Designed to create an impression on paper, the stylus allows users to create Braille through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. Used in combination with a slate to guide placement, this was the primary source of Braille books in the late nineteenth and early twentieth century before Braille typewriters were commonly used. In this example the handle is made of plastic and it has a metal tip.1 plastic stylus with metal tipbraille equipment, royal victorian institute for the blind

Designed to create an impression on paper, the stylus allows users to create Braille through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. Used in combination with a slate to guide placement, this was the primary source of Braille books in the late nineteenth and early twentieth century before Braille typewriters were commonly used. In this example the handle is made of Vulcanite (according to the RNIB Illustrated Catalogue of Apparatus and Games, 1968), and the metal tip can be shielded by rotating the rounded section near the tip, which loosens and drops down.1 stylus with metal tipbraille equipment, royal victorian institute for the blind

Designed to create an impression on paper, the stylus allows users to create Braille through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. Used in combination with a slate to guide placement, this was the primary source of Braille books in the late nineteenth and early twentieth century before Braille typewriters were commonly used. In this example the handle is made of boxwood (according to the RNIB Illustrated Catalogue of Apparatus and Games, 1968), and is the standard model.1 wooden stylus with metal tipbraille equipment, royal victorian institute for the blind

Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. In this example, the Rules of Membership for the Victorian Braille Writers were attached to the board.1 wooden back board with metal hand frame and stylus156 carved into wooden framebraille equipment, victorian association of braille writers

Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! Various metal hand frames accompanied by a metal stylus with wooden handle. Some include a wooden slate, which was used to make the system portable as a firm base was needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. Transcribing maths was an extremely complex task and a metal grid was utilised to reproduce graphs and diagrams.1 wooden hand frame with metal grid and metal and wooden stylus, 1 metal maths grid with metal pegs in metal container inside a brown suitcase and numerous sheets of Braille paperT.C. Coughlin 5 doz sausage rolls Wilmington Southend is written inside the lid of the suitcasebraille equipment, james murphy

Two sighted women sit in an outside porch at the Braille Library in South Yarra, transcribing the books in front of them into Braille, using a stylus and frame. This image shows sighted volunteer Braille transcribers. At this time all Braille was manually transcribed using a hand frame and metal stylus. These volunteers worked at Australia's first Braille Library created by the Victorian Association of Braille Writers.Black and white image of two Braille writersbraille equipment, victorian association of braille writers

This wooden board has hinged flap to allow paper to be inserted, and two tacks under on the lower part secure the paper. The top flap is then closed and a metal clasp holds it firmly in place. A row of holes either side of the board, allow for a hand frame to be attached, to guide the writer in maintaining straightness when transcribing.Wooden rectangular Braille hand frame with holes evenly spaced and built in hinged paper clamp. Pivoted metal Braille guide with two rows of Braille, each 25 cells long. 'Armitage memorial' pressed into framebraille equipment, association for the blind

Probably used to record patient details and allow computerised upload of details in hospital. This item used by Rural Ambulance Victoria. Portable computer (lap top) in black carry case aperture so that the screen can be 'written on' using attached stylus.WALKABOUT HH3 CEFC

Probably used to record patient details and allow computerised upload of details in hospital. This item used by Rural Ambulance Victoria.Portable computer (lap top) in black carry case aperture so that the screen can be 'written on' using attached stylus.WALKABOUT HH3 CEFC

Probably used to record patient details and allow computerised upload of details in hospital. This item used by Rural Ambulance Victoria.Portable computer (lap top) in black carry case aperture so that the screen can be 'written on' using attached stylus.WALKABOUT HH3 CEFC

Small plastic container from the Bendigo & Northern District Base Hospital. Originally it contained tablets. Now used to store spare needles for a gramophone. There are forty-five needles. Errol Bovaird Collectionmusic, gramophone, stylus

BHS CollectionGreen covered book with ornate edges. On the front in gold colour is a depiction of an inkwell with two stylus. On the spine also in gold lettering "Cooke's Universal Letter Writer". Revised and improved. Published by T, Nelson and Sons in 1868.On first page: H. B. Staley from his father as a token of love, October 9th 1869, Eaglehawk.english grammar, letter writing, cooke

Gramophone needles (stylus) used in gramophones which played 78 rpm shellac records. Tin has the His Masters Voice dog on lid.Metal box containing brass gramophone needles"His Master's Voice" Loud tone English gramophone needles, manufactured for the Gramophone Company Limited, Sydney N. S. W.his masters voice, styluses (audio), gramophone needles

With the advent of electricity, so to came the invention of the Electrocardiograph Machine. This piece of medical equipment gave nursing staff and doctors a more precise indication of a patients heart beat and was used extensively across Victoria's medical institutions. The equipment is significant because it is a fully intact example of diagnostic equipment used in a mental health hospital in Victoria Australia.Cardiotrace Electrocardiograph Machine in blue plastic case with black handle. Contains: Electric cord Cords to link electrodes Graph paper to measure heart beats Instruments on panel marked 'stylus heat', 'off', 'run', 'position', 'test', 'record', '1', '2', '3', 'aVR', 'aVL', 'aVP', 'V', '1/2V', 'lmV', marker.Manufacturer: Medical Instrument Co. Pty. Ltd. Distributor: Watson Victor Limited Serial No: 3362 Cardiotrace Heat Mark III Electrocardiograph/Voltage 220-240 A/C /Frequency 50 cycles per second/Watts 45 serial 3362/Caution: Refer to Manual for full detail.electrocardiograph machine, medical instrument, medicine, health, mental health, ararat mental hospital, j ward

The Forests Commission began using computers in the 1960s for resource inventory under the Chief Forest Assessor Murray Paine IBM introduced the Port-A-Punch in 1958 as a fast, accurate means of manually punching holes in specially scored IBM punched cards. Designed to fit in the pocket, Port-A-Punch made it possible to create punched card documents anywhere. The product was intended for "on-the-spot" recording of data such a assessment plotsThe IBM Port-A-Punch prepared computer data and programming cards. Normally there is a a separate stylus pen, similar to a ball-point pen to punch the holes in the cards, but it is missing This instrument consists of a plastic frame that holds 13 long plastic rectangles along its length. A transparent plastic template which has an array of evenly spaced holes fits over the rectangles, and cards are placed over this. IBM Portapunchforest measurement

The Kodak No2A folding autographic Brownie was introduced by the Eastman Kodak Co in 1915 and several variants were produced between 1915 and 1925. There is a door in the back,and a stylus for writing on the back of the film for labelling the negatives. A Christmas present from her parents to Mary Burke (Taffe) in 1928. Basic bellows or folding camera unusual for its time because the lens is behind the shutter. There is a screw thread in front of the shutter for additional 'portrait' lenses. Base of the box has 691162 inscribed in pencil (possibly a stock number) followed by £3/9/6 and Xmas Eve 1928 in blue ink indicating its price and date of presentation. This is followed in pencil by a later signature M.Taffe.camera, mary burke, donald, ballarat,

Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping.Brown plastic rectangular hand frame with holes evenly spaced on either long side. Hinged Braille metal guide with space for 2 rows of Braille, each 35 cells long. braille equipment, rnib

Designed to create an impression on paper, the slate allows users to create Braille by guiding the stylus into the correct alignment to produce Braille, through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. In this example, the frame has two hinges which allow it to sit over the paper edge, and a single line of Braille could be written.2 metal Braille frames for single line usagebraille equipment, assistive devices

Designed to create an impression on paper, the slate allows users to create Braille by guiding the stylus into the correct alignment to produce Braille, through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. In this example, the frame has two side hinges which allow it to sit over the paper edge, and four lines of Braille could be written.1 plastic Braille frame with 4 lines of 28 cells with side hingebraille equipment, equipment

Designed to create an impression on paper, the slate allows users to create Braille by guiding the stylus into the correct alignment to produce Braille, through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. In this example, a postcard sized frame fits over a notebook of the same size, and allows the user to fill the page without re-positioning the slate.1 metal Braille frame and 1 vinyl covered metal ring binder with braille pagesbraille equipment, equipment

Designed to create an impression on paper, the slate allows users to create Braille by guiding the stylus into the correct alignment to produce Braille, through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. In this example, the frame has two side hinges which allow it to sit over the paper edge, and four lines of Braille could be written.1 metal Braille frame with four lines of Braille windowsPerkins Model 140 RVIB sticker has been attached to the back of the framebraille equipment, assistive devices

Designed to create an impression on paper, the stylus allows users to create Braille through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. However sometimes mistakes were made and rather than re-emboss the whole page, a Braille eraser was sometimes used by flattening out indentation on card, one dot at a time.1 wooden piece with blunted tipbraille equipment, association for the blind

They sphygmograph was devised as an improved device to measure blood pressure, and was a marked improvement on the first machine of its type. The sphygmomanometer was considered cumbersome and the Dudgeon sphygmograph was smaller, and once placed into its box, could be carried in a pocket. The Dudgeon sphygmograph was introduced in 1881. It was strapped tot he wrist with a metal strip that moved a stylus. This transmitted a record of the pulse onto smoked paper, creating a record of blood pressure.The sphygmograph is housed in a purple-lined, leather bound case with a metal hinge and clasp located halfway up the case. It is constructed from chrome and comprises several moving parts including wires, knobs and handles. A black fabric strap with a metal attachment is also present, used to attach to the patient's wrist.blood pressure, dudgeon, pocket-sized, portable

Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. This donation includes the signature of Miss B Yoxon, who was a student that transcribed braille around the 1920's for the Victorian Association of Braille Writers, and the owner of this board and textbook. Some originals of her work and a translated letter from her friend James Grubb accompany the frame. 1 wooden board and Braille paper, with 1 Braille text bookbraille equipment, victorian association of braille writers

Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. Sometimes the board was labelled with organisational labels. In this example, the Rules of Membership for the Victorian Association of Braille Writers was attached, which included the costs of being a transcribing member and the length of the loan period. It is signed by Millicent Ritchie (Hon. Secretary) and Minnie H Crabb (Asst Sec and Librarian) at the base of the sheet.Brown rectangular wooden board with hinged paper clamp and metal hinged guideFree Lending Library for the Blind label is attached to boardbraille equipment, victorian association of braille writers

The first tape based talking book machine from the late 1950s, produced by Clarke & Smith, that allowed the listener to hear up to 20 hours of recordings. Although bulky (each tape cartridge alone weighed over 2 kgs), the MK1 was the first magnetic, multi-track tape produced and considered quite novel for it's time. The cartridge designed to be played on the Clarke & Smith Model12 Talking Book gramophone was designed to house the pick up mechanism (the phono cartridge which contains the stylus) in the lid, so that visually impaired people could just close the lid to play the record. Initially these players designed to handle only 24 rpm, but soon added 33 rpm and 16 rpm options via the dial located on the left hand corner of the disk base. Directions for using as well as reminders to use on alternating current only are located inside the lid. On the side of the player are two plastic dials: one for turning on and volume, the other for tone.Metal record player housed in a brown wooden carry case, with a speaker grill in the front, two plastic dials on the side and an electric cord extending from the back of the case.Manufactured for Nuffield Talking Book Libraryaudio equipment, clarke and smith

a) Nagaoka Record Anti-Static & Disc Guard Kit The Nagaoka STAT-10 is a record protecting agent that serves both to protect your records from static and to significantly reduce record and stylus wear. By using this product you will improve the sound that you hear from your records, but will also protect your records. The unique charge reducing formula significantly reduces the amount of static electricity present on the surface of the vinyl recording. It also reduces the irritating noise produced by the scratches present on the surface of the vinyl recording. This record protecting agent also contains a special lubricant / protecting fluid agent.This lubricant / protecting fluid reduces record wear so that your recordings are as good as new. b) 'PAROSTATIK' Disc preener -: Use while rotating record slowly on Turntable. Press gently during one or two revolutions. Dust collected on plush surface should be removed before re-use. Device has "built-in" anti-static requiring occasional moisture replacement. Remove cap from centre tube withdraw and moisten wick (when dry) with clean water and replace Always return "Parostatik" to case when not in use. Vinyl records became very popular mid 20thC and cleaners were used to preserve the audio quality of the record surface.A box containing Vinyl record cleaning equipment manufactured by a) Nagaoka Pty Ltd Japan and b) 'Parostatik' C.E Watts Pty Ltd England a ) Box : NAGAOKA / A / trademark / NAGAOKA / AUTOMATIC RECORD CLEANER / ORIGINAL BEST PRODUCTS / NAGAOKA & CO LTD. MADE IN JAPAN / AUTOMATIC / RECORD CLEANER / AUTO 1 / NAGAOKA ORIGINAL BEST PRODUCTS b) Packet ; THE / "PAROSTATIK" PATENT .... REGD./ IMPROVED / DISC PREENER / FOR PERFECT RECORD MAINTENANCE Cylinder; Watts / "PAROSTATIK" / DISC PREENER / For perfect record maintenancerecord players, music, vinyl records, moorabbin, bentleigh, cheltenham, japan, nagaoka pty ltd ,, watts c. e. pty ltd, parostatik disc preener, england

Edison cylinders were the earliest commercial medium for recording and reproducing sound. These hollow cylindrical objects have an audio recording engraved on the outside surface which can be reproduced when they are played on a mechanical cylinder phonograph. Beginning in 1889, pre-recorded wax cylinders were marketed. These have professionally made recordings of songs, instrumental music or humorous monologues in their grooves. The earliest cylinders were made from soft wax and later hard wax was utilised. Further developments by several companies, led to the introduction of celluloid cylinders. In late 1908, Thomas Edison had introduced wax cylinders that played for about four minutes (instead of the usual two) under the Amberol brand. The Amberols were manufactured with flat rim-ends, to prevent confusion with the earlier bevel-edged two-minute version. In 1912, the Edison company eventually acquired patents to the celluloid technology, and almost immediately started production under new brand as Edison Blue Amberol Records. Cylinder records continued to compete with the growing disc record market into the 1910s. In 1912, Columbia Records, which had been selling both discs and cylinders, dropped the cylinder format, while Edison introduced his Diamond Disc format, played with a diamond stylus. From 1915, new Edison cylinders were re-recordings from Edison discs. Although his cylinders continued to be sold in steadily dwindling quantities, Edison continued to support the owners of cylinder phonographs by making new titles available in that format until the company ceased manufacturing all records and phonographs in November 1929.This item is significant because it is representative of home entertainment in the late 19th and early 20th century.Two phonograph cylinders in cardboard boxes. The first cylinder is an earlier 2 minute Edison Gold Moulded Record with Issue Number 9184. It features a recording of "Paddle your own Canoe" by Arthur F. Collins and Byron G. Harlan and was released in January 1906. The second cylinder is a 4 minute Edison Amberol Record (NO. 647) featuring the Levy-Athan Polka performed by Charles Daab on xylophone and accompanied by an orchestra. It was released in February 1911. The case is cylindrical in shape and made of cardboard. It is coloured green, white, and black on the outside, while the base is not coloured. The tube is open at the top, and sealed at the base. Inside the tube is a white fabric lining. The top section of the outside of the tube is dark green. Below this is an outer sleeve. The outer sleeve has a half white, half green background with a black stripe, with gold outline, running horizontally around the top and bottom. The words "Thomas A. Edison" are printed in green cursive along the band. In the centre of the sleeve is the text " EDISON AMBEROL RECORD FOUR MINUTE" in green ink. To the left of that text is a green-toned image of Thomas Edison in an ornate, gold border. This is surrounded by the words “Copyright 1900 by the National Phonograph Co. Orange N.J. U.S.A". To the right of the text is a rectangular text box with a black border, which contains patent information in green text. edison phonograph, home entertainment, music early 20th century

This Gestetner Cyclostyle duplicating machine was invented and manufactured by David Gestetner. He claimed in 1922, once he had released several models, that if a Gestetner Durotype stencil was used together with his Cyclostyle machine, then 10,000 copies could be made from the one Durotype stencil, an amazing claim for office technology of that era. David Gestetner (1854-1939), was born in Csoma, Hungary. He has been called the “founder of the worldwide office copying and duplicator industry.). He moved to London and in 1879 filed his first copying patent. In 1881 he patented the Cyclostyle stylus (or pen), which was used in conjunction with his Cyclograph device for copying text and images, He established the Gestetner Cyclograph Company in England at this time (1881) to protect his inventions and to produce his products; stencils, stylos (stylus or pen) and ink rollers. HIs inventions included nail-clipper and the ball-point pen (although the latter is more commonly associated with Laszlo Biro). Gestetner’s patented Cyclograph duplicator was used with his Cyclostyle Stylus or pen to write or draw on special thin wax-coated stencil paper (originally used for kite making paper) in the following way; 1. The Cyclostyle stencil was placed on a lower, framed metal plate of the Cyclograph 2. An upper frame was clipped over the top 3. The Cyclostyle pen, with its tip being a small metal-spiked or toothed wheel, was used to write or draw on the stencil, punched small holes into the paper and removed the wax coating in those places 4. The upper frame and stencil was then removed and a piece of blank paper was placed onto the metal plate in the lower frame and the upper frame with stencil was replaced 5. A roller was given an even distribution of Cyclostyle ink and rolled by hand over the stencil in the frame. This forced the ink through the holes in the stencil to and made a copy of the stencil on the paper 6. The upper frame was raised, the printed paper removed and another blank sheet was put into place. The whole process was repeated until enough copies were made. Gestetner’s invention developed further in 1894, with a stencil that could be placed on a screen on a revolving drum. The drum was manually rotated, the stencil then wrapped around another drum and was fed between cloth-covered rollers on which ink was evenly spread. Each revolution of the drum forced ink through the holes in the stencil and transferred the ink onto paper that had been fed between rollers and pressed against the drum. The process was repeated for each page. The paper was still fed and removed manually in this earlier invention but became more automatic in later models. In 1902 Gestetner duplicator model 6 was put onto the market. This model included the improvement of an automatic paper feed that synchronised with the rotation of the stencil. The Gestetner machine was the first office printing machine. It was easily installed and it made exact copies of the sane document quickly, effectively and inexpensively. This changed the way offices operated, making information easily available to many more users. The machines were commonly used in small businesses, schools, churches, clubs and other organisations for the wide distribution of a wide variety of information in the form of worksheets, newsletters and more. In 1906 the Gestetner Works were opened in Tottenham Hale, North London, and thousands of people were employed there up until the 1970’s. Due to the fast growing success of the Gestetner Duplicator machines many international branches for sales and service centres were established. David Gestetner was succeeded by his son Sigmund, followed by his grandson’s David and Jonathan. Further advancement was made by using a manual typewriter with specifically designed stencils. The end product was a printed, typewritten copy similar to the print from newspapers and booklets. In the next few years there were further developments of this revolutionary invention. The Gestetner Cyclostyle duplicator in our Collection is dated c.1922 - 1929 and it uses Gestetner Durotype stencils The 1922 British Industries Fair’s catalogue contained advertising for the Gestetner Rotary Cyclostyle “The World’s Premier Duplicator”, demonstrated at Stand K 86.” A Notice at the foot of the advertisement’s page boasts "Important - D Gestetner's latest invention, the "Durotype" Stencil, enables you to obtain 10,000 copies from one original if desired. It contains no wax of any description, is indestructible, can be stored indefinitely and printed from as required” In 1929 the look of the Gestetner machines changed; American designer Raymond Loewy was invited by Gestetner to improve the look of his duplicators, resulting in a very streamlined appearance. Eventually, around 1960’s, offices replaced their Gestetner with small photocopying machines and printers. Gestetner took over ownership of other office machine companies over time, including Nashua, Rex Rotary, Hanimex and Savin and eventually all came under the holding company name of NRG (Nashuatech, Rex Rotary and Gestetner). In 1996 Ricoh acquired the Gestetner Company, and it was renamed the NRG Group. REFERENCES Cyclostyle, Stencil Duplicating Machines, antique Copying Machines, Early Office Museum, http://www.officemuseum.com/copy_machines.htm Duplicating machines, Wikipedia Duplicator, Collection online, Canada Science and Technology Museums Corporation http://techno-science.ca/en/collection-research/collection-item.php?id=1989.0229.001 Gestetner duplicators, Totterham-Summerhillroad.com http://tottenham-summerhillroad.com/gestetner_duplicators_tottenham.htm Gestetner Duplicator, V&A Museum http://collections.vam.ac.uk/item/O322014/gestetner-duplicator-duplicator-loewy-raymond-fernand/ Gestetner, Grace’s Guide to British Industrial History, http://www.gracesguide.co.uk/Gestetner Duplicating machines such as this one revolutionalised access to copies of printed material, changing the way that educational bodies, offices, small businesses and community clubs and charities operated.Duplicating machine, Gestetner Cyclostyle Durotype, a stencil-method duplicating machine with two rotating drums plus rollers. Hand operated, tabletop office machine. Front has folding Bakelite handle, oil filling hole, calibrating gauge with scale, and copy counting meter. Right side has printed manufacturer’s plate that slides out as a paper output tray. Left side has metal plate with protrusions and perforations, plus another similar plate that is detached. It also has a metal frame attached [that would have been used to hold a paper input board, adjusted for various sizes of paper]. Cover, metal, with folding wooden handle on top, attaches to base with metal clips. Inscriptions printed on machine, mostly in gold-coloured paint. Round metal manufacturing plate is stamped with Serial Number 95759. Made by D. Gestetner, London, c.1922-1929Maker’s plate “MANUFACTURED / BY / D. GESTETNER LTD, / No. 95759 / CYCLOSTYLE WORKS / TOTTENHAM HALE / LONDON, N” Copy counting meter shows “1 4 6 4 8 [space]“ copies. Calibrating gauge has divisions with numbers “0 1 2“, labelled “← [left arrow] “TO PRINT LOWER” and “→ [right arrow], TO PRINT HIGHER”. “The Gestetner”, “Cyclostyle”, “Gestetner” (Trade Mark), Right side print of manufacturing details includes “The / Gestetner / TRADE MARK” And “THE FOLLOWING TRAFE MARKS / - - - OF INK, STENCILS / - - - AND GUARANTEE OF PERFECT / - - - BOTH - - - AND MACHINE” and “CYCLOSTYLE / DUROTYPE / GESTETNER” and “D. 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