Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008. Her display of over 10,000 buttons, ranging from 19th century military brass to mid-century glass and plastic served as a miniature history of Australian life and fashion. Portions of the button collection remained on public view at the Museum for over a decade.The button collection is historically and aesthetically significant in that it illustrates the textile and manufacturing history of Melbourne: * Textile History – how fashion and manufacturing changed over the 19th and 20th centuries; * Material Innovation – how early buttons were made from shell, horn, and bone, later moving into elaborate plastics and metals; and * Identity – how buttons can be 'institutional', representing uniform details from transport, military, or civil organisations.Collection of catalogued buttons in six trays, annotated by Sally Hearn and forming part of 'The Melbourne Story' which opened in 2008. Individual items are linked to this 'parent record'.buttons, sally hearn, the melbourne story, textile history, material innovation, identity, sally buttons

The O"Collins Story traces the lives of Patrick James O'COLLINS and his wife Ellen FITZGERALD, who migrated to Port Melbourne in 1895 and settled firstly at 5 Bridge Street, then in Ross Street before moving to Swallow Street . In 1914 the family moved to 40 Beaconsfield Parade. The book goes on to tell of the lives of their 9 children -Thomas William, James Patrick, Patrick Francis, Mary Margaret (Mollie), Margaret Ellen (Madge), Michael Fitzgerald, Alice Dorothy and Joseph Bernard.Book of 184 pages with a yellow cover inset with a black & white photograph O'COLLINS family in 1897.families, domestic life, patrick james ocollins, ellen ocollins (fitzgerald), thomas william ocollins, alice dorothy and joseph bernard., james patrick ocollins, patrick francis ocollins, mary margaret (mollie) ocollins, margaret ellen ( madge) mccarthy (ocollins), michael fitzgerald ocollins, alice dorothy ocollins, joseph bernard ocollins

An account of the life of John Willliam Lindt extracted from the book The Story of the Camera in Australia.An account of the life of John Willliam Lindt extracted from the book The Story of the Camera in Australia. John William Lindt (1845–1926), was a German-born Australian landscape and ethnographic photographer, early photojournalist, and portraitist. John Lindt was responsible for a folio of photographs of the Fernshaw and Watts River area and he sold over 25,000 images of the Black Spur from his original negatives. In 1895 he was able to purchase land on the North East side of the Black Spur and subsequently built his home and guesthouse "The Hermitage" from where he continued his photographic career. In 1913 he collaborated with Nicholas Caire to produce a tourist booklet on the area. In 1925 the Argus reported that Lindt "continues to produce remarkable and most artistic pictures of the beauties of mountain landscape. He is not a believer in the blurred effects favoured by many ... instead he is a master of detail." Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city. John (Jack) Cato was a keen photographer from an early age and was the author of The Story of the Camera in Australia which when it was first published in 1955, was the first history of Australian photography and photographs.john william lindt, fernshaw, watts river, black spur, the hermitage, nicholas, nicholas john caire, the argus, john (jack) cato, the story of the camera in australia

An account of the life of Nicholas John Caire extracted from the book The Story of the Camera in Australia.An account of the life of Nicholas John Caire extracted from the book The Story of the Camera in Australia. Nicholas John Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 Nicholas John Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies, and the mountains of south-eastern Victoria. nicholas john caire, john (jack) cato, the story of the camera in australia

268 pages, includes black and white and colour photos and index non-fictionThe story of Melbourne's Lanes. Some lanes feature with photos from past with photos of the lane in the present. Includes material from the 1994 edition.melbourne lanes, town planning, bridges

Digital video recording of PMHPS meeting held on 23 March 2021. Ben PIPER talks on the topic of ‘Brushes with Fate, and with Port Melbourne’, the story of how Ben came to live in Port Melbourne, told through a lens of world, Australian and Port Melbourne history, with occasional lashings of nostalgia.ben piper

Members night "My Port Melbourne" Photograph and story exhibition. Margaret Bride introduces five contributors who read their stories. Audience peruses all entries and makes people's choice recommendations. John Kirby announces Christine Griffiths as main competition winner. Duration 01:03:03 with PMHPS meeting preliminaries.domestic life, built environment, christine griffiths