This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities, are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to a lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up a home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Price of Love Author: Arnold Bennett Publisher: Methuen & Co Date: 1914 The label on the spine cover with typed text PAT FIC BEN Paste down front end paper has a sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service. Front loose end paper has a stamp from Corangamite Regional Library Service. Contents paper has a stamp from Warrnambool Mechanics Institute and Free Libraryflagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the price of love, arnold bennett

Appendix to Shire Secretary’s Report, 28 November 1966 SHIRE PRESIDENTS Local Government in this part of the State could be said to have commenced with election in 1846 of three trustees for "The Parish Road, leading from the Suburban Allotments in the Parish of Jika Jika, near Melbourne, to the Village Reserve in the Parish of Nillumbik". The Upper Heidelberg and Old Eltham Road follow approximately the original line of road proclaimed in 1840. The Eltham Road District was proclaimed on 24.9.1856. A meeting of landowners and householders of the Eltham Road District was held on 14.10.1856 at the Fountain of Friendship Hotel, Little Eltham, for the purpose of forming a District Road Board. To date I have been unable to locate any record of the names of the members elected, or of the first Chairman. Further research may yield the desired information. The Shire of Eltham was constituted on 28.3.1871. The proposed Roll of Shire Presidents should, I believe, also include the Road Board Chairmen. It may also be considered fitting to recognise the Heidelberg or Nillumbik (or Warringal) Road Trust in the same way. The first Minute Book of the Board, covering the period 1856 to 1863, has apparently been missing for many years. The Shire Minute Book for the period 1878 to 1885 is also missing. The absence of these vital records makes difficult the compilation of a complete and accurate list of Chairmen and Presidents. Although an early letter book yielded the names of the Shire Presidents in 1878, 1879 and 1800. The names prior to 1863 were derived from Rate Books and Government Gazettes. The information contained in the Municipal Directories 1875 to 1885 is at variance to some extent with such Council records as are available for that period, and consequently cannot be relied upon for the years where the Presidents names have not been shown. shire of eltham archives, series listing, a. armstrong, a. beale, a. brinkkotter, a. donaldson, a.h. price, a.j. braid, c.h. bath, c.m.a. pelling (mrs.), c.t. bell, d.c. o'beirne, e.d. butler, e.h. cameron, e.j. andrew, e.p. harmer, f.e. griffith, f.v. squire, f.w. nankervis, g. love, g. robertson, h. dendy, h. hewitt, h. stooke, l.t. wilmot, j. cox, j. murray, j. barr, j. bell, j. fitch, j. herbert, j. lawrey, j. mealy, j. pape, j. ryan, j. smedley, j.b. shallard, j.l. beale, l. c. docksey, r. mcadam, r.a. bell, r.c. white, r.r. woolcott, rutter, s.s. addison, s.w. scott, t. armstrong, t. irvine, w. horris, w. hubbard, w. lorimer, w. morris, w. taylor, w.c. farrell, w.f. ford, w.g. gray, w.h. bradbury, w.j. taylor, w.v. houghton

I was born in Guildford W.A. on 12 November 1940 and at an early age took an interest in painting. Over the years (between lapses) I have completed several hundred pieces of work including pencil and crayon sketches, lino cuts, oil colours - and water colours which have been my main focus. As painting has always been a hobby I’ve never bothered with selling my work through an art gallery - but have donated a good deal of work to fundraisers and charity auctions with some paintings attracting large prices, I’ve also sold quite a number (some years ago) via Joels Auctions before they went up-market, others have gone to friends and family. My pleasure has been in completing painting, I’ve never bothered about recovering costs (including framing) but happy when people take an interest in my work - and I know pictures have gone to a happy home – additional pleasure comes when people remind me they love the painting, sometimes I’ve forgotten what they have and other occasions have been able to see them in their homes and loved they way they have fitted-in. Regarding the little painting of the Bicentennial sailing ships – I did it as a quick sketch at the time (1988) when the ships departed Melbourne sailing down Port Phillip Bay - with the view to doing a larger painting which never eventuated and it has remained in my possession until recently when I decided to dispose of my remaining work/s as I have to move and ‘down-size’. As you will appreciate it is a very simple sketch but it captures a notable moment in time and would be very happy if the MTS could find a place for it in their collection. As it happens I spent 9 years in the Royal Australian Navy and feel a close connection to seafarers and would be honoured that you might wish to include the picture in your collection. Marine art, Maritime artKimberley Dunstan, Mission to Seafarers CollectionSmall rectangular oil painting (landscape format) depicting sailing shipsSigntaure of the artist bottom left corner: KHD At the back in black ink: 1988 / Kim Dunstan / Port Phillip Bay / Bicentennial Fleet Departure / From End Of Martin St Brightonbicentennial, 1988, fleet, kim dunstan, kimberley dunstan

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A colour photograph of the Steavenson River which flows through Marysville in Victoria. The Rose Series postcard No. 3527.POST CARD The "Rose" Series/ De Luxe Proudly Printed in/ Australia Since 1880 AFFIX/ STAMP/ HERE/ Rose Series/ Post Card No./ 3527 ADDRESS/ Nancy Oliver/ 14/150 Tyabb Road/ Mornington/ Victoria - 3931/ POSTCODE Steavenson River/ MARYSVILLE, VICTORIA, AUSTRALIA/ Photo Neil Cutts Copyright Rose Stereograph Co., Glen Waverley, Victoria (03) 9560 7772 8-3-2003 Dear Nancy/ here we are/ at Mary Lyn./ Everything is about the name nice/ pleasant & cheerful & restful meeting different people/ every day but we miss dear Nancy & Company eh?/ We did not notice any changes the prices are up./ We enjoy walking most mornings Eric enjoys/ longer walks in the afternoon. The weather so far/ has been nice cool and/ pleasant and time is passing/ quickly Hope to meet you in/ Nov. all being well./ Love Sarina & Ericmarysville, victoria, steavenson river, postcard, souvenir, rose stereograph co, 3527

A book titled 'The Life of Sir Walter Scott Novelist, Poet and Historian. One of the greatest and brightest of the sons of Scotland; whose genius ennobled his century, while his private virtues shed a lustre on the country he loved so well.' Published: Ward, Lock & Co., Salisbury Square, E.C. 401 - 415 pgs. This booklet is one of 53 'Ward & Lock's Penny Books for the People' 'Biographical Series.' Price one penny. There are also advertisements of note.books, biography, sir walter scott, lydia chancellor, collection, sir walter scott, the life of sir walter scott, writers, poets, poetry, history, historians, ward & lock's penny historical series, ward, lock's penny books for the people, biographical series, biography, male, individual, person, famous people, penny books, advertisements

Booklet. ALEC H CHISHOLM COLLECTION. 34 page booklet of the libretto for the Savoy Opera 'HMS Pinafore' or 'The Lass that loved a Sailor' by W. S. Gilbert and Arthur Sullivan. Published by Chappell & Co. Ltd, London about 1940. Printed by Henderson & Spalding Ltd, London. Catalogue sticker ''2158 GIL'' on the front. Purple stamp on front cover and title page ''Price 2/- Nett Chappell & Co.''Gilbert & Sullivanbooks, collections, operetta, alec h chisholm collection, hms pinafore, libretto, gilbert & sullivan, operetta

The Protestant Alliance Friendly Society of Australasia registered under the friendly societies statue. Grand council Victoria. Presented to past mistress sister. Mabel. M. Goodridge of Loyal Red Rose Lodge. No 18. On the 23rd day of november 1912. Signed by. Ella Price - WM. G.Biggs - WGM. Bella Rolls - DM. Ernest.W.Edmonds - DGM. Jane Miller - Sec. John Callaghan - Gen Sec. Top centre. Holy Bible. Large eye. 2 angels each side. Black & white photos of Luther. Galvin. Knox. Cranmer. Bottom left and right. Crown on book. 1. This we will maintain. 2. Let brotherly love continue.Picture frame manufacturers. The Fine Art Gallery. Mitchell street Bendigo. ( 1871 )person, individual, female

Black & White Document With Red & White Cove, Bendigo Operatic Society Theatre Programme Production 'Rose Marie' Venue: Capital Theatre Opening Night 15 th October 1959. For Seven Nights. Price 1/6. J.C. Williamson Theatres Ltd Norman Lee Production. ''Rose Marie'' Books & Lyrics Otto Harbach & Oscar Hammerstein II. Music Rudolph Friml & Herbert Strothart. Musical Director Mr Max O'Loghlen. Music Numbers Include: ''Vive la Canadienne'', ''Rose Marie,'' ''Indian Love Call,'' ''Over the Snow'','The Door of my Dreams.''Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/rose-marie

Bendigo Operatic Society Programme Booklet Production 'Carousel' performed at the Capital Theatre View Street Bendigo for a season of six nights. Opening June 14th, 1963. 'Carousel' presented with the permission of Chappell & Co. Ltd. A Beatrice Oakley Production. Music Richard Rodgers, Book & Lyrics Oscar Hammerstein II. Some Key Songs: 'If I Loved You', 'June is Busting Out All Over,' 'You'll Never Walk Alone.' Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnár's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He attempts a robbery to provide for Julie and their unborn child; after it goes wrong, he is given a chance to make things right. A secondary plot line deals with millworker Carrie Pipperidge and her romance with ambitious fisherman Enoch Snow. Cast: Patricia McCracken, Mary Ellis, Joan Heard, IaIan Young, Peter Houston, Reginald Boromeo, Heather Lindhe, Fred Trewarne, Roger Sprawson, Alan Weatherly, Graham Filcock, Victor White, David Lea, Robert Urquhart, Annette Wilson, Robert Wenn.Arthur Hocking Press.clubs and associations, theatre, bendigo operatic society, https://bendigotheatrecompany.org/about/

Bendigo Operatic Society 'The Student Prince' Capital Theatre Bendigo Opening Friday, 19th September, 1958 For Six Nights. Price One Shilling. Allans Pty Ltd & J.C. Williams Ltd Arrangement. Producer Cid Ellwood, Musical Director Max O'Loghlen. Music Sigmund Romberg, Lyrics & Book Dorothy Donnelly. Production Songs include: 'Golden Days,' 'Garlands Bright With Glowing Flowers,' 'I'm Coming at Your Call,' 'Deep in My Heart' 'Hail, Youth and Love,' 'Farewell Dear,' 'Just We Two,' and 'Sing a Little Song.' Cast: Fred Trewarne, Reg Boromeo, Adrian Van Dyk, Andrew Nelson, Bram Schrever(autograph), Charles Phillips, Vincent D'Araugo, Max Beckwith, Barbara McGregor, Joseph Quigg(autograph), Robert Nicholls, Harry Brewer, Leonard Carr(autograph), Colin Irvine, Margaret Rule, Alfred Annison, Brian Brewer, Gertrude Perry, Aileen Simmonds, Rosalie Spencely (autograph).Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/the_student_prince

A classic of its kind, The Long Gray Line is the twenty-five-year saga of the West Point class of 1966. With a novelist's eye for detail, Rick Atkinson illuminates this powerful story through the lives of three classmates and the women they loved―from the boisterous cadet years, to the fires of Vietnam, to the hard peace and internal struggles that followed the war. The rich cast of characters also includes Douglas MacArthur, William C. Westmoreland, and a score of other memorable figures. The class of 1966 straddled a fault line in American history, and Atkinson's masterly book speaks for a generation of American men and women about innocence, patriotism, and the price we pay for our dreamsFollowing the lives of 3 graduates, from cadets through to post war and their integration back into a changes Americasoft cover non-fiction book with 592 pages with photos

p.765.fictionThe classic tale of one young woman's quest for fulfillment in 1820s England, and the price she would pay for true freedom. Maggie Tulliver's entire life has been spent in the shadow of Dorlcote Mill on the River Floss with her beloved older brother, Tom. But when their father meets an untimely death, the siblings' singular bond is strained as Tom is forced to leave his studies and Maggie struggles to find a sense of belonging. Maggie's sharp intelligence and spirited nature have made her an oddity in the rural hamlet of St. Ogg's, where such unique qualities are perceived as unbecoming for a woman. Her need for recognition and love eventually drives her to defy her brother, who casts her out of his house to survive on her own. Forced to grieve the losses of both their father and each other, the siblings will have to find it in their hearts to forgive in order to reconcile before tragedy strikes again. Inspired by events in the life of the author, The Mill on the Floss is George Eliot's most heartfelt novel and one of her most compelling and moving worksengland - fiction, romantic fiction

This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath, peacock statue, loch ard peacock, majorca peacock

Town Hall, The Bendigo Choral Society. Souvenir program 3d. With and oval picture of Mr. W C Frazier A.R.C.O.-Conductor on front cover. Gounod's 'Faust'. For Bendigo Benevolent Asylum, 5000 pounds. Town Hall, Bendigo, Wednesday, June 14th, 1992, at 8pm. Principals: Miss Phyllis Hannaford (Mrs. J R Clark); Miss Essa McSwiney, L.A.B. Mr. E H Collett, Mr. E A Miller, Mr. Gerson Krost, Conductor: Mr. W C Frazier, A.R.C.O. Pianiste: Miss Eileen Hains, A.T.C.L. Picture of Benevolent Asylum on front cover. J G Austen, Secretary Appeal Fund. J Hudspeth & Z S Martin Secretaries Choral Society. Concert to commence at 8pm. Artists; Mr. Gerson Krost, Miss Essa McSwiney, Mr. E A Miller, Miss Phyllis Hannaford. Cast; Mrs. J R Clark, Miss Essa McSwiney, Mr. E H Collett, Mr. E A Miller. Choruses, etc. by Choral Society. In the Homeland Mr. Frazier found it the increasing practice to take the great opera masterpieces and give them on the concert platform in more of less liberal excerpts. With characteristic generosity. He purchased the copies and presented them to the Choral Society. Bendigo has thus an opportunity to hear the latest idea. We are sure the musical public will appreciate this, though of course. . .. It is interesting to note that when this great work was first performed in Paris, on March 19th, 1859, it was somewhat coldly received, to the composer's great grief, as he, with the instinct of genius, . . .. The Compact: Introduction: Faust, aged and worn, weary with long pondering over learned treatises, in a pessimistic mood wonder whether the work is worthwhile. Memories of an early love stir strangely in his being, and he, in his doubting mood, questions all things, in despair he would welcome death, and finding no answer from the heavens, he appeals to the powers of ill. To his great surprise, he is at once answered by Mephistopheles and a colloquy then ensues in which the Evil One promises him Gold? Glory? A Kingdom? No! No! It must be 'Youth!' That can be done also. Faust is dubious, but on Mephistopheles bringing a vision of beauteous Margarita at is dubious, but on Mephistopheles be 'Youth!' That can be done also. Faust is dubious, but on Mephistopheles bringing a vision of beauteous Margarita at her wheel he agrees and signs the compact. 'Up Here I am at thy command, Down There thou servest me!' At The Fair: Mephistopheles then asks Faust to the Fair where they mix with the revelry of the students, soldiers and merry maidens. He gets a glimpse of Margarita. The Evil One is again busy putting Suspicious and quarrelsome thoughts into good comrades' minds. . .. The Wooing: Poor Siebel, the ardent, faithful lover of Margarita, finds himself somewhat overshadowed by the young and handsome Faust. Mephistopheles in a mocking mood tells him that every flower that he plucks will perish in his hands. He finds this prediction verified when he plucks the flowers for his lady love, but when in faith he scouts the Evil One, he conquers, and the spell is broken. Faust, filled with an ardent and pure passion, approaches the dwelling of Margarita, with an offering of priceless jewels, provided by the . . .. . The Return of Valentine: Valentine, the soldier brother of Margarita, leaves for the wars, giving the care of his sister to her faithful lover, Siebel. On his return, covered with glory, and ardent to meet his people again, he hears the story of the flouting of Margarita by Faust. In this part the soldiers are welcomed home by their comrades in the male part of the song 'Fold the flag my brothers,' followed by the celebrated chorus (usually known as the 'Soldier's Chorus' Glory and love to the men of old.' It has been set, in this edition, for full choir. Mephistopheles, the evil genius, in a spirit of raillery, and exultant that his plans are working to . . . . The Price: Faust, repentant, desires to do justice to Margarita and again be her lover. Margarita is almost demented at the loss of her brother. Mephistopheles not to be cheated, thwarts the good impulse of Faust and demands his price. He also endeavors to make Margarita despair, but owing to the simple faith of the . . . . The End. A Question You give you name, your time, your pelf To ease your woe: But what do you give of your own self To pay the debt you owe? You open a Home for helpless ones, And you shut them in with care; Of what think you is their share? You talk and you write; you organise; All this, we know, is true; But how do you spread the spark divine, The deep-down soul of you? -A Simkins. Benevolent Asylum Appeal. The Committee of Management directing the works of the Asylum desire to bring before an always generous public the claims of the Instruction for financial support. The Appeal for 5000 pounds has been launched in the full belief that the case is a good one, and in the confident hope that it will be successful. The work carried on by the Asylum covers a big field, extending as it does from Swan Hill in the north and Melbourne in the south. Inmates from all parts of the State are given a comfortable home, and properly cared for in the eventide of their lives. There are at present in the Asylum 164 old men and women. In addition to this work the Committee thoroughly investigate and dispense relief in food to from 150 to 200 adults and from 300 to 400 children each week, and also issues a large number of blankets, boots and clothing garments to necessitous applicants. The recipients of this relief are principally widow and their little ones, and the wives and children who are dependents of miners suffering from the dread Miners' Complaint. The Committee in organizing this branch of its charity work, has, to a great extent, prevented a large amount of waste, through overlapping and duplication of effort. It now appeals to the public for the above amount in order that be may still be able to continue charity work among the poor and necessitous of Bendigo and District. 'Organized Charity is Love with Judgment.'Cambridge Press Printprogram, theatre, town hall, bendigo