manufacturer, importer and retailer of a wide variety of goods including jewellery, clocks and watches, navigational and measuring instruments, dinnerware, glassware and ornaments. Thomas Gaunt photograph was included in an album of security identity portraits of members of the Victorian Court, Centennial International Exhibition, Melbourne, 1888. Thomas Gaunt History: Thomas Gaunt established Melbourne's leading watchmaking, optical and jewellery business during the second half of the 19th century. Gaunt arrived in Melbourne in 1852, and by 1858 had established his own business at 14 Little Bourke Street. Around 1869 he moved to new premises in Bourke Street on the corner of Royal Arcade, Gaunt's shop quickly became a Melbourne institution. Gaunt proudly advertised that he was 'The only watch manufacturer in the Australian colonies'. While many watches and clocks may have had Gaunt's name on the dial, few would have been made locally. Gaunt did make some watches for exhibitions, and perhaps a few expensive watches for wealthy individuals. Gaunt's received a telegraph signal from Melbourne Observatory each day to correct his main clock and used this signal to rate and repair ship's chronometers and good quality watches. His main horological manufacturing was directed at turret clocks for town halls, churches and post offices. These tended to be specific commissions requiring individualised design and construction. He made the clock for the Melbourne Post Office lobby, to a design by Government Astronomer Robert Ellery, and won an award at the 1880-81 Melbourne International Exhibition for his turret clock for the Emerald Hill Town Hall. He became well known for his installation of a chronograph at Flemington Racecourse in 1876, which showed the time for the race, accurate to a quarter of a second. The firm also installed the clockwork and figures for Gog and Magog in the Royal Arcade. Thomas Gaunt also developed a department that focused on scientific instrumentation, making thermometers and barometers (from imported glass tubes), telescopes, surveying instruments and microscopes. Another department specialised in electroplating for trophies, awards and silverware, and the firm manufactured large amounts of ecclesiastical gold ware and silverware, for the church including St Patrick's Cathedral. There are no records that disclose the number of employees in the firm, but it was large enough for Gaunt to hold an annual picnic for the watchmakers and apprentices at Mordialloc from 1876; two years previously they had successfully lobbied Gaunt to win the eight hour day. Gaunt's workforce was reportedly very stable, with many workers remaining in the business for 15 to 30 years. Gaunt's wife Jane died on September 1894, aged 64. They had one son and six daughters, but only three daughters survived to adulthood. Two became nuns at the Abbotsford Convent and one daughter, Cecelia Mary Gaunt (died 28 July 1941), married William Stanislaus Spillane on 22 September 1886 and had a large family. Gaunt died at his home in Coburg, Victoria, leaving an estate valued at ₤41,453. The business continued as T. Gaunt & Co. after his death. Post Office and Clock History: Warrnambool’s Post Office has been in existence since 1857, when it was originally situated on the corner of Timor and Gilles Street. In March 1864 the Warrnambool Borough Council purchased this clock from Henry Walsh Jnr. for the sum of £25, “to be put up in front of the Post Office”. Henry Walsh Jnr was the eldest son of Melbourne’s Henry Walsh, maker and retailer of clocks, watches, thermometers and jewellery. In 1854 Henry Walsh Jnr. began business in Warrnambool as a watchmaker and jeweller later becoming a Councillor with now a local street named after him. The Post Office was extensively remodelled in 1875-76. Early photographs of this building show that the clock was installed on the northern outside wall, Timor Street, under the arches and between the 2 centre windows, where it could be seen by passers-by. Although spring loaded clocks date back to the 15th century, and fob and pocket watches evolving from these date to the 17th century, personal pocket watches were only affordable to the very fortunate. Public clocks such as this Post Office clock provided opportunity for all to know the time, and for those in possession of a personal watch to check and set their own timepieces to the correct time. During post office reservations during the 1970s the clock was removed and was eventually donated to the Flagstaff Collection. The Clock’s maker Thomas Gaunt, is historically significant and was an established and well renowned scientific instrument and clock maker in Melbourne during the 1860s. He was at that time the only watchmaker in the Australian colonies. In the 1870’s and 1880’s he won many awards for his clocks and was responsible for sending time signals to other clocks in the city and rural areas, enabling many businesses and organisations to accurate set their clocks each day. Warrnambool Borough Council purchased this clock from Henry Walsh Jnr. for the sum of £25 and the clock used to stand in front of the Warrnambool post office to allow ordinary citizens to set their time pieces as they walked by. The item is not only important because it was made by a significant early colonial clock maker and retailed by a locally known clock maker and jeweler but also that it was installed in the Warrnambool Post Office a significantly historical building in it's own right. Built in 1857 and regarded as one of the oldest postal facilities in Australia, with a listing on the National Heritage Database, (ID 15656). This 1864 hall clock originates from the Warrnambool Post Office. The clock glass is hinged to the top of the clock face and has a catch at the bottom. The metal rim of the glass is painted black. The clock face is metal, painted white, with black Roman numerals and markings for minutes and five minutes. The tip of the small hour hand is shaped like a leaf. "T. GAUNT / MELBOURNE" is printed in black on the clock face. The winding key hole is just below the centre of the clock face. The key winds a fusee chain mechanism, attached to the brass mainspring barrel that powers the pendulum with an 8-day movement. The speed of the clock can be adjusted by changing the position of the weight on the pendulum, lengthening or shortening the swing; raising the pendulum shortens its swing and speeds up the clock. The metal fusee mechanism has an inscription on it. The rectangular wooden casing is with a convex curve at the bottom that has a hinged door with a swivel latch. The original stained surface has been painted over with a matte black. There are two other doors that also allow access to the clock’s workings. The case fits over the pendulum and workings at the rear and attaches to the clock by inserting four wooden pegs into holes in the sides of the case then into the back of the clock. A flat metal plate has been secured by five screws onto the top of the case and a hole has been cut into it for the purpose of hanging up the clock. There is a nail inside the case, possibly used for a place to the key."T. GAUNT MELBOURNE" is printed on the clock face. “6 1 3” embossed on the back of the fusee mechanism behind the clock. warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, clock, warrnambool post office, fusee, henry walsh jnr, thomas gaunt, t gaunt & co, post office clock

Yields information about Ballarat Tramways and trams prior to the closure of the tramway system.Set of 10 digital images of Ballarat trams prior to closure, scanned from original slides by Tony Smith, 1971 prior to closure of the system. The following photos have suffered colour change and showing some deterioration - fungal growth. .1 - 35 (Sebastopol), with the Town Hall and Gemmola's chemist in the background. Tram waiting at the tram stop. .2 - 27 at Victoria St loop, showing Gardens via Drummond St Nth. .3 - 35 at Armstrong St inbound showing Lydiard St Nth. Has the Commonwealth bank in the background. .4 - 32 westbound in Sturt St between Dawson and Lyon Streets, tram has the destination of Gardens via Drummond Nth. Has the Town Hall and other buildings in the background. .5 - 17 inbound at Dawson St. Tram has destination of Mt Pleasant. .6 - 39 picking up passengers at the tram stop on the west side of Dawson St. Has the Ritzy cafe and the Golden City hotel in the background. Tram appears to be well loaded with lady passengers and has a "Everything under my control in my all electric kitchen" SEC roof ad. .7 - 37 using the Dawson St crossover - has St Patricks Cathedral in the background. .8 - 21 entering the depot with Lake Wendouree in the background. .9 - 11 sitting in 0 road at the depot. .10 - 41 at the depot on 2 road. Tram has two Johnny Walker Whiskey roof adverts.trams, tramways, sturt st, victoria st, dawson st, lake wendouree, wendouree parade, depot, tram 35, tram 27, tram 32, tram 17, tram 39, tram 37, tram 21, tram 11, tram 41

Yields information about the intersection of Lyons St and Sturt St and statues in the median strip.Set of three Black and White photographs of trams near the intersection of Sturt St and Lyons St. .1 - Single trucker outbound, Lyons St, with the Golden City Hotel and St Patrick's Cathedral in the view, along with the Cenotaph and the Adam Lindsay Gordon Statue of a Horse (1969) (See reference for city of Ballarat document) .2 - 43 - with St Patrick's Cathedral. .3 - 30 (determined from a high res scan), with the Town Hall and the Cenotaph in the background. Photo by Charles Craig August 1971. See http://www.ballarat.vic.gov.au/media/499947/sturt%20street%20gardens%20calm%20plan.pdf - accessed 2-2-2017. trams, tramways, sturt st, statues, town hall, st patricks, lyons st, tram 43, tram 30

Yields information about Ballarat through pictures of the 1940-50's various locations, institutions and street scenes, including tramways. Good comparison with earlier books, eg Item 3900.24 page book, plus embossed covers saddle stapled with two staples titled "Ballarat - 'The Garden City' ". Features photographs of Ballarat and district - full colour with accompanying text about Ballarat and its history. Cover features Gardens view with statute of Wallace in foreground - see image c1 p3 - photo of No. 22 (bogie) at Grenville St in Sturt St with a single trucker behind in the City loop - see image c2 - see also Reg Item 5354 for a postcard version. p5 - Eureka Stockade memorial p6 - Lake Wendouree p7 - Sturt St with Town hall in background, and No. 33 in Sturt St. south side. p9 - Begonia hothouse p10 - St Andrews Kirk p11 - St Peter's Church of England p12 - Lake Wendouree p13 - Botanical Gardens p14 - Monuments and statues around Ballarat p15 - Post Office, State Offices, Ballarat Orphanage and Queen Elizabeth Benevolent Home p16 - A Ballarat Reservoir p17 - Botanical Gardens p18 - Gordon's Cottage, Congregational Church, Lydiard St and The Cenotaph p19 - Ballarat Grammar School, St. Patrick's Cathedral (no spire), St. Patrick's College, street scene p20 - Arch of Victory, Lake Wendouree, Sturt St with tram in distance and Eureka Swimming pool p22 - Avenue of Prime Ministers p23 - Harvest near Mt Warrenheip, Country side photo, I&R Morley Pty Ltd factory and houses in the lake area. Purchased through eBay 25/10/2004. See worksheet for eBay emails. See also Reg. Item 3041 for the same image of No. 22. 2nd Copy added 26/12/2007 - donation of Ron Scholten. pdf image of the full book added 8/5/19 as btm2925i.pdf trams, tramways, ballarat, sturt st, history, gardens

Ballarat looking toward St Patrick's Cathedral, from the Ballarat Town Hall tower. ballarat, aerial, ballarat town hall tower, st patrick's cathedral, sturt street

Photo was taken from the Town Hall tower. Both St Andews Kirk and St Patrick Cathedral can be seen.sturt street, town hall, streetscape, commerical, church, st andrews kirk, st patricks cathedral, vehicle, garden

Colour postcard divided back, four photo panels - Biscay Greetings, 1. - A class 252 descending the Collins St hill to Swanston St with the Town Hall and the Manchester Unity building in the view 2 - China Town 3 - St Patrick's Cathedral 4 - Melbourne Skyline. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG333trams, tramways, collins st, tourism, a class, tram 252

Published: The Age 10 December 1934 Published title: RELIGIOUS PAGEANTRY AND FERVOR MARKED CLOSE OF EUCHARISTIC CONGRESS. Published caption: Thousands of men and women marched in the Eucharistic procession yesterday which brought the Congress to a close. The picture above shows the procession headed by the Children of Mary in Bourke-street and turning into Spring-street, in front of Parlia ment House. Right (top) — The procession leaving the starting point at St. Patrick's Cathedral and below, the Papal Legate carrying the Host under a canopy borne by a guard of laymen and preceded by white-clad girls scattering rose leaves, incense bearers and the Papal Chamberlains in their Spanish uniforms. The end of the procession in front of Mount St. Evin’s Hospital from which the final benediction was given by Cardi nal MacRory from an altar on the bal cony. The Papal Legate carrying the Host is passing through the assemblage of surpliced priests. On the left is an aerial picture taken just as the Children of Mary at the head of the procession are taking up their places for the final assembling. In the left top corner of the picture is St Patrick's Cathedral, from which the procession started, and in the right lower corner is Mount St. Evin’s Hospital. The space immediately in front of the hospital was reserved for the processionists while on either side is the crowd that assembled to take part in the final service. Trove article identifier: http://nla.gov.au/nla.news-article205067634 Religious pageantry and fervour The National Eucharistic Congress took place from Sunday 2 to Sunday 9 December 1934. An initiative of the Roman Catholic Church, it was their contribution to Melbourne’s Centenary Celebrations. 200,000 Catholics resided in Melbourne at this time – one quarter of the city’s population. While the Congress was aimed at Catholics, and acted as an opportunity to reinforce their living faith and homage, it contained a variety of events of splendour, solemnity and significance designed to appeal to Melbournians, and would additionally provide incentive for people to travel to Victoria, thereby creating an economic benefit to the state. The Procession of the Blessed Sacrament concluded the week-long Congress. Commencing at St Patrick’s Cathedral, it covered a two-mile route via Gisborne, Collins, Elizabeth and Bourke streets, then to Victoria Parade, where a final benediction was pronounced by Cardinal MacRory from the balcony of Mount St. Evin’s Hospital (today the site of St Vincent’s Private Hospital). An estimated 100,000 took part. Onlookers line Swanston Street, some standing at the entrance to Tate’s Tea House – a well-known Melbourne landmark located in the basement of the Manchester Unity Building. The white-veiled Children of Mary Sodalists strew rose petals in the path of the canopy, covering the jewelled Monstrance containing the Blessed Sacrament of consecrated Host (bread) and carried by the Cardinal. Church hierarchy in scarlet robes walk alongside, followed by incense bearers, the Papal Chamberlains in their Spanish uniforms, and a guard of honour of laymen of the city and country parishes. In the foreground is a tiered pole. This is one of 800 “Venetian Lights” specifically installed for the Centenary along all principal thoroughfares. “The poles are painted white, the superstructure resembling three trumpet lilies are made of durable fibro-cement, and their colour scheme deepens from clear yellow on the top cone to orange on the lowest, with slender rims of vermilion and white. Each cone is flooded with light externally from three lamps concealed in the one below it. There is also a painted coat of arms from which spring a trophy of flags.” – Australian Home Beautiful Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Louise McKenzie. Research by project volunteer, Louise McKenzie: This photo was taken on Sunday 9 December 1934, looking from the Melbourne Town Hall (corner of Swanston and Collins streets) across the road to the Manchester Unity Building. This is the afternoon procession concluding the Catholic Church’s National Eucharistic Congress in Melbourne - a procession of the Blessed Eucharist through the Melbourne city. It commenced at St Patrick’s Cathedral, and covered a two mile route via Gisborne, Collins, Elizabeth and Bourke streets, then to Victoria Parade where a final benediction was pronounced by the Cardinal from the balcony of Mount St. Evin’s Hospital (present day St Vincent’s Private Hospital). An estimated 100,000 took part in the march. The people lining the streets a men in suits and hats, women in coats and hats, and children in their “Sunday best”, kneeling beside the road, many with their hands clasped in front of them. The small girls ahead of the canopy covering the Host are pale-blue clad, white veiled Children of Mary Sodalists, who strew rose petals to pave the way of the Cardinal carrying the jewelled Monstrance (Blessed Sacrament of consecrated Host (bread)), together with church heirarchy wearing scarlet robes. Behind came incense bearers and the Papal Chamberlains in their Spanish uniforms, followed by a guard of honour of laymen of the city and country parishes. The Children of Mary Sodalities was a religious body which aimed at fostering in its members an ardent devotion, reverence, and filial love towards the Blessed Virgin Mary, initially embracing the pupils and orphans of the schools and institutions of the Sisters of Charity of St Vincent de Paul. In 1847, Blessed Pius IX affiliated them to the Jesuit Roman Sodality. They were distinguished by a medal suspended from a blue ribbon, and once a fully-fledged a Child of Mary wore a distinctive blue cape. On the extreme right foreground of the photo can be seen an intriguing piece of artistic design – a tiered pole. This is one of the 800 “Venetian Lights” specifically installed for Melbourne’s Centenary along all principal thoroughfares. “The poles are painted white, the superstructure resembling three trumpet lilies are made of durable fibro-cement, and their colour scheme deepens from clear yellow on the top cone to orange on the lowest, with slender rims of vermilion and white. Each cone is flooded with light externally from three lamps concealed in the one below it. There is also a painted coat of arms from which spring a trophy of flags.” Note the sign for Tates Tea House - a well-known Melbourne landmark, located in the basement of the Manchester Unity Building. References: RELIGIOUS PAGEANTRY AND FERVOR MARKED CLOSE OF EUCHARISTIC CONGRESS. (1934, December 10). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved September 14, 2023, from http://nla.gov.au/nla.news-article205067634 Eucharistic Congress (1934, December 1). The Argus (Melbourne, Vic. : 1848 - 1957), p. 11. Retrieved January 23, 2024, from http://nla.gov.au/nla.news-article10997817 National Eucharistic Congress, Melbourne. (1934, December 6). The Catholic Press (Sydney, NSW : 1895 - 1942), p. 28. Retrieved January 23, 2024, from http://nla.gov.au/nla.news-article104371824 'The year of the Melbourne Eucharistic Congress: 1934.' The Campion Society, https://campion.australiancardijninstitute.org/ch-7-the-year-of-the-melbourne-eucharistic-congress-1934/ 'Melbourne Eucharistic Congress 1934.' Panoramic photograph, https://emhs.org.au/catalogue/emdf0123 The National Eucharistic Congress, Melbourne, Australia December 2nd-9th, 1934. Edited by Rev. J.M. Murphy and Rev. F. Moynihan, The Advocate Press, Melbourne. 'Children of Mary Sodalists', Wikipedia, https://en.wikipedia.org/wiki/Sodality_of_Our_Lady 'Dressing Melbourne for the Duke' (1934, October 1). The Australian home beautiful : a journal for the home builder, p. 21, 58. Retrieved September 14, 2023, from http://nla.gov.au/nla.obj-2950922209 Photographer notations on slide: "Eucharistic Congress Procession on Swanston St B61" [sic - actually Collins Street].events, religion, parades, catholic church