Showing 8 items matching "tate adams"
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Federation University Art CollectionWork on paper - Printmaking - Woodcut, 'Irish Fishing Village' by Tate Adams, 1954
... 'Irish Fishing Village' by Tate Adams...tate adams...Tate ADAMS (1922-8 April 2018 ) Born Hollywood, County...Tate Adams... (Churchill), Stawell and Horsham. goldfields Tate ADAMS (1922-8 April ...Tate ADAMS (1922-8 April 2018 ) Born Hollywood, County Wicklow, Ireland Arrived Australia 1952 England 1956-58 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed paper linocut, printed in colour inks, from three blocks. art, artwork, tate adams, printmaking, available, woodblock, woodcut, sailing, boats, ballarat teachers' college collection -
Federation University Art CollectionWork on paper - Artwork, Bruno Leti, 'These Trees' by Bruno Leti, 2015
... Printnaking under Tate Adams, and Melbourne Teachers' College. He has... Printnaking under Tate Adams, and Melbourne Teachers' College. He has ...Bruno LETI (1941- ) Born Rome, Italy Arrived Australia 1950 Bruno Leti was nine years old when he came from post World War Two Italy. Known as a painter, printmaker, photographer and publisher of artists’ books, he studied at RMIT, studying Printnaking under Tate Adams, and Melbourne Teachers' College. He has taught art in Italy, Canada, USA, and Melbourne, Australia. Bruno Leti lives and works in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This etching by Bruno Leti was exhibited as part of "Parallel Prints", a limited edition print project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.trees, printmaking, etching, bruno leti, artist, artwork, parallel prints, landscape -
Federation University Art CollectionWork on paper - Artwork - Printmaking, John Brack, 'Nude 3' (Also known as Nude in a Chair) by John Brack, 1982
... to be bound in a book by private press publisher Tate Adams... Tate Adams. The suite of lithographs for the book was started ...John Brack (1920-1999) Born AustraliaFramed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon (1908-1982). This unsigned work is from Rudy Koman's estate.john brack, nude, life drawing, available, chair -
Federation University Art CollectionWork on paper - artwork, Brack, John, Untitled Nude 9 by John Brack
... Tate Adams. The suite of lithographs for the book was started... Tate Adams. The suite of lithographs for the book was started ...John BRACK (1920-1999) A key Melbourne artist who lived in Canterbury, Melbourne. This image of a nude is most probably John Brack's wife and is drawn in his studio, a pristine space with immaculate floors often seen in many of his paintings.His most famous work '5 pm Collins Street, Melbourne' featured on an Higher School Certificate (HSC) English exam and gave Melbourne children the opportunity to critically analyse this image. Brack's large abstract canvas of the Battle of Waterloo, "The Battle", was completed in the early 1980s and features pencils march across the canvas in ordered motion. This biography was written by Dr Susan Paterson. Framed lithograph in black ink on white paper depicting nude woman, with smaller nude woman image on verso. This work was originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. A high cost of production was involved in the binding of the book, and only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. After many years a number of sheets were discovered through the estate of Brack’s art dealer Rudy Komon (1908-1982). This unsigned work is from Rudy Koman's estate. not signed or datedjohn brack, female nude, lithograph, available -
Federation University Art CollectionWork on paper - Artwork - Printmaking, (Nude seated facing left with robe on second chair, on shag rug), by John Brack, c1982
... to be bound in a book by private press publisher Tate Adams... press publisher Tate Adams. The suite of lithographs ...Framed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon (1908-1982). This unsigned work is from Rudy Koman's estate.john brack, printmaking, available -
Federation University Art CollectionWork on paper - Artwork, Nude 3 (Nude on Sofa and Persian rugs reclining away from viewer) by John Brack, c1982
... to be bound in a book by private press publisher Tate Adams... press publisher Tate Adams. The suite of lithographs ...Framed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon (1908-1982). This unsigned work is from Rudy Koman's estate.john brack, printmaking, nude -
Federation University Art CollectionWork on paper - Printmaking - Coloured etching, Clutterbuck, Jock, 'Mohammed and the Origami Lightning No 1' by Jock Clutterbuck, 1980
... was Tate Adams, who established the Crossley Gallery to exhibit... stencil on Torinoko An early supporter was Tate Adams, who ...Mohammed and the Origami Lightning" was a print I made in 1980, soon after my return from Mossman, north Queensland and a six month stint of studying the metaphysics of Shaik Ibn Arabi with Diane Cilento. The unspeakable omniscience of the prophet is conjured up in the left hand part of the image, and the playfull fantasy of a make believe world in the right hand part. These two realities spliced into the one printed image was what I found very attractive at the time. (March 2021)Jock CLUTTERBUCK (1945- ) Born Edenhope, Victoria Jock Clutterbuck is a sculptor and printmaker of national significance, his prints in colour etchings and aquatints are often from shaped plates and reflect themes found in his sculpture. Known for sophisticated and detailed abstract form, Clutterbuck studied sculpture and drawing at the Royal Melbourne Institute of Technology from 1965 – 1966, where he subsequently taught from 1969 – 1973 before taking up a role as the lecturer in Sculpture at the Victorian College of the Arts from 1974 – 2000. This work is an etching with aquatint and colour stencil on Torinoko An early supporter was Tate Adams, who established the Crossley Gallery to exhibit prints. He urged Jock Clutterbuck to create a series of etchings for Crossley Gallery, a gallery estabished by Tate to exhibit prints. Clutterbuck was awarded the National Gallery of Victoria Society Drawing Prize in 1966, the Australian Print Council Prize in 1969 and 1973, the Geelong Print Prize in 1972, the State Government Bicentenary award for sculpture in 1970, the PCA print prize in 1973, the Fremantle Arts Centre Print Prize in 1976 and the Caulfield Arts Centre Sculpture Award in 1979. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, jock clutterbuck, printmaking, etching, printmaking etching, available -
Bendigo Historical Society Inc.Document - BENDIGO OPERATIC SOCIETY COLLECTION: ANNIE GET YOUR GUN 1989, June 15, 16, 17, 22, 23
A program for the 1989 play Annie Get Your Gun, now playing for the second time in Bendigo since 1971. Playing at the J. B. Osbourne Theatre in Kangaroo Flat and featuring Carol McKenzie- Grose as the director and the actors Sheryn Long and Craig Thomas as the main roles, Annie Oakley and Frank Butler. Also featuring the actors Wayne McCashen as Charlie Davenport, Glad Weatheritt as Dolly Tate, Glenn Grose as Tommy Wheeler, Heather Jelbart as Winnie Tate, Andrew Jenkin as Buffalo Bill, Kenn Dunn as Sittig Bull, John Adams as Pawnee Bill, Travor Bailey as Foster Wilson. Starring as the Indians are Grant Thomas, Hilary Bottcher, Deryck Jenkin, Clare O'Sullivan, Kerryn Miller, Kate O'Sullivan, Dan Clancy, Paul Veitch, Rob Jealous, Ross Jones, Starring as the children of the story are Darrah Hanley, Kirsty Wilson, Melinda Coughlin, Linda Robertson, Dougal McArthur, Shae McCashen, Rochelle Rowe, Amy McArthur. Starring as the Chorus of the show are Danielle Rowe, Colleen Heenan-Warnecke, Melinda Rowe, Sue Stanyer, Juliette Frietschi, Angela Rashleigh, June Long, Kathy Howard, Marion Malpass, Grace Cox, Kate Adams, Christine Howard, Renee Wilson, Melinda Saunders, Margaret Maher, Alistair Rowe, Jack Paynting, Jim Dunn, Mathew Frank. Featuring the following as Dancers, Fiona Coyle, Terri Watson, Toni Brandie, Christine Fitzgerald. And for the people behind the play itself, Rosemary Overton as the Musical Director, Alex Campbell as the Pianist, Geoff Hamblin as the Stage Manager, Mary Ferguson as the Wardrobe and Viktoria lee as the Choreographer Also featuring advertisements from local Bendigo businesses such as Roy Leache Music Centre in Allans Walk, Pall Mall, Ron Poyser Holden in High St, Ideal Greenhouse in Huntly Bendigo Mail Centre, John J. Kennedy Accounting at Pall Mall, Barton Buckle Casting Co, Horseworld in 122 Mollison Street, Brooks Catering, Phil Beer & Fletchers Photographics at 100 Mitchell St, The Green Carnation in 101 Queen Street, Karl's Koffee Haus in 95-97 View Street, Ganet's Art Supplies in Allans Walk, Bendigo Building Society in Bull St.bendigo, entertainment, capital theatre, bendigo theatre co, inc. bendigo operatic society. roy leache music centre in allans walk, pall mall, ron poyser holden in high st, ideal greenhouse in huntly bendigo mail centre, john j. kennedy accounting at pall mall, barton buckle casting co, horseworld in 122 mollison street, brooks catering, phil beer & fletchers photographics at 100 mitchell st, the green counation in 101 queen street, karl's koffee haus in 95-97 view street, ganet's art supplies roy leache music centre in allans walk, pall mall, ron poyser holden in high st, ideal greenhouse in huntly bendigo mail centre, john j. kennedy accounting at pall mall, barton buckle casting co, horseworld in 122 mollison street, brooks catering, phil beer & fletchers photographics at 100 mitchell st, the green counation in 101 queen street, karl's koffee haus in 95-97 view street, ganet's art supplies in allans walk, bendigo building society in bull st.
