Two sketches back to back one sheet in a cardboard frame a. Eaglehawk Town Hall, an Indian ink sketch. b, Stone Cottage, James St, Harvey Town. Indian ink sketch of a cottage with a stone fence in front and steps leading up to the front door.drawing, ink, building, eaglehawk town hall, stone cottage, james street, harvey town

BHS Collectionblack and white photo reprint. Rendered stone cottage, two double doors to front. Render partly worn away with stone visible. Corrulaged iron roof, sleepout on LH of verandah. Brick wall with ladder against. Remains of cast iron to verandah, cast iron table with plants. Aspidistras in garden beds with roses.buildings, residential, stone cottage

The young couple standing outside the stone cottage in Kioni, Ithaca are Yianni Rafopoulos (Bourlotos) and Diamando (Manto) Raftopoulos nee Paizis. The house is typical of the traditional stone cottages built on Ithaca in times past. Although similar cottage are still standing, some of them lovingly restored, there are also many deserted and in disrepair or ruin as a result of migration over generations and inheritance issues. A black and white photograph of a lady and man photographed on a mound of rocks outside a stone cottage which has a tiled roof.

Old Stone Cottage with tin roof.Written on backing sheet, "1965 - I don't think this is 32 Mt. Dand."

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Coloured photographWritten on back of photograph: "Brian Catterall T.C., Cr. Gotlib (Mayor), E. Pullin, President of Ringwood Historical Group."

This is a photograph of one of the many stone ruins of buildings which can be seen in the Sunbury district and surrounding areas. This series of 13 photographs show various views of one of the remaining uninhabited stone cottages which were built in the early days of the district's settlement.A coloured photograph of the ruins of a stone cottage. The walls are still standing and the end wall bears evidence of the original pitched roof. There is a cleared area in front of the ruins.stone structures, shingle roofs, george evans collection

Photo shows stone mason's cottage at Heatherlie Quarry under renovation.Photo shows a stone cottage with two doors. There is iron roofing on the left hand side of the cottage and on the right hand side the roof is missing. There is scaffolding at the front of the cottage. A trailer can be seen on the left.buildings, houses, quarrying, heatherlie

This is a photograph of one of the many stone ruins of buildings which can be seen in the Sunbury district and surrounding areas. This series of 13 photographs show various views of one of the remaining uninhabited stone cottages which were built in the early days of the district's settlement.A coloured photograph of a stone cottage with a wooden shingle roof and the remains of the outbuilding. There is a stone wall across the front of the building. The side view of the building is prominent and there is one 12 paned sash window in the wall and two chimneys either side of the roof valley. A bare deciduous tree is behind the building.stone structures, shingle roofs, george evans collection

It is believed that the three stone cottages in the area were built c.1930 by Italian stonemasons. This cottage is a single room with open fireplace at one end. A hole was dug in the floor inside which a small drum was sunk and covered by a wooden lid. It served as a cool box for the storage of perishable food. It is not known when the cottage was last occupied but during the 1970s the drum was removed and the pit filled in for safety reasons. Photo shows 6 men standing in front of stone cottage at Heatherlie (Mt Difficult) quarry. Cottage made from sawnand off-cuts of stone with stone window frames and door lintel. Rough bush-pole awning at right hand end of cottage.houses, mt difficult quarry

This is a photograph of one of the many stone ruins of buildings which can be seen in the Sunbury district and surrounding areas. This series of 13 photographs show various views of one of the remaining uninhabited stone cottages which were built in the early days of the district's settlement.A coloured photograph of a stone cottage with a wooden shingle roof and its weatherboard and corrugated iron out building. A valley between two sections of the building suggests it has been built in stages. Three chimneys are visible and the cottage has three 12 paned sash windows with a doorway in the centre of the front. There is a cyclone wire fence and gate across the front and the garden is overgrown.stone structures, shingle roofs, george evans collection

1 photo of number 2, a large brick or stone cottagemurrumbeena, sydney st, houses, o’donnell, jenny

The house was the family home of Yiannis Kallinikos, who was the grandfather of Poppy Doubaris nee Kallinikos. It is in the village of Stavros the largest village in Northern Ithaca. The word Stavros means cross roads.'Patriko' is the Greek word used for family home. Many old family homes in Ithaca have fallen into disrepair and ruin as a result of families having left the island and with each successive generation ownership has become very complicated. A coloured photograph of a stone cottage b y a road side.

Black and white copy of original photograph of two ladies standing in a gateway in front of a stone cottage."Mary Hunter & Margaret Hollins, grand daughter of Jean Hunter - Cook's Cottage 1948. born Linton".mary hunter, margaret hollins, cooks cottage

The late 19th to early 20th century stone cottage with weatherboard extensions. From research, it has been determined that the cottage was the Port Fairy (Belfast) Lighthouse Keepers cottage. The dome roof in the background indicates a lighthouse, in which case the cottage would have been the living quarters for a lighthouse keeper and assistant keeper. The narrow poles could have been for signals and antennae. The object on the rock stack looks like a large metal milk can.The photograph shows a typical late 19th to early 20th century cottage, abandoned at dilapidated for many years. Black and white rectangular photograph mounted on card. The image shows a dilapidated stone cottage with an old picket fence. Extending behind the stone cottage are gabled roofs above weatherboard walls. The cottage has corrugated roof sheets of different colours, and four chimneys, three with chimney pots. From research, it has been determined that the cottage was the Port Fairy (Belfast) Lighthouse Keepers cottage. Near the fenceline on the left, a corrugated water tank is positioned below a pipe joined to the roof gutter. Nearby are a timber shed and timber walls or screens. In the background are two tall narrow poles with spheres on top, higher than the cottage, with one pole on each side, the left one attached to the building. A domed roof with a knob on top is on the right behind trees. Several angular shapes appear on the horizon on the left, one almost hidden by the trees. The foreground is rocky and slopes uphill on the right. At the foot of the slope is a stack of closely fitted rocks with an object shaped like a milk can on top and an object to its left that is like an open grid. Handwritten Inscriptions are on the reverse side of the photograph.Pencil on board: " D9 / 200 x 150" Pen on sticker: "52"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, cottage, lighthouse, iron roof, stone building, picket fence, water tank, weatherboard building, 19th century cottage, early 20th century cottage, abandoned cottage, antenna, chimneys, milk can

Black and white photograph: streetscape of Harvey Town, Eaglehawk. Dirt road, with dirt footpath. Two stone cottages on RH side of photo, white painted stone ( ? ) cottage with a verandah on LH side of photo. Cottages have iron roof, brick chimneys. A wire fence runs across the front of the cottages. A. Doney photo ?place, streetscape, harvey town

This article stimulated interest in the preservation of the 1850's stone cottage.A photocopy of a newspaper article highlighting the need to preserve the 1850's stone cottage in Deep Creek Road and a history of its builder August Schwerkolt.schwerkolt august, schwerkolt cottage

Harvey Town was once a large mining area with its own shops, churches and hotels. The four remaining stone cottages were built by the Harvey Family between the 1850s and the 1870s. They were obviously the most substantial buildings in the area at the time. Three of the cottages have been classified as a group by the National Trust and the citation describes them as follows: A group of three simple sandstone cottages built by the Harvey Family of Cornish stonemasons in about 1875. The cottages are all of a very simple design with small windows and no ornamentation. They are in good condition and inhabited at the present time. Harvey Town was established nearly 100 years ago near Eaglehawk, a thriving goldfield with a population of 20,000. A man named Harvey built several stone houses in the area, which led to the formation of a small community including a church, hotel, general store, and blacksmith's shop. The area became known as Harvey Town, but like many gold rush towns, it quickly faded away. Today, only the stone houses built by Harvey remain, standing as solid as when they were first constructed.Current RemnantsFour cottages still exist, some surrounded by stone fences, and a few are still inhabited. The presence of peppercorn trees marks where houses once stood, indicating there were once dozens of homes.Mining. During the depression, people searched for gold along Caldwell's road, often finding small amounts. Several mines operated in the area, including the Consolation mine, which was notably rich.Old-timers believe there is still gold in the area, but high labor costs prevent further mining. The Eaglehawk goldfields were founded in 1852, and the municipality was proclaimed in 1862.Numerous photo copies of stone cottages with notes on the location and history. This item contains the following documents: 3084.50a Black and White Photo of stone cottages in Harvey Town 3084.50b Miner's Cotage in Harvey Town Photocopy 3084.50c Miner's Cottage in Harvey Town Photocopy 3084.50d Stone Brick Residence in Harvey Town 3084.50e Stone Brick Residence in Harvey Town Photocopy 3084.50f Stone Brick Residence in Harvey Town Photocopy 3084.50g Bendigo Advertiser Newspaper Article outlining the history of Harvey Town in Eaglehawk 11th June 1958 3084.50h Notes on the history of Harvey Town in Eaglehawk source unknown 3084.50i Harvey Town Eaglehawk, notes on the precint and history with some photos history, national trust bendigo collection, bendigo, harvey town, eaglehawk

Kalypso Sofianos nee Raftopoulos is pictured in the middle. The other women are not identified. The group were photographed in Ithaca, in the village of Kioni, possibly taken shortly before Kalypso emigrated to Australia in 1936.Young people migrating from their homeland to a foreign county and unknown culture left behind family and close friends.A scanned black and white photograph of three women sitting on a stone wall with a stone cottage visible on the RHS of the picture and mountains in the background. A portion of the original photograph was torn on the LHS.

Early settlement of the Mitcham area is detailed in the farm outline sketched by Arthur Schwerkolt between 1936 and 1959.,Schwerkolt original cottage site included on the sketch.A sketch of the Schwerkolt property drawn from memory by Arthur Schwerkolt who lived on the property from 1936. It includes a photo of his mother sitting in front of the ruins of the original stone cottage.schwerkolt arthur, schwerkolt cottage original, map