This photograph depicts two young Japanese women demonstrating traditional Japanese cultural practice whilst living at Tatura Internment and Wartime Camps during the Second World War.A black and white photograph featuring two young Japanese women in traditional costume.tatura, japanese family camp, japanese, japanese internees, internment, rushworth, goulburn valley, kimono

Pictured is the open fire used for cooking that would have been found in a traditional Ithacan home. Whilst most now use electric and portable gas appliances, these open cooking areas can still be found in the kitchens of many of the old homes on the island. The mortar and pestle and baking dishes pictured are sill used today in the preparation of traditional dishes.Cooking and food is an intrinsic part of Ithacan culture and plays an important role in maintaining identity and traditions for the Melbourne's Ithacan community. Recipes and particular cooking techniques are passed on from generation to generation. A coloured photograph of the typical kitchen copper pans and cooking utensils used in a traditional Ithacan kitchen.

Angelika Raftopoulos is the young woman wearing a traditional Greek costume. The costume is very much in the style of the Ithacan traditional dress, with apron and headscarf. A black and white studio photograph of a young woman seated on a settee in front of a curtain. She is dressed in a traditional Greek costume from the Ionian Islands.

The three Lucas (Lekatsas) siblings, Peter, Nina and Andrew are photographed wearing Greek traditional costumes. The boys are wearing the uniform of the Greek Evzone soldiers, and the girl the traditional dress. They are children of Gerasimos and Kaliope (nee Zavistanos) Lekatsas.Children often wore national costumes at special Greek national day events which were usually organised by the Greek Community in conjunction with the Greek language schools. Most children of Greek background attended Greek school after hours to learn Greek language, history and culture. The national day events were an important way for Australian born children of Greek background to develop a deeper understanding of Greek history and an appreciation of their cultural heritage.A black and white studio photograph of a girl and two boys dressed in traditional Greek costumes. The girl is seated on a chair and the two boys are standing on either side of her.

Gouache on paper illustration of a woman from Pátzcuaro region, Michoacán, Mexico, by Mexican fashion illustrator Alfredo González Bouret (1926-2018). Likely created in 1953, prior to being exhibited in Mexico and Paris in 1954. From the Patzcuaro region of Michoacán state, Mexico, this woman wears a wide-brimmed 'sombrero' on top of her 'rebozo' - a long rectangular shawl made of wool or cotton with an intricate hand-knotted pattern, popular throughout Mexico. Her hair is held away from her face, likely in long plaits down her back in the traditional style of the region. Her ears and neck are decorated with long earrings and strings of beads, while her plain white blouse is tucked in to a bright red 'refajo' skirt, gathered at the waist by a textile belt with geometric designs. In her hands she holds long-stemmed lilies. While resembling other illustrations of fashion from the Patzcuaro region, this costume stands out for the bright colour of the skirt, and the lack of embroidered decoration on the blouse. Rebecca Lloyd, 2019.Mounted painting of a woman in traditional regional dress from the Patzcuaro region of Michoacán, Mexico. Gouache on paper, c.1953.Signed in green paint, bottom right, 'AG Bouret'.mexico, 1953, fashion design, painting, illustration, mexican, fashion illustration, dress

In Photo Album given to Anna Goh by her uncle Fred Mow Fung for her first birthdayYoung child Anna Goh in traditional Dress on balconychinese

Article in The Age by Virginia Trioli recalling her thoughts on the traditional Easter mysteries during her earlier days living in NunawadingArticle in The Age by Virginia Trioli trioli, virginia, woolworths supermarket, blackburn, old orchard shopping centre

The photograph is taken on board an ocean liner heading for Greece. Those in Greek costumes are paseengers; the two men in civilian clothes crew members. Fourth and fifth from the left respectively are cousins Penelope Billiter (nee Kallinikos) and Athena Sikiotis. Penelope 's father Spiro Kallinikos and Athena's mother Chrisoula were siblings.Many Australian born people of Greek heritage have made trips back to their parents' homeland in a bid to learn more about their heritage and to meet family. A black and white photograph of a group some of whom are dressed in Greek national dress. The 10 women in the photograph are all in national costume; of the five men three are wearing traditional dress.

The full costume used traditionally by girls in the 16th to 19th century AD. In Australia used by Thessaloniki Association “The White Tower” in Greek dances, parades and theatrical performances as a traditional costume.Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Girl's dancing costume apron, red velvet with embroidery along outside. Red lining. Part "C" of a 4 piece costume.girl, dancing, costume, apron, βλαχοπούλα, ποδιά, greek, plutarch, στολή

10-page booklet by Jim Poulter “Toward the Municipal Mapping of Traditional Land Use”

The two women photographed in traditional Greek dress are Katerini Lucas (nee Paxinos) and ? Lekatsas. The women may have been dressed as part of Greek national day celebration or concert. A sepia photograph of two women standing and dressed in identical Greek national costumes. The photograph is in post card format with an undivided back although headings indicate the message and address sides.Stamped on the back is a blue oval stamp with the photographer's details. Printed across the top: POST CARD/ BRITISH MADE.

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). This cloak represents a traditional shield and stands for strength, resilience and standing proud. It protects us as we move forward. The gold represents the gold fields of Ballarat and Golden Plains shire. It also represents fool’s gold (pyrite) as First People had no use of gold, instead the people are the gold.Black, white, and red stripe design with flower and stem motif on outer cloak. Lining is a red and white stripe motif. Trimming is solid black. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Traditional, painted brick country barn, DenmarkDenmark / Barn / Country Barn / Traditional, Painted Brick (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Paperback. Full Colour image on cover.Project Managed by Donna Bates (NORFORCE)

Using Manningham as an example, aboriginal land use patterns are shown, together with interconnecting songlines.10 p., typescriptmanningham, songlines, aborigines

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

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96 pages, illustrated.

28 pages, illustrated.

32 pages, illustrated.

28 pages, illustrated.

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SoftcoverWritten in front page: "To Mrs. Robin Boyd. From Kikutake Kiyonori 1972"japanese architecture, architecture - japan, walsh st library

As told to nu:nu:wul Elder Don Bell, with bi-lingual text and commentary. Provides explanation of the aboriginal alphabet, story of Queen Nellie Hamilton and and language list of words used by Queen Nelly and her daughter.Illustrations, b&w photographs, word listsngunnawal, canberra, yass, queen nelly hamilton