An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

Framed steel engraving by Tingle from 'Victoria Illustrated' Melbourne 1857s.t.gill, j.tingle, bendigo, eagle hawk, steel engraving, available

Steel engraving

framed steel engravingkyneton, s.t. gill, samuel thomas gill

Gift of Mack Jost, 1983steel engraving on paper

Gift of Mack Jost, 1983steel engraving on paper

Gift of Mack Jost, 1983steel engraving on paper

Gift of Mack Jost, 1983steel engraving on paper

Hand coloured steel engraving

Black leather bound, Illustrated with numerous beautiful steel engravingsbible, crick

This framed copy of a sketch of John Ruskin comes from the original steel plate engraving dating from about 1845. John Ruskin (1819-1900) was a notable English writer, philosopher, art critic and polymath in the Victorian era. He was the first Professor of Fine Art at Oxford University and was a prolific writer interested in the connection between nature, art and society, anticipating the more modern interest in environmental and sustainability issues. This framed item is from the collection of the old Warrnambool Museum which was first established in 1871 by the Warrnambool Mechanics' Institute under the curatorship of a local policeman, Joseph Archibald. This first museum faded away but was revived in 1883 by Joseph Archibald in his retirement years. The Museum continued as part of the Mechanics' Institute until 1963 as an important and much-admired institution. Most of the collection was lost over the years but some items remain, housed at the Warrnambool Art Gallery, Flagstaff Hill Maritime Museum and the Warrnambool and District Historical Society, with the John Ruskin item being part of the latter group's collection.This item is of considerable interest, firstly because it comes from the collection of the old Warrnambool Museum and secondly because it shows the local interest in the 19th century of the notable English writer and philosopher, John Ruskin. This is a copy of a steel plate engraving, a black and white sketch of the head and upper body of John Ruskin. It is enclosed in a cut glass frame with a red cardboard backing attached by metal clips. A section of the backing is torn off and there is damage to the bottom part of the glass frame.J. Ruskinold warrnambool museum, warrnambool art gallery, flagstaff hill maritime museum, warrnambool & district historical society, joseph archibald, john ruskin portrait

Prize awarded to George G Morrison (birthdate 3/2/1862) for excellence in Algebra and Geometry in the first form; George entered the school 23/8/1877 and left less than a year later on 1/7/1878.Very early example of an academic prize awarded by Principal John Garbutt (1877 - 1909). no date of publication but c1866, xxiv + 502 pages, bound in elaborate embossed maroon cloth binding, with lacquered illustration and college crest in gilt on front cover, decorated spine; in very poor condition through mould and wear; illustrated with steel engravings, each page of text with red lines at margins, all edges giltBook plate inside front cover: Ballarat College crest / Algebra and geometry / First form / First PRIZE / Awarded to / G Morrison / CHRISTMAS 1877 / JOHN GARBUTT, M A PRINCIPALgeorge-g-morrison, ballarat-college, john-garbutt, 1877, book-prize

19th Century J Harrison,Picture Frame Manufacture of Bottom Block, 64 Pall Mall Sandhurst stick-on advertising leaflet. Attached to brown paper fragment. J Harrison was thanking friends and public of Sandhurst and district of Bendigo for past favours. Kept a large choice at lowest prices of Oil Paintings, Oleographs, Lithographs, Chromos, Steel Engravings, Mottoes, Illuminated Texts, Choice Copies for Drawing and Painting, Birthday Cards, Scraps in Great Variety, & etc.News Office Sandhurst.bendigo, industry, printing, j harrison bottom block, 64 pall mall sandhurst. 19th century printing techniques.

These books appear to have been published in successive years as the inscription on one is 1875 and the contents of another deals with the history of India in 1878. The owner of the volumes was William Cassady (1824-1885).In 1846 he settled near the Merri River in the district that is today the Cassady's Bridge area in Caramut Road, Warrnambool. The property was called "Boughton". He married Elizabeth Anderson in 1857 and they had eleven children surviving to adulthood.These volumes are of antiquarian interest as they are an attractive example of the type of books owned by early settlers in the Warrnambool district. The activities of the British in India would have been of interest to settlers in other parts of the British Empire at that time. The books are also of interest as they belonged to William Cassady, a prominent early settler in the west Warrnambool area.There are three volumes in five parts. The hard cover books have green covers and elaborate scrolls and decorations on the front covers and spines. The title lettering on the front covers is in black and gold. Each volume has several pages of black and white illustrations (steel engravings)at the front of the books, all with protective tissue paper. Some of the tissue paper is torn or missing. There are several coloured maps. The pages are gilt- edged. The third book has the top part of the spine and binding torn away. The inscription in Book Four is written in black ink.William Cassady, Boughton 1875william and elizabeth cassady, boughton

Photographic reproduction of a steel engraving 'Alexandra Fountain and Pall Mall from Charing Cross'. Alexandra Fountain, pedestrians, Post Office, Bee-hive Stores, gas lights. Inscriptions - below photo 'Alexandra Fountain and Pall Mall from Charing Cross', within photo 'Henderson & Goddisson, Bee-hive Stores', 'Melbourne Cash Store', written engraving 1 'Abbott New Times', ' H Burridge'. On rear blue stamp 'RHSV, Bendigo Branch'. History of photograph: From an 'Album of Sandhurst Views, c.1894' (J Lerk 18/02/2004)place, streetscape, charing cross

Mechanics' Institution Melbourne. Drawing by S. T. Gill, engraving by Arthur Willmore, circa 1862. Finely engraved exterior view of the Mechanics' Institute at 188 Collins Street, which was one of Melbourne's first public buildings. Looking across street towards split level building, level at path with arched windows and balustrade at roofline, flight of steps leading to rear double storey wing with pilasters supporting a pediment at the roofline, pedestrians and horse and carriage in street. The Athenaeum Archives hold two additional versions of this artwork, a print from a steel engraving and a hand coloured print.Engraved on plate l.c.: Sands, Kenny & Co. Melbourne - Sands & Kenny, Sydney. Engraved on page below image l.r.: A. Willmore. sc.

Hard cover book: Bible, Old & New Testaments Editor: Rev. George Leo Haydock Publisher: James Semple, 7 Stirling Road, Glasgow Date: 1875 Further Information: Brown leather bound with extensive gilt pattering to Spine and Front Board, Cross icon to front board and brass book clasps to corners.non-fictionThis edition is part of what Bible bibliographers classify as the Haydock Quarto Series. It uses the Douay Rheims version (the standard English translation of the Latin Vulgate for Roman Catholics) and is heavily updated with extensive annotations. The subject volume is a large, decorative family Bible. Bibles of this style were peak Victorian subscription publishing, and publishers like Semple typically issued these in unbound parts or sold them via travelling canvassers, bound in heavy, blind stamped or gilt leather meant to serve as a visual centerpiece in a Victorian home.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the holy bible the old testament and the new testament, bible, book, religion, holy bible, rev geo leo haydock, latin vulgate, family bible

Sandhurst is the early name for the Victorian goldfield town of Bendigo. The original was published by Melbourne's Sands and Kenny Melbourne in 1857, and the plate from "Victoria Illustrated" by S.T. Gill. Balck and white steel engraving of a work by Samuel Thomas Gill showing a scene in early Bendigo. In the foreground a woman sits on a fallen tree holding a baby and talking to a small girl, while two men stand nearby discussing words on a paper. A sign on the fence declares 'Gov Sale Land'. In the mid ground a fledgling townscape is evident whole a man rides a horse along a thoroughfare, along with a small bullock team, and a man pushing a wheelbarrow. The scenefeatures a large number of flagpoles, and tents are visible along the horizon line. The image is engraved "S.T.Gill, del." in the lower left; "J. Tingle sc" in the lower right, and the title is engraved below image. bendigo, sandhurst, samuel thomas gill, s.t. gill, j. tingle, goldfield, bullock team, horse and rider

Original steel engraving by J.C Armytage after John SkinnerPROUT (1806 - 1876). Prout was born in Plymouth and was a member of the New Watercolour Society in London, he latter emigrated and lived for some time in Sydney and Hobart before returning to England. Published in "Australia... Illustrated with Drawings by Skinner Prout, N Chevalier, etc. by Edwin Carlton Booth F.R.C.I. (printed 1873-76) Virtue & Co., London, and as part work from about 1873. Steel Steel Engraved antique print some with marking to the margins. Image 12 x 18 cm. John Skinner Prout (1806 - 1876) was an architectural illustrator and painter. Born in Plymouth and nephew of Samuel Prout (Topographical illustrator, drawing master and colourist). John specialised in similar subjects to his uncle but was practically self-taught. He was elected a member of the New Watercolour Society on his return from Australia in 1849, where he visited Sydney and Hobart. He had already forfeited his membership of the NWS in 1838 by being overseas. John settled in Bristol after 1849 whewre he became a good friend of W.J. Muller (artist). He later moved to London where he died, at Camden Town on 29th August 1876Framed print of etching depicting four aboriginals one of which is climbing a treeprint, gwalior plains

J & W Pratt was an earthenware manufacturing firm operating in Lane Delph (Fenton), Stoke-on-Trent, England, from 1836 to 1859. The company produced traditional domestic earthenware and tableware, including hand-painted items like the Oriental-inspired "Indiana" pattern plates. J & W Pratt ceased operations in 1859 following a period of financial difficulty. The family's broader pottery legacy continued through F & R Pratt & Co. The object appears to be a 19th-century Victorian transferware pot lid featuring the pattern "The Swiss Cottage" (sometimes catalogued as Swiss Riverside Scene or The Alpine Cottage). The "Swiss Cottage" pattern typically features a rustic, asymmetric two-story Alpine chalet or cottage. In the foreground or mid-ground, a small wooden footbridge which spans a stream, and traveling figures or a peasant woman in local Swiss dress. The Fragment "OT PAGE" could be FOOTPAGE which suggests that the design was adapted from a specific 19th-century travel book or travel chronicle featuring steel-plate engravings with FOOTPAGE, indicating where the publisher found the original art. Pot lids were originally manufactured to seal ceramic pots that contained every day commodities like bear's grease (a popular Victorian hair pomade), cold creams, or toothpastes. Because the graphics were so beautifully detailed, Victorians would wash and save the lids once the pot was empty, often framing or mounting them. This object is significant as it represents a rare fragment of earthenware in common use in the mid nineteenth century. The popular Swiss Chalet design on the lid is an example of transfer which made decorative ceramic items more affordable and the product more appealing. Earthenware fragment with smooth edges worn by emersion in the sea. The top has red transferware design showing a two story cottage and footbridge. The underneath has crazed glazing and a partial manufacture stamp indicating J & W Pratt. The piece has a partially raised flange.Bottom partial - "SWISS/OT PAGE/(inside a red scalloped border)/&W. PRATT"flagstaff hill maritime museum and village, earthenware, pot lid, transferware, j & w pratt, china fragment, great ocean rd, red transferware, swiss cottage design

This book belonged to a Marian Adams from Limerick but, unfortunately no information has been found on this person or the connection to Warrnambool. There were several families in the Warrnambool area with the name ‘Adams’ in the 19th century. This book is kept as an interesting 19th century book but it will be of greater interest if information is found on Marian Adams. This is a hard cover book of 516 pages. The cover is brown leather with gold embossed ornamentation and gold lettering on the spine. The pages are gilt-edged and the cover has become partly detached from the binding. The pages are much stained and the cover is very rubbed. The inscription is handwritten in black ink. There are eight engravings on steel in black and white and all are protected with white tissue. There has been a book plate pasted onto the inside of the front cover but it has been torn away. ‘Marian Adams Limerick, October 19th 1870’ marian adams, history of warrnambool, william cowper poet

Hard cover book. The Poetical Works of Thomas Moore Author: Thomas Moore Publisher: Gall & Inglis Date: 1878–1890s Further Information: Highly decorated green Cloth hardcover with lettering and patterning to spine in gilt. The spine has a Library label with an inscription.fictionThis subject volume is a comprehensive collection of the works of Irish poet and songwriter Thomas Moore (1779–1852). The work features his famous Irish Melodies (containing classic songs like "The Last Rose of Summer" and "The Minstrel Boy"), his Oriental romance epic Lalla Rookh, satire, and light verse, along with a biographical summary ("With Life") and steel-engraved illustrations.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, the poetical works of thomas moore, thomas moore, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

The Poetical Works of Sir Walter Scott Author: Sir Walter Scott Publisher: Gall & Inglis fictionSir Walter Scott was the literary rock star of the 19th century, and the Edinburgh-based firm Gall & Inglis played a massive role in making his work accessible to the Victorian masses.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the poetical works of sir walter scott, sir walter scott, poetry

A large brown cloth hardcover book with black leather spine and corners. Title is engraved in gold on spine. Illustrated by numerous engravings on wood and steel, including select details, and complete machines. Illustrations in b/w. It includes a list of b/w plates, a table of contents, 116 p. of text and 112 p. of plates. This workwork provids instruction on drawing and illustrating heavy machinery including steam engines. It also contains lessons in drawings and examples of approved construction. non-fictionengineer drawings, drawing instruments, the sector, the lines of numbers, drawing of elementary forms, m le blanc, mm armengaud, linear drawing, projection, eccentric curves, machinery sketching, forms of gearing, projections of shadows, spur gearing