Prue Acton launched her label in Melbourne in 1963. Initially celebrated for capturing the youthful energy of the 1960s "Youthquake" movement, her brand underwent a significant maturity shift during the late 1970s and early 1980s. As her original teenage and twenty-something clientele entered the professional workforce, Acton transitioned her designs from playful boutique mini-dresses into sophisticated, structured, and upscale ready-to-wear pieces. This wrap day dress perfectly exemplifies that evolutionary step. It offers practical utility for the contemporary working woman while maintaining the high-impact visual flair she was known for. This specific garment reflects her obsession with pure, interacting hues. The combination of saturated teal against coral-red and gold metallic trimmings is a masterclass in complementary color dynamics. Instead of relying on traditional printed patterns, she used the structural trim itself to dictate the architecture of the dress. The wrap dress style allowed for physical ease in warmer climates, while the sharp graphic lines gave it an assertive presence. A midi-length day dress in deep teal featuring a wrapped crossover V-neckline, short fluttering tulip sleeves, and a defined waist. The dress is accompanied by a wide, matching self-tie fabric belt. The garment features striking, avant-garde contrast borders in coral-red and gold metallic ribbon. This graphic trim accents the length of the belt, forms a bold, geometric zig-zag pattern around the lower hips, and finishes in parallel horizontal bands directly above the hemline. While the tailored cotton construction echoes late-1970s daywear, the hyper-saturated colorblock palette and bold geometric patterns strongly align with Prue Acton's transition into the vibrant, structured aesthetics of the early 1980s.Label 1: "Prue Acton" Label 2: "Size 14 ..."prue acton, australian fashion -- melbourne -- 1970s, dresses

The Book is part of a 25 volume set with red cloth bindings and gold filigree design to rib. non-fictionThe 1908 edition of The Historians' History of the World is a monumental work of Edwardian scholarship, representing a specific era of "universal history" where the goal was to synthesise all human knowledge into a single narrative. Volume 6 focuses on the period where Rome moved away from internal civil strife toward a unified, centralised rule. Major topics include, the reign of Augustus, the transition from the Republic to the Principate and the establishment of the Pax Romana (Roman Peace). flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, flagstaff-hill-maritime-village, book, the historians history of the world vol 6 set 1, henry smith williams

The Book is part of a 25 volume set with red cloth bindings and gold filigree design to rib.non-fictionThe 1908 edition of The Historians' History of the World is a monumental work of Edwardian scholarship, representing a specific era of "universal history" where the goal was to synthesise all human knowledge into a single narrative. Volume 10 specifically focuses on the Late “Middle Ages” and the “Renaissance period”, particularly in Italy and Spain. Starting with the clash of civilisations, Islam vs. Christianity. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the historians history of the world vol 10 set 1, book

The Book is part of a 25 volume set with red cloth bindings and gold filigree design to rib.non-fictionHenry Smith Williams’ “The Historians' History of the World” is a chronological and geographical "tapestry" of human events, these twenty five volumes occupy a very specific and prestigious place in historical research. Volume 22 represents a critical pivot point in the series, shifting the focus away from the concentrated histories of Europe and the British Empire toward the "New World" and the rising power of the West.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the historians history of the world vol 22 set 1

Operative Gynecology Vol 2 Author: Howard Kelly Illustrator: Max Brodel Publisher: D. Appleton & Co. Date: 1906 Further Information: Red Cloth Cover and Spine Lettering to Spine in Gilt.non-fictionThe subject texts, Operative Gynaecology, Volume I & 2 is a surgical two volume textbook on diseases and operations involving the female reproductive system, written by Howard A. Kelly and illustrated in part by Max Brödel. In the division between Volume 1 and Volume 2 there follows a logical anatomical and procedural split. Whereas Volume 1 concentrates on fundamental surgical principles, diagnostics, and operations on the lower genital/urinary tract. Volume 2 shifts focus to intra-abdominal, pelvic, and major organ surgeries. Volume 2 transitions into major intra-abdominal procedures (laparotomies/celiotomies) involving internal reproductive organs and neighbouring abdominal structures. The books are a technical, richly illustrated manuals for gynaecological surgery rather than a general medicine text. Its subject is operative treatment, anatomy, instruments, procedures, and surgical technique in women’s diseases, reflecting the early 20th-century development of gynaecology as a specialised surgical field.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, operative gynecology vol 1, book, howard kelly

View looking east across the Glen Park Bridge and the railway crossing towards Main Road circa 1920. The bridge was originally built as a replacement for an older private bridge built by a man named Foley around 1880. In 1911 Heidelberg and Eltham agreed to share the costs to build a new bridge (the Diamond Creek was the border between the two). Construction began in June 1915 and it was officially opened by Cr. Taylor on Cup Day, November 1915. This photo, dated around 1920, is of the Glen Park Bridge crossing over the Diamond Creek about 50 metres north of the present-day Wattletree tree Road Bridge. Glen Park Road intersected Main Rain Road along an alignment following present day Coleman Cresent. In this this picture we see the narrow wooden bridge over a high flowing Diamond Creek at Glen Park, now Eltham North. In the background is a railway crossing sign. There is a self-contained carbide streetlamp situated in front of the bridge. In the early 1900s, carbide (acetylene gas) streetlamps emerged as a lighting technology for regional towns across Victoria, Australia, before municipal electricity grids were widely established. During the late Victorian and early Edwardian eras, major hubs like Melbourne relied on centralized coal-gas infrastructure. However, small regional Victorian shires lacked the funds or population density to build large gasworks. When the commercial production of calcium carbide became viable around 1900, it offered a quantum leap in brightness over traditional kerosene streetlamps. Acetylene gas burned with an intense, crisp white flame—significantly brighter than oil or candles. Many rural towns used self-contained lampposts. A lamplighter had to climb each post daily to manually place calcium carbide pellets in a lower chamber and fill an upper chamber with water. The water dripped onto the carbide, producing acetylene gas to feed the burner. Lamplighters carefully measured the fuel amounts so the chemical reaction would naturally exhaust itself and "turn off" around midnight. While carbide streetlights provided unparalleled visibility for early motorists, cyclists, and pedestrians, they were incredibly labour-intensive and inherently volatile. The gas was highly explosive, prone to leaks, and left behind a pungent, sulphur-like odour. By the end of World War I, local Victorian councils rapidly phased out acetylene infrastructure in favour of safer, independent electric powerhouse generators. In the context of Eltham's local history, the Eltham Shire and surrounding Yarra Valley region actively relied on carbide streetlamps and kerosene lighting during the early 20th century before the expansion of the Melbourne electric grid. Eltham was an outer-rural, heavily timbered farming and orchard district at the turn of the century, it faced unique civic infrastructure challenges. In rural Eltham, early streetlamps were exceptionally sparse. The community relied heavily on "innkeeper laws" which dictated local hotels—such as the historic Eltham Hotel—were legally required to keep external oil, kerosene, or acetylene lamps burning through the night to illuminate the main roads for travellers and coaches. The volatile carbide and kerosene lamps on Eltham's main thoroughfares were progressively phased out during the 1920s. The district steadily transitioned to electricity, which allowed for developments like the installation of modern electrical wiring at the local fire station on Arthur Street by 1928. The Glen Park Bridge was a low structure and subject to flooding readily. In 1959 Eltham Council erected a new crossing over the Diamond Creek and realigned the road to the present-day Wattletree Road Bridge. Construction was not fully complete when on Sunday, 20 September 1959, heavy flooding occurred in the stream and at 3:53 pm the old bridge was washed away forever. - Research by Peter Pidgeon, EDHS, June 2026Photograph copy eltham north, wattletree road, coleman crescent, bridges, diamond creek (creek), bridge, carbide streetlamp, floodwater, glen park bridge, street lamp, glen park road, glen park estate

The stretch of Kororoit Creek between Deer Park and Sunshine South contains several pedestrian bridges. Many of these structures were rudimentary in design and, in numerous cases, poorly constructed. One of the more unusual examples is the bridge at Boorham Street, Sunshine South, which links across the Kororoit Creek to Pickersgill Avenue, Sunshine West. This bridge was originally built by the Watkins family many decades ago, using the chassis of two railway wagons. Its purpose was entirely practical: to move cattle across the creek. At the request of Council, the family later donated the structure, and it was subsequently decked to allow public use. However, the bridge remained inadequate, and in 1978 Council officers recommended that it be replaced as soon as possible.The Watkins family were early agricultural settlers along the Kororoit Creek corridor, contributing to the rural foundations of Sunshine South and Sunshine West before the rise of large‑scale industry. Their presence reflects the transitional period when the district shifted from creek‑based farming to rail‑linked manufacturing.boreham street, sunshine, pickersgill avenue, sunshine west

Light Rail Bender Most rails are produced straight. While they to easily bend and appear flexible, they are required to bend for some curves, at rail joins on curves and at point (turn-out) junctions. For a safe transition around curves and in the finer areas of the point, this use to be done with a manual rail bender. Sometimes referred to as a Buddah, the rail bender attaches its two claws to the rail. In the middle of the two claws is a screw that is slowly tightened using a crow-bar to bend the rail. Tightening the screw too fast or too tightly may not give the structure of the rail time to redistribute and the rail may break if not done properly. Historic - Railways Permanent Way and Works - track equipment - Light Rail Bender Light Rail Bender made out of cast wrought ironpuffing billy, light rail bender

Railway tracks are produced straight. They may appear to be easy to bend and may appear flexible, but are required to be bent for curves, at rail joins on curves and at point (turn-out) junctions. For a safe transition around curves and in the finer areas of the point, this was required to be done with a manual rail bender. Sometimes referred to as a Jim Crow, the rail bender attaches its two claws to the rail. In the middle of the two claws is a screw that is slowly tightened using a crow-bar to bend the rail. Tightening the screw too fast or too tightly may not give the structure of the rail time to redistribute and the rail may break if not done properly.Victorian Railways Permanent Way and Works track equipment Light Rail Bender narrow GaugeCast iron semi-circular tool, with hooked ends and central screw shaft.puffing billy, rail bender, jim crow

SUMMARY - Edna (Myers) Barrie, 1918 – 2018, Profile Early Life Edna was born at Melton and delivered by Hannah Watts. Her mother Martha walked in the dark at night with her basket under her arm to the bridge over the Toolern Creek Bridge and into Sherwin Street to the corner of Yuille Street to Hannah’s house Lynch Cottage. Martha’s husband was away shearing and eventually heard the news of the birth of their blue eyed third child and second daughter. She was born into a family that was surrounded by music; her father played the “squeeze box” and mother the mouth organ. From an early age the family were aware of the great composers, a framed picture of Beethoven, Chopin, Schubert and Wagner hung above the door to the lounge room of their 4 roomed cottage, the room where the piano stood. Her life on stage started as a singer aged 6 years at the Melton Mechanics Institute Hall. Edna was born with a natural ear for music learning piano and singing from her older sister Marjorie who became an accomplished pianist and soloist and renowned music teacher in Melton and district. In the 1920s and 1930s concerts at the Melton Mechanics Institute were regular events were the local talent was fostered. The Myers children, like other children of Melton and Rockbank, studied singing, piano and elocution, sat examinations, entered in competitions in South Street Ballarat, Footscray and Melbourne. In 1929 a Sacred Concert was broadcast by 3AR from the Hall as part of the Back to Melton Celebrations. Marjorie Myers performed two of the items on the piano. Edna attended Melton State School 430 from 1924 – 1933. Her father Fred had also attended the same school. In 1924 the School staged Cinderella at the Melton Mechanics Institute Hall with a cast of 33 students. After completing her education a Melton she boarded in South Melbourne and attending Melbourne Girls High School (MacRobertson Girls High School), a school which recognized her musical attributes. She travelled home on the train on the weekends, sometimes getting off at Rockbank to save a few pennies in fares. Working life The early 1930s the Depression was a difficult time for a young woman to find work. Jobs were often menial and given to the youngest and therefore cheapest applicant. She worked as sales assistant at Polonskis and Myer in the city, and Irvines Modes in Footscray. Working to 1pm on Saturday, and when held up by a customer meant missing the train home. While at Myer Department store she lived at home and rode her bike to the Melton railway station. On one occasion she had a nasty fall when a part of her bicycle came loose causing the bike to crash rendering her concussed and injuring her nose. During the 1930s she was given a camera “a little snap” by Mrs Kelly her landlady. This began her interest in photography documenting family life at their “Burnbank” home. Musically, while at Myers she participated in annual performances held at The Kings Hall and the Myer Mural Hall. Working in the basement at Myers she was often embarrassed when her name was called, customers assuming she belonged to the Myer Family. Ken Myer worked in the basement at the same time handling the ‘Wheeler’, a wicker basket used for moving goods around the store. The family philosophy was for the children to start at the bottom and work their way up. Social life Social life in her teenage years was connected also with Scots Presbyterian Church. She attended Sunday School classes and received book prizes for attendance. She loved to read and welcomed the times when she received new book. She took part in the Sunday School Anniversaries and was presented with a Bible from the Superintendent, Henry Robinson for her assistance with the music. Marriage and War years In 1941 Edna married Ernest “Bonnie” Barrie. War in the Pacific was soon to break out. While in Sydney on their honeymoon they met up with Jim Barrie who was on his way to Canada via Hawaii just missing Pearl Harbour by two days. Jim became a Spitfire Pilot and joined the RAF and was based in England. He returned to Australia later in RAAF to fight the Japanese off the coast of New Guinea. The three eldest Barrie brothers were farmers and food producers and were thus except from military service. Edna and Bon were members of the VAOC- Volunteer Air Observers Corp entailing being rostered on duty as plane spotters. The women took shifts during the day and the men at night which involved staying overnight in the Shire Offices. Later the spotting tower was built in the plantation opposite the Post Office. Edna and Bon carried on with this from their home in Ferris Rd when the threat of invasion had ceased Community life Community life in Melton revolved around fund raising events for the Melton Mechanics Institute for the War effort and keeping up with maintenance for the Hall. In 1944 the Minister for Health gave approval for the Shire of Melton to open and Infant Welfare Centre inviting Edna to form part of the Committee with seven other women. In 1948 she was President of Melton Branch of the Victorian Health Centres Association. She volunteered this use of her car driving the person in charge, Sister Smith to visit mothers and their babies. In 1963, along with Betty Jones and Isabel Snell, Edna was instrumental in forming the 1st Melton Cub Pack and later supported the formation of the 1st Melton Scouts. During 1963 – 1968 she completed the Australian Boy Scout Association Cub Pack Preliminary Training and achieved her Wood Badge. Country Women’s Association In 1944-1996 she was a member of the Melton Branch Country Women’s Association (CWA), Melton Branch, Secretary of the Branch in 1945 – 1946 and Branch International Secretary 1970-1971. She worked with choir, music and drama interest groups within the branch attaining both first and second place in 1959, second place in 1952 Exhibition and second in Music in 1960 in the state. She was involved in their handicraft craft events, fund raising and musical events and singing competitions. During the 1950s she trained Trios and Quartets in part singing for the CWA competitions in Ballarat and Melbourne. It was at this time that she developed her skill as a conductor and trainer of choirs. She later auditioned for the Victorian Choir for alto parts believing she would stand a better chance of being chosen, because of her ability to sing in natural harmony. In 1962 she participated in the Tenth Australian Country Women of the World (ACWW) Triennial Conference “Australia Presents: CWA Massed Choir” in the Melbourne Town Hall. This event was recorded by Super Sound Spotlight on 45 extended play vinyl record. The songs were Australian music and words, for example The Silver Stars are in the Sky, The Graceful Swaying Wattle and Kookaburra. Edna continued with her interest in the Victorian Choir regularly meeting at the CWA Headquarters in Toorak for rehearsals. In 1974 she took part in the Australian Choir at the fourteenth Triennial conference of the ACWW Interfaith Service held at the Perth Concert Hall on the 13th of October. Arts and Culture Edna was also in the Choir of 3KZ Carols by Candlelight at the Myer Music Bowl in 1963 and 1964. Melton Choral Society. Edna was Director and Conductor in the 1970s performing at many community events such as Carols by Candle Light, Church Services, Easter and Palm Sunday services, Mothers Union and the 1976 Community Services Week Combined Church Service. The October – November 1978 Program covered the following: songs from the Musicals, Choral and Solo with Narratives, Guest Instrumental Item, Recitation Negro Spirituals and Australian Songs. Her involvement with church choirs included the Scots Presbyterian Church Choir Easter and Christmas performances and the 1967 Centenary Service. In 1980s the Melton Uniting Church Sacred Music Performances included The Crucifixion by Stainer, The Olivet to Calvary and other church Hymns. Edna was Musical Director of the Melton Amateur Theatrical Society and worked on performances in collaboration with Mabel Rogers on script and musical interpretation. Melton and District Historical Society Annual Art and Craft Show. First held in Melton Mechanics Institute Hall in 1973, it later took place in the in the Melton Community Hall. The Art Show was also run in conjunction with other community organizations such as Rotary and Girl Guides. Community history and research Melton streetscape and society Over 20 years commencing in the 1970s, Edna undertook extensive photographing of the changing streetscape of Melton’s High Street. She anticipated the impact of change on the community during the time of Melton’s rapid transition from a small farming district to a large urban community and this led to her extensively document and photograph many of the structures and landscape features of the township that have since been lost. She also meticulously recorded much of the contemporary life of the town and has left a significant legacy of archival material. Melton State School 100 Years Celebration, October 1970 Co-author with Mabel Rogers “The First 100 Years, 1870 – 1970” Assembled a collection of School Class Photograph and identified and compiled lists of names for future school history. She also assembled a photographic display for the 125th anniversary in 1995. Melton and District Historical Society (M&DHS) Foundation Member, 1968 Held President and Secretary positions from its inception Research associated with the classification of Heritage buildings Christ Church Classification C Scots’ Presbyterian Church Classification D Set up the storage and Catalogue system in the Office at the Willows Organised society visits to Heritage sites in and beyond the Shire of Melton, including Stathtulloh, Eynesbury, Deanside, ToolernVale sites including Merrywood (now demolished) Staughton Vale, Chirnside, Point Cook, Shwerkolts Cottage. 1970 – 1983 Melton and District Historical Society Letterhead. Staughton Memorial Light from early newspaper cutting in its location before restoration to present location. Sketch by Wendy Barrie. Designing and printing pamphlets, stationery, and other sale items with Willows title. M&DHS street naming research for new housing developments (1970 – 2000). Collaborated with Mary Tolhurst to research the names of early landowners and pioneer families connected to the first settlers. Researched Aboriginal names for inclusion on lists submitted to developers. An early example is the naming of Kuranjang and the street names associated with the McPherson family. Plains of Promise (Shire of Melton history) by Joan Starr (1985). Edna assisted with Historical Society materials and contributed her own research and photographs. Contacted and organised for Hubert Opperman to launch the book. (She was also present at his last bike ride at Rochester in 1995.) Western Metropolitan Groups of Historical Societies. Member attending meetings and representing Melton, also hosted the Group at Melton The Willows Member of the Committee of Management for the restoration of the “Willows” house the establishment of The Willows Park 1982 March - Official Opening of the Willows Park- Preparation and planning for the event. Involved in the collecting of items in the furnishing of the display rooms in the Willows house. Donated items and furniture from the Myers and Daley family houses. (19th century) Machinery Shed Establishment. Involved with Jeff Robinson in the construction and collection of machinery display Other significant sites Championed and participated in the restoration and preservation significant sites in Melton, including: restoration of the Staughton Memorial Light and its return to its present site restoration of the Pykes Grave (using EW Barrie earthmoving equipment) restoration and reconstruction of Dunvegan restoration and reconstruction of Macs Cottage, the management and Caretakers residence Melton State School War Memorial Gates removed from Unitt Street entrance and relocated to the Willows Park Donated the Barrie family single furrow plough which was standing at the Court House Plaza. It removed and to Council Depot and later missing. The plaque was taken to the Willows. Jimmy Melrose (aviator) cairn restoration at crash site in Melton South Donald Mackintosh (Olympic gold medallist marksman) grave site at the Melton Cemetery (Historical items held by the Myers family collection.) Houdini first flight at Diggers Rest. Edna’s father was shearing at Diggers Rest at the time and witnessed the flight. She attended the 90 year anniversary of the event at the site in 2000. Radio and electronics Edna’s husband Bon interest in wireless communication dates in the 1920s with the building of a crystal set in the early days of public broadcasting. At the Back to Melton Celebrations in 1929, 3AR broadcast a concert from the Melton Mechanics Institute on the 20th February at 8pm featuring Footscray City Band, James Hill baritone, Vera Carew Soprano, James Foran Tenor, Marjorie Myers Piano, and James Williamson Entertainer. Accompanists: Miss Agnes Ross and Mrs James Hill. The Myers children had recordings of their piano playing made onto the aluminium records, Martha Myers’ voice can be heard introducing an item. These were made in a studio in Melbourne. Marjorie was given a upright Gramophone by Donald Mackintosh in recognition of her talent and her contribution to the cultural life of Melton. The family were then able to listen to 78rpm recordings of the famous classical recordings. The turntable was hand wound metal stylus needles had to be regularly replaced. The aluminium disk needed a bamboo needle to prevent damage to the surface. Before electricity was introduced to Melton in 1939 the Mechanics Hall relied on generators to produce electricity. Bon Barrie, being mechanically minded, built a public address system for be used a community functions at the Hall and Recreational Park. By 1939 this was up and running and used for over three decades. A large Collection of 78rpm records provided music for dances, marching, parades and any public event needing music and microphones. The early system was portable and worked on batteries. CFA Radio Communication In the 1950s with the introduction two-way HF and later VHF very high frequency radio sets. Melton Rural Fire Brigade was part of the Bacchus Marsh Group. Radio sets where located in the Melton Fire Truck, and in the house of the Barrie family at Ferris Road. This was an ideal location to observe a 360 degree view in all directions when smoke appeared on the horizon. An antenna was erected beside the house. The set OX 7 was located in the kitchen and monitored 24 hours by the family. When an electrical fire occurred at the junction of the electricity to the house there was time to radio the fire station and summons the men working in the paddocks, thus saving the house from possible destruction. With the introduction of UHF – ultra high frequency Vinten Radios the signal was clearer and static and interference lessened and radio traffic became easier to read, and reduced noise levels in the household. VL3 LY Radio Base became the Group Headquarters was established in 1967. By 1970 the Brigades were: Melton, Rockbank, Sydenham, Toolern Vale, Diggers Rest, Truganina, and Werribee. In 1974 when the family moved to First Avenue, another antenna and a small building were erected adjacent to the residence and used to house the equipment, maps. Radio traffic consisted of regular schedule times and communication with adjoining groups of brigades such as Bacchus Marsh, Mt Macedon and Little River Groups. Many of the brigade and group base radios were situated in private residences and operated primarily by fire fighters wives who held the position of Communications Officer, either registered as a brigade member or informally. Edna was never registered as an operational brigade member but operated informally as an assistant to her husband Bon. She was however a member of the Melton Fire Brigade Ladies Auxiliary from its inception in 1968, a non-operational position. Edna kept up to date with radio procedure following the 1967 handbook; preparing maps, plotting compass points and taking notes on weather forecasts from the SA Border and Western District. Daily notes were taken in anticipation of fire warnings. These log books and daily radio traffic were incidental to the regular radio schedules. Emergency turnouts noted, burning off times and predicted location of smoke. In the summer fire season all TBF (total fire ban days were recorded.) In times of emergency the Barrie family assisted Bon the base radio operator to plot the position and location of fire trucks and to help clarify garbled radio traffic, keep notes and make telephone calls. These log books are held in the EE and EW Family Archive. Melton Uniting Church Edna founded the Church Opportunity with Maisie Robinson in 1975 in the Melton South Methodist Church building. Methodist and Presbyterian Churches of Melton had combined severing their long held connection with Bacchus Marsh. A Manse had been recently built for the Melton Minister. At a Parish Committee meeting at the Melton South Church it was suggested to use the building as an Opportunity Shop. It opened in July 1975, and it raised $1,600 contribution to the church budget in 1976. In 1977 The Uniting Church in Australia was formed and the Melton South Uniting Church Opportunity shop continued to go from strength to strength expanding the buildings providing the welfare needs of the community. Archive Set up by Edna Catalogued items dating from 1857 Minute Book and set ongoing system and storage of items of heritage. Melton Un Awards and recognition of service to the Melton community Rotary Award for Community Service, 1980 Victoria 150th Anniversary Celebrations contributions, 1985 Life Membership of the Melton and District Historical Society (M&DHS), 1989 Extra-Ordinary Contribution for years of service to M&DHS, 1992 Long Service for Exceptional Service MD&HS, 1993 Royal Historical Society of Victoria Award of Merit, 1997 Shire of Melton Certificate of Appreciation for continued support and dedication as a member of MD&HS to the preservation of Melton’s History, 1998 Centenary of Federation Peoplescape (Canberra) Melton Shire nomination, 2001 Uniting Church Melton Life Membership of the Opportunity Shop Uniting Church in Australia Commission for Mission for 30 years of hard work and dedications to the Uniting Church, 2007 Uniting Church Adult Fellowship Certificate appreciation in recognition of valuable support through the “Sammy” Stamp Fund Neighbourhood Watch 5 year award Photographs of Edna at different ageslocal identities

Over 20 years commencing in the 1970s, Edna undertook extensive photographing of the changing streetscape of Melton’s High Street. She anticipated the impact of change on the community during the time of Melton’s rapid transition from a small farming district to a large urban community and this led to her extensively document and photograph many of the structures and landscape features of the township that have since been lost. She also meticulously recorded much of the contemporary life of the town and has left a significant legacy of archival material. Edna Barrie cutting a ribbon to an opening of a eventlocal identities, pioneer families

Founded in 1925, the Kew Amateur Swimming Club launched alongside the opening of the Kew Municipal Baths on High Street. Starting with just twelve members, the club grew rapidly to over two hundred swimmers by 1932. As the seventh oldest swimming club in metropolitan Melbourne, it immediately affiliated with the Victorian Amateur Swimming Association and the Royal Life Saving Society. Before World War II, the club established itself as a local pillar, training generations of residents in competitive racing and life-saving. It successfully transitioned community swimming from the nearby Yarra River into a structured, safe, and modern aquatic sport environment.Small, undated black and white snapshot of a swimmer at the Kew Swimming Pool in High Street, Kew. Other swimmers, officials and audience can be seen in the background. Verso: "Kew Swimming Club"kew swimming club, aquatic sports, swimming, public swimming pools

Founded in 1925, the Kew Amateur Swimming Club launched alongside the opening of the Kew Municipal Baths on High Street. Starting with just twelve members, the club grew rapidly to over two hundred swimmers by 1932. As the seventh oldest swimming club in metropolitan Melbourne, it immediately affiliated with the Victorian Amateur Swimming Association and the Royal Life Saving Society. Before World War II, the club established itself as a local pillar, training generations of residents in competitive racing and life-saving. It successfully transitioned community swimming from the nearby Yarra River into a structured, safe, and modern aquatic sport environment.Small, undated black and white snapshot of a swimmer at the Kew Swimming Pool in High Street, Kew. Other swimmers, officials and audience can be seen in the background. Verso: "Kew Swimming Club"kew swimming club, aquatic sports, swimming, public swimming pools

Founded in 1925, the Kew Amateur Swimming Club launched alongside the opening of the Kew Municipal Baths on High Street. Starting with just twelve members, the club grew rapidly to over two hundred swimmers by 1932. As the seventh oldest swimming club in metropolitan Melbourne, it immediately affiliated with the Victorian Amateur Swimming Association and the Royal Life Saving Society. Before World War II, the club established itself as a local pillar, training generations of residents in competitive racing and life-saving. It successfully transitioned community swimming from the nearby Yarra River into a structured, safe, and modern aquatic sport environment.Small, undated black and white snapshot of a swimmer of the Kew Swimming Club.Verso: "Kew Swimming Club"kew swimming club, aquatic sports, swimming, public swimming pools

Founded in 1925, the Kew Amateur Swimming Club launched alongside the opening of the Kew Municipal Baths on High Street. Starting with just twelve members, the club grew rapidly to over two hundred swimmers by 1932. As the seventh oldest swimming club in metropolitan Melbourne, it immediately affiliated with the Victorian Amateur Swimming Association and the Royal Life Saving Society. Before World War II, the club established itself as a local pillar, training generations of residents in competitive racing and life-saving. It successfully transitioned community swimming from the nearby Yarra River into a structured, safe, and modern aquatic sport environment.Small, undated black and white snapshot of two swimmers of the Kew Swimming Club. Verso: 'Kew Swimming Club"kew swimming club, aquatic sports, swimming, public swimming pools

Founded in 1925, the Kew Amateur Swimming Club launched alongside the opening of the Kew Municipal Baths on High Street. Starting with just twelve members, the club grew rapidly to over two hundred swimmers by 1932. As the seventh oldest swimming club in metropolitan Melbourne, it immediately affiliated with the Victorian Amateur Swimming Association and the Royal Life Saving Society. Before World War II, the club established itself as a local pillar, training generations of residents in competitive racing and life-saving. It successfully transitioned community swimming from the nearby Yarra River into a structured, safe, and modern aquatic sport environment.Small, undated black and white snapshot of a number of swimmers of the Kew Swimming ClubVerso: 'Kew Swimming Club"kew swimming club, aquatic sports, swimming, public swimming pools

Founded in 1925, the Kew Amateur Swimming Club launched alongside the opening of the Kew Municipal Baths on High Street. Starting with just twelve members, the club grew rapidly to over two hundred swimmers by 1932. As the seventh oldest swimming club in metropolitan Melbourne, it immediately affiliated with the Victorian Amateur Swimming Association and the Royal Life Saving Society. Before World War II, the club established itself as a local pillar, training generations of residents in competitive racing and life-saving. It successfully transitioned community swimming from the nearby Yarra River into a structured, safe, and modern aquatic sport environment.Small, undated black and white snapshot of three swimmers of the Kew Swimming ClubVerso: "Kew Swimming Club"kew swimming club, aquatic sports, swimming, public swimming pools

Founded in 1925, the Kew Amateur Swimming Club launched alongside the opening of the Kew Municipal Baths on High Street. Starting with just twelve members, the club grew rapidly to over two hundred swimmers by 1932. As the seventh oldest swimming club in metropolitan Melbourne, it immediately affiliated with the Victorian Amateur Swimming Association and the Royal Life Saving Society. Before World War II, the club established itself as a local pillar, training generations of residents in competitive racing and life-saving. It successfully transitioned community swimming from the nearby Yarra River into a structured, safe, and modern aquatic sport environment.Small, undated black and white snapshot a man, possibly a coach of the Kew Swimming ClubVerso: "Kew Swimming Club"kew swimming club, aquatic sports, swimming, public swimming pools

Founded in 1925, the Kew Amateur Swimming Club launched alongside the opening of the Kew Municipal Baths on High Street. Starting with just twelve members, the club grew rapidly to over two hundred swimmers by 1932. As the seventh oldest swimming club in metropolitan Melbourne, it immediately affiliated with the Victorian Amateur Swimming Association and the Royal Life Saving Society. Before World War II, the club established itself as a local pillar, training generations of residents in competitive racing and life-saving. It successfully transitioned community swimming from the nearby Yarra River into a structured, safe, and modern aquatic sport environment.Small, undated black and white snapshot a man, possibly a coach, and two children.Verso: 'Kew Swimming Club"kew swimming club, aquatic sports, swimming, public swimming pools

Founded in 1925, the Kew Amateur Swimming Club launched alongside the opening of the Kew Municipal Baths on High Street. Starting with just twelve members, the club grew rapidly to over two hundred swimmers by 1932. As the seventh oldest swimming club in metropolitan Melbourne, it immediately affiliated with the Victorian Amateur Swimming Association and the Royal Life Saving Society. Before World War II, the club established itself as a local pillar, training generations of residents in competitive racing and life-saving. It successfully transitioned community swimming from the nearby Yarra River into a structured, safe, and modern aquatic sport environment.Small, undated black and white snapshot of the Kew Swimming Club. Verso: "Kew Swimming Club"kew swimming club, aquatic sports, swimming, public swimming pools

Founded in 1925, the Kew Amateur Swimming Club launched alongside the opening of the Kew Municipal Baths on High Street. Starting with just twelve members, the club grew rapidly to over two hundred swimmers by 1932. As the seventh oldest swimming club in metropolitan Melbourne, it immediately affiliated with the Victorian Amateur Swimming Association and the Royal Life Saving Society. Before World War II, the club established itself as a local pillar, training generations of residents in competitive racing and life-saving. It successfully transitioned community swimming from the nearby Yarra River into a structured, safe, and modern aquatic sport environment.Small, undated black and white snapshot of three swimmers of the Kew Swimming ClubVerso: 'Kew Swimming Club"kew swimming club, aquatic sports, swimming, public swimming pools

Founded in 1925, the Kew Amateur Swimming Club launched alongside the opening of the Kew Municipal Baths on High Street. Starting with just twelve members, the club grew rapidly to over two hundred swimmers by 1932. As the seventh oldest swimming club in metropolitan Melbourne, it immediately affiliated with the Victorian Amateur Swimming Association and the Royal Life Saving Society. Before World War II, the club established itself as a local pillar, training generations of residents in competitive racing and life-saving. It successfully transitioned community swimming from the nearby Yarra River into a structured, safe, and modern aquatic sport environment.Small, undated black and white snapshot of a coach and two junior swimmers learning how to swim.Verso: 'Kew Swimming Club"kew swimming club, aquatic sports, swimming, public swimming pools

The Book is part of a 25 volume set with red cloth bindings and gold filigree design to rib.non-fictionHenry Smith Williams’ “The Historians' History of the World” is a chronological and geographical "tapestry" of human events, these twenty five volumes occupy a very specific and prestigious place in historical research. Volume 15 of “The Historians' History of the World” moves into the heart of modern European power dynamics. Published by The Times in 1908, this volume focuses on the rise of the modern German state and the evolution of the Austrian Empire.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the historians history of the world vol 15 set 1, henry smith williams

This garment reflects the apex of the Australian "Youthquake" movement between 1967 and 1968. During this tight window, international mod influences from London's Carnaby Street fused heavily with local Australian manufacturing. Melbourne emerged as the absolute epicenter of the nation's revolutionary ready-to-wear "rag trade," led by visionary young designers who rebelled against traditional haute couture. Kenneth Pirrie, starting his label in 1959, became a crucial vanguard of this shift. By 1967, Pirrie was heavily commissioning his own exclusive textile prints—capitalizing on newly popularized, easy-to-launder synthetic crepes, crimplenes, and lightweight blends that mirrored the fast-paced, modern lifestyles of younger working women. The high collar and structured button-front design seen here explicitly capture the brief design transition where military tailoring elements met bright, counter-culture psychedelia.This coat dress stands as a stellar, physically intact index of mid-century Australian fashion innovation. It documents a pivotal socio-cultural era when locally manufactured ready-to-wear labels successfully captured and redirected global youth subcultures specifically for the domestic market. The piece demonstrates the high-caliber printmaking and structured garment construction that earned Kenneth Pirrie national acclaim. It provides an excellent material baseline of the late-1960s shift away from structural, monochromatic mod toward organic, vivid flower-power palettes. The dress, owned by Melbourne architect, Dione McIntyre, possesses exceptional local provenance. It highlights the local domestic and commercial history of Kew and greater Melbourne, recording what the fashion-conscious public actually bought, wore, and preserved during a period of massive industry transformationAn A-line, knee-length woman’s garment designed to function as a standalone dress or light structured coat. The piece is constructed from a dark base fabric featuring a densely populated, screen-printed psychedelic floral motif. The pattern exhibits stylized white, pink, magenta, and purple blossoms with golden-yellow centers, typifying the iconic "flower power" aesthetic of the late sixties. The garment features a structured, high Nehru collar closing directly down a central front-button placket. It has tailored, long inset sleeves terminating in clean cuffs, a fitted torso that gently flares outward from the hips into a minimalist A-line skirt, and an overall sharp, geometric silhouette.Label: Kenneth Pirriekenneth pirrie, women's clothing, australian fashion - 1970s, mcintyre collection, day wear, coat dresses

Jinoel of Melbourne was a highly successful Australian fashion house launched by Jill and Noel Kemmelfield in 1957. Eleven years later the designers won the [Melbourne] Gown of the Year award. Jill and Noel Kemmelfield were later to launch Marty and Martine, their mid-market labels. They closed their business in the 1980s. The evening coat was owned, worn and donated by Dione McIntyre.This garment is a representative example of high-end Australian boutique fashion from the late 1960s to early 1970s, designed by the prominent Melbourne fashion house Jinoel. Known for sourcing luxury textiles and tailoring sophisticated silhouettes for the contemporary Australian woman, this piece highlights the transition from late-1960s tailored structure into early-1970s dramatic maxi lengths. The use of a bold fabric reflects Melbourne's mid-century cosmopolitan fashion identity and boutique manufacturing era.A structured, full-length maxi-length evening coat dress made from heavy, vibrant yellow silk. The garment features long, slightly tapered three-quarter sleeves and a deep V-neckline framed by a broad notched lapel collar. It features a continuous column closure running down the center front. The waist is defined by a wide, self-fabric matching belt with a prominent rectangular covered buckle, flaring out slightly to a structured, sweeping A-line skirt.Label: Jinoel of Melbourneaustralian fashion, melbourne designers, 1970s fashion, maxi dresses, coatdresses, corduroy, jinoel, flinders lane, dione mcintyre

These photographs, taken by The Advocate in 1990, document the demolition of the northern RDX acid plant chimneys at the former Albion Explosives Factory. These images are a series of time elapsed photographs of the demolition of the Northern RDX Acid Plant chimney by controlled demolition by explosive which safely brought the chimney down by making it to fall to one side. The Albion Explosives Factory began as Commonwealth Defence Explosives Annexe No. 5, constructed rapidly in 1939–1940 as part of Australia’s WWII munitions expansion. It was built adjacent to the long‑established Nobel / ICI explosives works at Deer Park and produced TNT, nitroglycerine, cordite, RDX, DNT, and related explosive compounds. This plant manufactured Research Department Explosive (RDX), a nitrogen‑rich high explosive used in military munitions, which is far more powerful than TNT, yet relatively stable to store and transport. It is not a consumer or industrial product and sits firmly in the defence materials category.The removal of these prominent industrial structures marked a significant stage in the dismantling of one of Australia's most important wartime explosives manufacturing facilities, reflecting the site's transition away from its military and industrial role.6747.01 - Albion Explosive Factory Northern RDX Acid Plant Chimney Demolition 1990 Photographs (Advocate 341.1).JPG 6747.02 - Albion Explosive Factory Northern RDX Acid Plant Chimney Demolition 1990 Photographs (Advocate 341.1).JPG 6747.03 - Albion Explosive Factory Northern RDX Acid Plant Chimney Demolition 1990 Photographs (Advocate 341.1).JPG 6747.04 - Albion Explosive Factory Northern RDX Acid Plant Chimney Demolition 1990 Photographs (Advocate 341.1).JPG 6747.05 - Albion Explosive Factory Northern RDX Acid Plant Chimney Demolition 1990 Photographs (Advocate 341.1).JPG 6747.06 - Albion Explosive Factory Northern RDX Acid Plant Chimney Demolition 1990 Photographs (Advocate 341.1).JPG 6747.07 - Albion Explosive Factory Northern RDX Acid Plant Chimney Demolition 1990 Photographs (Advocate 341.1).JPG 6747.08 - Albion Explosive Factory Northern RDX Acid Plant Chimney Demolition 1990 Photographs (Advocate 341.1).JPG 6747.09 - Albion Explosive Factory Northern RDX Acid Plant Chimney Demolition 1990 Photographs (Advocate 341.1).JPG 6747.10 - Albion Explosive Factory Northern RDX Acid Plant Chimney Demolition 1990 Photographs (Advocate 341.1).JPGalbion explosive factory, ballarat road, deer park, ici