Showing 276 items matching textile design
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National Wool Museum
Hardback Book, Advanced Textile Design, 1925
... Advanced Textile Design...Advanced Textile Design. W Watson...National Wool Museum Hardback Book Advanced Textile Design ...Large green hardback bookAdvanced Textile Design. W Watson -
National Wool Museum
Book, Textile design and colour
... Textile design and colour...textile design..."Textile design and colour" - William Watson (1921)...National Wool Museum Book Textile design and colour ..."Textile design and colour" - William Watson (1921)THE FEDERAL WOOLLEN MILLS PROPRIETRY/ T22 ROBERTSON'S BOOKSELLERStextile industry - education textile design textile calculations, classweave industries pty ltd federal woollen mills ltd, dyeing, jacquard, weaving, watson, mr william, textile industry - education, textile design, textile calculations -
National Wool Museum
Hardback Book, Textile Design and Colour, 1912
... Textile Design and Colour...Textile Design and Colour. Elementary Weaves and Figured...National Wool Museum Hardback Book Textile Design ...Forest green hardback bookTextile Design and Colour. Elementary Weaves and Figured Fabrics. W Watson -
RMIT Design Archives
Textile - Textile Design Sample
... Textile Design Sample...textile design...RMIT Design Archives Textile Design Sample Textile Small ...The Polish born artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski (1922-1944), who arrived in Melbourne in 1949 on the 'Fairsea', a ship carrying displaced persons from Europe and the Baltic States. He sought employment in architectural and design practices, and also enrolled in classes at the National Gallery School. From 1952 until 1953 Ostoja-Kotkowski had a brief, but productive, period working as a designer in the Prestige Fabric Design Studio in Melbourne. Ann Carew, 2017The textile design has aesthetic significance as an example of the early Australian work of noted emigre artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski, and it has historical significance for its association with the Prestige's Textile Design Studio, and the studio's art director, Gerhard Herbst. Small sample of pale green rayon fabric with a bold, repeating geometric pattern printed in black and white.emigre, polish, design, textile design, rmit design archives -
National Wool Museum
Book, Pattern, The University of Leeds Textile Industries Department Designing & Weaving
... The University of Leeds Textile Industries Department...textile design...The University of Leeds Textile Industries Department... Textile Industries Department Designing & Weaving Design book ...Design book of Fred Murgatroyd whilst he was a weaving/textiles student at the University of Leeds.Design book of a weaving/textiles student at the University of Leeds. Design book of a weaving/textiles student at the University of Leeds.The University of Leeds Textile Industries Department Designing & Weaving C Scott F. Murgatroyd Stenhouse 1928textile industry - education textile design textile mills, university of leeds, beaumont, professor - university of leeds murgatroyd, mr fred, textile industry - education, textile design, textile mills -
National Wool Museum
Folder, sample
... textile design...Weaving sample folder: TEXTILE DESIGN SAMPLE RANGE 1971...G.A. ROBERTS (ink) TEXTILE DESIGN SAMPLE RANGE 1971 (ink...) TEXTILE DESIGN SAMPLE RANGE 1971 (ink) MEDIUM WEIGHT FURNISHING ...Weaving sample folder: TEXTILE DESIGN SAMPLE RANGE 1971" contains sheet detailing 3 "MEDIUM WEIGHT FURNISHING" patterns with cloth samplesG.A. ROBERTS (ink) TEXTILE DESIGN SAMPLE RANGE 1971 (ink) MEDIUM WEIGHT FURNISHINGweaving textile industry textile design, weaving, textile industry, textile design -
National Wool Museum
Folder, sample
... textile design...Weaving sample folder: TEXTILE DESIGN SAMPLE RANGE 1971...BARRY HANCOCK TEXTILE DESIGN SAMPLE RANGE 1971 (ink) WOMENS... Weaving sample folder: TEXTILE DESIGN SAMPLE RANGE 1971" contains ...Weaving sample folder: TEXTILE DESIGN SAMPLE RANGE 1971" contains sheet detailing 3 "WOMENS SKIRTING AND OVERCOATING" patterns with 2 purple and 1 orange patterned cloth samplesBARRY HANCOCK TEXTILE DESIGN SAMPLE RANGE 1971 (ink) WOMENS SKIRTING AND OVERCOATINGweaving textile industry textile design, weaving, textile industry, textile design -
Federation University Australia Historical Collection (Geoffrey Blainey Research Centre)
Posters, Textile Art and Design, 1992 - 1994
... Textile Art and Design...Ten student made exhibition posters for textile art... (Geoffrey Blainey Research Centre) Posters Textile Art and Design ...Ten student made exhibition posters for textile art and design including Koori art and design.textile art and design, koori art and design, koori batik, anna stewart, anne o'grady, poster -
RMIT Design Archives
Textile - Woman's dress, Norma Tullo, Garment Designer, Shirley Lyle, Textile Designer, Woman's Dress
... Norma Tullo, Garment Designer, Shirley Lyle, Textile...textile design...RMIT Design Archives Woman's dress Textile Norma Tullo ...This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion -
Kew Historical Society Inc
Book, Textile Designs: 200 years of patterns for printed fabrics arranged by motif, colour, period and design / [by] Meller & Elffers, 2018
... Textile Designs: 200 years of patterns for printed fabrics...Kew Historical Society Inc Book Book Textile Designs: 200 ...Newly available in paperback, this volume remains unsurpassed as the biggest and most lavish survey of printed textiles ever published. Textile Designs presents a comprehensive selection of the colourful patterned fabrics used for clothing and interior decoration over the last 200 years. Here are the bright and hugely enjoyable materials of everyday life - the printed calicos and cottons, the flowered cretonnes and chintzes, the polka-dot silks and foulards. These are presented by motif and pattern under flye separate headings: Floral, Geometric, Conversational, Ethnic, and Art Movements and Period Styles, and illustrated in nearly 2,000 colour reproductions. Textile Designs is not only indispensable to professionals in the fashion and decoration fields everywhere, but will also be an inspiration to designers in the graphic and visual arts, a reference book for collectors and a delight for aesthetes everywhere.464 p. : col. ill. ; 30 cm. Published London : Thames and Hudson, 2002.non-fictionNewly available in paperback, this volume remains unsurpassed as the biggest and most lavish survey of printed textiles ever published. Textile Designs presents a comprehensive selection of the colourful patterned fabrics used for clothing and interior decoration over the last 200 years. Here are the bright and hugely enjoyable materials of everyday life - the printed calicos and cottons, the flowered cretonnes and chintzes, the polka-dot silks and foulards. These are presented by motif and pattern under flye separate headings: Floral, Geometric, Conversational, Ethnic, and Art Movements and Period Styles, and illustrated in nearly 2,000 colour reproductions. Textile Designs is not only indispensable to professionals in the fashion and decoration fields everywhere, but will also be an inspiration to designers in the graphic and visual arts, a reference book for collectors and a delight for aesthetes everywhere.textiles - history, textile design -- themes -
RMIT Design Archives
Serviettes, Winter
... Textile design was part of the Winter 1988 range....RMIT Design Archives Serviettes Winter Textile design ...Textile design was part of the Winter 1988 range.ink, cotton -
National Wool Museum
Magazine, American Fabrics, various between 1948 and 1968
... textile design... of textile design, interviews with designers, etc.18 unique magazines... of the day, fabric swatches, history of textile design, interviews ...New York: Reporter Publications, 1953-1983. Hardcover. A broken run of this remarkable publishing venture, providing insight into the fashion of the day, fabric swatches, history of textile design, interviews with designers, etc.18 unique magazines containing multiple years. An invaluable reference tool for researching American lifestyle, tastes, fashion, style and fabrics as they evolved from the end of World War II to the dawn of feminism. With real vintage fabric swatches in each issue. Each issue is profusely illustrated with color photography and fashion illustration, as well as with beautifully designed covers by important artists. Such design magazines were utilised by Australian designers to help inspiration for the upcoming season's fashion. Such magazines were not cheap, compared to an international business trip however, they are seen as affordable to the point of being invaluable. 18 unique magazines from American Fabrics. First issue is from 1948 with latest from 1968. Colourful external covers with internal pages containing a mixture of black & white pages, colour pages and fabric swatches. Images of front and back cover are visible within media as well as contents of all 18 copies, particular articles of interest are obtainable by contacting the National Wool Museumtextile design, 1940s-1960s -
RMIT Design Archives
Photographs
... textile design..., 'Miss Frances Burke, Brilliant Australian Textile Designer... Australian Textile Designer'. The photograph contains interesting ...This photograph was reproduced on the cover of the magazine 'Housewife, Home and Family', in October, 1960 with the heading, 'Miss Frances Burke, Brilliant Australian Textile Designer'. The photograph contains interesting contradictions: Burke, wearing a cocktail hat whilst painting, was never a housewife, nor did she have children. Gladys Hain, editor of the magazine, exhorted women who did have children to get busy, start businesses and contribute to the economy! The image highlights Burke's ability to attract publicity and demonstrates her acute understanding of the power of PR and marketing. Burke established her textile business in 1937, developing it between the wars in a very challenging marketplace by capitalising on opportunities as they presented. Robyn Oswald-Jacobs, 2017Photograph featuring Frances Burke painting at desktextile design, studio, rmit design archives -
National Wool Museum
Book, Cloth Analysis
... textile design.... Coth sample book - compiler and source unknown. textile design ...Coth sample book - compiler and source unknown.Foolscap size book of cloth samples. Foolscap size book of cloth samples.textile design -
Federation University Australia Historical Collection (Geoffrey Blainey Research Centre)
Book, Flat Ornament: A Pattern Book Of Designs of Textiles, Embroideries, Wall Papers, Inlays, Etc
... Flat Ornament: A Pattern Book Of Designs of Textiles... Book Of Designs of Textiles, Embroideries, Wall Papers, Inlays ...Large brown hardcovered book with leather spine.Stamped " Ballarat School of Art Library: Bookplate of the Ballarat Technical School Library R/5art, pattern book, designs, textiles, embroideries, wall papers, inlay, bookplate -
National Wool Museum
Book, I.C.S. Reference Library no. 92
... textile design..., elementary textile designing, analysis of cotton fabrics, analysis... Library no. 92: glossary of weaves, elementary textile designing ..."I.C.S. Reference Library no. 92: glossary of weaves, elementary textile designing, analysis of cotton fabrics, analysis of woolen and worsted fabrics, twill weaves and derivatives, satin and other weaves, combination weaves, construction of spot weaves, weaves for backed cotton fabrics, woolen and worsted ply weaves, leno weaves, pile weaves, color in textile designing, designing in general" International Correspondence Schools Ltd, 1921. There is a fine ex libris plate (designed by W.L. Trigg) on the inside of the front cover depicting the Anzac statue from the RSS Mill. This book is from the library of V.J. Schofield, son of Albert Schofield, the first managing director of the RSS Mill.EX LIBRIS / V.J. SCHOFIELD / W.L. TRIGGweaving textile design cotton textile mills, international correspondence schools ltd returned soldiers and sailors mill, cloth - woollen, cloth - worsted, twill, trigg, w. l., weaving, textile design, cotton, textile mills