Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Glover-Fleay's work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria significant as a work of art by a modernist-era female artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a large treeSigned: Glover-Fleay 34 (lower right) Verso: Storm Tossed TWISTED AND TORN

Yields information about the launch of the Gold Tram and the people involved on the day.Newspaper cutting, page 4, from The Courier, Ballarat, June 15, 2001, headed "TRAMS IN BALLARAT" featuring three different tram stories. Headed "STUDY" and titled "Tram study ready to go", about the consideration of tenders for the study to consider the return of trams to Ballarat, or other form of transport. Quotes Dianne Smith, Ballarat Tourism Executive Director. Headed "GOLD TRAM" and titled "Sparkling reminder of a golden past", about the launch of the Gold Tram 45, by the Mayor, David Vendy the previous day at the tram depot. Quotes Richard Gilbert as president and Cr. Vendy. Features a photograph of Cr. Liz Sheedy and the Mayor standing along side, breaking through the banner ( See Reg. Item 1777). See Reg item 3839 for a colour photograph of the photo of No. 45. Headed "TRACKS" and titled "Section torn from Skipton St" about the excavation of about 50m of track in Skipton St. Ballarat at the intersection with Drummond St. during the reconstruction of the intersection associated with installation of traffic lights and new traffic islands. Quotes Peter Winspur, Secretary. A number of calls were received about the work. See Reg. Item 1778 for photos on the day.ballarat city tramway, gold tram, skipton st, trackwork

Written on backing sheet, "Cass' School, Ringwood 1887. Marie Herry, Robina Lindsay. Front right, Leo Herry. Two Hills' on right".

map, p.295.fictionAfter his plane is shot down by Hitler's Luftwaffe, nineteen-year-old Henry Forester of Richmond, Virginia, strives to walk across occupied France, with the help of the French Resistance, in hopes of rejoining his unit.woeld war 1939-1945 - aerial operations - fiction, war stories - juvenile fiction

Fifty years ago America was engaged on two battlefronts - the fight over there, on the other side of the plant, and the one at home. 1961-1975 -- united states, vietnam war, con thien, my lai, saigon, operation prairie

Gift of Bruce Chamberlain AM, 1995

This wetsuit was worn by surfer and 2000 world champion, Sunny Garcia (Haw), It was cut off Sunny when he collapsed on the beach during his heat of the 2004 Rip Curl Pro event at Bells Beach. As the Age reported at the time: "One who left the water in unhappier circumstances was three-time Rip Curl Pro winner Sunny Garcia, who forfeited his heat with American Taylor Knox because of a migraine-like condition that saw him taken to Geelong Hospital for tests. Garcia, who was leading the heat, rode in with nine minutes remaining and appeared to collapse on the beach, holding his head in his hands." This wetsuit was worn during the prestigious Rip Curl Pro at Bells Beach. It is a rare artefect from a major medical emergency at a world professional surfing contest.Sunny Garcia's wetsuit. Torn Hotline wetsuit, full length 3/2 steamer. Wetsuit is cut and torn.Hotline Wetsuits, Santa Cruz, Calif, Superflex 3/2 modelrip curl pro, wetsuit, sunny garcia, hotline, torn, collapse

The Holy Bible was used in Sunday School at the Kergunyah Presbyterian Church. Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C 2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015.Historical: Religious Education: This book was used by the students at Kergunyah Presbyterian Church, Sunday School classes. Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s.Small, thick, hard covered brown book. Front cover has an embossed border of 4 lines. Spine - in gold - top and bottom thick decorated line. Top - in gold - title under which 'Revised Edition' . At Bottom 'Oxford'. Cover and 1st leaf is black and torn in half vertically at front. Pages are very thin.First page - back of - torn - ..'ah Church' written in pencil. (Presumably 'Kerguny" is the part of the word missing because torn off.religion, bible, ewen wallace, kergunyah, church, presbyterian, sunday school, religious education

Reading spectacles found in hut belonging to Georgie Ah Ling, who operated a market garden for about 70 years on the edge of the township of Donald. Round glass, gold coloured wire framed spectacles in a hard covered case lined with dark blue material. Gold and dark blue suppliers sticker, partly torn, on inside lid of case.Sticker on inside of case partly torn, but probably reads "W. R. Swaby F.V.O.A. Jeweller Donald". reading spectacles, hut, georgie ah ling, market garden, donald

This specimen is a Grey Currawong. There are six subspecies of Grey Currawongs and they can sometimes interbreed with other species of Currawong leading to a divergent series of appearances amongst the species. The species can be found in the south western to south eastern parts of Australia, including in Tasmania. It is an endangered species in the Northern Territory although the reasons why are not yet known. They prefer a wide range of habitats including coastal to arid and can also be occasionally found in suburban areas. This specimen was misidentified as a Grey Crow in original catalogue records and is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Grey Currawong has mainly grey plumage with a white tail tip and darker undercarriage. It has yellow irises, made of glass, and brown claws. The bill is dark in colour. This specimen has been placed upon a wooden mount in a downwards facing position. It has a paper tag attached to its right leg.16a / Grey Cro [torn] / See Cat / [torn] /axidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, grey crow, grey currawong, currawong

The Dusky Woodswallow is often found in flocks which can be located in two separate populations. The Eastern population if located in Atherton Tableland in Queensland south to Tasmania and west to Eyre Peninsula in South Australia. The other population is found in south-west Western Australia. They reside in open forests and woodlands. This species is surprisingly aggressive and may fight with other Woodswallows for territory and nest sights. They will even chase raptors away from their homes. This species flies in flocks of around 10 to 30 birds which cluster together. In terms of diet, these birds eat insects and nectar from flowers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Dusky Woodswallow has largely deep brown colouring with some areas of grey on the head, neck and chest. There is a deeper brown colouring between the wings on the back of the specimen and the wings are black. This bird has a small curved bill which is grey and white. The legs are dark grey and the bird has long talons with an extra long toe in the centre. The eyes are made of brown glass with a back pupil. The bird is styalised standing on a wooden mount and has a paper identification tag attached to its right leg.[torn] / 9 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swallow, woodswallow, dusky woodswallow

The item is a hard cover book recording weekly work of T.J. Connolly, Ironmongers, Sandhurst. A list of names is written inside the front cover. An alphabetical index at the front of the book, lists types of goods and equipment. The index is followed by handwritten pages recording each week's work including goods, fittings and equipment types, client surname or business name and a numbering system. The work records have also been checked off with ticks or crosses separately. The hard cardboard cover is green with red marbling, which is worn and torn. The leather binding has peeled away from the pages and front cover but is attached to the back cover. The pages are fragile with many loose pages due to the state of the binding. The book is full and includes the date range of 29 May 1886 to 12 October 1888. This item is part of the Margaret Roberts Collection.Business stamp on torn loose page inside front cover. margaret roberts collection, ironmongers, forest street, bendigo businesses

Barn Owls are the most widely distributed owl species in the world and one of the most widespread of all bird species, including in Australia. Barn Owls are sedentary and prefer open habitats such as grasslands, farmlands, and open woodlands, where they forage and hunt small mammals, particularly rodents, at night. Barn Owls nest in deep hollows in old trees, especially eucalypts, but also in caves, rock cavities, and sometimes cavities in buildings. Barn Owl's have a highly distinctive white heart-shaped face and pale underbelly feathers. They can be seen circling low above grassland areas at dusk or at night, and their drawn-out shrieking, hissing, and 'eerie' rasping sounds have led some rural populations to consider they have magical powers. Barn Owls vary in size but average 330-390mm in length, with wing spans between 800-950mm. Females are larger than males and most are a mix of white, pale brown and shades of grey speckled with fine black tear-shaped spots. They have a distinctive flat heart-shaped facial mask with oversized oblique black eye-slits and black irises. A ridge of feathers sits above the beak resembling a long nose. The feet vary in colour from pink to grey, and beaks can be pale to dark buff, corresponding to general plumage hue. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Barn Owl is medium sized with long wings and a short squarish tail. Its underbelly is pale and speckled with dark spots. The wings and tail feathers are light brown, grey and white with small, dark, tear-shaped speckles on the upper parts. It has a distinctive white heart-shaped facial disc with large black eyes and curved beak. This specimen stands on a wooden perch pedestal and it has metal and paper identification tags attached to its legs. Swing tag: 36. / Barn [torn] / Catalogue [torn] / Metal tag: 4058 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, birds of prey, tyto alba, heart-shaped faced owl, nocturnal birds, predator birds, 'harbingers of misfortune', demon owl, ghost owl, death owl, magical animals, lich owl, birds as omens, barn owl, carnivore, hissing owl

Mary was born on 6th May 1939 and describe dairy farming in the Kiewa Valley throughout the years to c2020A handwritten family history of dairying in the Kiewa Valley consisting of 8 pages written with blue biro. A memoir by Mary Cardwell nee Creamer 'My early days of dairying in Kiewa Valley.'All pages are torn at the top.mary cardwell, dairy farming, kiewa valley, women

Appears to be a talk to architecture students about success and failure in architecture according to whether you are an architect ('a doer') as well as a talker and a writer, and the influence attached to all three.Talk notesHandwritten (pencil), quarto, 2 pagesHandwritten and torn second pagefrank lloyd wright, walter gropius, le corbusier, henry moore, alexander calder, albert einstein, buckminster fuller, robin boyd, manuscript

The red-winged blackbird is native to North America. They live in a verity of places from southern Alaska at its northern most point, to the Yucatan peninsula in the south and covers the greater part of the continent reaching from the Pacific coast of California and Canada to the eastern seaboard. Populations that are most northerly migrate south after the mating season, but some of the populations in the central and western United States, Central America and the Gulf Coast are resident year-round. In the breeding season, Red-winged blackbirds are found in a range of fresh and saltwater environments, including in small trees and bushes along marshes and watercourses, in agricultural areas and dry meadows. During migration, they can be found in, pastures, prairies and cultivated fields. They are polygamous. The Red-winged blackbirds are known for their scarlet and yellow shoulder patches but on this specimen are rather dull and the feathers are not as glossy black as they are in other images. It is mounted accurately but the feathers appear to be ruffled. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Red-Winged Blackbird is one of the most common birds in North America and is the most boldly coloured one. The males are glossy-black with shoulder patches of scarlet and yellow which they are able to puff up or hide according to their level of confidence. Females look like a big, dark sparrow, being a subdued, streaky brown. The colouring of this particular specimen identifies it as male.[torn] page 58 / Tag: A. 4423taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, north america, red-winged blackbird, red-winged starling, migratory, alaska, canada, saltwater

Hardcover w/ Dust JacketTorn paper bookmark @ p.85victoria history, geography, geoffrey serle, walsh st library

One of 5 photographs donated by Lyn Chambers & Frank Dominick - Wonthaggi Historical SocietyColour photograph of Fishing boat with boat and people in the background.On back partly torn off: "& Dorrie 1931"fishing boats, lyn chambers, frank dominick

Grey cover, stained & torn, brown paper cover, pages torn & ink-marked. 160pp. Fair conditionnon-fictionSchool text, Grade 8 geographychildren, textbook, glanville, geography

Report on an appeal against two conditions on the development of land in Grimshaw Street Watsonia for a secondary school [Loyola College].This document demonstrates some of the problems associated with setting up a school in a residential area.3 pages, torn and yellowed.loyola college

Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clipping, torn edgessydney opera house, utzon, sydney opera house project, walsh st library

Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clipping, torn edgessydney opera house, utzon, sydney opera house project, walsh st library