Written on back of photograph, "The left turn lane from Oban Rd. into Warrandyte Road".

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Stencil has sections relating to various parts and functions of a cutting machine. These labels / decals would be placed at appropriate parts for the safe operation of the machine.Frosted sheet with black labelled sectionszilles printers, ballarat, machine, labels, decals, cutter height, choke, cutter, park brake, transmission, throttle, turn right, turn left

One of a series of photographs, taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, his family later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Dandenong Office.The image is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's tram network in the years preceding and during World War 1.Digital copy of an original mounted photograph depicting construction of a new electric tramline taken near the corner of Cotham and Glenferrie Roads, Kew. In 1913, trams could turn left or right into Cotham Road from Glenferrie Road. The photo shows workers constructing the tracks.Annotated recto: "Construction of Electric Tram Line / car Cotham & Glenferrie Ads Kew / 1913". . Annotated verso: "Taken by E.J. Dower 1913"theme --- travelling by tram, theme -- connecting victorians by transport and communications, cotham road -- kew (vic.), trams -- kew (vic.), glenferrie road -- kew (vic.)

Produced by Lions International to commemorate the 100 years since the birth of Helen Keller, who was a pioneer in changing attitudes and rallying support for the blind and vision impaired community in the United States of America, as well as around the world.Silver medallion with profile of short-haired woman turned to the leftHelen Keller in profile with the words 'Helen Keller Centennial 1880-1980' on front side. "While they were saying among themselves it can not be done it was done' - Helen Keller (script on back) collectibles, medals

These photographs are pictorial records of the signs at the Orbost town entry points.Three black / white photographs. 3277.1 is a sign on stone pillars at the top of a hill - "WELCOME TO SNOWY RIVER COUNTRY ORBOST TURN LEFT". 3277.2 shows a road leading into a town. There is a sign on the left - "ORBOST" and a service station on the right. 3277.3 shows a row of newly planted trees between a road and a school.3277.1 on back - "WELCOME TO SNOWY RIVER COUNTRY - ORBOST sign - Princes Highway - Newmerella" 3277.2 on back - "East Gippsland Shire Sign on eastern approach to ORBOST., in Salisbury Street, near Orbost Secondary College" 3277.3 on back - "Tree planting in Salisbury St, Orbost in front of Orbost High School looking west towards Orbost township"photographs-orbost orbost-township-entry salisbury-street-trees town-entry road-signs-orbost

John Williams was an occasional contributor to C&N under the heading of 'Random Writings'. This article was entitled "Christmas begins at midnight" and it concerns the general theme of Christmas and its origins.Head and shoulders photo of Williams, head slightly turned to his left.C&N identification.williams, john, christmas

Huttley - Martin FamilyB/W: Photo of a youg woman 3/4 turned to left. White lace blouse with high collar, wearing a broach. Black Background. Wavey hairRichards & Co. Logo - 23 Strurt Street Ballarat. Chrissie Martin (Nee Huttley) ( My Aunt) M.Eernest Martin. Madge Huttley's Aunthuttley, martin

Note/account paper with brown printed letterhead. Date line with 192-. Lansell's Engineering Works Bendigo across the top. Below is a shape with a locality plan of Bendigo and a dark brown line going from Charing Cross to Lansell's Engineering Works via View St, Barnard ST and Inglewood Rd where it turns left into a smaller unnamed street. On the left are the names of E. Lansell, E F V Norbury and L V Lansell (Managing Director).business, printers, cambridge press, cambridge press collection, lansell's engineering works, charing cross, sterry's hotel, lansell's 180, e lansell, e f v norbury, l v lansell

Worn by Major Bernard Farley whilst serving at at 8/7 RVR as A company Commander, Support Company Commander 1997-1999, posted to CATDC Capability Development unit at Puckapunyal VIC in 2000 - 2001 Personal uniform item worn by the donatorArmy Slouch Hat with, puggaree, unit badge of 7/8RVR (located on front of Puggaree), Unit colour patch (white over red) located on the pugarree right side, the rising sun badge is located on turned up (left under side) of the brim. The hat is complete with a chin strapHat Badge - Unit ensigns of 8/7RVR Batallion headquartered in Ballarat VIC The Unit Colour patch is white over red and signifies the blood and bandages that was born on the WWI French battlefield that form part of the units history. Rising Sun Badge - The ensigns of the Australian Army

The photo shows a view looking north from Lydiard St South with a tram in the far distance. Rose Series P10044. In the view are the buildings of Franklin Chambers, Craigs Hotel, and the Post Office. The Franklin Chambers Building with its Art Deco front has been refaced since this photo was taken. On the rear, Wal Jack in a note to Ken Magor has written "4-wheeler tram from Lydiard St North is about to turn left into Sturt St. Another tram seen in the background is just over the level crossing outside Ballarat Railway Station. Photo taken from Lydiard St South, about 1939-1940". Item 5463 has a poor-quality negative with a similar image to this postcard. See 8977 for a similar image also by Rose. Yields information about Lydiard St south during the 1940s.Postcard black and white, divided back, with a handwritten note on rear.See image 2 for details of the handwritten note by Wal Jack on the rear. tramways, trams, lydiard st south, criags hotel

This item was collected as a souvenir of a fund raising concert at the National Vietnams Veterans Museum. The entertainers who performed signed the hat : Marcia Jones, Lisa Edwards, Mae Parker and Wendy Stapleton. A fur felt khaki Army slouch hat with a seven fold khaki band (puggaree). the brim of the hat is bound in cross grain ribbon and turned up left hand side with a leather chin strap and internal leather band. The brim of the hat is stitched to the side of the hat. There are four signatures in black ink on the brim.On the brim of the slouch hat are the signatures :Marcia Jones, Lisa Edwards, Mae Parker and Wendy Stapleton. uniform, slouch hat, clothing, entertainers, nvvm, performers, fund raising

Australian Slouch Hat - felt material with Rising Sun badge attached to turned up side on left. Leather inner sweatband.VX4415? inside sweat band. Last number illegible.

Elizabeth Mercer, born 23/8/1873 at Spring Hill, married David Brown of Chepstowe. They had two children, Vera and Roy. They also acted as foster parents to one of David Brown’s nieces, Verna Brown, whose mother died when Verna was quite young. Elizabeth died at Skipton on 19/1/1940.Black and white copy of original photograph of a portrait of a lady turned to her left. She is wearing a puffed sleeved dress with a spray of flowers tucked into her bodice and a high neck collar with brooch. (nee Mercer)"Bessie Brown nee Mercer".elizabeth (bessie) brown, elizabeth (bessie) mercer

Located in the southern Melbourne suburb of Bentleigh, on the corner of Centre Road and Nicholson Street. The Bentleigh Theatre was opened in 1924. By 1946 it was operated by Hoyts Theatres and was modernised in 1948. It was closed in 1984 and has since been demolished.Black and white photograph of the entrance foyer of the Hoyt's theatre in Bentleigh. On the right hand side is a poster for the movie 'Mother Wore Tights' starring Bette Grable. To the left is the start of a staircase which presumably turns to the left taking movie-goers upstairs.Black printed text on white round sticker adhered to the reverse: 188 Handwritten in red ink on reverse: 80%theatre, movies, entertainment

On display in History House.Black and white photograph of man in military uniform, with peaked hat. Badges are pinned to hat and left lapel. ¾ turn to right. Below image is text stating man's identity and positions.Front: Colonel (RTD) Sydney Patterson M.C., M.I.D., War Service World War 1. Served from 1914-1919 New Guinea (Naval Force) 1914. Egypt, France, Belgium 1915-1919, 20th Batalion A.I.F.M.I.D. 1916, M.C. 1917. Commissioned on the Field. Twice wounded. World War 2. Served from 1939-1945 Australia (Darwin) New Guinea, New Britain, etc. Captain 1939, Adj. No. 7 Aust Int. Training Centre, 1941. G.S.O. 3 (O) G. Branch A.H.Q. 1942. Major R.A.E. (Docks) 1942. L.L. Colonel R.A.E. C.R.E 3rd Aust. Dock Group. CIVIC SERVICE Councillor, Portland 1931-1940 (Resigned for War Service) 1945-1957. Mayor of Portland 1935, 1938, 1939-40, 1949-50, 1953-54. Harbour Trust Commissioner, appointed March 1950 (1950-1957). Back: Mr. Stevenson (pencil, centre)

Colour photograph showing two children and an adult riding bicycles on pathway between south end of North Arm bridge and Bullock Island road. Middle distance left turn into Marine Parade foreground now site of skate park. In distance palm trees at entry to Esplanade Lakes Entrance Victoriarecreation, topography, roads and streets, parks

The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as a Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. He sits on a wooden perch with his head turned to the left. A swing tag is attached to its leg.11 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

Henry Henty (b.1833-d.1912) was a successful businessman, and briefly a MLA for the seat of Grenville, Victoria in 1866. He was one of three sons of James Henty, and nephew of Edward Henty who is considered to be the first permanent European colonist to take up residence in Victoria. Henry Henty and his wife Marion Ann Henty (nee McKellar) had ‘Tarring’, Kew built for their family in 1872. The Henty family resided at ‘Tarring’ until the death of Marion Henty in 1919. ‘Tarring’ was then sold to Ruyton Girls’ School, and the School moved to the site, (now 12 Selbourne Rd, Kew) in 1920. ‘Tarring’ was renamed ‘Henty House’ in honour of its original owners. Half-length, sepia-toned studio portrait of Mr Henry Henty (b.1833-d.1912). Mr Henty wears a dark suit and tie. His body is one quarter turned to his left, while he looks straight towards the camera. The background behind him is plain and dark. Photograph is mounted on cream card.henry henty, tarring, marion henty, selbourne road, kew (vic), ruyton girls' school, businessman, politician, 1890s

Khaki slouch hat with brim turned up on left side, secured with the Rising Sun badge. Beige cotton hat band with unit colour patch made from light blue, violet and green felt. Internal leather headband and chin strap. Size 6 7/8. This Slouch Hat belongs to VX37033 Andrew Bishop."MADE BY / FAYREFIELD / MELBOURNE / 6 7/8"

The Wedgetail Eagle (aquila audax) is one of the largest birds of prey located in Australia, Indonesia and Papa New Guinea. It feasts mostly on rabbits but can target mammals as large as koalas, wombats, possums and small kangaroos. The darker the colouring, the older the bird is. A mostly dark brown feathering can suggest over 10 years old, though females are usually paler. This species mates monogamously for life. They circle high in the sky to avoid temperatures close to the ground and to assert their dominance over their territory. This specimen is lighter than many documented photographs of the species. They're usually less patchy / speckled with lighter colours on the chest and back. Documenting the wingspan of this specimen would be of interest because some have been measured up to 230cm. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This wedgetail eagle is posed with the head turned to the left. It has mostly dark brown feathers which is common for older birds in this species. Speckled light brown and white feathers cover it's neck, chest and a middle strip across the wings. This specimen stands upon a wooden platform. The bill is light grey and long legs dark brown. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, wedgetail eagle, aquila audax, birds of prey, australian bird, eagle

The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as the Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. This Morepork specimen sits on a wooden perch with his head turned to the left. A swing tag is attached to its left leg.Swing tag: 10 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

Lady Clara R Lowe was elected Honorary Treasurer in 1938, a role she held until being made President of the Melbourne District Nursing Society (MDNS) in February 1950 until late 1951.Lady Clara R Lowe became a Committee member of the Melbourne District Nursing Society (MDNS) and After-Care Hospital in 1937. She became the Honorary Treasurer in 1938, a role she held until being elected as President in February 1950. She led the Committee of the Society in a time when the Victorian Hospital and Charities Commission wished to set up a separate District nursing service throughout Victoria, with the Society involved. The Commission, under the power of the Hospitals and Charities Act, planned to restructure MDNS and the After-Care Hospital. Lady Lowe was involved with these discussions and in the forming, in October 1951, of separate Boards of Directors for the Nursing division, and for the After-Care division Though the Boards would function independently they would be under the same Committee of Management. Now separate buildings were required for the housing of the District nurses and the headquarters of the Nursing division. The Commission became autocratic in this regard and Lady Lowe resigned as President in late 1951 as she felt she could no longer lead her committee without their interference. Black and white photograph showing the head and shoulder view of Lady Clara R. Lowe who is smiling and is slightly turned to her left. She is wearing glasses, and is wearing a close fitting patterned hat over her wavy grey hair. She has a double row string of pearls around her neck and is wearing a patterned grey frock. The petals of held white flowers are seen in front of her frock. melbourne district nursing society, mdns, after- care hospital, lady clara r. lowe, royal district nursing service, rdns

"METHODIST CHURCH. In 1881, during the ministry of Rev. W. H. Fitchett, B.A., at Hawthorn, a number of members of the denomination living at Kew considered that the time was opportune for founding a local Church. The Superintendent of the Circuit, the Rev. W. A. Quick of Richmond, met the members and formed them into a society class under the leadership of Mr. A. Brown and a Church was formally instituted at the house of Mr. T. J. Eaton, of Eglinton Street, in December, 1881. Services were regularly held for some time at the same place, and funds for purchasing a block of land were gradually collected, resulting in the present site in Highbury Grove being purchased for £350. Messrs. W. Cleverdon, A. Money, T. E. Serpell, and T. Vasey, of Hawthorn, and Messrs. A. Brown, R. Eyre, and T. J. Eaton of Kew, were appointed trustees. A public meeting was held a the Town Hall, when over £100 was raised. The Rev. John Harcourt, who had just been placed on the supernumerary list, was persuaded to undertake the charge, and commenced services in the Town Hall on 29th April, 1882, which were continued for eighteen months. A Sunday School was started, and altogether the effort progressed so satisfactorily that in October, 1882, the foundation and memorial stones of the present Church were laid by Mr James Huddart. At the tea meeting held in connection with this event nearly £200 was raised and a few months later £250 more was obtained by means of a bazaar. The contract for building Church was let for £1,200. The Sunday School celebrated its first anniversary in June, and the Church was opened on 7th October 1883, the preachers on the occasion being Revs. E. J. Watkin, S. Chapman, and John Harcourt, the collections amounting to £230. Towards raising these sums of money the ladies of the congregation helped very materially. In 1886 the foundation stone of a Sunday school, to cost about £900, was laid by Mrs. H Berry, the building being opened in April 1887. During the same year the Church was enlarged. In 1889 parsonage was erected, and again arrangements had to be made for a further enlargement of the Church, at a cost of nearly £2,000. The foundation stones of the tower were laid by Rev J. Harcourt, and of the transepts by Mrs. Job Smith and Mrs. John Watson. These additions were made during the ministry of Rev. P. R. C. Ussher, the first minister appointed to Kew by conference. He has been succeeded by Revs. Henry Howard, J. de Q. Robin, J. J. Brown, J. G. Wheen, A. E. Albiston, M.A., and F. J. Nance, M.A., who is at present ably filling the pulpit. For the musical portion of the services, the Church has been greatly indebted to the enthusiasm of Mr. C. Gardner, the leader of the choir, and Mr. C. E. Gardner, the organist. The Sunday School has had a number of excellent workers, among whom may be mentioned Messrs. Burchett, Allum, Hillard, Tonkin, Dent, Avery, McDonald, Green, and B. Hoadley, who have acted as Superintendents, and Messrs. Arnall and McCaghern as Secretaries. The present trustees are Messrs. H. Berry, Job Smith, A. Hoadley, F. Vial, C. Powers, H. L. Carnegie, C. H. Green, W. R. Rylah, E. M. Tonkin, S. Gaylard, J. Gregory, J. R. McDonald, T. J. Eaton, F. S. Fitchett, and S. Lamble; Society Stewards, T. J. Eaton and B. Hoadley; Poor Stewards, G. Hinchliffe and G. Fraser; Church Stewards, C. H. Green and G. Hinchliffe; Treasurer, F. S. Fitchett; Secretary, S. Lamble." Source: FGA Barnard, Jubilee History of Kew, Victoria, 1910Commemorative tributes were regularly produced in the 19th and early 20th Century to honour community service. Most were adapted from traditional lithographed models. This example, while created within a formal lithographed border has been transmuted into the equivalent of an illuminated document, hand-painted, and therefore rare. The use of flowers in the design emphasises the sentimental and spiritual aspects of the certificate. The document is a rare unique record of the Kew Methodist Church's history.A hand written testimonial for John Watson Esq from the Trustees of the Kew Methodist Church. The customised colour lithograph includes, at lower left, a turn of the century photograph of the Kew Methodist Church in Highbury Grove. The entire certificate is surrounded by floral art and scroll work. The central text uses neo-gothic lettering.‘Dear Sir … in view of your compulsory retirement on health grounds, from the position of Church Steward, [the Trustees] desire to express their great appreciation of your long service of over 22 years, in that and other offices in the Church. They trust that you will yet be spared many years in fellowship with our Church, and that God’s richest blessing be on you, and your family. We remain, Yours sincerely A. E. Albiston (Minister), S. Lamble (Secretary), F. S. Fitchett (Treasurer), T. J. Eaton (Trustee), C. H. Green and Hubert S. Howell (Church Stewards); March 28th 1907’. john watson esq, kew methodist church, highbury grove, certificates, tesimonials

This photograph was taken just a few years after the District division of the 'Melbourne District Nursing Society and After Care Hospital' separated in 1957. The District Division then became known as 'Melbourne District Nursing Service'. They moved into their Headquarters at 452 St. Kilda Road, Melbourne which was used as the Nurses Home as well as for Administrative purposes. The Sisters left from there each day to do their rounds and returned to do their book work before retiring at the end of the day. This photograph depicts the winter uniform worn at this time; a grey felt beret which had a red Maltese cross attached in the centre; a grey cotton frock and red cardigan, and a grey woolen coat, some with a grey belt, worn over their uniform.In 1885, 50 years after Melbourne was founded, it was recognized that nursing care was needed for the sick poor in inner Melbourne. The Melbourne District Nursing Society (MDNS), the first Society of its kind in Australia, was founded in February 1885 with one Trained nurse (Nurse), and a second employed six months later, working in the now CBD ie. from Spencer Street to Spring Street and from Victoria Parade to Flinders Street. From its inception the Society was at the forefront of health care. They provided high quality trained nursing care; educated their patients in the curing and prevention of disease; teaching the importance of cleanliness and good nutrition, both by verbal instruction and demonstration, even supplying soup and milk when needed. At that time they walked the streets and lane ways amid the slums of inner Melbourne carrying their nursing bag containing lotion and dressings, and supplying equipment on loan, such as feeding mugs, bedpans, air-cushions, splints, bed cradles feeding mugs and providing clean bed linen and nightdresses as necessary. Trained midwives began home births in August 1893 taking midwifery bundles and providing clothes for the babe and mother as needed. The Society were pioneers in recognizing the need for premises where patients too ill to be in their own home, but not ill enough to go to hospital, was needed, and the Society built, then opened, the After-Care Home, (later called After-Care Hospital), in 1926, for their patients, and patients from Hospitals. Many children were nursed there, some long term during the Polio epidemic; the Society employed two School Teachers. The Society now ran two divisions, the After-Care with its own Trained nurses (Sisters) and nurses and the District division. The Society were the first in Melbourne, in early 1928, to recognize some patients leaving the After-Care, and many at home, needed further social care and they set up ‘Almoners’ from their Committee to visit these patients and be intermediaries in getting them social assistance. It was late the following year before the first training of Almoners took place in Melbourne. In 1930 the Society employed a full time kindergarten teacher to visit poor children in their homes. That year the Society were pioneers in opening an Ante-Natal Clinic at the After-Care, setting a high standard with equipment, keeping records and providing leaflets with instructions in how to keep healthy during pregnancy, what complications to look for and what to do when labour commenced. In 1934 the Society were pioneers again when they opened the first Women’s Welfare Clinic in Melbourne giving advice on birth-control, at first attended by their own patients, but then accepting patients from public hospitals until their own clinics were opened. A Social Service Officer was employed at the After-Care who successfully gained better housing from the Housing Commission for families living under unsuitable conditions. In 1957 the Hospital and Charities Commission decided to take over the After-Care Hospital, so the 'Melbourne District Nursing Society and After-Care Hospital' separated and the 'Melbourne District Nursing Service' was formed, setting up Headquarters at 452 St. Kilda Road. Royal patronage was granted in 1966, now becoming the Royal District Nursing Service, (RDNS). Liaison with public hospitals began with a District nurse attached to a hospital visiting patients before going home. Education continued to be at the forefront of District with research by RDNS Educators and programs being implemented. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as Amputees, those with MS, MND, Guillan-Barre Syndrome, Poliomyelitis, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.Black and White photograph of seven (some partly hidden) Melbourne District Nursing Service (MDNS) Sisters wearing full winter uniform of grey berets and grey long coats, with lapels, over their uniform which is partly seen on one Sister. Some are on a path, and others walking to the open metal gate; one Sister is between two tall, square, dark grey concrete columns. Looking at the photograph, two Sisters have turned left onto the footpath. These two Sisters are carrying oblong leather type bags in their left hand and the Sister between the columns is carrying a white soft material type bag. The Sisters seen have short dark hair under their berets. White plaques with the black numbers '452' are attached to the top 1/3 of each column and an arched grey concrete fence with brick top runs to the left. Behind this are two medium size leafless trees. A metal spiked fence runs from the column to the right of the photograph. Attached to this, near the column, is a white plaque with 'Melbourne District Nursing Service Headquarters' written in black. In the rear is a light grey two story Italian style building with a polygon shaped bay window to the left on the ground floor. It has a long window in the front and another on the side. To the right of this is a veranda with two concrete arches, separated by a roman column. A door can be seen behind the first arch. Above the bay window on the second story are three long arched windows, and to the right of that an arched opening with a roman column separating the partially seen next window. A concrete balustrade is seen at the front of the second story.melbourne district nursing service, headquarters, mdns, nurses, nurses uniforms, royal district nursing service, rdns

Clothing. High round neckline, full length, centre front opening - rounded at the lower edge, and trimmed with two velvet covered buttons, under which is a small metal hook and eye to fasten at the waistline. Sleeves are full length, and trimmed with two fabric covered 2.5 cm buttons at the top edge of a 9.5 cm opening - this may have been a turn-back cuff, or a peaked edge. Left turn back is badly worn. The jacket is fully lined with a similar colour, nylon fabric. This is a home sewn garment.costume, female, ladies pink crushed jacket

Photograph shows Bell St, Preston looking eastward toward Plenty Rd with the newly constructed (1958-60) Preston and Northcote Community Hospital in the background. Signage in the foreground reads 'Tramway Excavation - No left turn at Plenty Rd' which may indicate works outside the East Preston tram depot (opened 1955) located in Plenty Rd less than 100 metres north of Bell St. In the mid-ground, several passengers wearing coats wait for a Bell St bus and numerous motor cars are shown on this narrow stretch of Bell St that would not be widened until the 1970s. While no note is attached, the model of motor cars suggest a date in the 1960s.Yields information about Bell St preston in 1960s Black and white photograph stuck to thick boardm&mtb, bell st, preston, plenty rd, tramway signage, preston and northcote community hospital, bell st widening

Standard issue hat to Army Reserve unit. Representative uniform itemKhaki Australian Army slouch hat (fur felt) with khaki cloth puggaree. Cloth black over red rectangular colour patch on right hand side of puggaree. Gilt metal Royal Victoria Regiment cap badge on front of puggaree. Australian Army rising sun badge on left side turned up brim. Brown vinyl sweat band. Chin strap missing. Hat mounted on plywood carrying board. Bardsley Hats 1990 broad arrow Fur felt 54 gold stencil on sweat band. "319232 READ R" handwritten inside sweatband "Sgt Nicholls" handwritten brown marker pen on mounting board slouch hat, australian army, australian army slouch hat, bardsley hats

Two-page typed document plus location map. The Central Nell Gwynne gold mine was located off Happy Valley Road, first turn to the left from Marong Road, and up on the hill. The shaft depth was 1,912 ft. The original plant had small wooden poppet legs and a steam winch which were replaced, in 1935/36 by steel poppet legs obtained from the Virginia mine at Eaglehawk. Features and history of the plant are described including the winding engine, air compressor, boilers, and crushing battery. The dividends and gold production figures are given. The total yield of gold was 61,884 oz.bendigo, mining, central nell gwynne

Common Starlings are a noisy bird that typically inhabit urban and rural areas, especially those with short grass for easy foraging, though can occasionally be found in open forests or along costal areas. They are native to a wide area of Eurasia and the North of Africa, though have been introduced to North America, some nations in South America, Fiji, South Africa, Australia, and New Zealand. They live in large flocks that fly together in strong unison, and have a range of loud calls. Male Common Starlings usually have brown eyes, in contrast to the light coloured eyes of the taxidermy mount. Otherwise, the specimen bears a reasonable resemblance to a typical Common Starlings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Common Starling is covered in black feathers that each have a metallic orange edge. This gives the appearance of small dots across its head and neck, larger dots along its underbelly and back, and lines along the outer feathers of the wings. Its beak is yellow and its eyes are a light blue with a black pupil. The bird is stretched tall with its head turned towards the left and slightly tilted right. The specimen stands on a brown, wooden perch with a circular bar, curved stand, and circular base. The left leg has a metal tag and a swing-tag tied around it and the right leg has two swing-tags tied around it, one of which is torn.Metal Tag: 4256 Swing-Tag 1: Sturnus vulga[illegible]is / male, adult / 25 January 1861 / near Leiden / Swing-Tag 2: Tris grey-brown / Feet black - brown / Bill brown / 4256 / Swing-Tag 3 (torn): ng / e Page 58taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, starling, european starling, common starling, european bird