Kourie Symbols used in Clifford Park Jamboree Stawell Contingent Attended 1955/56. Jamboree's happen once in three years. Lachlan Campbell Attended 1955/56

EtchingSigned and dated 'Jennifer Mullett, 2000' bottom right corner under printed image. Titled 'Symbols of the Gunai Women' under printed image. Edition 4/10, lower left corner under print.

Newspaper Article 1, "Symbols Help In Teaching - Bialik Head", published in The Australian Jewish News, 11 November 1966. Newspaper Article 2, "Purim Fun", published in The Australian Jewish News, 23 March 1967. Newspaper Article 1: 'Symbols Help In Teaching - Bialik Head'. "I dont seek revolution - but evolution , yes" said Mr. Moshe Meretz last week. Mr. Meretz ... most precious assets children. He is the new headmaster of Bialik College, replacing Mr. A. Chowers, who has been called to Israel. Mr. Meretz arrived here three months ago. He was sent to Melbourne for a three-year term..." Newspaper Article 2: "Steven Sommer and Jilliann Alter, both first grade pupils at Bilaik College have already decided what they'll wear to the school's annual Purim Fair on Sunday, April 2, in the College grounds at 6 Shakespeare Grove Hawthorn......T.V. personality Mr. Hal Todd....(Laurie Levy photo)."shakespeare grove, kindergarten, hebrew school, judaism, elc, early learning centre

Produced b Nova Scotia Department of Natural Resources, Mines and Energy Branches. The Minister of the Department was the Honourable Donald R Downe and the Deputy Minister was Darrell D HiltzLarge coloured map depicting different areas and deposits. Includes a legend, symbols used, mineral abbreviations and alteration abbreviations.Symbolsnova scotia, kejimkujik lake, geological survey, cartography, mine and energy branches, donald r downe, minister, darrell d hiltz, deputy mnister, south mountain batholith project, legend, symbols

Purchased, 2018Etching on papergippsland, artwork, permanent collection

Donated by the artist, 1969Oil on canvasgippsland, artwork, permanent collection

Soft cover A5 book horizontal, olive green cover with white writing & cut out with a picture of a skep on the next page 55 pages

George JOHNSON (18 August 1926- ) Born Nelson, New Zealand Arrived Australia 1953 George Johnson's formalised abstractions usually feature a pattern of small related geometrical shapes which give life, luminosity and fluidity to forms which might be mechanical and lifeless. Later his forms become become much larger and more architonic. The work of George Johnson debuted at the Herald Outdoor Art Show in 1953. The George Johnson Mural was commissioned by the Ballarat Teachers' College Students' Representative Council in 1965. It was purchased with funds raised by staff and students. At the unveiling of this work at the Ballarat Teachers' College Johnson's work was described at belonging to the "Hard Edged" school of abstract painters who had set themselves far above the mass of abstract painters by the vitality and artistic ability displayed in their work. Of the work John JOhnson said "We are all part of life and are growing and developing in many different ways, the process of development is often taking place without us even being aware of it. In my painting the embryo shapes appear and grow. I have tried to make the mural symbolic of life and growth. I do not thank that anything has been left to chance in the mural. Everything is working, and, I feel, working well. It has balance and harmony - and perhaps discord, as does life - one malfunction or imbalance throws everything out." This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A painted mural in three panels, including hession collage. art, artwork, george johnson, johnson, ballarat teachers' college art collection, mural, hard edged

Boyd discusses the future planning of two major symbolic national buildings - Parliament House and the National Centre (an arts centre).Original manuscript of an article published as 'Symbol City' in The Australian on 28.11.1964.Typewritten (c copy), quarto, 5 pagescanberra, parliament house, national centre, chandigarh, brasilia, robin boyd, manuscript, national capital

Worn during religious ceremonies at St Brigid's Church, Crossley during later part of 20th c.ecclesiastical clothing

Produced b Nova Scotia Department of Natural Resources, Mines and Energy Branches. The Minister of the Department was the Honourable Donald R Downe and the Deputy Minister was Darrell D HiltzLarge coloured map depicting different areas and deposits. Includes a legend, symbols used, mineral abbreviations and alteration abbreviations.Symbols

Produced by Nova Scotia Department of Natural Resources, Mines and Energy Branches. The Minister of the Department was the Honourable Donald R Downe and the Deputy Minister was Darrell D HiltzLarge coloured map depicting different areas and deposits. Includes a legend, symbols used, mineral abbreviations and alteration abbreviations.Symbolsnova scotia, department of natural resources, mines and energy branch, donald r downe, minister, darrel d hiltz, deputy minister, glacial and till clast, geo;logy, south mountain batholith project

The Minstrel symbol is two crossed horns.A pair of royal blue stiffened fabric with chrome metal minstrel symbol epaulets. The symbols are placed horizontally.methodist order of knights

This altar cloth is representative of ecclesiastical linen in use in the early to the mid-20th century. It is decorated with the Mariner's Cross symbol, connecting it to the history of the early Christian church. The cover for the cloth shows the respect the maker had for the cloth and what it stands for. The Mariner's Cross symbol also makes it appropriate for use as an altar cloth for the St Nicholas Seamen's Church at Flagstaff Hill Maritime Village. Mariner’s Cross symbol and what it symbolises The symbol of an anchor that also looks like a cross is called the Mariner’s Cross (also called the Anchored Cross or Cross of Hope). It looks like a ‘plus’ sign with anchor flukes at the base and a ring at the top. The anchor is one of the earliest symbols used in Christianity and represents faith, hope and salvation in times of trial. The Mariner’s Cross is linked to the scripture in Hebrews 6:19, which says “Which hope we have as an anchor of the soul, both sure and stedfast, and which entereth into that within the veil”. This particular Mariner’s Cross also has the letter ‘X’ under the post of the anchor. In Greek, the language of the New Testament, the word for Christ is ‘Christos’, which begins with the Greek letter ‘X’ or ‘Chi’. Together, the elements on this Mariner’s Cross - anchor, cross and ‘X’ - symbolise to the Christian that Jesus Christ the Saviour gives security and safety, hope and salvation. Many church organisations still use various forms of the Mariner’s Cross. The Missions to Seamen organisation The Missions to Seamen is an Anglican (Church of England) charity, which has been serving the seafarers of the world since 1856. It was inspired by the work of Rev. John Ashley who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired because of ill health, others determined that the work should continue, and they founded the Missions to Seamen. It adopted as its symbol a Flying Angel, inspired by a verse from Revelation 14 in the Bible. Today there are over 200 ports in the world where the Missions to Seamen has centres and chaplains. A Missions to Seamen’s club offers a warm welcome to sailors of all colours, creeds and races. A sailor can watch television, have a drink and a chat, change money or buy goods from the club shop or worship in the Chapel. In Victoria, the Missions to Seamen still has a clubs in Melbourne, Portland and Geelong. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. The Mariner's Cross embroidered onto the altar cloth gives it a connection with the early Christian church and with the Missions to Seamen. The fine hand stitching and embroidery is an example of traditional handcraft skills used over the centuries and still continuing in use today.Altar cloth, white linen, with custom made white cotton cover. The rectangular cloth has the symbol of a Mariner's Cross (anchor and cross) embroidered with white silk thread on each short end. The wide hems are hand stitched. The cover has two white tape ties and embroidered text in blue silk thread. On cloth: symbol of (anchor with an 'X' stitched behind the centre of it). On cover, text "FLAGSTAFF/ HILL" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen, mariner’s cross, anchor cross, cross of hope, symbol of christianity

A pin honouring Century Club members of the Association for the Blind. It has the guiding light symbol, with dark blue 'wings', on a cream coloured background. The words 'Century Club' are below the symbol and "Association for the Blind" around the top two-thirds of the symbol in gold lettering. 1 metal pin with gold writing and Guiding Light symbolAssociation for the Blind Century Clubassociation for the blind, badges

A joiners mallet constructed with a mortised handle into a metal shell bound around the striking faces. It is used for tapping wooden joints together such as mortise and tenon joints. There is an unidentified symbol on one side of the metal casting. Wooden striking faces are a reddish colour and could be red gum. Symboljoinery, woodworking, timber forestry branding hammer

Round clear amber glass bottle for stopper with medical symbol embossed on base.On based an embossed symbol, possibly a stylised form of 'the staff of Asclepius ' ? See photos.asclepius, chemist, amber glass

The Councillor symbol is a letter C.Royal blue stiffened fabric with chrome metal Councillor symbol epaulets.methodist order of knights

The Companion symbol is the all-seeing eye.Royal blue stiffened fabric with chrome metal Companion symbol epaulet.methodist order of knights

Henry Thomas Ridge V57996, VX148845, CMF & 2nd AIF. Refer Cat No 475.10 for service details.Disc's, polished metal, one round, one 8 sided , stamped both sides, joined with a piece of cord. Attached is a small circular religious symbol with a central cross.Disc's, front "V57996 - Meth - Ridge HT". Opposite "O4". Religious symbol "Christ died for thee symbol"accessory, identity disc’s, religious symbol

The Minstrel symbol is two crossed horns.A pair of royal blue stiffened fabric with chrome metal minstrel symbol epaulets.methodist order of knights

The Chancerllor symbol is two crossed keys.One royal blue stiffened fabric with chrome metal Chancellor symbol epaulet.methodist order of knights

The Councillor Minstrel symbol is a C and two crossed horns.A pair of royal blue stiffened fabric with chrome metal Councillor Minstrel symbol epaulets.methodist order of knights

The Commander symbol is crossed gavels above a crown. These are symbolic of authority.Royal blue stiffened fabric epaulets with metal Methodist Order of Knights Commander symbolsmethodist order of knights

The Oakey Army Aviation Centre is a training facility formed in October 1943 at Oakey, Queensland. It was built with the purpose of providing a maintenance facility: the units would erect, repair and insect aircrafts and engines. At the end of the war in 1945, the depot was used to store surplus aircraft. In early 1946, the RAAF Station Oakey was disbanded and categorised ‘to be retained but not maintained’. Since then, the RAAF Station Oakey facilities have been used few times for some minor activities. Although there are no information relating to the owner or usage of the cup; it holds historic significance for its direct link with the Australian Army Aviation Centre in Oakey and its involvement in World War II; and more generally for its link to the Australian Army.Large white cup with a handle; decorated with a blue ink symbol (displaying a crown and below it, a bird handling two swords) and blue ink inscriptions (from the Army Aviation Centre Oakey). Inscription on top: 'Frank McNamara VC Club' Inscription at the bottom of the symbol: 'Vigilance' Inscription circling the symbol: 'Army Aviation Centre Oakey'

This portion of terracotta roofing tile was salvaged from the wreck of the Antares by Flagstaff Hill diver, Peter Ronald. It has letters, numbers and symbols impressed into the clay by the manufacturer. The Italian barque Antares was an iron three-masted sailing clipper built in 1888 by Russell & Co of Port Glasgow originally named the “Sutlej” and renamed in 1907 the “Antares” when sold to the Semider Bros of Genoa Italy. The vessel left Marseilles on the 18th of December 1913 with its master captain Gazedo destined for Mullaly & Byrne of Melbourne with a cargo of roofing tiles but failed to arrive. The wreckage was found near the Bay of Islands twenty-two miles east of Warrnambool after a body had washed ashore. Some of the timbers washed up were charred by fire, and a small boat's stern board with the name "Sutlej" led to the identification of the wreck as Antares which had been reported missing. According to later reports, the Antares wrecking was overshadowed by war news at the time. A young local boy had remarked that the Germans had arrived off the coast as he had seen them firing off shells and rockets, but his story was passed off as a joke. These rockets were most likely the distress signals from the stricken ship. The Italian barque/clipper Antares was sometime later reported as overdue. The wreck of the ship was later found at the base of a cliff at the Bay of Islands near Warrnambool in November 1914, there were no survivors.This tile is significant in its association with the wreck of Antares and is registered as a Shipwreck Artefact A/2. This tile is significant for its association with the sailing ship Antares, one of the last of the 'tall ships' to be lost along the southwest coast of Victoria, and the only wreck that took the lives of all people on board. The significance is recognised by its listing on the Victorian Heritage Register VHS S34. The Antares is significant as a sail trader carrying international inbound cargo. It is part of the Great Ocean Road Historic Shipwreck Trail.Piece of clay terracotta roofing tile recovered from the wreck of the Antares. . Tile has letters and symbols impressed into the clay. Impressed text:”- E R I E S DE LA MEDITERRANEE” “ … T S – MI-LES BOU- R …..” Impressed symbol: (Sideways crown or tree) (could be TULLERIES DE LA MEDITERRANEE)flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, roofing tile, building materials, antares, peterborough, 1914 shipwreck, sutlej, antares rock., bay of islands, terracotta tile, clipper, roof tile, building material