These ivory sticks were used as decorative items to secure hair buns. They were owned by Alice Dinsmore nee Reardon who was born in 1860 in Castlemaine, Victoria and died 18 May 1936 in Albury, New South Wales. She married George Wesley Wadeson Dinsmore. Alice and George Dinsmore were grandparents of Mrs Jean Raper who donated these sticks and many assorted items of jewellery to the Wodonga & District Historical Society.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.2 small ivory sticks used for hair decorations. One has a brass cap on one end. The other stick has a notched shape on one end.fashion accessory, hair decorations, women's fashion

'Pick Up Sticks' Popular GameRed coloured cylinder containing 36 coloured plastic sticks in red, green and yellow.'Pick Up Sticks'; 'The Family Game'

This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr Turner was born on 6 June 1885. He completed all of his schooling at Scots Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had four daughters – Frances (Nancy), Heather, Jessie and Mary. In 1920, the family moved from Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga. The hallmark on this item identifies it as being produced by James Dixon and Sons of Sheffield, England. Their first corporate mark of the trumpet (bugle) and banner was granted in 1879, and the second with the name was added in 1890 and used until 1920, therefore helping to establish provenance of this set. The mark JD&S was used from c. 1920. The abbreviation EPBM in the hallmark denotes "electroplated Britannia metal". Britannia metal was generally used as an alternative to electroplated nickel silver.This item comes from a collection used by a prominent citizen of Wodonga. It is also an excellent example of Britannia ware of the early 20th century.A pair of Britannia metal chamber sticks with a base representing the shape of a thistle and its leaves. Underneath each stick, Beneath the symbol of a bugle and banner, surrounded by shields "J D & S"/E P B M/ 8207"domestic items, britannia metal

Possible made by Dedang?Three ceramic satay sticks. If you are able to assist with information on this artist or artwork please use the email link below. jan feder memorial ceramics collection, dedang

The Rockingham Red Cross Centre in Kew provided convalescence and rehabilitation for war veterans suffering nervous conditions resulting from the Second World War. The building had been given to the Australian Red Cross by the owner of the house, Mrs Syme in 1940. In the early days of the centre, patients performed plays for fellow patients and staff members. This small box of theatrical makeup, or greasepaint, would have been used at the Centre on one or more of these occasions. The donor, Rosemary Lade, worked at the Centre as an occupational therapist, 1971-2 and 1974-7. During these years, play readings were held, but performances were not staged. The Rockingham Red Cross Centre closed in 1977, and following its closure, the donor retrieved the box of greasepaints from the Occupational Therapy Department. A box of greasepaint from the Rockingham Red Cross Centre, Kew. Square wooden box, containing sticks of greasepaint used for theatrical makeup. The used sticks of greasepaint are wrapped in foiled paper, printed with information about the colour and the maker/retailer: L. Leichner (London) Ltd. Leichner House, 30/32 Acre Lane, / London, S.W.2. theatrical makeup, greasepaint, rockingham, rockingham red cross centre, syme family, rosemary lade, occupational therapy - theatre

Gunn’s work explores political and social values through the mediums she uses and the inspiration she draws upon. In 'Fire Sticks', Gunn uses recycled material as an explorational response to throw away culture, while the design draws inspiration from the sticks used in firestick farming and the charred remains of flora after a fire, which highlights the history and place of fire in Australia.Wangaratta Art Gallery Collection. Winner of the 2009 Wangaratta Contemporary Textile Award.This artwork was sculpted out of recycled inner tubes woven together with cotton thread on wooden poles.wangaratta art gallery, mandy gunn, sculpture, textile, wcta

These remarkable Message Sticks were made by Aunty Shirley Richardson, a proud Wadawurrung Elder. Message sticks are a sophisticated form of long–distance communication between First Nations clans and language groups. Traditional message sticks are crafted from wood to be small and portable. They are carved, incised and painted with symbols and decorative designs conveying messages and information. The motifs imprinted on each stick could communicate invitations or news of marriage, war, death and peace between groups. Using the burnt engraving method and wood sourced from the Geelong region, Aunty Shirley intricately inscribed these message sticks with motifs of moths and the Tarratarra design, meaning ‘many wings’ in Wadawurrung Language. Inspired by the River Red Ghost Moth, a local insect that emerges on mass for just a few days after heavy rains in late summer and autumn, Tarratarra is the name of this stadium.Three burnt engraved wooden message sticks mounted in white frame. Engraved with motifs of moths and First Nations symbols. Tied plant fibres with beads and feathers attached to back of frame.On work - Tarratarra On back - Message Sticks Created by Aunsty Shirley Richardson Wadawurrung Elderwadawurrung, message sticks, tarratarra, geelong

Hard buckram cover, dark red with gold print on spine. Dust cover sepia drawing of trees & buildings, dark red print on front, back & spine. 124 cut plain pages, illustrated, black & white photos, biography of 2 brothers, E E Dunlop & Alan J Dunlop.On front fly leaf handwritten in black ink: Donated by Bgo YMCA On title page handwritten in blue ink: John W Toon OAM Ex POW 8th Div AASC Front fly leaf in black ink: RSL Stamp Front end paper purple stamp: Further copies of Little Sticks can be obtained from R E Dunlop. Phone 03 439 7059books, military, history, biography

Ron White used these dry fuel sticks for cooking when camping. He was involved in the Mt Beauty Youth Club.Ron White assisted with the Mt Beauty Youth Group. See KVHS 1282Each packet has dry fuel sticks which are solid white powder sticks used for warming and cooking. There are several sticks (or tablets) in each packet. There are two packets in a hinged brown and gold tin box with the photo of a man playing a violin on the lid and three packets n a coloured tin with a red base and the photo of a steam train on the detached lid."Solid Fuel Hot Pocket Warmer" and "Esbit Pocket-Sized Stove" on packets stored in 'Sweetacres" embossed on the base of the tin. "Solid Fuel Sticks for Hot Pocket Warmer" and x2 "Esbit Dry Fuel" on packets in "Griffiths Sweets Pty Ltd Melbourne" embossed on the base of the 'train tin'. ron white, fuel sticks, camping, cooking

Chalk was commonly used in schoolrooms during the 19th & 20th centuariesCardboard box with examples of chalk sticksE15096|Bellco School Chalk Box|Dustless Typre "A" 200 sticks White 1A

The program includes articles about the play, the actors and advertisements.Advertisement for Athenaeum Library included in the program.Melbourne Theatre Company Season Ten - Program; 20 pages.melbourne theatre company, rusell st theatre, sticks and bones, david rabe, the university of melbourne, australian elizabethan theatre trust, melbourne city council

History of the Loch Ard: The Loch Ard got it’s name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and to the east of Loch Lomond. It means "high lake" in Scottish Gaelic.The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we are able to interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Brass drink stirrers or swizzle sticks, set of six. One is complete with a narrow shank, loop handle on top, and disc on base. Others have the handle missing, and a block of concretion joins two. Surfaces have encrustatio. Recovered from the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, brass drink stirrers, swizzle-sticks, beverage accessory

A paper wrap around 8 green sticks of ‘KILLSKEETO InsecticideOn wrapper ; KILSKEETO STICK INSECTICIDE / STAND THE STICKS ON THE TIN BURNER, THEN / LIGHT THE TOP OF THE STICK. STAND BURNER / ON A PLATE OR SIMILAR ARTICLE / TO AVOID RISK OF FIRE AND / PLACE THE WHOLE ON THE / FLOOR WELL OUT OF / DRAUGHTS. / LIGHT HERE .. (top of stick) insecticide, mosquitoes, infectious diseases, malaria, moorabbin, cheltenham

This is an article about Gus Knight. It does not refer to him by name, but calls him "Man of Crooked Sticks" , who he had watched making an armchair out of twisted gum-tree boughs. The author also mentions Gus's home, which was constructed of timber cut a hundred yards away. The article appeared in "The Herald" newspaper on 3 February 1933, in the "in Town and Out" section.Newspaper article titled "Man of Crooked Sticks"people, knight

Possibly from the Portland Town Council collection.Artefacts relating to the Portland Town Council represent the history of the Glenelg Shire and how it came to be. The Glenelg Shire Council was established by an Order-in-Council under the Local Government Act 1989, published in the Victorian Government Gazette S63 on 23 September 1994. Three councils were amalgamated, the City of Portland and the Shires of Glenelg and Heywood, to form the new Glenelg Shire.Cardboard box containing 11 full sticks and 5 partial sticks of sealing wax. Sealing wax embossed with maker detailsFront: Orange and yellow paper label on top. S. Maw, Son and Sons Fine sealing wax Crest in centre with London Englandportland town council, local government, glenelg shire, administration

Photograph of two women sorting sticks of dynamite at Deer Park ICIici, factory, deer park, employee

Circular Bear Tape tin which would have held six rolls 1/2 x 2592 inches of transparent tape. tin has a picture of a blue and white bear head with red tongue being the Bear Brand. tin is blue, yellow adn white stripes.Bear Brand Tape. Sticks tight at a touch - transparent. Another Norton Producttin, bear tape

Wall mounted chalkboards for the teachers' use were an integral part of every schoolroom until the 21st century. Oblong cardboard box containing sticks of coloured chalk.education - primary schools, bellco, nott street primary school, nott street state school

Cardboard cylinder with multi-coloured plastic sticks insideSee photogames, family children, pick-up sticks

Gold retractable swizzle stick with tennis racquet motif. In custom pouch and gift box, branded underside lid: CADO/PARIS/MADE IN FRANCE. Materials: Gold/Metal, Metal composite, Cardboard, Velvettennis

Cylinder containing thin sticks. Painted top and bottom with different colours. 1 black, 5 blue, 12 green 13 yellow, 5 red - 36 sticks. Instructions in cylinder.Fiddlesticks, fascinating new game/ by Tru-pla/21 Pier Street, Sydney/Complete instructions inside.toys, general

Doll-size cane rocking chair. Homemade using sticks and twigs.toys, children, presents, rocking chair

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. The croquet players, ca. 1900-ca. 1920. Six croquet players pose for a group photograph outside a wooden pavilion. Two of the women hold their sticks whereas the two central figures rest their sticks at their feet.croquet, sports -- women, glass negatives

Indigenous culture3 Wooden Tapping Sticks with a high gloss varnish. Appears to be commercially made.Sticker “An original work of art” Painted black white ochre . Dots and stripes on one end.