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Whitehorse Historical Society Inc.
Article, Local law and amenity manager, 1994
... Torner ...Mr Bernhard Torner appointed as new Local Law and Amenity Manager for NunawadingMr Bernhard Torner appointed as new Local Law and Amenity Manager for NunawadingMr Bernhard Torner appointed as new Local Law and Amenity Manager for Nunawadinglocal officials and employees, torner, bernhard, city of nunawading -
Kiewa Valley Historical Society
Book - Religious Education, The Holy Bible
The Holy Bible was used in Sunday School at the Kergunyah Presbyterian Church. Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C 2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015.Historical: Religious Education: This book was used by the students at Kergunyah Presbyterian Church, Sunday School classes. Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s.Small, thick, hard covered brown book. Front cover has an embossed border of 4 lines. Spine - in gold - top and bottom thick decorated line. Top - in gold - title under which 'Revised Edition' . At Bottom 'Oxford'. Cover and 1st leaf is black and torn in half vertically at front. Pages are very thin.First page - back of - torn - ..'ah Church' written in pencil. (Presumably 'Kerguny" is the part of the word missing because torn off.religion, bible, ewen wallace, kergunyah, church, presbyterian, sunday school, religious education -
Donald History and Natural History Group operating the Donald Court House Museum
Spectacles and case
Reading spectacles found in hut belonging to Georgie Ah Ling, who operated a market garden for about 70 years on the edge of the township of Donald. Round glass, gold coloured wire framed spectacles in a hard covered case lined with dark blue material. Gold and dark blue suppliers sticker, partly torn, on inside lid of case.Sticker on inside of case partly torn, but probably reads "W. R. Swaby F.V.O.A. Jeweller Donald". reading spectacles, hut, georgie ah ling, market garden, donald -
The Beechworth Burke Museum
Animal specimen - Grey Crow, Trustees of the Australian Museum, 1860-1880
This specimen is named the Grey Crow on the swing tag but is more likely a Grey Currawong. There are six subspecies of Grey Currawongs and they can sometimes interbreed with other species of Currawong leading to a divergent series of appearances amongst the species. The species can be found in the south western to south eastern parts of Australia, including in Tasmania. It is an endangered species in the Northern Territory although the reasons why are not yet known. They prefer a wide range of habitats including coastal to arid and can also be occasionally found in suburban areas. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Grey Crow (or alternatively Grey Currawong) has mainly grey plumage with a white tail tip and darker undercarriage. It has yellow irises, made of glass, and brown claws. The bill is dark in colour. This specimen has been placed upon a wooden mount in a downwards facing position. It has a paper tag attached to its right leg.16a / Grey Cro [torn] / See Cat / [torn] /axidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, grey crow, grey currawong, currawong -
The Beechworth Burke Museum
Animal specimen - Dusky Woodswallow, Trustees of the Australian Museum, 1860-1880
The Dusky Woodswallow is often found in flocks which can be located in two separate populations. The Eastern population if located in Atherton Tableland in Queensland south to Tasmania and west to Eyre Peninsula in South Australia. The other population is found in south-west Western Australia. They reside in open forests and woodlands. This species is surprisingly aggressive and may fight with other Woodswallows for territory and nest sights. They will even chase raptors away from their homes. This species flies in flocks of around 10 to 30 birds which cluster together. In terms of diet, these birds eat insects and nectar from flowers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Dusky Woodswallow has largely deep brown colouring with some areas of grey on the head, neck and chest. There is a deeper brown colouring between the wings on the back of the specimen and the wings are black. This bird has a small curved bill which is grey and white. The legs are dark grey and the bird has long talons with an extra long toe in the centre. The eyes are made of brown glass with a back pupil. The bird is styalised standing on a wooden mount and has a paper identification tag attached to its right leg.[torn] / 9 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swallow, woodswallow, dusky woodswallow -
Stawell Historical Society Inc
Archive, Pleasant Creek Cemetery Minutes Book- Original, 1890 - 1958
Minutes of meetings and correspondence.Worn and tornstawell -
Bendigo Historical Society Inc.
Administrative record - Work Book
The item is a hard cover book recording weekly work of T.J. Connolly, Ironmongers, Sandhurst. A list of names is written inside the front cover. An alphabet index at the front of the book, lists types of goods and equipment. The index is followed by handwritten pages recording each week's work including goods, fittings and equipment types, client surname or business name and a numbering system. The work records have also been checked off with ticks or crosses separately. The hard cardboard cover is green with red marbling, which is worn and torn. The leather binding has peeled away from the pages and front cover but is attached to the back cover. The pages are fragile with many loose pages due to the state of the binding. The book is full and includes the date range of 29 May 1886 to 12 October 1888. This item is part of the Margaret Roberts Collection.Business stamp on torn loose page inside front cover. margaret roberts collection, ironmongers, forest street, bendigo businesses -
The Beechworth Burke Museum
Animal specimen - Barn Owl, Trustees of the Australian Museum, 16-1880
Barn Owls are the most widely distributed owl species in the world and one of the most widespread of all bird species, including in Australia. Barn Owls are sedentary and prefer open habitats such as grasslands, farmlands, and open woodlands, where they forage and hunt small mammals, particularly rodents, at night. Barn Owls nest in deep hollows in old trees, especially eucalypts, but also in caves, rock cavities, and sometimes cavities in buildings. Barn Owl's have a highly distinctive white heart-shaped face and pale underbelly feathers. They can be seen circling low above grassland areas at dusk or at night, and their drawn-out shrieking, hissing, and 'eerie' rasping sounds have led some rural populations to consider they have magical powers. Barn Owls vary in size but average 330-390mm in length, with wing spans between 800-950mm. Females are larger than males and most are a mix of white, pale brown and shades of grey speckled with fine black tear-shaped spots. They have a distinctive flat heart-shaped facial mask with oversized oblique black eye-slits and black irises. A ridge of feathers sits above the beak resembling a long nose. The feet vary in colour from pink to grey, and beaks can be pale to dark buff, corresponding to general plumage hue. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Barn Owl is medium sized with long wings and a short squarish tail. Its underbelly is pale and speckled with dark spots. The wings and tail feathers are light brown, grey and white with small, dark, tear-shaped speckles on the upper parts. It has a distinctive white heart-shaped facial disc with large black eyes and curved beak. This specimen stands on a wooden perch pedestal and it has metal and paper identification tags attached to its legs. Swing tag: 36. / Barn [torn] / Catalogue [torn] / Metal tag: 4058 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, birds of prey, tyto alba, heart-shaped faced owl, nocturnal birds, predator birds, 'harbingers of misfortune', demon owl, ghost owl, death owl, magical animals, lich owl, birds as omens, barn owl, carnivore, hissing owl -
Kiewa Valley Historical Society
Papers - Memoir
Mary was born on 6th May 1939 and describe dairy farming in the Kiewa Valley throughout the years to c2020A handwritten family history of dairying in the Kiewa Valley consisting of 8 pages written with blue biro. A memoir by Mary Cardwell nee Creamer 'My early days of dairying in Kiewa Valley.'All pages are torn at the top.mary cardwell, dairy farming, kiewa valley, women -
Robin Boyd Foundation
Document - Talk notes, Robin Boyd, Nothing succeeds like failure
Appears to be a talk to architecture students about success and failure in architecture according to whether you are an architect ('a doer') as well as a talker and a writer, and the influence attached to all three.Talk notesHandwritten (pencil), quarto, 2 pagesHandwritten and torn second pagefrank lloyd wright, walter gropius, le corbusier, henry moore, alexander calder, albert einstein, buckminster fuller, robin boyd, manuscript -
The Beechworth Burke Museum
Animal specimen - Red-Winged Blackbird, Trustees of the Australian Museum, 1860-1880
The red-winged blackbird is native to North America. They live in a verity of places from southern Alaska at its northern most point, to the Yucatan peninsula in the south and covers the greater part of the continent reaching from the Pacific coast of California and Canada to the eastern seaboard. Populations that are most northerly migrate south after the mating season, but some of the populations in the central and western United States, Central America and the Gulf Coast are resident year-round. In the breeding season, Red-winged blackbirds are found in a range of fresh and saltwater environments, including in small trees and bushes along marshes and watercourses, in agricultural areas and dry meadows. During migration, they can be found in, pastures, prairies and cultivated fields. They are polygamous. The Red-winged blackbirds are known for their scarlet and yellow shoulder patches but on this specimen are rather dull and the feathers are not as glossy black as they are in other images. It is mounted accurately but the feathers appear to be ruffled. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Red-Winged Blackbird is one of the most common birds in North America and is the most boldly coloured one. The males are glossy-black with shoulder patches of scarlet and yellow which they are able to puff up or hide according to their level of confidence. Females look like a big, dark sparrow, being a subdued, streaky brown. The colouring of this particular specimen identifies it as male.[torn] page 58 / Tag: A. 4423taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, north america, red-winged blackbird, red-winged starling, migratory, alaska, canada, saltwater -
Robin Boyd Foundation
Book, Geoffrey Serle, The Golden Age, 1963
Hardcover w/ Dust JacketTorn paper bookmark @ p.85victoria history, geography, geoffrey serle, walsh st library -
Stawell Historical Society Inc
Archive - Journal, Stawell Flour Mill (Frayne Street)
Stawell Flour mill Frane Street. Entries 1942 - 1960Portrait Cover Black Vinyl damaged no spine - blue tape loose pages.....rnal (mostly) worn/torn off -
Greensborough Historical Society
Newspaper clipping, 17 Watsonia home sites sell for 1585 [pounds] average, 1950c
A scrap of newspaper with land prices in Watsonia's "Hillboro" estate. Prices are pre-decimal currency, estimated mid 1950s.AN indication of land prices in the 1950s.Torn clippingwatsonia -
Stawell Historical Society Inc
Archive - News magazine, The Advocate
March 24 1884: May 24 1884: April 18 1882: August 12 1884: March 17 1888: March 24 1884: April 17 1958: News magazine of the Church of Rome News from Ireland and RomeFoxed, TornThe Advocate - Newsprint - Photossocial history -
Phillip Island and District Historical Society Inc.
Photograph, 1931
One of 5 photographs donated by Lyn Chambers & Frank Dominick - Wonthaggi Historical SocietyColour photograph of Fishing boat with boat and people in the background.On back partly torn off: "& Dorrie 1931"fishing boats, lyn chambers, frank dominick -
Australian National Surfing Museum
Wetsuit, 2004 (estimated)
This wetsuit was worn by surfer and 2000 world champion, Sunny Garcia (Haw), It was cut off Sunny when he collapsed on the beach during his heat of the 2004 Rip Curl Pro event at Bells Beach. As the Age reported at the time: "One who left the water in unhappier circumstances was three-time Rip Curl Pro winner Sunny Garcia, who forfeited his heat with American Taylor Knox because of a migraine-like condition that saw him taken to Geelong Hospital for tests. Garcia, who was leading the heat, rode in with nine minutes remaining and appeared to collapse on the beach, holding his head in his hands." This wetsuit was worn during the prestigious Rip Curl Pro at Bells Beach. It is a rare artefect from a major medical emergency at a world professional surfing contest.Sunny Garcia's wetsuit. Torn Hotline wetsuit, full length 3/2 steamer. Wetsuit is cut and torn.Hotline Wetsuits, Santa Cruz, Calif, Superflex 3/2 modelrip curl pro, wetsuit, sunny garcia, hotline, torn, collapse -
Kilmore Historical Society
Book, WHITCOMBE'S FEDERAL GEOGRAPHY, c1920
School text, Grade 8 geographyGrey cover, stained & torn, brown paper cover, pages torn & ink-marked. 160pp. Fair conditionnon-fictionSchool text, Grade 8 geographychildren, textbook, glanville, geography -
Greensborough Historical Society
Document, Town Planning Appeals Tribunal, Town Planning Appeals Tribunal report 1978 [Loyola College], 06/11/1978
Report on an appeal against two conditions on the development of land in Grimshaw Street Watsonia for a secondary school [Loyola College].This document demonstrates some of the problems associated with setting up a school in a residential area.3 pages, torn and yellowed.loyola college -
Robin Boyd Foundation
Newspaper - Clipping, The Age, Aid sought on Opera House, 4.6.1966
Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clipping, torn edgessydney opera house, utzon, sydney opera house project, walsh st library -
Robin Boyd Foundation
Newspaper - Clipping, Opera seating plan defended
Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clipping, torn edgessydney opera house, utzon, sydney opera house project, walsh st library -
Moorabbin Air Museum
Book - Merchand maritime operations, Electrical Knowledge for Ship's Officers
Non Fiction. Description of electrical equipment of a merchant ship circa 1950s .White cover slightly tornNon Fiction. Description of electrical equipment of a merchant ship circa 1950s . -
Victoria Police Museum
Carte de visite (Search Party), Carte de visite search party
Sepia toned photograph of four mounted police and their horses. One man is mounted on his horse while the other three are holding theirs by the reins. Each man is also holding a rifle."...Kelly" (majority of inscription has been torn away)kelly gang, search party, ned kelly, edward kelly, police murders, mounted police -
Warrnambool RSL Sub Branch
Book. WW2. Images, WAR – IN PICTURES. Fifth Year, 1944/1945
Hard Back with Torn Dust CoverODHAMS PRESS LIMITED LONG ACRE. LONDON W.C.2 -
Warrnambool RSL Sub Branch
Book, JANE'S FIGHTING SHIPS 1961-62
The standard work of reference on the navies of the WorldHard Cover, with torn Dust Cover Compiled & edited by Raymond V.B. BLACKMAN, A.M.I.N.A., A. E. Mar. The Standard work of reference on the navies of the World Distributed by SAMPSON LOW, MARSTON & Co., Ltd., LONDON, W.1. military ships. world navies. -
Coal Creek Community Park & Museum
Creaming Soda
Torn Label Red & Yellow Lid Aerated Creaming Soda Refreshing & Invigorations Eberhard & Co Clunes Eberhard & Co Clunes & Talbot -
Ballarat Tramway Museum
Newspaper, Herald Sun, "Tug-of-war over a veteran tram", 24/10/1972
At the time this caused great concern amongst tramway museums. The problem was later resolved by the Bendigo Trust rebuilding a former scrapped Bendigo Birney tramcar No. 27, partly paid for by the Government for the Adelaide Museum. This tram, Adelaide MTT 1924 G-Type No. 303 is operational at the St Kilda Tramway Museum, Adelaide. Other museums did not receive their promised tramcars. Published by The Sun, Melbourne, 24-10-1972. See item 9126 for the Bendigo Advertiser report of the same date.Provides information about an event following the closure of the SEC operated Bendigo tram system.Newspaper clipping torn from a newspaper.tramcars, birney, bendigo trust, adelaide, tram 303, tram 27 -
Surrey Hills Historical Society Collection
Digital photo, School Photo, 1925
School Photo Surrey Hills Primary School 2778 - 8th Grade 1925. Alan Holt is right of the person holding the board.School Photo with a section torn of on the rightsurrey hills, primary school, 1925, 2778 -
Returned Nurses RSL Sub-branch
Ephemera - Envelope & two pieces torn newspaper clipping, Punters
Envelope & newspaper clipping with photograph with caption 'PUNTERS Looking Over Competitors in "saddling paddock," Sister J. Harham, ambulance sea transport, Sergeant W. A. G. Heyes and Sister I. Clay found it almost impossible to decide which one to back.'Small envelope and torn newspaper clipping'Jean Hardham & Irene ^ nee Clay Woodward' 'relating to H078' [on envelope]sister j hardham, sergeant w a g heyes, sister i clay -
The Beechworth Burke Museum
Animal specimen - Barking Owl (Female), Trustees of the Australian Museum, 1860-1880
Barking Owls are a nocturnal, medium sized bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Average size ranges between 390-440mm in length. Females are generally slightly smaller than males and they are only one of a small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from a 'woof woof' barking dog sound, to shrill, human-like screams, which reportedly alarmed early European settlers to Australia. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The female call is slightly higher in pitch than the male, and males and females often duet, contrasting low and high pitches. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Barking Owl is of an average size. It has brown, grey and white spots and vertical streaks. The face and breast are lighter in colour than the wings and the dorsal plumage. The glass eyes are large and dark in colour while the tarsi and toes are yellowish. This specimen stands on a wooden perch with identification tags attached to its leg. [torn] / 16. / Winking Owl / See catalogue Page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology