Framed art quilt depicting Woorayl Shire boundaries. Features animals and landscape from local agriculture, plus local flora and fauna. Embroidered and sewn in fabric, wool and thread. Engraved brass plaque affixed to lower edge. Brown textured wood frame, Perspex case covering entire work.On brass frame plate: WOORAYL IN THREADS, Presented to the Shire of Woorayl on the occasion of it's Centenary. 1888 - 1988, Worked by Country Women's Association members from within the Shire, 24-5-1988

Soft cover booknon-fictionA collection of stories told by retrenched workers about their lives and work at Feltex Carpets in Braybrook, Melbourne braybrook, feltex, scotland street

This device allows easy threading of needles with ease. Place the needle in the casing then wrap the thread across the groove. Press the button down gently but firmly and pull the thread that appears on the other side slowly until the shorter end appears, and the needle is threaded.Red plastic rectangle with one insert tubes and one white push tabs, a leaflet of instructions and a white stand to place the threader on"Needle threader" in red on one side and an image of a female holding a needle threader on the reverseassistive devices, hong kong

Women kept embroidery threads in containers such as these.A small natural, green and purple coloured raffia lidded basket. It contains many coloured vintage embroidery threads inside - Semco, DMC.'Semco' 'DMC' branded embroidery threads.sewing baskets, sewing equipment, embroidery equipment

This is a book of 220 pages with a red cover in blue and white printing and white and red graphics. It has a dust cover replicating some of the pattern of the hard cover. The pages contain printed text, black and white and coloured photographs and other illustrations. There is a loose book mark with the printing replicating the cover. non-fictionHistory of Emmanuel College and its founding schools catholic education in warrnambool., history of emmanuel college, st ann's, christian brothers college, emmanuel college warrnambool

This is a book of 172 pages. The front cover has three black and white photographs with a background of a colour photograph of a country scene. The printing is red, white and blue. The back cover has red printing and a colour plan of country allotments. . The pages contain printed text, black and white photographs and other images. non-fictionHistorical details of William Wall and his family and descendantswilliam wall, hotels of warrnambool and district

In response to impacts of COVID-19 on the lives of the people of Nillumbik, and on creative practitioners across Australia, Nillumbik Shire Council called for writers to provide short texts, reflecting on their pandemic experiences. At the time, and for months afterwards, walking was one of the few sanctioned recreational activities, and in that way a reminder of 'normality' and the importance of community. Twenty texts were selected to be stencilled onto public walkways for the Written in the Time of COVID-19 project. There, on the pavements of locations throughout Nillumbik, they could intersect with the precious pleasure of the daily stroll, jog or cycle.Such was the quality of writing received, that many other texts could have been chosen. Writers responded with humour, sadness and passion to the extraordinary times. Given this response from writers, who submitted work from across the country, and the importance of recording the public experience of COVID-19, it was determined that a collection should be created, gathering in one place the very best of Written in the Time of COVID-19 submissions.This anthology is the result. It takes its name from a phrase in the piece, Moss, by Eltham writer, Lucinda Bain. Within these pages are tiny threads that exist only because, in 2020, a virus changed our lives and caused us to reconsider how we lived them. Incudes some black and white photographs and illustrations and short biographies of participants.anthology, poetry, covid-19, coronavirus, pandemic, 2020, nillumbik shire council

This book collates the memories and stories behind the needlepoint kneelers from St Margaret's Anglican Church, Eltham and St Faith's Anglican Church, Montmorency. Contents include: The building of the two churches- how the kneelers were made - the stories of the kneeler makers - the kneelers (photographs and descriptions). The names of the creators of the kneelers include: Marjorie Taylor, Barbara Talbot, Molly Hennessey, Margaret and Ivy Reynolds, Jacquie Weekes and Ivian GilbertThis book is significant for the culmination of research on the contribution of women in particular to the life of the Anglican Church communities of Eltham and Montmorency in the 1980s.SoftcoverISBN 978066911076 [printed on sticker on title page] Presented on 30 March 2014 to: Eltham District Historical Society by the Creating Spirit group from St Margaret's Church Elthamst faiths anglican church, st margarets anglican church, kneelers, needlework, women, marjorie taylor, barbara talbot, molly hennessey, margaret reynolds, ivy reynolds, jacquie weekes, ivian gilbert

xi ; 371 p. : frontispiece illustration. A tribute to the author by Addison Blakely is on p. v. Decorative green-grey cover, title embossed in gold, floral pattern embossed in gold and red.Anthology of the author's prose and poetry, all previously published in journals.fiction, poetry, anthologies, myrtle reed

flowers

Soft covered book of 71 pagesjeff fyffe, marion snowden, graeme hewitt, jeremy johnson, tim sullivan, red hill national school, maxine berry, nancy rowlands, yvonne horsefield, david henderson, st peter's denomonational school, caroline hutterer, sheryn mitchell, ballarat benevolent asylum ragged school, catherine watt

Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Handmade Waxed Thread attached to pig bristles, for boot stitching .bootmaking tools, thread waxers, threads

This type of sewing equipment was widely used in many homes, in an era when hand-made clothes were the “norm.”, and clothes and hosiery were mended, darned or ‘re-made’ into another garment.. These cotton and silk threads are examples of those used for dressmaking, crochet and needlework by the women of the early settler families who made, mended or darned the clothes and hosiery in Moorabbin Shire c1900A tin with lid, containing various packets of sewing threads and needlesPackets ; CLARKE’S Fine Filosheen Grist / 20 yards 3076 Squirrel / No 40 : PRESTIGE ; NEWEY’S Spring ; PARAMOUNT Linen Finish THREAD ; Embassy rustless needles ; sewing, prestige cotton, needles, threads, moorabbin, bentleigh, ormond, craftwork, dressmaking, early settlers, market gardeners

Oriental head embroidered in genuine Jap gold thread with hair of black felt, and beard of couched threads (plastic?) Background is brown silk or synthetic, mounted on a lighter brown padded board."Thread Mask" EW 1985embroidery, metal thread, oriental, goldwork, picture

Two spools of white lace threadHarris Lace Thread Flax No. 70 2 Cordhandcrafts, lacemaking

Spool with thread used for tatting or lace making. Patent applied April 17 , 1923'Boye' Improved. More Thread - Less Knotshandcrafts, equipment

This device allows easy threading of needles with ease. Place the needle in the most suitable casing (either white or black edged) then wrap the thread along the base of the groove. Push the corresponding white knob across slowly and pull the thread that appears on the other side slowly until the shorter end appears, and the needle is threaded.Blue plastic rectangle with two insert tubes and two white push tabs, a leaflet of multilingual instructions and a needle'INFILA' in gold writing on the front 'INFILA A60 Automatico Automatic needle threader' in blue on the backassistive devices, ditta fenzo martinelli

Item is part of a collection of sewing tools donated by Betty McPhee.Two part plastic needle threader and instructions contained in green box.Ully The Automatic Needle Threader|Made in Germany|German and Foreign Patents.handcrafts, equipment

Sewing implements and crochet hook date pre 1950. PArt of Jan Barrett's mother's sewing kit.Sewing Implements: 2 wooden cotton reels one with mercerised cotton, linen thread on green card, tortoise shell spindles, iron crochet hook with wooden handle, "C 1'0 The Mer-Surah, Mercerised Cotton, machine twisted on narrow reel. Superior Linen Thread No 32 2 cord Linen thread: Lindsay Thompson (Threads) Belfast - 50 yards on backing card.sewing implements, crochet hook, cotton thread, linen thread, tortoise shell toggle

An example of a souvenir issued to commemorate Legacy's 90th anniversary. It says: "90th Anniversary of Legacy 1923-2013" There was a reunion of former Junior Legatees at Government House in 2013 to celebrate the 90th anniversary of Legacy. The handkerchief was donated back to Legacy from the family of Jacobina (Jackie) and Marjorie Bristol, sisters who were both junior legatees in the 1930s and 1940s after their father passed away, he was a World War 1 veteran. Jacobina later became Jackie Wood and Marjorie became Marjorie Bachmann. Also donated were girls' uniform, a photo of the girls at calisthenics classes, a junior legatee certificate and a $100 Legacy badge. These are catalogued separately at 01948 to 01952.A record of an item produced by Legacy to celebrate the 90th Anniversary and given out to former Junior Legatees at a reunion.A white handkerchief with the Legacy torch and text 'Legacy 90th Anniversary 1923-2013' stitched in blue thread in a cardboard sleeve. Embroidered "90th Anniversary of Legacy 1923-2013" in blue thread.90th anniversary, junior legatee, reunion

This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Chalice cover, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The white fabric has been hand stitched and a drawn-thread design of a cross has been handworked into the fabric. Pulled-thread symbol [cross]flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, chalice cover, drawn-thread, needlework