This thank you card is from Thomas Rome (1873-1974) when he was celebrating his 100th birthday in 1973. Thomas Rome came to Warrnambool from Beechworth to work with John Younger in his Warrnambool store in 1888. He worked there for 17 years before opening his boot and shoe shop at 115 Liebig Street in 1907, retiring in 1962. Thomas Rome is remembered today not only for his long life and prominent Liebig Street business but also because of the sound recordings he made in 1896-7 at the Warrnambool Industrial and Art Exhibition. With an Edison phonograph machine he made sound recordings of local artists and these are regarded as one of the oldest, if not the oldest, surviving sound recordings made in Australia. This card with its envelope is of interest as it reminds us of the long life of a prominent Warrnambool identity of the late 19th century and the first 70 years of the 20th century. The card has T. J. Rome’s signature. Mrs Vera Giles was the recipient of the card a long-serving member of the Warrnambool and District Historical Society and, like Tommy Rome, a person who reached her 100th year and beyond. This is a small piece of white lightweight card folded into two to make a card. Inside is a handwritten and printed message from Tommy Rome on the occasion of his 100th birthday The envelope bears the post mark 18th September 1973 and is addressed to Mrs Giles. Envelope: ‘Mrs Giles, 3 Cyma Street, Warrnambool, Vic. 3280, a seven cent stamp and a handwritten note – ‘Tom Rome, ‘thank you’ 100th b’day’. Card: ‘Murweh’, 203 Liebig Street, Warrnambool 3280 Dear Mrs Giles I would like to express my appreciation of your kind message which I received on my 100th birthday. The good wishes of so many have given me happiness and I ask you to accept my warm thanks, With kind regards, Yours sincerely, T.J.Rome thomas rome, murweh, warrnambool history, vera giles warrnambool

This boot belonged to Thomas Rome and may have been either an apprentice’s model or a display item in his boot and shoe shop or both. Thomas James Rome (1873-1974) worked in John Younger’s store in Beechworth before both came to Warrnambool in 1888. Rome worked in Younger’s store in Liebig Street, Warrnambool for 17 years and then established his own boot and shoe store at 115 Liebig Street in 1907, retiring in 1962. He married Amelia Saltau and they lived at Murweh at the corner of Liebig and Princess Streets, Warrnambool. Thomas Rome is mostly remembered today for his purchase and use of an Edison phonograph machine in the late 1890s and the sound recordings he made with this machine at the Warrnambool Industrial and Art Exhibition of 1896-7. These recordings were found intact after Rome’s death and are regarded as the earliest sound recordings still surviving in Australia today. This sample boot is of great significant as an example of the bootmaker’s art in the early 20th century and as a memento of Thomas Rome, important in Warrnambool’s history as a businessman and in the history of sound recording in Australia. This is a small sample black leather boot (probably a lady’s boot). It has double ridged stitching across the instep with a soft leather upper part and stitching separating the soft leather section from the smooth leather. The right side of the boot has seven button holes and seven buttons attached with metal clips. The sole is leather with a small heel and the name of the owner stamped on the sole. ‘10’ ‘T.J.Rome’ thomas rome, history of warrnambool, antique lady's boot, leather boot vintage

The phonograph is a mechanical device for the recording and reproduction of sound and originally used a tinfoil sheet wrapped around a rotating cylinder to produce the sound. It was invented by Thomas Edison of U.S.A. in 1877 and was the model for all phonographs or gramophones made and developed throughout the 20th century. This machine is of particular interest to the Warrnambool and District Historical Society as it is an Edison phonograph and an earlier model of this phonograph was used in Warrnambool late in the 19th century to make an important recording. In 1896 Thomas Rome, an employee in a Warrnambool boot and shoe shop, purchased an Edison phonograph that could both play and record sounds. At the Warrnambool Industrial and Art Exhibition of 1896-7 visitors to the Exhibition paid a fee to listen to music on this phonograph. But Rome also recorded some local Warrnambool people singing and speaking and these recordings survive today. They are regarded as the oldest surviving recordings made in Australia. Thomas Rome later became a shoe shop proprietor in Warrnambool and was a well-known person in the town/city for a great number of years. This is an Edison Gem Phonograph. It has a black-painted wooden base, now detached from the main mechanism. The phonograph is made of metal which is now heavily rusted. It has a cylindrical turntable for playing the Edison cylindrical records and a handle with a wooden knob. The turning mechanism and belt are now broken. The name of the manufacturer and details of the patents are on a metal plate attached to the side of the phonograph. The amplifier mechanism at the top of the machine is missing. The cover of the machine is made of wood and has a wooden handle attached with a piece of metal and two metal screws. There are also two metal screws on the side of the cover. The cover has a slot on the side to allow the turning handle to be accommodated outside of the cover. The cover is much stained and spotted. ‘Edison Gem Phonograph’ thomas edison, history of sound recordings, thomas rome (warrnambool)

This is a supplement issued by the Weekly Times newspaper in 1896 to commemorate the opening of the Warrnambool Industrial ad Art Exhibition in November 1896. The exhibition ran for three months in the Warrnambool Town Hall/Mechanics Institute area with some temporary buildings. The attendance was recorded as 70,000, making it one of the biggest events ever held in Warrnambool. There were displays, competitions, concerts and operas and sporting and cultural events. The exhibition was historically important as being the time and place when the earliest surviving sound recordings made in Australia were produced by Tommy Rome on an Edison phonograph. The supplement came from the estate of Bruce Morris, the editor of the Warrnambool Standard from 1946 to 1968 and an important Warrnambool historian.This paper, although tattered is a most important souvenir of the Warrnambool Industrial and Art Exhibition of 1896-7, a significant event in Warrnambool’s history. The supplement is also a valuable record of businesses and people of the late 19th century in Warrnambool.This is a supplement to an 1896 newspaper. It has 20 pages but is incomplete. It has printed material and black and white and sepia photographs. Most of the pages are loose and are tattered. warrnambool industrial and art exhibition 1896-7, bruce morris, warrnambool, thomas rome, warrnambool

This private late-nineteenth-century four-wheeled carriage has been built to transport a family or group of passengers with a coachman in the front seat. It can be pulled by one horse, or by two horses if the T-pole is attached. The button fittings along each side of the carriage indicate that a folding roof or hood was once attached. The frame across the front of the carriagewas likely to have been a ‘dashboard’ with a leather or wood covering to prevent water, mud and other particles from splashing onto the passengers. The rear step between the two side-facing bench seats is adjustable to allow for ladies’ long skirts. These rear seats appear to be removable, in which case the carriage could be converted to a wagon to transport goods and equipment. The carriage could have been illuminated by oil or carbide lamps placed into the lamp holders on the sides. The carriage was kept under cover for many years in an open-front sandstone building that also included living quarters and an area that may have been stable. It was at ‘Murweh’ a Warrnambool property at 203 Liebig Street. The home is now Heritage and National Trust Listed and described as a ‘gentleman’s residence’. It was built by James Wotton Shevill in the 1860s. Shevill was a councillor from 1875 to 1878, serving in 1878 as Mayor of the Borough of Warrnambool. Jeremiah Wade lived at Murweh there from 1879-1880. By 1915 F.B. Whitehead and his family were living there, and by 1930 the address was used by Mr T.J. Rome and his family. Thomas James Rome was still using that address in September 1973 after his 100th birthday. It is believed that one of the property’s owners had been an Obstetrician in Warrnambool. The current owner re-told the story that children used to hide in the back section of the carriage and smoke, hidden from the sight of onlookers. He had heard the story from a previous owner.The well-appointed horse-drawn four-wheeled carriage is likely to have first belonged to a local councillor and past Mayor of the town of Warrnambool, J.W. Shervill, whose 1860s city property was the carriage location for many years. The carriage is a rare local example of a town-based lifestyle befitting a prosperous personality of the late 19th century. It adds to the story of Warrnambool's development as a town influenced by the port, wealth gained from shipping and the home place of prominent local people such as the Councillor and later Mayor. The side-facing rear seating is unusual for a passenger carriage. It has the feature of removable rear bench seats, allowing for the dual purpose of a carriage or wagon.Carriage; the Victorian-era horse-drawn four-wheeled open carriage has a coachman’s bench seat across the front and two side-facing bench seats in the rear. There are steps at the front on each side and a centre adjustable step and the back. It has a hinged shaft, two lamp holders and a separate T-pole. The bench seats have padded backrests upholstered in green leather and each has padded armrests at the ends. A rectangular metal frame, likely to have been a dashboard, is mounted across the front of the carriage. It has two inner vertical bars. The carriage's body is painted dark green with crimson highlights on some of the panelling. Decorative oval panels with hand-painted motifs are mounted along the sides. The side panels of the carriage have metal fastener buttons attached. The iron-rimmed wheels have sixteen wooden spokes and copper cuffs on the outside of the hubs, and the rear wheels are higher than the front wheels. Wooden brake blocks are mounted onto the back wheels and are active by a metal lever at the front right side of the carriage. The undercarriage is fitted with leaf springs on each side, mounted from front to back axles. Included are: (1) The separate T-pole that allows two horses to be harnessed to the carriage (2) Leather horse winkers with metal hardware and oval brass plate on the side of each winkerMotif painted on an oval panel [a musical lyre within a blue floral wreath flanked by scrolls] flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, murweh, buggy, cart, carriage, wagon, horse-drawn vehicle, victorian buggy, four-wheeled carriage, coachman’s seat, bench seat, side-facing benches, upholstered seats, victorian decals, heritage vehicle decoration, antique hand painting, hand painted decals, motifs, iron-rimmed wheels, wooden brake blocks, leaf springs, t-pole shaft, rear step, equine carriage, 19th century vehicle, victorian transport, transport, gentleman’s vehicle, james wotton shevill, councillor, mayor, jeremiah wade, f.b. whitehead, thomas james rome, warrnambool obstruction, warrnambool genealogy, warrnambool pioneers, victorian carriage, one horse carriage, two horse carriage, horse drawn carriage

Thomas (Tommy) Rome was a prominent Warrnambool citizen who came to Warrnambool in 1888 and established his footwear shop at 115 Liebig Street in 1907. He retired in 1962. Tommy Rome was also important as the person who recorded songs and skits on an Edison phonograph at the Warrnambool Industrial and Art Exhibition in 1897. These recordings survive today as the earliest surviving sound recordings in Australia.These are labels from a well known business in Warrnambool and so are of some significance..1Rectangular paper label with brown and yellow background, white and brown text and a space for writing. The reverse is adhesive. .2 Rectangular paper white label with dark blue sections, a space for writing and dark blue and white text. The reverse is adhesive. It is damaged. .3 Identical to .2 .4 Identical to .2 ..1 T.J.Rome Liebig St. Warrnambool For Gladstone, Kit & Brief Bags. up=to=date Boot & Shoe Store. .2, .3, .4 THE UP-TO-DATE BOOT AND SHOE STORE FROM, T.J. Rome LIEBIG STREET,WARRNAMBOOL .t.j.rome, boots and shoes, warrnambool

This collection of works, “songs without words” was written in the 1830’s by Mendellson. He was of the opinion that the music should stand alone and hence no need for words. This collection of his work for piano solos is still on the music syllabus today. The stamp on the front cover J.B. Shepherd and Son relates the Shepherd family music store in Liebig Street, which operated around the turn of the 20th century . They sold pianos and other musical instruments as well as doing repairs and tuning and lessons.This collection of music scores by Mendelssohn is significant firstly because it is still used by music students 160 years after it was written and secondly this copy has local significance as it was owned by Grace Rome who was born in 1902 and was the daughter of one of Warrnambool’s most successful and longest living business people Thomas Rome, who incidently made one of the earliest sound recordings in Australia.Cream coloured card cover with dark green cloth binding with the title Mendelssohn in red text with black flourish. Other text on cover is black. Edition Peters at the top of cover in black text. Pages contain music scores .132 pages. Kullak printed on front cover. Light blue stamp, “J. E. Shepherd & Son, Piano, organ & music Warehouse. Tuners & repairers Warrnambool. Written in Black ink but scrubbed out with blue ink on inside fly is Grace Rome P.L.C. 1921. 1. Similarly un unknown name is scrubbed on front top right corner of cover. warrnambool, mendelssohn, lieder ohne worte, edition peters, grace rome

The author, Thomas Babington Macaulay, wrote this collection of Lays or narrative poems that tell a story, like a ballad. Four were based on Roman history, and he wrote two based on recent history; Ivry, written in 1824, and The Armade, written in 1832. The book became so popular that it became standard reading in British public schools until at least the 1940s. This book is from Flagstaff Hill's Pattison Collection, a large group of books and records, some of which are rare and valuable. The collection was originally owned by the Warrnambool Mechanics' Institute, which was founded in 1853 and is named after Warrnambool's Public Librarian, Ralph Pattison. The publisher Longman, Green, Longman and Roberts, operated from 1859 to 1862. It was founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, including the name Longman, Green, Longman and Roberts from 1859 to 1862 the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. The book is significant for its popularity and educational purposes as part of British public schools’ standing reading list for over a hundred years. It is also important for its connection to the London publisher Longman, Green Longman Roberts, who was an extension of the Longmans, Green & Co, operating under this name from 1811 to 1823. The firm has been established for over two centuries, is renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. Lays of Ancient Rome: with Ivry and the Armada, by Lord Macaulay Publisher: Longmans Green Longman and Roberts, London Date: 1860 Further Information: New edition. (First published in 1842) Green cloth hardcover with embossed gold text on the spine. The fly page is illustrated. Inscriptions are on a label on the spine, stamps on the fly page, and a stamp and stickers on the endpapers. This book is part of the Pattison Collection.Label on spine; "PAT 821 MAC" Fly stamp; "Warrnambool Mechanics Institute " Fly handwritten in pencil; "PD 34" "P/W" " in blue pen; "4849" and "821" Endpaper stickers; Warrnambool Public Library" and "Corangamite Regional Library Service" Endpaper stamp; "Corangamite Regional Library Service"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, lays of ancient rome, lord macaulay, flagstaff hill maritime museum and village, maritime village, free library, ivry, the armada, thomas macoulay, longmans green longman and roberts, longman green longman roberts & green, thomas longman, paternoster row london, 1860, thomas babington macaulay, roman history

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Puccini's La Boheme. LP 33RPM vinyl, Catalogue Number: LXT 2623, Record cover, plastic sleeve, 1 vinyl disc, back cover notes (no author listed). Orchestra and Chorus of The Accademia di Santa Cecilia Rome. Conducted by Alberto Erede.lp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Verdi, Highlights from "AIDA". LP 33RPM vinyl, Catalogue Number: CLCX 042, Record cover, no plastic sleeve, back cover notes (no author listed). Conducted by Alberto Paoletti, with chorus and orchestra of The Rome Opera House.lp, sound recording, opera

Brown leather book cover with embossing on cover 'Macaulay's Lays' Gold writing on the spine 'Lays of Ancient Rome, Macaulay, Longman & Co' Embossing detail on back cover 167 pages ; List of works/ Index 32 pages ; 18 cmHandwritten inscription on first unnumbered page '17' Stamp on various pages 'Kilmore Mechanics Institute'macaulay, poetry

Index, ill, p.246.non-fictionA scholarly study of a period that is central to our past and heritage. Cahill captures the unique sensibility of the unsung Irish who relaunched civilizationireland - history, western civilization - history