relates to WW2 publication for serving soldiers to enjoy. relates to WW2 service and was a booklet given to the WW2 troops. 1939-1945. Booklet relating to WW2 called Tales of the A.I.F. Digger Memories jokes and poems for the boys in khaki and jungle green. 1939-1945. 16 pages. Cover title : Tales of the A.I.F. Digger Memories Jokes and Poems. booklet ww2, tales of the a.i.f., digger memories jokes and poems for the boys in khaki and jungle green

Small Booklet, Orange Cover, Red writing and drawing on front cover. 13 printed pages of Poetry, jokes etc. Printed 1954The Dismal Digger, Tales of the Diggers Old and New. Red writing and pen type drawing of Digger, tree, bushes, bird

Distributed for Troops during WW1.1. Newspaper - paper, cream, black print. 2. Newspaper - paper, cream, black print, sketches.1. "The Digger" published weekly with authority Australian Base Depots, France. Vol.2. No.7, Sunday 16 March 1919. Price One Penny. 2. "The Digger" published weekly with authority Australian Base Depots,. Vol.2. No.13, Sunday 17 April 1919. Price One Penny.ww1, newspaper, the digger

NewspaperThe Digger

Soft cover containing containing the annual digest of digger humour. Pages 16 printed of jokes.

Index, Notes, Bibliography, ill (b/w)non-fictionThe Australian digger represents all the virtues Australians hold dear - mateship, equality, bravery and irreverence. But before 1914 Australia had no military tradition. Jane Ross has analysed the nature and origins of the myth of the digger.australian army - history, australia - military culture

A chance viewing of a headstone just south of Anzac Cove in a well-kept lawned cemetery of Australian digger's headstones prompted the research into Stephen James Sweetland of Box Hill and other local diggers and resulted in this book.A chance viewing of a headstone just south of Anzac Cove in a well-kept lawned cemetery of Australian digger's headstones prompted the research into Stephen James Sweetland of Box Hill and other local diggers and resulted in this book.Front page: stamped: DONATION FROM/ BLACKBURN RSL SUB BRANCH/ 2 DIGGERS WAY/ BLACKBURN VIC 3130(mr) stephen james sweetland, world war, 1914-1918, gallipoli, anzac cove, military history, army

Soft cover, cardboard book, gold, white & black colour print on cover. 324 cut plain pages, illustrated black & white photographs & maps.Front fly leaf hand written in black ink: Donated by Robyn Schultzbooks, military, history

Bibliography, index, notes, ill (b/w). maps, p.463non-fictionA summary of the experiences of Australian soldiers in conflicts from Gallipoli to todayaustralia - military history, australia - social interaction

Ill, p.330.non-fictionReg Chard endured hell as an 18-year-old Australian soldier who fought in 1942 on the infamous Kokoda Trail in World War II. Ironically, Kokoda rescued Reg decades later when he decided to take his own life. After losing Betty, his wife of 66 years, the grief-stricken great-grandfather lost the will to live. But he found new purpose through educating young people, giving guided tours of Sydney's Kokoda Track Memorial Walkway. On these tours, Reg relives Kokoda every day. He sees an image on the wall of a soldier - a comrade - who succumbed to disease weeks after the photograph was taken. He feels his heart beating as his patrol chases down Japanese troops who had mutilated women in a jungle clearing. He hears the war cry of a samurai sword-wielding officer charging towards him. And he tells these stories along the walkway, preserving the memory of those who never came home. As one of the last surviving diggers of Kokoda, Reg Chard has become a custodian of its legacy.world war 1939 – 1945 – campaigns – kokoda, campaigns - south west pacific theatre

Illustrated book with dust jacket. Book has a dark blue cover, abbreviated title, author's surname and publisher's name embossed in gold on spine. Front of dust jacket has a reproduction of the painting "Arrival of first Australian wounded from Gallipoli at Wandsworth Hospital, London" by George Coates, in a red/brown and white border. Rest of dustjacket is yellow brown in colour. Full title is printed in blue and red /brown above painting, author's full name is printed in blue below painting. Abbreviated title, author's surname and publishers name are printed in blue on the spinenon-fictionThis book draws on many first-hand and previously unpublished accounts of the work of Australian nurses in World War one, to tell the story of courage and companionship under conditions of great hardship - in the mud of Flanders, among the cholera cases in India, on the hospital ships during the Gallipoli campaign, on the Afghanistan border, in Vladivostok, in mosquito infested Macedonia and in the Sinai Desert.world war 1914-1918 - medical care, military nursing, nurses, australian nurses

In many ways the Digger is a study of contradictions: he doesn't crave war yet he will fight with unequalled ferocity: he hates spit and polish but will hold his discipline under the most trying conditions; he is tough yet compassionate; he hates his enemy until he surrenders, then he is generous in victory; he despises histrionics but will cry unashamedly at the loss of a mate...mateship (australia), soldiers - australia

Blue hardcover book with a yellow dustjacket. The title is printed down the spine in blue text. The front cover shows an image of an oil painting of nurses tending the beds of the wounded, it is surrounded by a dark red border. Above the image the title is printed in blue, with 1914-1918 printed in smaller red print.non-fiction'Draws on many first-hand and previously unpublished accounts of the work of Australian nurses in the Great War to tell an extraordinary story of courage and companionship under conditions of great hardship - in the mud of Flanders, among the cholera cases in India, on the hospital ships during the Gallipoli campaign, on Afghanistan border, in Vladivostok, in mosquito infested Macedonia, and in the Sinai Desert. - from inside dustjacket. Contents note: pt. 1. The Middle East -- 1. Enlistment -- 2. Egypt -- 3. Hospital ships -- 4. Lemnos -- 5. Malta -- 6. Palestine -- 7. Mesopotamia -- 8. India -- 9. Serbia and Salonika -- pt. 2. The Western Front -- 10. The Australian base hospitals in France -- 11. The casualty clearing stations -- 12. Transport in France -- 13. Home hospitals in England -- 14. Repatriation -- Epilogue -- Appendix: Roll of Nurses. - from Trove record.history of nursing, world war one 1914-1918, ww1, wwi, nurses australia, great war nurses

Blue hardcover book with a yellow dustjacket. The title is printed down the spine in blue text. The front cover shows an image of an oil painting of nurses tending the beds of the wounded, it is surrounded by a dark red border. Above the image the title is printed in blue, with 1914-1918 printed in smaller red print.non-fiction'Draws on many first-hand and previously unpublished accounts of the work of Australian nurses in the Great War to tell an extraordinary story of courage and companionship under conditions of great hardship - in the mud of Flanders, among the cholera cases in India, on the hospital ships during the Gallipoli campaign, on Afghanistan border, in Vladivostok, in mosquito infested Macedonia, and in the Sinai Desert. - from inside dustjacket. Contents note: pt. 1. The Middle East -- 1. Enlistment -- 2. Egypt -- 3. Hospital ships -- 4. Lemnos -- 5. Malta -- 6. Palestine -- 7. Mesopotamia -- 8. India -- 9. Serbia and Salonika -- pt. 2. The Western Front -- 10. The Australian base hospitals in France -- 11. The casualty clearing stations -- 12. Transport in France -- 13. Home hospitals in England -- 14. Repatriation -- Epilogue -- Appendix: Roll of Nurses. - from Trove record.history of nursing, world war one 1914-1918, ww1, wwi, nurses australia, great war nurses

Actual photo of the condition on the Somme in 1917UniqueActual Photo showing the depth of mud on the Somme in 1917See Photo, note the burial cross in the mud behind the wounded digger.

The author discusses the characteristics of the Australian Digger from the Boer War to World War II.Soft card cover. Title in white print on a black background. Front cover illustrated with a sepia toned photograve. Back cover has a brief biography & black & white photo of the author. 296 cut edge pages. Illustrated with black & white photos.books-military, military history-army, photography

NARRATIVE DESCRIPTION OF “THE VIETNAM DIGGER”Photograph- black and white photograph of a Vietnam Digger loaded with equipment. Beside photograph a black ink type written narrative. Photograph-plastic laminated. Printed title of photograph and narrative. Mount- black painted edge MDF BoardTypewritten- black ink. Photograph “ Sergeant P.J. Buckney. 10th December 1969- 10 January 1970” Title to narrative “THE VIETNAM DIGGER’photography-photographs, military history, vietnam war

An iconic image of a soldier, eyes raised to the sky, taken by photographer Jack Cato in 1932. He used the artist/entertainer Pat Hanna as a model in the photoshoot. Pat wrote down his experience in a moving two page document 'The Story Behind the Picture', it tells how he was moved to imagine the action in France when posing. The image is described as the portrait of a soldier, eyes raised to the sky. This portrait is a study which is called 'The spirit of Anzac' or 'The Digger'. Pat Hanna, said he tried to recreate the "look something between fear and defiance which we have all seen so often, and which will always remain in my memory as typical of our gallant old cobbers 'the Diggers'". A colour image is held in the AWM collection. The photo was stored with other items including a letter to Frank (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01404). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed just after the armistice in France. His popular stage show was 'Diggers' that performed in many towns in Australia post-war and adapted into a film in 1931. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Black and white photo of Pat Hanna as a 'Digger' and a two page recollection of the photoshoot with Jack Cato.Handwritten on photo 'Digger' in black ink in Pat Hanna's handwriting. Handwritten on reverse " 'The Digger', sometimes called 'The spirit of Anzac' / photo Jack Cato / model -Pat Hanna" in black ink. Typed on a paper note 'Spirit of Anzac / Pat Hanna'. Stamped with copyright of The Age in blue ink.hanna, solider, portrait

"CUB", Carlton & United Breweries trophy to the winners of the Bendigo RSL Diggers Day Bowls in 1981. Refer Cat No 8094 for more details.Diggers day Bowls mug, metal silver, round curved shape with handle. On one side is an attached "CUB" logo in blue with the letters CUB in centre. Engraving is above and below the CUB.Above logo, "RSL Diggers Day 1981". Below logo, "Won by J. Donohue - Joe Rosendale - Bob Lee - Arthur Hocking (Capt)"brsl, smirsl, diggers day, cub

Photos t gill, watercolour

A black and white photograph of a weatherboard house and garden known as Bayview Farm at Diggers Rest. It is the home of Uraina and Eileen Cullinan situated at 111 Davis Road, Diggers Rest.on back: BAYVIEW / 111 DAVIS ROAD / DIGGERS RESTcullinan, uraina, eileen, diggers rest, bayview farm, chris, davis road, george evans collection

A sepia photograph Bayview Farm at 111 Davis Road, Diggers Reston back: Bayview-111 Davis Rd / Diggers Restcullinan, uraina, eileen, bayview farm, diggers rest, davis road, george evans collection

A black and white image of Miss Uraina Cullinan kneeling on the ground holding a sheep at her farm "Bayview" in Diggers Rest.on back: Uraina Cullinan / Diggers Restcullinan, uraina, eileen, chris, farming, farms, bayview farm, george evans collection

One of the first large goldfield meetings was at Castlemaine in 1851. After the extraordinary success of the Mt Alexander Diggings the Government issued a proclamation, raising the licence fee from thirty shillings to three pounds. As soon as these intentions became known a public meeting of miners was held. For miles around work ceased, with diggers travelling as far as Bendigo to attend the meeting. It is estimated that around 18,000 people attended the meeting. The notes with the engraving state The trees in this locality are chiefly Stringybark; some of them are peeled of their covering, as many persons prefer erecting bark huts to living in a comfortless tent. The various groups, and costumes of the men, are characteristic of our gold digging community. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Colour lithograph of a meeting of diggers at a meeting in Mt Alexander. The meeting was the result of goldfields agitations against the license fee. lower centre "Great Meeting of Gold Diggers Dec 15th 1851" lower left side "Drawn By D. Tulloch" lower right side "Engraved by Thomas Ham"art, artwork, ham, thomas ham, tulloch, castlemaine, goldfields agitation, printmaking, edition, coloured lithograph, david tulloch, gold pan, shovel, wheelbarrow, waggon, bark hut, ring barked tree, gold mining

Two men on horsback discover a human skeletondeath, skeleton, digger, horse

Index, ill, p.126.non-fictionThe life and times of Billy Hughes - Australian politician and Prime Ministeraustralia - politics and government, billy hughes - biography