Set of two forms - A4 photocopies - Yarra Trams .1 - "Operations Officer's Report of car turned back and kilometres lost for.." .2 - "Lost Kilometre/Turned Back Report" To provide details of tram services that were turned back or "short shunted" and details - recording the tram, depot, run number, route, time, driver's details, destination, point of turn back, minutes late, cause, and Officer's details. This information became important for the performance reports to Government.trams, tramways, tramcars, operations, forms, depots, yarra trams

This print of Christ is slightly smaller than the original 1927 oil painting by Herbert Beecroft, which is titled “Christ” and measures, in centimetres, 60 high by 50 wide. The original is displayed at John Wesley’s House & The Museum of Methodism in Islington, England. The title of the print is taken from the Holy Bible, from the New Testament book of Luke, chapter 22 verse 61, which is a famous Christian account of Jesus being betrayed by Peter, which leads to Jesus’ crucifixion; “And the Lord turned, and looked upon Peter. And Peter remembered the word of the Lord, how he had said unto him, Before the cock crow, thou shalt deny me thrice.”. The print was published in 1942 by the National Sunday School Union in England, now known as the National Christian Education Council. The NSSU was established in Britain in 1803 to promote Sunday Schools in Britain and overseas. The organisation produced many publications including training manuals and materials for Sunday School teachers. Herbert Beecroft 1864-1951, also known as Lawrence Herbert Beecroft, was an early 20th-century artist. He and his wife emigrated from England to Sydney, Australia, in 1905. He worked as a painter, illustrator, miniaturist ‘lightning cartoonist’, and lecturer. From 1927 Beecroft painted a series of portraits of Jesus Christ, prints of which made many worldwide sales. He entered a miniature portrait in the 1921 inaugural Archibald Prize competition. It was one of forty-one entries but the title was unknown. It is highly probable that it was JF Archibald, the person who endowed the prize, first awarded in 1921. This print of Christ, originally painted by Herbert Beecroft, represents the social movement in the early 20th century to educate all children in good morals and Christianity.A religious portrait of the artist’s impression of Jesus. The print is in a gilt timber frame behind glass. The frame has eyelets and wire for hanging. The backing paper lifts to reveal a handwritten pencil inscription. The portrait shows a male figure from the waist up facing the viewer but turned slightly to his right. He has long wavy blond hair, a moustache and a beard. He wears a blue-grey robe over a collarless white shirt. The background is red-brown. It is the artist’s impression of Jesus. The whole frame-mat has script text above and below the print, giving its title, and details of the publisher and producer. This print was produced from an original 1927 oil painting by Herbert Beecroft. It was published in 1942 by The National Sunday School Union in London and produced by Frost & Reed Ltd. England. Handwritten script on the mat; “Published in 1942 by the National Sunday School Union, 4 Black Friars Lane, London, EC4. Produced by Frost & Reed Ltd., Bristol & London. Printed in England. Copyright.” and, “The Lord turned and looked upon Peter … and Peter remembered” Signature on bottom left “Herbert Beecroft” In pencil on backboard under back paper “H 89 / 12”. Pen on white tape “155”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, print, religious, vintage, 1942, herbert beecroft, lawrence herbert beecroft, archibald prize winner, early 20th-century, artist, oil painting, luke 22:61

Written on back of picture, "First sod being turned on site of Masonic Centre, corner Pratt St. and Warrandyte Rd."

Crowd scene of John D’Alton Fountain being turned on 1969stawell

Crowd scene of John D’Alton Fountain being turned on 1969stawell

Crowd scene of John D’Alton Fountain being turned on 1969stawell

Printed report or address or lecture - 10 pages titled "The Privatisation of Melbourne's Public Transport - Has the Wheel turned full circle?" by Keith Kings for the 2nd annual RMIT Sir Robert Risson Memorial Lecture 30 April 2002. The address looks at the history of Melbourne's transport, railways, buses, tramways and tramway buses, cable trams, formation and dismantling of the PTC, ticket machines, road traffic, bus industry consolidation, privatisation of transport in Melbourne.trams, tramways, melbourne, privatisation, buses, public transport, ptc

The Christ Church fetes and flower shows have been a part of Christ Church social and fundraising agenda since the 1890’s, with the ladies’ guild playing a large part in their organization and operation. This badge is a memento from one of those fairs.A small item which relates to a local social event.Small circular cream badge with dark blue text and illustration of Christ Church Warrnambool.Commemoration Fair Nov 24-25 christ church fete, warrnambool

Set of two reports by Keith Kings, titled "The Privatisation of Melbourne's Public Transport - Has the wheel turned full circle? for the Second Annual RMIT Sir Robert Risson Memorial Lecture. See Reg Item 4679 for the first lecture by Graeme Turnbull. .1 - 12 A4 pages - Keith notes that it was the actual handout of the presentation. Two copies, one stapled. 2 - 20 A4 pages, single sides - copy of the initially drafted document. Both copies have handwritten notes about their origin and use. The lecture looks at early railway development in Melbourne, private operators, development of horse drawn buses in Melbourne, competition, bus chassis, body builders, operators, private suburban operators, tramway buses, cable tram MTOCo, tramway trusts, Government involvement, formation of The Met, PTC, V/Line, corporatisation of public transport, franchising, passenger expectations of public transport, Yarra Trams and the future.trams, tramways, buses, cable trams, mto co, public transport, competition, yarra trams, franchising, the met, ptc, tramways

Photographic record by Russ Haines, RDHS, in 2008.

An article about Royal Melbourne Show cake judge Anne-Marie Primmer.1 p. copy of news article, text and colour imagesanne-marie primmer, cake decorating, cake judging, royal melbourne show

Thought to be made at the Ballarat Technical Art SchoolSmall copper planished bowl wit pierced design on edge.copper, metalwork, ballarat technical art school

Thought to be made at the Ballarat Technical Art SchoolPlanished plate with pieced geometric designs.coppercopper, metalwork, ballarat technical art school

The octagonal fiddle-back cedar barrel is held by two supports base on one side of barel. There's a rectangle door that has a golden lock.Made c.1915 for the Tattersalls Melbourne Cup Sweep, this barrel changed the fortunes of many young Australian men.vietnam ballots, national service scheme, conscription, barrel

These stories are written versions of legends handed down through the oral tradition of Aboriginal storytellers from the Riverina of New South Wales and Victoria, coastal regions and other parts of Australia.Colour photographs, illustrations, mapswongaibon, kamilaroi, kirrea, dharawal, ualarai, gandangara, darkinjung, dhurga, ngemba, bandjalang, wiradjuri, muruwari, riverina, lake eyre, murray river

Johnny Gray was born in England and came to Australia in 1959, and grew up in Broadmeadows, Pascoe Vale, and educated at Broadmeadows Tech. In 1970 he began professional wrestling, competing in countries around the world. Retiring from wrestling he became a health and fitness consultant. His Christian pilgrimage began with the Leighton Ford crusade and at the time of the interview he was an elder at Moonee Vale UC.One photo is of Gray wearing his wrestling costume and the other is of his head looking sideways.C&N identification on both.gray, johnny, professional wrestler, moonee vale uc

Donated by the artist, 1987Peppercorngippsland, artwork, permanent collection

Purchased, 1985Forest Red Gumgippsland, artwork, permanent collection

Purchased, 1986Forest Red Gumgippsland, artwork, permanent collection

Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection

Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection

Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection

Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection

Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection

A skittle is one of the pins used in skittles - a British form of ninepins, in which a wooden disk or ball is thrown to knock down the pins. The skittle could also have been used as a juggling prop.A turned timber skittle turned on a lathe. Its widest point is just above the base, and there are three turned decorative features on the widest section, and a round knob at the other end. skittle, entertainment, bowling, juggling, turned, turning

Local Newspaper reporting on World War 2 Events Dated 78/6//194 - My War Part 28Local Newspaper reporting events on World War 2 - My War Part 28 - dated 8/6/1942Local Newspaper reporting Events of World War 2 - Special My War Part 28- Japs' Worst Naval Defeat - Midway Turns The Tide Japs' Worst Naval Defeat - Midway Turns The Tidejaps' worst naval defeat - midway turns the tide, local newspaer dated 8/6/1942 -my war part 28