Business card advertising Sweet Pea Florist in Briar HillCard, printed in colour both sidesAddress and telephone numberflorists, brair hill

MEDIUM: Mixed media on wood. DESCRIPTION: A three dimensional work, assemblage art. The base a dark stained natural wood, the second layer is painted in pastels with mixed media. Three painted and mixed media pieces are attached symmetrically positioned alongside one another. Ornate and decorative the centre piece spells home sweet home, also the title of the work.NILhome, art, bach, assemblage, sweet

Sweet Trip won the Bendigo Pacing Cup on the 11 January 1966, followed by Fosmar and Macaree. Sweet Trip owned by I & K McLean, was trained and driven by BK Coram. Sweet Trip raced from 1963 (3YO) through to 1967 then raced in US from 1968 until 1969 (9YO). Career: 18 wins 34 seconds 19 thirds 140 starts.Two colour photographs, one small one large in a white frame. At the top: Bendigo Trotting Club 11-1-66/ Pacing Cup At the bottom: Left corner: Distance 2600 metres/ Mile rate 2.7-1/5 / Greg Matthews Photo Centre: Sweet Trip (Ribands - Graceful Spring) / Fosmar 2nd / Macaree 3rd Right corner: Owned by- I & K McLean/ Trained and driven by - BK Corambendigo harness racing club, horses, race, winner, bendigo trotting club, pacing cup, driver, trainer, owner, sweet trip, bk coram, i & k mclean, 1966, fosmar, macaree, bruce coram

A part of a yearly marketing and information material promoting Falls Creek region for the summer holidays. The slogan for the year was 'A summer holiday that's just Sweet F.A." The information on one side of the unfolded brochure focuses on activities available utilising the theme of the slogan:- Fresh Air, FIne Accommodation, Fun Activities, Fabulous Alternative, Fine Animalse, Flora Alpine, Fabulous Altitudes, Footslogging Adventures and Financially Acceptable. The other side features detailed information about accommodation and dining venues.This item is important because it documents seasonal activities at Falls Creek Alpine ResortDL size brochure for. summer holiday at Falls Creek, illustration of man in hammock on front cover with blue background, green, blue and white illustration and black title text of 'A summer holiday that's just Sweet F.A' on top of page and 'Falls Creek' at bottom. Opens up to multi-page of illustrations and information about summer activities and accomodation for Falls Creek. falls creek summer, falls creek marketing, falls creek activities

Black and white photo of Mrs Jenning's Sweet Shop in group shops on west side of Boronia Road and south of Canterbury Road, Vermont.jennings, mrs., sweet shops

Black and white photographWritten on back of photograph: "'Mail' 8/12/1955 - Heathmont Youth Club Fair. Plenty of eager customers at the sweet stall".

A recording of songs; Come again sweet love, Perhaps love, In the depths. This rehearsal performance is by the Diamond Valley Choral Society on 29/04/1991.1 audio cassette in clear plastic caseHandwritten on case: "For Kevin. Rehearsal. 29.4.91. DVCS".diamond valley choral society, rehearsals

Normally sweet tooths cannoli [can only] enjoy the delicious Italian dessert in cream or chocolate. In a bid to raise money for the Good Friday Appeal, Pelligra Cakes will make new varieties of cannoli.News article 1 page, black text and colour image .good friday appeal, pelligra, pelligra cakes, main street greensborough

Thomas Leach and Beatson Pitkethley married in 1880 and had a saddlery and sweet shop in this wooden building. This building was also the first Bush Nursing Centre in 1928. This photo was taken of the building in 1999. It was later demolished.black and white photographthomas leach, beatson pitkethley, saddlery, sweet shop, bush nursery centre

From the Title page: "Lost - But Not Forgotten/ 'A Bitter Sweet Victory"/ HMAS SYDNEY/ In Memory of the 645". From Back Cover: "A Memorial Book with over 200 personal photographs based on the/ lives and families of the crew lost on HMAS Sydney II, 19 Nov 1941". Part of the "William (Bill) THOMASON" Collection. Refer Cat. No. 4136P for more items.Soft cover book. Cover - cardboard. Dark red and white colour print on front, spine and book. Cover illustrated in colour. Front montage of a sculpture of a woman with seascape in background. Back - Top - a memorial dome, Lower - Memorial Rose garden. 249 pages - cut, plain, white colour paper. Illustrated black and white photographs and maps. Front end papers - Gold colour adhesive label with black print. Title page - handwritten information. Handwritten information - blue ink pen. "Carnarvon book launch/ Keith Shegog/ 18th Nov '02" Grey lead pencil - "$25". Adhesive label - black ink print. "WINNER of the 2003/ Mavis Hoey Memorial Prize/ Awarded by the Port/ Adelaide Historical Society"publications, books, biographies, hmas sydney ii, william (bill) thomason collection

Postcard from collection of McNamara family.Sepia coloured postcard with photograph of a dog on a barrel. 510 Home Sweet Home Judges LtdPostcard Picture/Home Sweet Homepostcard, dog

All donated by Ella Chalmers (nee Fry) (1928).(1) Sepia photograph and Newspaper Cutting. Photograph of an illustration from a Newspaper article in the Sun-News Pictorial, Tuesday, September, 27, 1927, "Back from the sweet fragrance of the bush with armfuls of wildflowers for the exhibition of wildflowers to be opened by Lady Somers at St. Kilda Town Hall today. These girls had a happy time at Ringwood yesterday." (2) B/w photograph cut from a journal with the caption, "Students of the Burnley Horticultural College (who started the new term last Tuesday) with Mr. Russ (Practical Demonstrator), Mr. A. Jessep (Principal) and Mr. Harrison (Science Master)." and, "1927." Group of students standing, seated on benches and seated on the lawn in the Ornamental Garden.ella chalmers (née fry), burnley horticultural college, george russ, a.w. jessep, principal, mr. harrison, science master, student group, lady somers, st kilda town hall, exhibition of wildflowers, students, wildflowers, newspaper cutting

This book is a legal reference book used by the Bank of Australasia after 1899. The Bank of Australasia was incorporated by the Royal Charter of England in March 1834. The bank began in Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank later bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The book has historical significance as it is connected to the Bank of Australasia which was established in Australia in 1835 by Royal Charter during the early Colonial period of Australia's history. The book was used as a reference to financial law by the Bank. The book is significant for its association with the Bank of Australasia in Warrnambool, the first bank in Warrnambool, established in 1854. The bank continued to operate until its merger in 1951 when it became the ANZ Bank, which is still in operation today. The Bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool and throughout Australia.Book, red board covers with embossed borders on front and back and embossed insignia on front cover. The title on the spine is embossed and gilt. Title: A Treatise of the Law of Bills of Exchange, Promissory Notes, Bank-Notes and Cheques. Author: The Right Honourable Sir John Barnard Byles, late One of the Judges of Her Majesty's Court of Common Pleas, Edition: Sixteenth Edition by Maurice Barnard Byles, Esq., and Walter John Barnard Byles, Esq., of the Inner Temple, Barristers-at-Law. Publisher: Sweet & Maxwell, Limited, 3, Chancery Lane, London, Law Publishers, 1899 Inscription in pencil.Pencil, handwritten "L34"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, commerce, banking, bank of australasia, australia, financial law, legal reference, banking law, bank law, bills of exchange, promisory notes, bank notes, cheques, currency, legal tender, financial trading, sir john barnard byles, maurice barnard byles, walter john barnard byles, sweet & maxwell, banknote

WW1 cutlery, used at Camp 3Used at Camp 33 x Teaspoons, 1x Sweet Spoon, 3x Dessert Spoons, 1 x Fork. Sweet Spoon has engraving on handle All have Allbrite NS engraved on rear of handle. Sweet Spoon has KC 3 engraved on front and back of handle

Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p181 The rare Eltham Copper Butterfly, Paralucia pyro-discus, was saved from near extinction by a community campaign in the late 1980s. Thanks to that effort, the butterfly, a form of the Fiery Copper Butterfly, with a wing span of only 2.5cm, can be seen in parts of Eltham and Greensborough from late November to April. As late as 1987 the butterfly was thought to be near extinction. But that year, entomologist, Michael Braby, found several colonies, including two major ones in natural bushland on Diosma Road, Eltham. However these were threatened with destruction, as their habitat was to be destroyed by a development of 71 houses. The colonies were on a 14 hectare subdivision owned by Esanda Finance, an ANZ Bank subsidiary. It would cost around $5 million, to reimburse the bank for the land. The butterfly, which depends on woodland, a stunted form of the Sweet Bursaria bush, and the Notoncus ant, was considered too fragile to relocate. Braby’s discovery led to a sometimes fiery two-year campaign, which even became an election issue. It involved the local community, local and state governments and the developer, before a compromise was reached. The larvae have an intricate relationship with the small black ant, Notoncus. During the day, the larvae shelter in nests made by the ants around the base of the trunk and roots of the Sweet Bursaria (Bursaria spinosa). The ants are thought to protect the larvae from predators and parasites, as they attend them from the nests to feed on the Bursaria leaves at night. In return, the larvae excrete a sugar solution, which the ants love to eat. The butterfly was first recorded in Victoria in 1893, and first collected scientifically from Eltham in 1931. But it was only officially named in 1951, by Victoria’s then top butterfly expert, David Crosby.2 However, from 1970, rapid housing development in Eltham destroyed much of the butterfly’s habitat. The discovery of several major colonies in 1987 met with great excitement, and 250 people attended the first local public meeting. The State Government commissioned Crosby to investigate how to protect the butterfly, and the council froze development for three weeks. Then Esanda agreed to suspend development for several months, until a compromise was reached. Crosby recommended that 62 of the 71 lots be kept to ensure the butterflys’ survival. However this would cost $1 million to $1.5million in compensation to Esanda. Greensborough MP Pauline Toner, launched a $1million fundraising campaign and many artists donated their works to the appeal. Toner offered Clifton Pugh’s painting Eltham Copper Country to millionaire Alan Bond for $1 million, after having heard that he had offered $6 million for the Van Gough painting Sunflowers. However Bond did not accept. The butterfly was considered a ‘hot’ election issue during the by-election, following Pauline Toner’s resignation. Liberal party candidate, Margaret Brown, was accused of falsely saying she had been involved in the butterfly campaign so as to win votes. Sadly, the $1million appeal fell short at $426,000, so a compromise was reached. The State Government donated the Education Department site on Eucalyptus Road, but only nine lots of the Diosma site were bought, and the rest of the development went ahead. On March 3, 1989, Ms Toner died, and the Eucalyptus Road site was named in her honour. Around 2000 the butterfly was further threatened by proposed developments on Pitt Street, facing the Pauline Toner Reserve and between Diosma and Nyora Roads. Fortunately the Friends of the ECB, with the Shire of Nillumbik, ensured that more habitat was made available. The butterfly now survives in seven sites in Eltham and Greensborough, including the main sites at the Pauline Toner Reserve on Eucalyptus Road, the Western and Eastern colonies on Diosma Road, and the Yandell Reserve in Greensborough.The butterfly survives also in Castlemaine and in the Kiata and Salisbury areas. However, it remains endangered.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham copper butterfly, sweet bursaria

This photograph shows Sweet water Canal, Moascar.Digital copy of black and white photograph. "Sweet water Canal, Moascar"charles marshall, world war 1

Miss Lucy Shaw, principal Clarendon PLC 1927-1934 hand painted this sweet dish in 1923. Small round sweet dish with decorative hand painting around borderOn base: L.S. / 1923

This feeder was used by the parents of Gerard Anderson to feed him Lactogen in 1922. Correspondence on file from donor.Clear glass feeding bottle. Bottle is curved, somewhat resembling the shape of a banana, with a bottle neck at either end. A flat depression on the underside allows the object to lie on a flat surface. The back of the bottle is marked in ounces, and the front is marked in tablespoons. Embossed on the front is a picture of a beehive on a stand with the words: 'EVER SWEET/SANITARY FEEDER'.'EVER SWEET/SANITARY FEEDER'infant care, infant feeding

A new coffee hub and dessert haven in Greensborough is far more than just a business for its proud owners (the Dennaoui family) - it's a tribute to their beloved son.News article 1 page, black text and colour image .greensborough plaza, new cafe, sixty-five expresso, dennaoui family

History of Richmond from 1850 to 1980s, including many residents' recollections.Paperback. 253 p., black and white and colour illustrationsrichmond

Account of the 25th anniversary re-union of Watsonia High School. Includes other local events as part of the "Local Scene in Watsonia with Rosalie Bray".Newspaper clipping, black text.watsonia high school, rosalie bray

Displayed at History House. Used by (Henty?) cordial company in Portland(?)Brown glass bottle with plastic stopper. Blue, red, white and gold label. Some contents of syrup remaining in bottle.Front: (text on label includes brand name, contents of bottle, etc...)

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Sister June Minchow is quietly amused by the facial expression of the Digger in the triage at the 1st Australian Field Hospital, Vung Tau, South Vietnam. This young Digger's reaction to the anaesthetic apppears to indicate a very happy and satisfying dream.photograph, 1st australian field hospital, vung tau, digger, capt june minchow, gibbons collection catalogue, nurse, wounded serviceman, denis gibbons

b&w photographs

Gramophone record used in the mending room of the Foster Valley Mill.textile mills staff, valley worsted mill, textile mills - staff

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving