A short article about Thomas Coventry and his service in World War 1. At the time of Thomas Coventry's enlistment, he was living at Diamond Creek. He and his brothers are commemorated on the Greensborough State School Honor Board.1 Page, text and colour images.world war 1 project, thomas coventry

A short article about John Thomas Coventry and his service in World War 1. At the time of John Thomas Coventry's enlistment, he was living at Diamond Creek. He and his brothers are commemorated on the Greensborough State School Honor Board.1 Page, text and colour images.world war 1 project, john thomas coventry

This bookmark was found loose inside one of our antiquarian books and no connection to the book or its unknown original owner have been found. The word Mizpah means Watchtower in Hebrew and a Mizpah card or bookmark was sent or given to Jewish people who were separated from their loved ones, with the message that the Lord was watching over those absent. The bookmark has been made by the firm of Thomas Stevens of Coventry. This city was the English centre of ribbon weaving in the 19th century and Thomas Stevens, a local weaver, invented and developed in the 1860s the art of making woven silk items - book marks, greeting cards, art works etc. These were called Stevengraphs. Stevens opened a factory in London in 1878 and by the 1880s was producing over 900 woven silk designs. Stevengraphs are a collectors' Items today and this Mizpah bookmark is a fine example of one.This is a woven silk bookmark with multi-coloured patterns. coloured script and a sprig of fuchsia flowers, all on a yellow background. There is a red tassel at the end of the bookmark. The bookmark was affixed to a rectangular sheet of paper containing details of the maker but the bookmark is now detached. The backing sheet is partly torn.Mizpah The Lord watch between Me and thee when we are Absent one from anotherreligious book marks, stevengraphs

Made by the firm of Thomas Stevens of Coventry, the English centre of ribbon weaving in the 19th century. Thomas Stevens, a local weaver, invented and developed in the 1860s the art of making woven silk items - book marks, greeting cards, art works etc, called Stevengraphs. Stevens opened a factory in London in 1878 and by the 1880s was producing over 900 woven silk designs as described on the backing sheet with this example. Stevengraphs are now collectors' Items and this bookmark included on its original marketing sheet is a good example of the company's mid sized range of bookmarks.This is a woven silk bookmark with multi-coloured patterns. coloured script and a sprig of roses, all on a white background. There is a yellow tassel at the end of the bookmark. The bookmark is affixed to a rectangular sheet of paper containing details of the makerstevengraph

A group of young men from Diamond Creek, including Hugh Norman Coventry, John Thomas Coventry and W.S. Laurie. Names supplied by Bruce McDowell.Digital copy of black and white photographSome names have been added to photo.hugh norman coventry, john thomas coventry

Late nineteenth century Thomas Stevens woven silk bookmark still on its marketing card from c. 1876.bookmarks, stevens & co, coventry, london, woven silk

Woven silk bookmarks, or Stevengraphs were popularised by Stevens & Co of Coventry from the 1860s and other companies soon entered the industry. The Australian colonists from Britain also used these popular markers. Today they are keenly sought by collectors.A bookmark of silk as a Stevengraph by Thomas Stevens & Co Coventry. bookmark, stevengraph, coventry

This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a group of women taking a fencing lesson, under the guidance of a male teacher. Two women are pictured pointing sabres at each other at the centre of the image, while four other women look on at the right of the image. The teacher is shown on the left hand side of the image, holding a sabre in his right hand which is pointing downwards so that the tip of his sabre is resting against the floor. All figures in the image are wearing Victorian era dress. There is a sticker for Gibson's Auctioneers attached to the bottom right hand corner of the front of the artwork. Two small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging.

This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a Victorian era billiards room. An ornate billiard table is at the centre of the image. At the near end of the table, two men are crouching down and leaning over the table, examining billiard balls while holding billiard cues in their left hands. At the far end of the table, a woman is sitting on the corner of the billiard table while holding a billiard cue in her left hand, in an intimate face to face pose with a man standing behind the billiard table. All figures are depicted in Victorian era aristocratic dress. The bottom right corner of the images features the signature 'D'A. PEREZ'. Three small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging.

Thomas Langdon (1832-1914) was born in Somerset, England and came to Australia in 1853. He started in Bendigo as a miner and carter before beginning farming at Laanacoorie. He married twice; Esther Temlett in 1855 and Sarah Coventry in 1862. He was elected to the Marong Shire Council in 1871 and went on to become a member of the Victorian parliament. He was the Member for Avoca and later Korong. In 1907 he was the Minister for Labour.Black leather folder, 5 pages inside. On front of folder in gold print ' In Memoriam. The Honorable Thomas Langdon, Chairman of Committees of the Legislative Assembly' Inside, first page: In Memoriam, The Honorable Thomas Langdon, M.L.A., member of the Legislative Assembly for - The Avoca District from 1880 - 1889; The Korong District from 1892 - 1914. Died 27th May, 1914. Following pages cite extracts from the minutes of the Lagislative Council that discuss Thomas Langdon's passion and significance in representing his constituents in Parliament. His passing is noted. 'Wednesday June 24 1914' The One. W.L. Baiullieu ' it is with much regret that I have to propose the following motion 'that this House desires to place on record its deep regret at the death of the Honorable Thomas Langdon .....'person, government, thomas langdon

A faded document titled "Bendigo Teachers' College Graduation Ceremony 1958". The front cover also contains a list of the staff teaching at the college. They are The Principal Mr. L. J. Pryor, Miss J. C. Burnett, Mrs. F. M. Petri, Mrs. N. F. Fawdry, Miss M. G. Bremner, Mrs. D. J. Andrew, Mrs. M. E. Boardman, Miss B. H. Cowling, Miss E. M. Jones, Mr. F. M. Courtis, Mr. C. L. Barker, Mr. T. J. McCabe, Mr. G. W. D. Boyd, Mr. P. F. Fitzpatrick, Mr. R. L. Strauch, Mr. G. S. Poulsen, Mr. M. Pratt, Mr. F. X. Martin and Mr. N. J. Taylor. On the inside cover is the "Significance of the Ceremony" and the "Order of the Ceremony". Mr. F. M. Courtis gave the Welcome to Visitors and the College Charge was given by the Principal. The 'Graduation Book' was presented to Mr. A. L. Harris by Miss J. C. Burnett. Mr. C. L. Barker called the final roll for 1958 and Congratulations were offered by The Mayor Cr. H. W. Snell J.P. and Mr. R. L. Harrowfield Head Teacher of Golden Square State School. The Occasional Address was given by Mr. J. R. Lyall Assistant Chief Inspector of Primary Schools.The following page contains a list of the "Students of 1957-58" - John Victor Anderson, Margaret Betty Baker, Patricia Ann Banko, George Edward Bazley, Elizabeth Margaret Bower, Nancy Elva Boyle, Enid Gilmour Brown, Wendy Lorraine Bulleid, Fairlie Anne Burkinshaw, Barry Henry Burns, Katherine Alice Byrnes, Bryan Clarke Campbell, Elizabeth Joyce Chapman, Alison Amelia Clark, Valerie Nancy Clough, Georgina Mary Agnes Coppock, Eric Bruce Hindle Coventry, Faye Margaret Crump, Dorothy Lilian Cunnington, Elizabeth Jean Dalrymple, Lois Anne Davies, Brian Leslie Dolan, Moira Margaret Dowd, June Frances Ellis, James Cornelius Finnegan, Graeme Reynolds Fleet, Elaine Rose Fuga, Rosemary June Garonne, James Alfred Geehman, Ronald James Goodman, Bernard Thomas Gray, Dorothy June Gregson, Joy Margaret Ham, Dorothy Rose Harice, Arthur Herbert Harris, Brian Hopper, Dorothy Anne Hosking, Nancy Elizabeth Hughes, Irene Margaret Hynes, Donald James Low, Elspeth Faye McCarthy, Richard James McGowan, Geoffrey Douglas McLean, Junella Maree McPhail, Beryl Martin, Carmel Monica Mullins, Charles Peter O'Connor, Nancy Lorraine Peck, Ian Alwyn Raeburn, Raymond Edward Reardon, Ruth Lorraine Reid, Patricia Margaux Roberts, Robert Herbert Robertson, Phillip Edward Rowe, Lesley Margaret Silke, Francis William Sleeth, Margaret Joy Sloane, Murray Francis Sweeney, Elwyn Beth Thompson, Margaret Ann Wadley, Janet Ann Wallis, Geoffrey Michael Warman, Kevin George Watson, Patricia Anne Weight, Margaret Anne West, Ronald Thomas White and Irene Mary Wolfe. The back page has the "Principal's Charge". There is also a white type written insertion containing the words of the songs and a plan of the seating and movements of the ceremony. Boltons Print, Bendigo.bendigo, education, bendigo teachers' college graduatio, la trobe university bendigo collection, collection, bendigo, bendigo teachers' college, bendigo teachers' college students, education, teaching, teachers, students, graduation, tertiary education, book, graduation ceremony, graduands, history, bendigo teachers' college staff, history

Stevengraphs are pictures woven from silk, originally created by Thomas Stevens in the 19th century. In the mid-19th century the town of Coventry, England, was the centre of a ribbon weaving industry. In 1860 the Cobden–Chevalier Treaty was signed; this free trade treaty introduced new competition into the industry, leading to a collapse in the local economy. Thomas Stevens, a local weaver, responded by adapting the Jacquard looms used in Coventry to weave colourful pictures from silk. By 1862, Stevens could produce four different designs and by the late 1880s this had grown to over 900; they became known as "Stevengraphs", after their maker. Many of these designs were used to produce bookmarks, while others were used to make greeting cards and other silk objects.A "Stevengraph marker" woven (loom) in Coventry, England. A collectors item. Religious theme with choir boys in black and white and text mounted on card.'We promise thee O God' T. Stevens. Coventry textile, weaving, ecclesiastical, england, late 19th century

Photographs of the Marble Boards showing the Ballarat Old Colonists' Association Past Presidents Board ballarat old colonists' association, honour board, john william graham, john paul murray, william robertson, robert uriah nicholls, thomas tuke hollway, william henry stokeld, john ambrose blight, arthur hereward nevett, walter herbert tweedie, alfred ernest campbell kerr, sidney wallace john clark, john glasson, john kildahl richards, walter j. irwin, charles n. tulloch, charles h.g. anderson, edmond c. doepel, t.p.w. wilson, e.a.h. guymer, r.h. ramsay, h.b. irwin, david a.e. fawell, j.h.c. coventry, l.j. drury, m.j. charles, d.l. pratt, james s. sleep, andrew r. robson, margaret rich, m.j. blenkiron, steve j. carter

Early woven bookmarks were introduced by Coventry weavers J.Cash in the 1860s but rival Thomas Stevens soon became pre-eminent in the production of Stevengraphs which included woven bookmarks such as this. Stevens later expanded to London but ceased production in the late 19th century.This is a woven silk bookmark with multi-coloured patterns featuring a neo-gothic surround and three praying women. The tassel normally at the end of these bookmarks is missing. This is a fine example of the company's larger bookmarks.bookmark, stevengraph, coventry, silk, weaving, neo-gothic