pp. 10-11 The Big Picture ... A moment of stillness in the chaos of Opera Australia's new production of Richard Strauss's Salome, starring Cheryl Barker (far left) in the title role, alongside Jacqueline Dark as Herodias (left) and John Pickering (kneeling) as Herod. jacqueline dark, salome, opera, opera australia, cheryl barker, john pickering, strauss

Smethurst Collection. Refer Cat 9897P for his service details.1. Group portrait of six Aust. soldiers. Three have no shirt on, man at rear left has Sgts stripes and one medal ribbon. 2. Black and white picture of two Aust. soldiers, holding clothes, in front of a large tent. 3. Black and white picture of three Aust. soldiers, two wearing hats. Left side man is shirtless. They are in front of an A frame tent. 4. Black and white picture of two Aust. soldiers. Both shirtless, both in long trousers. 5. Black and white picture of an Aust. soldier wearing shorts, sleeves rolled up holding hat in front of him. Bush in background. 6. Black and white portrait of a soldier with peaked cap and a young lady. Big power pole behind them. Lady is holding her hat.1. On rear of photo are Jim Pocknee, George Maxwell, Smokey Reade, Jack Garling, Bluey Thomas, Bob Kelly. New Guinea 1944. 3. Frank, Jack, Bill, Seymour 1939. 6. Marked on rear 6/- Paddy Mac, 3/- Joe Boys, 2/- Himself, 2/1 Arthur Merrigan. Wilbung. Tatt. It has a chemists stamp, Ivor W Ba.... 188A Hopkins St, Footscray.photographs, army, ww2, smethurst collection

Although the Kiewa Hydro-Electric Scheme was first proposed in 1911, construction did not commence until 1938. As part of the push to cut electricity costs and diversify supply, the Victorian Government (circa 1930) initiated the conversion from primarily brown coal supply to hydro – electricity. Field investigations during the 1940’s resulted in a new proposal for a scheme that had more than double the capacity of the 1938 scheme. The Kiewa Hydroelectric Scheme became the largest scheme of its kind in the State Of Victoria and the second largest scheme in Australia. The number of personnel involved in the planning and construction of the scheme increased dramatically. During the late 1940’s, most activity centered around the construction of the West Kiewa Power Station, Rocky Valley Reservoir, McKay Creek Power Station and the Bogong Creek Aqueduct.A common thread across all the larger hydro scheme constructions was the need for workers, both qualified and unqualified who came from around the world seeking a new life for themselves and their families. New accommodation and facilities were required for the army of workers engaged in construction in often remote and wild areas. The SEC had a high demand for timber, and set up the first of a number of sawmills at Bogong Creek in 1939 and set up the first hardwood logging in the headwaters of the Kiewa River. These new ‘towns’ such as Mt Beauty and Bogong, survived, serving the needs of operational personnel and their families, and expanding with growth of new industries. Mount Beauty, and to a lesser extent Bogong, are among these places. Large A3 size spiral bound display folder containing photocopied black and white photographs of various aspects of the early days of the Kiewa Valley Hydro-electric scheme including equipment, various work sites and photographs of workers and their families. 1-Breakdown in Circuit Breaker (Isolating Contacts) 2-Big Hill Bench- Site of No 5 Devlopment 3-No 1 Power Station 4-No 1 Pipeline, Anchor No 8 5-Push Dozing-RD8 Tractor 6- Tractor and driver at work 7- Workmen in unnamed tunnel 8- Front page of Journal of SECV Vol 15. Photograph of No 1 pipeline viewed from McKay Portal 9-Rocky Valley Dam Core Wall 10-Workmen working inside tunnel loading rocks into a rail truck. 1-Breakdown in (generator) Circuit Breaker (Isolating Contacts) Handwritten underneath (This is not a picture of any part of a generator. It is a circuit breaker Signed Ron White Ron was the Principal Hydro Engineer of the SEC Kiewa Scheme Page number 39 2-Big Hill Bench – Site of No. 5 Development (abandoned) Page number 40 3-No 1 Power Station Page number 41 4-No. 1 Pipeline, Anchor No. 8 Page number 42 5-Push Dozing – RD8 Tractor, 12 cubic yard Carryall and FD Cletrac Tractor Page number 43 6-No marking Page number 44 7-No marking Page number 45 8-Journal of State Electricity Commission of Victoria SEC Vol 15 No… April-May, 19… No 1 Pipeline-A view from McKay Portal G Hempenstall and D Sutton stiffening pipe section for transport during construction (….indicates missing text) Page Number 46 9-Rocky Valley Dam Core Wall Page number 47 10-No markings Page number 48 secv; kiewa hydro electric scheme; construction area; power stations; reservoirs; aqueduct; mt beauty; bogong

This wedding photo is of local pioneer families, Cooper and Larkins. John Cooper Jnr. married Annie Emma Larkins. The exact date is unknown. This is not only important for the Cooper & Larkin families but for historical reference for the Tawonga area where these families lived. It shows that even though the Kiewa Valley was considered remote during this period the tradition of a big formal wedding was still held with fashionable weddings. This photo was included in a group of photos. This photo has historical significance as it depicts members of local pioneer families getting married. It also is representative of the style of wedding dresses of the period and the style of men's wedding attire. The photograph itself is also significant as is demonstrates the style and formality of wedding photos during this time. The picture frame is likewise the style of the period. However, this is in bad condition with bore holes in it. This photo has good interpretive value and is well provenanced. Black and white wedding photo of John Cooper Jnr. and Annie Emma Larkins. The centre of the frame has carved hearts 3 cm wide all the way around.Photographer "Mendelsfohn's and Co. Melbourne"mendelsfohn's & co.. photographer of melbourne. wedding. furniture. wooden frame.

Postcard written from UK or France in WW1. From PATRICK JOSEPH FRAWLEY No. 563. Refer Cat No 7424.4 for his service details.Purple/white front with imprinted edges. Image on front is a picture of a basket of poppies and roses. Above it is written a poem and in bigger letters "In Loving Greeting". Back of card paper faded yellow with short message.Written on card "From Paddy to Mabel, Best Love”, Also, a stamp saying "Printed in England" by “J Beagles & Co. Ltd, London E.G." postcard, ww1

DVD in CaseVietnam War - Vol.2vietnam war - the battle for khe sanh. the 4th infantry division. the big picture

Everylady's Journal from August 6, 1916. Price 7 pennies, the magazine has 65 pages. On the cover a drawing of a lady in red dress and a child. at the top: a beautiful Fleur-de-Lis doyley given in this issue. These pattern free: no. 1 and 3 enclosed; No. 2 and 4 by coupon, also directions for working this beautiful doyley ( a picture of the doyley is underneath. A the bottom: Playing big sister to the wounded soldiers: by Notable people. Some of the articles are: Brief impressions of men, women and events - The queen breeder - Playing the big sister to the wounded - The song of the skylark - Keeping ourselves young and beautiful - teaching little children to be useful - Pretty work for dainty fingers - Common disorders of infants - The girl of the sunny south - The other woman's problem.books, magazines, women's magazine

A 1968 Telephone Directory for Balranald (N.S.W.), Bendigo, Castlemaine, Maryborough, Charlton, Deniliquin (N.S.W.), Echuca, Kerang, Kyneton, Swan Hill districts. The book is a bright orange colour and features a picture of a big curved rock along with a woman right next to it on the front cover.On the back cover it also features the Eskimo ad for Peter's Icecream.book, rural

Bendigo advertiser "The way we were" from Wednesday, February 2, 2005. A growing concern: eucalyptus was a big industry in Bendigo in the late 1940s early 1950s. This picture of eucy cutter Jimmy Fairborn, in front, and truck owner Eric Finch, with a load of eucalyptus on its way to the distillery, was taken in Union Street, West Bendigo.. The clip is in a folder.newspaper, bendigo advertiser, the way we were

This image shows a view of a properties bordering a river in the vicinity of Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the water source pictured may feed into the bigger system that flows through Beechworth Gorge. A man wearing a hat, possibly the photographer, is silhouetted in the foreground of the picture. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, photographer, beechworth gorge, river, stream, water source, 1900s

The Parfett family regularly holidayed in the Halls Gap area c1920sRectangular black & white photograph in a thin wooden frame with gold edging. A party of 8 people grouped on a large rock in front of a waterfall. 3 men, standing, the first has a cigarette in his mouth and holds a hat, the second holds a hiking pole; 3 women, the third has her arm raised with her hand on the back of her head; and 2 youths, the bigger wears braces and sits at the front of the rock, feet crossed, hands in his lap. The Rock has letters B.P and t E (?) painted on it. "BIG FALLS, c. 1926 (Mackenzie Falls) BLC sticker "Framed by DOUG'S FRAMES professional Picture Frame 24 Magpie St Ballarat, just down from Sovereign Hill. Phone 053 - 32 8311 label on back of frame.parfett, mackenzie falls, waterfalls

This postcard is part of a series by Rose Stereograph and likely to be sold in the Mission to be used by seafarers.Black and white postcard depicting the inside of the chapel in the 1937 Port Melbourne Mission with pews, reed organ and altar.Written in blue ink by David Conolly: "Faded, which spoils it. Also it's bigger than in this picture."chairs, george v memorial institute, port melbourne, seamen's mission, reed organ, harry norris, st andrews chapel, altar, furnishing, marketing

Alan Charles Quinn went to sea at 16 years of age and photographed his work and the places he visited. His collection of photo albums form a pictorial autobiography. The Alan Charles Quinn collection also includes a series of letters written to and from his mother.Black and white photograph of a boats in a harbour in San Francisco. In the background there are hills and the Golden Gate Bridge. The picture shows a large number of small boats and one which is slightly bigger boat. Blue/green ink, handwritten on reverse: "30/9/49 S.F" Handwritten in pencil: "K8/B"san francisco, moorings, boats

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.It’s Louise’s masterpiece, come heaven, hell or high water Report: SARAH TURNER PICTURE: LEIGH HENNINGHAM When her Little Bourke St studio was pulled down to make way for a carpark, artist Louise Hearman, above, contacted The Seamen’s Mission in Flinders St to see whether she could use their cottage. They agree. But neither knew what it was going to lead to. When Hearman saw ‘the Elephant Room’ at the mission, a big domed room, she felt she “just had to do something with it”. She applied for and was granted a $3250 grant from the Australia Council, with which she was able to buy the necessary scaffold and paint, and then set about transforming the room. Now, a year later, her masterpiece is complete. Hearman emphasised the the mural doesn’t represent “heaven and hell”. Rather, she said, “people should make their own interpretations”. She said it was “not particularly heaven and hell, it’s not particularly anything”. And there is “no narrative” to the mural. It “just developed with the building”, out of whatever images and feeling Hearman had at the time. Sadly though, Hearman said the mural was likely to fall off the walls and domed ceiling unless the room was waterproofed - water damage is a serious problem at the mission. louise hearman, norla dome, exhibitions, 1988, elephant room, flinders street, melbourne, leigh henningham, cultural events

p.228.non-fictionAs deputy director of the Australian War Memorial for many years, Michael McKernan had heard and written about many stories of war. For him, war was never about the big picture; it always came down to the individual. Yet little did he know when he met his future wife in 1989 that her father would soon be telling him, over many leisurely afternoons, his own story, of being made a slave to the Nazis in the Second World War, and its unforeseeable consequences.war and families - australia, ukranians - australia - biography

Newspaper or magazine page: image shows New Red, White and Blue Consolidated mine, (sign on side of building) Writing on building states 'the Big Blue mine in its heyday'. This picture was taken before the fire in May of 1938 and shows mining in full swing. It was located near the present Bendigo City Council depot. Image shows mine chimney on LH side, poppet head behind building in centre, stamper on RH side.bendigo, mining, new red white and blue mine

The Mystery of John McMahon's Grave, Big Hill mentions granite stone markers south of the Tunnel. Some believed he was buried there, but further research has found he is buried at the Kangaroo Flat Cemetery in the Roman Catholic section, Grave No. 1134 on 20 May, 1874. Also mentioned is his widow was appointed Gate Keeper at Ravenswood on 2 September, 1874. Also mentioned is the death of Frederick Benton, who died on 24 February, 1860 of peritonitis. There is a sepia? Photo taken of the Big Hill Tunnel (Bendigo side looking south) from Picture Australia c. 1875 and a coloured one of the Big Hill Tunnel Bendigo side (photo taken March, 2008). On page 2 are two coloured views at Big Hill for John McMahon, 850 metres south of Big Hill Tunnel entrance, Melbourne side/east of line (photos taken March, 2008).person, individual, john mcmahon, mystery of john mcmahon's grave, big hill, john mcmahon, big hill tunnel, mrs i marchesi, mr marchesi, mrs ivy irene marchesi (nee bone), sarah mcmahon, sarah mcewan (mckeown/mckeon), ravenswood station, kangaroo flat cemetery, sarah jane mcmahon, frederick benton, pictureaustralia, vic rail, melbourne to mount alexander-murray rail line, stone markers for john mcmahon

Pale yellow 12 page book titled 'Bendigo the Region to Live Work & Invest'. On the front cover is a scenic view of Bendigo and on the back cover a picture of some quartz and gold nuggets on a green background. Sections in the book are: Live Work & Invest, Lifestyle, Access, Community, Infrastructure, Labour Force, Business, Opportunity, Successes and Information. Each page has a colour picture, they are:- Hargreaves Mall, Eaglehawk Golf Course, Map of Victoria, La Trobe University, Big Hill, Regional Office Department of Planning & Development, Sandhurst Farms, Construction Activity, Products of the Region, Dr. Ian Macbean, Mr Evan Jones and the Capital Theatre with information on each.book, bendigo, bendigo, bendigo - the region to live, work & invest, bendigo regional development board, dr ian macbean, mr evan jones, kate mildren, richard gibbs, express printers, hargreaves mall, eaglehawk golf course, map of victoria, la trobe university, big hill, regional office department of planning & development, sandhurst farms, construction activity, products of the region, capital theatre

Handwritten notes on Big Hill Tunnel. Written by Lydia Chancellor after she saw a picture of a diesel locomotive pictured in the Bendigo Advertiser on March 22nd 1968. It brought back memories of picnics and they would walk through this tunnel. Also mentions the Elphinstone Tunnel and that the Big Hill tunnel was guarded night and day during World War 1.document, big hill tunnel, lydia chancellor, elphinstone tunnel, bendigo advertiser 22/3/1968

Book. ALEC H CHISHOLM COLLECTION. 194 page hardcover book by C. E. Sayers, Shepherd's Gold, the story of Stawell, Victoria. Includes 36 B & W photographs and the dust jacket has a picture of Stawell from Big Hill from the painting by John Glover. Published in 1966 by F. W. Cheshire Pty Ltd. And printed by Griffen Press. Catalogue sticker ''2190 SAY'' on spine. Handwritten in ink on flyleaf ''For Alec Chisholm Sincerely C. E. Sayers 10, October 1966.''C. E. Sayersbooks, collections, history, alec h chisholm collection, c.e.sayers, stawell, history

Foreword Intro: Life story of Australian croquet champion Elsie Isabel Baner (1900-1983) who, in her early thirties in late 1933, began to play crouet on a newly-formed lawn adjoining the Ringwood Bowling Club. Within three years, she won the hightly prestigious English Silver Medal (B Class Division) and was immediately upgraded to A Grade. Elsie remained a champion player for the next three decades and was acknowledged by her colleagues as "a legend in her own lifetime. Author, Dr Sue Summers, is the maternal granddaughter of Elsie Isabel Baner and Frederick Thomas Baner. Awarded to the Croquet Australia Hall of Fame on 1st December 2023, for demonstrated leadership and influence in croquet in Australia as a player, coach and mentor.

Hard Cover Book with Dust cover.Harold Freedman was an Artist of enormous drive, ambition and achievement. While best known for his series of painted and mosaic murals, the largest ever created in Australia. He was also an influential teacher, an official war Artist and book designer.

Mirrabooka means Southern Cross. The Melbourne Movie Club was established for those interested in Moving Pictures and all its branches. 'A place to go to spend a few leisure hours, a select dance, parties, picnics, amusements, to learn the art of picture acting and make up, to take part in the Company's productions, dramatic art, to have a jolly good time, etc.' The Melbourne Movie Club has a spacious premises at 184 Exhibition Street, Melbourne, with a floor space of 10,000 square feet, where scenes and sets were erected for the use of Club Members. The Club had full moving picture producing equipment such as big light plant, stage effects, scenery, and cameras. The Melbourne Movie Club saw themselves ad the nursery and basis for a National Film Industry. .1) The secretary was Burnard W. Morey (AICA), the director was L. Morton, and the Managing director of Mirrabooka Films was James Weston. .2) The Managing Director was Louis Morton, the director was Ivan Morton, the Manager Robert Spencer and the organiser and Producer was W. Winford.Two booklets relating to the Melbourne Movie Club. .1) Eight page white booklet of the Melbourne Movie Club - The Mirrabooka Films Pty Ltd. The booklet discusses the place of film in Australia. .2) Eight page pink booklet of the Melbourne Movie Club.melbourne movie club, movie, theatre, james weston, mirrabooka, mirrabooka films, burnard morey

Photo looks west from the Ballarat Fire Station (East) tower, and has a good view looking along Barkly St. Shows the crossing loop between Eastwood and Main St with one tram in the view. Wal has dated the photo as 1914 in his album notes. On rear Wal Jack has written "Looking up Barkly St towards Mt Pleasant. Photo taken from Ballarat Fire Station about 1914-1916 period. Old type tram from Mt Pleasant about to turn into Main St. Note old passing loop behind tram. Loop removed to top of rise in centre background. Old Ballarat East Gardens on left and council yards, showing big tin shed in centre of picture. Locality much altered today." See item 5127 for a digital image.Yields information about the buildings and scene looking west from the Fire Station tower along Barkly St. East BallaratPostcard Black and white - Rose Series No P4614, Divided back. No publishers details on rear.See image 2 for Wal Jack's notes.tramways, trams, esco, ballarat east, barkly st

Yields information about the people around the photograph of the Horse Tram at the depot with the Duncan and Fraser name board in front and has a strong association with the people named in the document.Piece of torn paper headed "Horse Tram No. 1 Photo" listing details of the men around the photograph of Horse Tram No. 1 at the depot with the Duncan and Fraser name board in the front. Handwritten by Dave Macartney c1985 as advised by Norman Fraser (a relation to Farser of the Duncan and Fraser family) See Reg Item 765. "Man in doorway with arms folded is George Fraser Snr, father of Norman Fraser. The manager Peter Hodgetts, seated on top of tram, lived at 1163 Gregory St. Company had 13 cottages for employees building along south side of Gregory St. The Frasers lived next door to the sheds. Norman Fraser remembers a horse named Nobby which could not be shod unless its legs were tied. Big George Barnett did the job. He is pictured standing in from of Mr Fraser Senior along with blacksmiths Moyce and Lang. The drivers were Nicholls, Gaston, Buckley, big George Armstrong (lying on the ground) and John Cameron. Si Barker and W. Skewes were the carpenters." trams, tramways, horse trams, duncan fraser, depot

A hardcover picture story book aimed at young children. Focuses on Marcus Bontempelli's childhood.football, bontempelli

A black and white postcard of the Crossways historic inn in Marysville in Victoria. The Rose Series P. 4826. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its c-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.A black and white postcard of the Crossways historic inn in Marysville in Victoria.THE ROSE SERIES P. 4826/ COPYRIGHT "CROSSWAYS," MARYSVILLE, VIC. POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. 30.5-34 Dear Shirley/ How are you all getting along/ I got your letter a long time ago. You/ got a lot of presents you ought to have/ another one soon. This is the place where/ I work you cannot take a picture of the/ front of the place because it's big trees./ This is the back photo the kitchen is on the/ right. There is no news. Hoping Mum & Dad & Arch/ are all well Yours Lovingly Fred xx xx/ I'll give him a knock in the eye for Archie xxxxmarysville, victoria, australia, crossways historic inn, accommodation, 2009 black saturday bushfires, rose stereograph company, rose series, p. 4826, postcard, souvenir

Kororoit Creek in floodPhotocopy of photograph Big flood waters flowing down Kororoit creek over Derby Road bridge between Adnerson Road and Mernda Street. High peak at 10:30am Daylight saying time people standing near end of Maye Street and Mernda Street 3 February 2005 by Des Johnson|Photocopy of photograph At Sunshine toward Ardeer concrete road bridge 7:45am Daylight light savig time looking down stream at the fast flowing stream brown colour waters under two concrete bridge supports Sunshine to Ballarat Railway line bridges 3 February 2005 by Des Johnson|Photocopy of photograph Near Stony Creek pipe outlet under Fraser Street into Kororoit Creek looking up stream of the big flood waters and the back fence of house at end of Mernda Street at 7:40am day light saving time 3 February 2005 by Des Johnson|Photocopy of photograph Between end of Fraser Street and Wridgeway Parade a rock crossing looking down stream along Kororoit Creek to end of Carter Street top middle of picture 3 February 2005 by Des Johnsonkororoit creek, sunshine, flood