A digital copy of a black and white photograph of two timber palers working in a forest.A digital copy of a black and white photograph of two timber palers working in a forest.marysville, victoria, australia, timber paler, photograph

This is one of the original chairs that was used in the dining room.Thonet Bentwood chair, pale timber and pale wicker (811 Bentwood Cane Dining Chair)First of two such chairswalsh st furnishings, robin boyd

Originally The Warley Hospital built by Robert Walpole in 1908 and moved to its present site in Genista Street, when the present hospital building was erected c 1967. Now owned by Mr Reith. In 1923 Mr & Mrs W E Thompson purchased the property of the late Robert Walpole and presented it to the people of Phillip Island for a hospital.Early house built by Robert Walpole. White timber with pale blue roof. Lace work on verandah. Two bay windows. White picket fence.local history, photographs, buildings, historic, buildings - historical, coloured photograph, john cook, phillip island, warley hospital

Craig HARRISON Dr Craig Harrison has held solo exhibitions regularly since the mid-1970s, including curated exhibitions at the La Trobe University, Australian Catholic University, and the Ballarat Fine Art Gallery. He was a finalists in a number of prestigious awards and prizes, including the Dobell Prize for Drawing (2010, NSW), and the Rick Amor Prize for Drawing (2016, Ballarat). Craig Harrison is also a respected art educator, who had taught fine art at the Deakin Univerity, MLC, and ACU between 1975 and 2004. From 1988 to 1989 Craig Harrison was Senior Lecturer in Visual Arts at Ballarat College of Advanced Education (later Federation University Australia). ​ Mounted behind white conservation board, pale timber frame, glass cover. Gift of Professor Shirley Kaye Randell, AO, PhD, Hon.DLitt, FACE, FAICD, FIML, first woman in the Executive Team of the Ballarat College of Advanced Education as Dean of Academic Affairs, 1989- 1990signature bottom right - "Craig Harrison '89."art, artwork, craig harrison, painting, available, ballarat college of advanced education

Diploma for Gold Medal won by John Baker for best Lincoln Wool in show at the Earls Court Greater Britain Exhibition, London, 1899. John Baker owned a Lincoln sheep stud with 300 ewes and rams in Pomborneit, Victoria. The property was named Lakeside and the stud was Flock No. 5 in the first Flock Book of British Breed Sheep published in 1898. Lakeside rams and ewes were awarded Champion Ram and Ewe at the Sydney Show in 1892. By 1919 Lakeside was the largest registered Lincoln stud in Australia. The stud was dispersed in 1925.Brown timber frame with glass covering at front. Pale gold timber framed paper certificate inside. Certificate has a painting of a man being drawn by four horses beneath and arch with more people in the background and a tall ship. Front foreground depicts three men, one carrying a tray of food, another with a tray of gold and a third shearing a sheep. There is an embossed gold medal on the right centre of the page.EARL'S COURT, LONDON. 1899 GREATER BRITAIN EXHIBITION DIPLOMA FOR GOLD MEDAL AWARDED TO Mr J Baker FOR Wool, pure Lincoln BY THE LONDON EXHIBITIONS LIMITED DIRECTOR GENERAL. CHAIRMAN WEINERS LTD LONDON N.W

The blue pennant with the white letters "J R E" flag of the Ellerman Wilson Line Pty. Ltd. of Hull. The letters refer to the founder of the Ellerman Group, John Reeves Ellerman. Ship model of the vessel "Heather", a three masted tall ship. Model is painted black and white with a brown deck. Sails are raised. The name "HEATHER" is painted in white on it black bow. The ship is displayed as a diorama in a glass fronted, wide edged timber frame with deep sides. The back of the frame is painted pale green. The base of the frame depicts textured sea and the back has a seascape with a cliff and other sailing vessels. Ship is flying two pennants, top one is blue with 'JRE" on it, bottom one is plain white with a red disc and a swallow-tailed end; the rectangular flag is divided by a yellow cross on white, and the top left corner is blue with a yellow anchor symbol on it. "HEATHER" on bow. "JRE" on blue pennant.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship model, sailing ship heather, tall ship diorama, diorama, sailing vessel, john reeves ellerman., jre, ellerman wilson line pty. ltd

Some are rare in natureBlue material - background, White timber frame surround with 18 metal military cap badges and 6 military cloth patches., Row 1 British Army Cap Badge - Royal Army Ordnance Corps. F1 Household Life guards, Cap Badge, Center G.R. below V. Oval with motto on outside Banner. Royal Lancashire Cap Badge.World War 1 R.F.C. - Royal Flying Corps Cap Badge. surrounded by Laurel Wreath with Crown on top. Circ. 1895 Royal Australian Air Force pilot's wings. The brevet has white cotton embroidered wings, a king's crown, and the letters 'R.A.A.F.' within a pale blue embroidered laurel wreath. Horse Badge - Small Brass - British Army Military. Saint George slaying he dragon - Small Brass Badge. Army Cyclist Corps - World War 1 Cap Badge. Duke of Wellington's Regimental Cap Badge. Row 2 Royal Inniskilling Fusiliers Corps 1895 = Shoulder Title - Officer's. Royal Horse Guards Brass Army Cap Badge. Brass Badge - Queen; Mary's Own - 18th Hussars. Vintage Royal Welsh Fusiliers Cap Badge. R.A. F. Service Dress Wings with King's Crown. American Eagle Brass - Army Officers Cap Badge. 45th Overseas Battalion - Canada Expeditionary Forces. 48th Battlion, Victoria, Canada - British Columbia Brass Cap Badge. World War 1. Row 3. Center World War 11 - Rhodesian Air Force Cloth Pilots wings . row 4 Center - Embossed Woven Crown with metal gold thread woven feathers under. Right - Embossed Woven Crown with Brass Gold Anchor below.- Navy Petty Officer Cap Badge. Row 5. Large Metal Gold color Crown - British Army Warrant Officers Badge. Small Brass Single Rifle with ACT on the Butt of the rifle. Brass Badge - Drummers Proficiency., Last Row - center Embossed woven Crown Red Felt on Blue Back.none - no labels6 cloth patches raised and embossed, 18 military brass metal cap badges vary in type and country and conflict.

This commemorative plaque refers to the religiously themed window situated in the western (weather) wall of the St. Nicholas Mission to Seamen’s Church building in the Flagstaff Hill Maritime Village. It was crafted circa 1928. ABOUT THE WINDOW The window, to which this plaque belongs was once known as the Dr Connell Memorial Window, which was a feature of an external wall adjacent to the Women’s Children’s Wards of Warrnambool Hospital. Honorary Doctors had played a significant role in the operation of the hospital between the years 1900 to 1939. One of these doctors was Dr. Connell, who passed away in 1928. A paragraph in the book ‘A History of the Warrnambool Base Hospital’ by Forth and Yule describes the role of the Honorary Doctors - “At the start of the period the senior-part time medical officer was replaced by the junior resident medical officer and control of beds and the right to operate were given to the honorary medical officers...and these men dominated the Warrnambool medical world in the years before the Second World War.” Dr. Connell leased ‘Ambleside’, 192 Koroit Street, in the early 20th century, following Dr Teed who had previously run his medical practice there. In 1914 Dr Connell purchased the property and continued his private practice there until his death in 1928. He also took a prominent part in hospital work, both as physician and surgeon, and often acted as spokesmen for the Honorary Doctors. According to colleague Dr. Horace Holmes’ subsequent notes, it was after the close of the First World War, and the following years of the world-wide pneumonic influenza epidemic, that Dr. Connell himself contracted pneumonia and died. His family and friends then recognised his work by gifting the memorial window in his honour to the Hospital. By the mid-1970s the old wards at the hospital had been replaced and there was no obvious place for the window. Discussions between the previous and past Hospital managers, the Anglican Diocese, and Flagstaff Hill Planning Board, led to its installation in its present position in St Nicholas Seamen’s Church. It was installed without the bottom section of stained glass, which was inscribed as a memorial to Dr. Connell. St NICHOLAS SEAMEN’S CHURCH, Anglican Church Flagstaff Hill’s Mission to Seamen was opened in 1981. Its conception was partly motivated by the offer of Stained Glass Memorial Windows from the local Warrnambool and District Base Hospital, which was undergoing multi-storey development in the late 1960’s and early 1970’s. The Manager/Secretary at the time was keen to see the historical windows installed in an appropriate location. The chapel was designed by a local architectural draftsman in conjunction with members of the Planning Board of Flagstaff Hill, and built by Mr Leon Habel. The vision of the designers included the hope that the church be used for formal worship such as weddings and funeral, and for multi-denominational special services such as War commemorations. The design is based on the ‘Mission to Seamen’ buildings in both Portland and Port Melbourne. These types of buildings were often erected to house social and worshipful activities for seamen. The materials used in the building include sandstone recycled from nineteenth-century buildings demolished in Warrnambool and American slate tiles retrieved from the 1908 wreck of the FALLS OF HALLADALE. Most of the chapel furnishings came from the Williamstown Missions to Seamen, which was consecrated in 1946 but later decommissioned. These artefacts range from the altar cloth to the hymn board and include a visually stunning round stained glass widow called ‘Christ Guiding the Helmsman’. However the provenance of this particular artefact, large western window, is local.This plaque is significant because of its association with stained glass memorial window is of local, historical and social significance, linking local history and heritage with one of Warrnambool's doctors, Dr. Egbert John Connell (d. 1928), who gave 30 years of dedicated, medical service to the local citizens.Plaque, opaque, pale green glass rectangle mounted on white timber board and held in place with six decorative silver coloured clasps. Five rows of printed, capitalised text are fixed on the top surface. The plaque is companion to the commemorative, stained glass window installed in the St. Nicholas Mission to Seamen's Church at Flagstaff Hill. (The window was previously known locally as the Dr. Connell Memorial Window.)"A TRIBUTE TO / EGBERT JOHN CONNELL, M.B.B.S. / WHO FOR 30 YEARS RENDERED DEVOTED AND / VALUABLE SERVICE TO THIS INSTITUTION / OBIIT APRIL 4th 1928, A.D."flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chapel window, stained glass window, warrnambool and district base hospital, st nicholas mission to seamen’s church, williamstown mission to seamen, dr egbert connell, ambleside warrnambool, leon habel builder, falls of halladale slate, memorial window, commemorative window, dr connell, commemorative plaque, plaque, edgar mcconnell

This elegant reclining armchair is generously on loan from the local Haberfield family. Mrs Haberfield is a member of the Anderson family from the Tower Hill region, and the chair was handed down to her from them. When it arrived at Flagstaff Hill in 2009, it was at least 100 years old. The maker, Michael Bradshaw, is currently unknown. The origin of the chair's timber has been lost through the generations, but some have named the armchair the 'Mahogany Chair' after the legendary Mahogany Ship. In August 2009, the wood was expertly examined. The structure of the wood specimens was found to be consistent with: • Pale coloured carcass timber - Fagus sylvatica – Beech (European) • Pale coloured frame timber - Agathis sp – NZ Kauri • Dark coloured timber chair legs (solid) - Swietenia sp. – True Mahogany • Dark coloured timber veneer - Swietenia sp. – True Mahogany • Repair fill-in piece – Quercus sp. – White Oak ( Northern hemisphere) • Repair fill-in piece (fine textured) – Populus sp. – Poplar • Runner wood - Eucalyptus sp – Pale coloured ash group, or messmate The chair is significant for its local origin and history, being connected to generations of the Anderson and Haberfield families. It is also significant for its elaborate and unusual design, the quality of its workmanship and materials. It is a fine example of good quality furniture of the late 19th century.The Haberfield Chair is a reclining armchair that includes a footrest and a detachable book rest. The chair features a dark timber frame and dark burgundy (now dark brown), Morocco goat skin leather upholstery. The backrest is finished with button detailing, and its frame is distinguished by gracefully curved corners, lending the chair an elegant appearance. The chair’s padded leather armrests have attractive, crafted carvings at each end. A lever located below the armrest operates the recliner’s ratchet mechanism, which also causes a footrest to slide forward for greater comfort. The turned and carved front legs are equipped with wheels, allowing for easy movement. The removable book rest is mounted on a brass pedestal. Its angle can be conveniently adjusted using a screw to move the ball and socket joint, ensuring personalised reading comfort. There is a handwritten inscription on the underside of the back rail. The chair is kindly on loan from the local Haberfield family. In pen and ink: “Made from Mahogany Ship wrecked near Tower Hill, July 3, 1835: made by Michael Bradshaw 18-2-“ [originally thought to read 1842]flagstaff hill maritime museum and village, great ocean road, shipwreck coast, armchair, reclining armchair, reading board, mahogany chair, haberfield chair, furniture, living room furniture, domestic furniture, 19th century, luxury, morroco leather, book stand, book rest, side table, music stand, reading stand, reading rest, foot rest, reading table

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Studies of stem and details of a plant. On left is a study of a stem with short, narrow leaves (in clusters of 2 or 3) and pink flowers, with large pale pink petals and a darker centre. On the right are detailed studies with typed letters affixed to the paper surface. "b1" is a front view of a flower. "b2" is a side view of a flower. "c" is a leaf and stalk detail. "d" is a seed detail. "b3" is a back of flower view. On far right are erased letters in pencil, and one also on the left next to a typed "a". Mounted in a double matt (pale grey on mauve) in glazed timber frame with gold paint.Front: Burtonia scabra (lower right) (pencil) CEW (signature, lower left of image) (mauve pencil) Back: (no inscriptions)cema, botanical, collin woolcock, botanical drawings, woolcock, woolcock collection

Print Council of Australia Members' Print Commission, 1973Four figures swimming in a swimming pool. In the upper image there are reflected objects in the pool. The top of the image does not include the reflected object, being instead framed with a theatrical stage awning motif. These objects include a canopied shelter, rails, trees and part of a building. Four naked male figures (different views of the same figure) are swimming, jumping or standing. Foreground shows edge of pool with two deckchairs. Printed n pale blue and black inks. Mounted in cream matt with a timber frame, with glass glazing.Front: 2/15 (lower right) Swimming Pool (centre) Ermes De Zans '73 (lower left) (pencil) Back: Ermes De Zan "Swimming Pool" Etching (1973) (typed lable, upper left) 1973 (yellow sticker, upper left)

This is a program for the 7th Annual Timber Ball held in August 1996. It was sponsored by the Timber Industry.Orbost has historically been based on the timber industry, but that industry has declined considerably over the last 20 years. The number of locals involved in the timber industry has declined and these balls are no longer held. Community balls and dances are becoming rarer as more home entertainment is available and musical tastes have changed. This item is reminiscent of a previous social activity.A pale mauve coloured paper folded in half as a program. Print is black. Front page is framed with a graphical musical frame. Underneath print are images of two timber trucks on either side of a tree. The wording is : "Members of the Orbost Timber Ball Committee welcome you to our 7th Annual Ball Saturday 24 August 1996.' Inside are the names of committee members and sponsors. dancing recreation orbost-timber-industry

Details provided by donor. "Presented to Sidney Thomas Ievers in June 1944/ My father in addition to being an observer was in charge of rostering the volunteers/ who manned the Poppet Legs in Bendigo during WW2./ Their job was not to watch for enemy planes but also to ensure that Bendigo/ was in complete black out, no chinks of light to be seen from any window".Certificate - coloured print on cream paper. From the top the design includes two aircraft with a man and women positioned between two flags - Union Jack and Australian flags, the words ' “FOR KING AND COUNTRY” above Royal Australian Air Force insignia. Dark Cream columns with pale blue surround frame the details. Black, blue and red coloured lettering with handwritten details completed. Frame - timber with dark brown paint and decorative moulding. Glass front, brown paper and cardboard backing. Mount - black colour cardboard with inner red colour mount Handwritten details on certificate, dark blue and black ink pen. "S.T. Ievers/ 1944/ G.Jones/ W.D. Heath S/R".framed accessories, certificate, volunteer air observers corps, ww2

1. "AACS" - Australian Army catering Service. 2. "RAE" - Royal Australian Engineers. 3. "A FLD BTY RAA" - Royal Australian Artillery B.C.O.F. Japan 1946-1948.1. BANNER FRAMED, COTTON FABRIC, BLUE BACKGROUND, PALE GOLD COLOURED TASSLE FRINGE, WHITE EMBROIDERED INSCRIPTION, COLOUR PATCH CENTRE, GREY, PALE BLUE AND WHITE. 2. BANNER FRAMED, COTTON FABRIC, MID BLUE BACKGROUND, GOLD COLOURED TASSLE FRINGE, WHITE EMBROIDERED INSCRIPTION, COLOUR PATCH CENTRE, FUSCHIA WITH GREY SURROUND. 3. BANNER FRAMED, COTTON FABRIC, NAVY BLUE BACKGROUND, WHITE COLOURED TASSLE FRINGE, WHITE FABRIC INSCRIPTIONS, COLOUR PATCH CENTRE, RED AND BLUE WITH GREY SURROUND. 1,2,3, Frames - timber, block colour print, glass front, cardboard backing.1. White embroidered inscription. AACS. 2. White embroidered inscription, "RAE/6 Welding PLT/10 Bomb disposal/13th Army Troops/14th WKs PKs/1st AWT/17th CRE/42 & 43 Port Operating/28th FIELD COY" 3. White fabric inscription. "A FLD BTY RAA"/ "345 Aust LAD".military, ww2, japan, banners

Timber frame, gold with black highlights, glass front. Egyptian scene tapestry with 3 civilians collecting & using water in foreground, palm trees mid ground, buildings & a number of civilians in background. Colours - browns, yellows, black, pale blue, white & greens. handcrafts-tapestry, frame accessories, eygpt

Items in collection relating to "Ron BOLLARD" VX 14150, refer Cat No 5919P for his service details.1,2,3. Posters - heavy paper, red, black and blue print on pale blue background. Illustrated, coloured map of Tobruk, three small portraits of military personnel and "HQ SYMBOL OF THE NINTH AUST. DIVISION" in 4 corners. Information and history, documented on the poster. 1. Framed poster - timber, black painted with cardboard backing. 2,3. Laminated with clear plastic.framed accessories, military history

Red print on Certificate template. "For Liberty ANZACS FOR JUSTICE". This is a blank certificate.Certificate - paper, red print on scroll, illustrated in colour - top to bottom, blank scroll; 2 soldiers and flag surrounded by 6 flags, silhouette in white of Australian map, oval shape with ship and troops. Further side decoration yellow and green wattle flowers and foliage. Pale blue background. Certificate template - possibly available to Shires and localities to customise as required. frame - timber, with varnish finish in natural tones, glass front and cardboard back.framed, ww1, certificate

MEDIUM: Acrylic on paper. DESCRIPTION: Image ranges from dark brown to pale brown with white. Light colored timber, outer frame with glass covering, white board and an inner frame. A very busy piece full of activity, starting from the bottom left we have an areoplane which is perhaps how this vacation begins, the sun sits above it and a bikini clad woman who has arrived to her destination is placed above the sun. There is cruise ship, a martini glass and a whale embracing the outer scene. Waves, a surfer, a marlin and a small guitar sit at the lower right. A large car takes the viewer to the centre of the picture where we come across a giant guitar. The music is what matters, this piece dances about the canvas in mushroom pinks and chocolates. Little outlines of fish fill the gaps. A very beachy scene. The image lyes quite flat to the eye, rough stick outlines of the images above. Signed proper left hand corner of image.bowers holiday, yardage, mambo acrylic

Two pale green auction catalogue with black printing on the cover for a sale on the 15th August, 1934 at the Duplication Works, Waranga Reservoir, Rushworth Depot and the Depot, Waranga Reservoir, by order of The State Rivers & Water Supply Commission. For sale is Mining Plant, Buildings, Machinery, Rolling Stock, Timber, Tanks, Harness Sundries, etc. Some notes and prices written in one catalogue. Catalogues have columns on the right of the page for £, S & D to be noted.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - waranga reservoir, the state rivers & water supply commission, j h curnow & son, boltons print bendigo

Pale beige auction catalogue with red and dark blue printing for a sale held from the 31st August to 5th September 1936 at the Hume Reservoir, Albury, (New South Wales Side) By Order of Department of Works and Local Government, N. S. W. For sale was Contractors', Mining and Engineers' Machinery, Plant and Equipment, Stores, Locomotives, Tools, Petrol and Steam Engines, Tanks, Scrap, Building Materials, Heavy Bridge Timber, Buildings, and Workmen's Five-roomed Houses, etc. J. H. Curnow & Son were the auctioneers. Black and white photos include Lots 2065 and 2622 Kelly & Lewis Engine and Condensing Plant with G.E.C. Dynamo, Generating 300 K.W.; Lot 2018 Locomotive; Lots 2617 and 2618 Steam Road Rollers; Lot 2069 Administrative Offices; and Lot 93 Locomotives (Victorian Side).business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - hume reservoir, department of works and local government nsw, j h curnow & son, j l jamieson & co, j b garnsey, a t jones, bolton bros pty ltd

The Rushworth gold rush began in 1853 and ended in 1870 when rising ground water made it unprofitable. The area then turned to the timber industries until the 1940's. It is estimated that the Rushworth goldfields produced approximately 100,000 ounces of gold.51-page soft cover booklet. Pale yellow covers. 'The Rushworth Gold Mines' A descriptive narrative of the Rushworth Gold Mines as prepared by the staff of the 'Rushworth Chronicle' and published in that journal in 1918. Mines are listed by name. rushworth, gold mines

Unknown.1 Pastel drawing in timber frame with gold edging on frame. Subject: drawn on a pale brown background a man and woman standing on a wooden bridge, another man in a boat on the water and another standing in the water. Trees in front of buildings in the background. .2 Pastel drawing in timber frame with gold edging on frame. Subject: 2 people in a boat , stone arched bridge and trees in front of tall buildings in the background .1 Signed at bottom right hand corner "Pollie Price"landscape, buildings

Plaque present to Corporal Sperry BODSWORTH MID who served with the 2/21st Battalion and involved with the Battle of Ambon. On the night of 30-31 January 1942 this small force of 1131 Australian soldiers were stationed at Ambon, an island which formed part of the Netherland East Indies (now Indonesia). An invasion of approximately 20,000 Japanese overwhelmed Gull Force and the majority of the Australian soldiers were taken prisoner. The execution of 229 at Laha, starvation, over work, disease and the absence of medical supplies led to horrific loss. At the cessation of hostilities only 352 of the original 1131 had made it back to Australia. 779 members of Gull Force made the supreme sacrifice and now lie in foreign fields. The Battle of Ambon (30 January – 3 February 1942) occurred on the island of Ambon in the Dutch East Indies (now Indonesia), during World War II. Japan invaded and conquered the island in a few days, facing Dutch, American and Australian forces. The chaotic and sometimes bloody fighting was followed by a series of major Japanese war crimes. Allied casualties in the battle were relatively light. However, at intervals for a fortnight after the surrender, Japanese personnel chose more than 300 Australian and Dutch prisoners of war at random and summarily executed them, at or near Laha airfield. In part, this was revenge for the sinking of the Japanese minesweeper, as some surviving crew of the minesweeper took part.. Three-quarters of the Australians captured on Ambon died before the war's end. Of the 582 who remained on Ambon, 405 died. They died of overwork, malnutrition, disease and one of the most brutal regimes among camps in which bashings were routine. Blood Oath, a 1990 Australian feature film is based on the real-life trial of Japanese soldiers for war crimes committed against Allied prisoners of war on the island of Ambon, in the Netherlands East Indies (Indonesia), such as the Laha massacre of 1942.Brown timber in the shape of a shield mounted with a metal a coat of arms depicting white seagull above black and orange diamond within pale blue oval shape.Gull Force 2/21 Battalion Ambon Laha Plaque - Cpl Sperry Bodsworth VX23435 MIDgull force, 2/21 battalion, ambon, ww2

Photo of a worker bringing in a log on a dray with what appear to be narrow steel wheels. Dray is being pulled by eight or ten steers or small bullocks. Heavy bush and tall, straight timber on side of the road. Most likely Sherbrooke Forest. Road bends to left behind team then possibly to the right, going up a small rise. The man could be well-known bullocky Bill Martin. He is dressed in a wellworn hat, a pale shirt with sleeves rolled up, and darker pants, and is carrying a long, slender stick or possibly a whip in his right hand.

Closer shot of house in previous photo with white-haired woman. The house is timber weatherboard with a tin roof. Three woman and a man stand on the verandah: the white-haired woman, who appears to be quite stout; a younger woman who appears in another photo; a man in a pale hat who also appears in other photos; and an elderly woman. They are all looking off to their left. The verandah has fancy timberwork. There is a deckchair. A water tank is on the left side of the photo with a sapling growing close to it. The house is surrounded by trees. c.1920.

Rex Breen is wearing a pale romper suit with a small collar, and socks and sandals. He is standing in front of a rough timber door with a bolt and padlock. A wooden crate is behind him.

B&W photo showing a 10-strong bullock team pulling a wagon laden with timber. William Hermon Snr, dressed in a loose dark three-piece suit, pale shirt and dark hat, is standing to the right of the image. He carries a long bullocky's whip over his right shoulder. Another man in waistcoat and shirtsleeves and a pale, wide-brimmed hat stands beside him. A third man in suit and hat stands behind the team. There is a post and rail fence which then becomes a picket fence in front of a treed area, and then a large weatherboard building which is apparently the Centre Hotel (now Middle Hotel?) in Upper Ferntree Gully. The photo is mounted in a fancy frame. Dated 1913.

Burnley College training of students and maintenance of Burnley Campus gardens.Petrol driven chainsaw, coloured with pale yellow enamel paint. 'Canadien 210' Model 2-10 No. 21107. Serial Number (obscured), Power Machinery Ltd, Vancouver, British Colombia, Canadahorticulture, arboriculture, sawing timber, tree maintenance, wood saw, burnley college of horticulture, artifact