Black and white photo of 'Uplands', Terrara road, Vermont. Destroyed by fire.terrara road, vermont, uplands

Black and white photo of hay making on Dr. Stephen's property, 'Uplands'stephens, dr., uplands, vermont

Majory Seton-Williams, (1910-1992) was the daughter of Gordon Nixon Seton-Williams, lawyer/ solicitor and lived at the Uplands, Terrara Rd Vermont. She was an archaeologist who conducted excavations in Egypt and Near East. 12 page A4 document detailing the life of Australian archaeologist Marjory Veronica Seton-Williams (1910-1992) including living at Uplands, Vermont. Also 5 pgs about Uplands, and 4 photocopied articles from Herald (1934), Sunday Mail (1938), Mercury (1938) and Women's Realm/Mercury (1938).seton-williams, the uplands, archaeololgy, seton williams

A history of the Trove Park Estate, Vermont from 1880's to 2022 is provided by notes, maps, pictures and auction flyers. The Estate was originally part of the Uplands Estate of 34 acres in the Mount Pleasant district.A history of the Trove Park Estate, Vermont from 1880's to 2022 is provided by notes, maps, pictures and auction flyers. The Estate was originally part of the Uplands Estate of 34 acres in the Mount Pleasant district.trove park drive estate vermont, mt pleasant, trove park, uplands vermont, bishop edward, round chris & murray, mulcahy mendelson & round, trove park drive vermont no 7

Photocopies of pp17-22 of Buried History 2013 on Veronica Seton- Williamsnon-fictionaustralian archaeologist, seton-william margery veronica, merrilees robert, egypt

taken at 5 Uplands Avenue Lakes Entrance Victoria.Colour photograph showing Shirley Hancock nee Eaton at home with two special possessions blue Australian pottery vase and Hilary Jackman painting Also two other colour photographs taken same day showing collectables . 2016 genealogy, hancock family

Colour photograph of Shirley and Charles Hancock taken seated during their 60th Wedding anniversary celebration, 5 Uplands Ave Lakes Entrance Victoriagenealogy, celebration

Colour photograph of eastern shore near the entrance to ocean, the low area between upland and sand dune indicating the original waterway Lake Bunga Victoriatopography, waterfront

Laser Print of black and white photo of Site of Barnard's Corner Store (2 copies) Boronia Road and Canterbury Road, Vermont. (Mounted) Barnard's Store was on the south-west corner of Canterbury Road and L.L. Vale Road (Boronia Road) Vermont. The old store was run by Miss Barnard. Mr Barnard had a Farriers Shop at the back of the store. The white gates on back centre of photograph in Canterbury Road is entrance to Uplands, home of Edward Bishop and Dr. Stephens. White fence on right hand side of photograph is entrance to home of Mr. & Mrs. Tilson who was a market gardener and orchardist.barnards corner store, uplands, vermont, stephens, dr., tilson, mr., tilson mrs, bishop, edward

Colour photograph of Mrs Shirley Hancock nee Eaton seated wearing a green ensemble taken at her home 5 Uplands Ave Lakes Entrance Victoriacelebrations, genealogy

Lederman family were financiers of East Gippsland Timber Industry - . Shirley Hancock's Sharon Frock Salon on Esplanade Lakes Entrance was named after Sharon SigerColour photograph showing Shirley and Brian Hancock welcoming Jeffrey Lederman and Sharon Siger nee Lederman on verandah at 5 Uplands Avenue, with Australian and Jewish flags flying, Lakes Entrance Victoriabusinesses, timber industry

George and Anne Evans settled in Sunbury in 1836 after migrating to Van Diemens Land from Plymouth in 1825. He took upland along the Jacksons Creek and built his Emu Bottom Homestead. He married Anne, who was forty years younger than him on 11 May 1843 and they had six children. He and his wife Anne are buried in Melbourne General Cemetery in Compartment 'H'.George died on 26 August 1876 and Anne died on 12 January 1893. George Evans was a one of the first Europeans to take up land in the the area that was originally known as Buttlejork ( Batterjork) in the area now known as Sunbury. A black and white photograph with a cream border of the headstone of George and Anne Evans.evans, george., evans, anne., emu bottom, headstones

This specimen was recovered from the Nigretta Falls (previously named the Upper Wannon Falls), Victoria. The falls are fed by the Wannon River that has its head waters in the Grampians mountains. Approx. 10km upstream of the Wannon Falls, Nigretta is a multi-channel segmented cascade of smaller drops and bounces guided by patterns of joints in a much older (Devonian) rhyolitic volcanic rock. Both the Wannon and Nigretta Falls are iconic landscape features, entrenched in the history and identity of the region. These falls are particularly rare as they are the product of volcanic activity, which is unique in the context of the Volcanic Plain of Victoria. Waterfalls of this capacity are generally associated with the Uplands areas of Victoria, rather than the edges of the Volcanic Plain. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. A solid, dark grey mineral specimen with pale terracotta coloured inclusions. Rhyodacite is a volcanic rock intermediate in composition between dacite and rhyolite. Rhyodacites form from rapid cooling of lava relatively rich in silica and low in alkali metal oxides.GEOLOGICAL SURVEY / R / S 55 FELSTONE PORPHYburke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, porphyritic rhyodacite, lava, nigretta falls, upper wannon falls, dacite, rhyolite, volcanic geology

The Ring Ouzel is a member of the Thrush family, Turdis, of which there are about 85 different species, commonly located in Europe. They are found in upland Scotland, northern England, north west Wales and Dartmoor. This species is identified by their dark colouring which contrasts to the white crescent across the breast and the white edging on the wings and some body feathers which provides a scale-like appearance. The diet of this species consists of invertebrates, some small vertebrates and a wide range of fruit. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Ring Ouzel specimen is stylised perched on a wooden platform. It is a medium sized bird of the thrush family. This particular specimen is a brown colour with pale edging to the wing feathers rather than the plumage being a darker black which can help identify this bird as female. The feathers have a white edging on the stomach giving this bird a scaly appearance. The bird has a small dark bill, two glass eyes, black legs and a long tail. Around the front of the upper breast, the bird has a striking white crescent shaped band. "Label 1 110a. / Ring Thrush / Catalogue Page 29 / Lable 2 Furdus torquaters / [illegible] 10 OCT. 1859 / near Leiden /"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, european birds, ring ouzel, blackbird, ouzel

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria)This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). Surveyed by the Board of Works in 1903 and published in 1904, Plan No.1590 shows development north of Cotham Road. While this plan includes built structures in Mary Street, Cotham Road, High Street, Park Hill Road, Kent Street, Ridgeway Avenue, and Ermington Lane (now Ermington Place), only part of this section was notated and coloured in this contractor’s copy. Numerous houses, large and small are named on the plan: ‘Cholula’, ‘Belper’, ‘The Uplands’, ‘Spring Grove’ facing Cotham Road; ‘Marion’ facing Kent Street; and ‘Kia Ora’ facing Ridgeway Avenue.melbourne and metropolitan board of works, detail plans, mmbw 1590, survey plans - borough of kew, cartography

Milton Moon (1926-2019) Born Melbourne, Victoria Milton Moon attended the Central Technical College, Brisbane where he studied painting and drawing. In 1950 he undertook study in Ceramics with Harry Menmott and Mervyn Feeney at the Sandison Pottery, Brisbane. He lectured in Ceramics at Central Technical College, Brisbane, and he was awarded a Churchill a Fellowship in 1966. In 1974 he travelled and worked in Japan for a year, and established a workshop at Summertown in the Adelaide Hills. In 1984 Milton Moon was awarded the Order of Australia Medal for his services to ceramics. Milton Moon died in 2019. At the time of his death his website included the following:- "In this, my 'ninety second year,' over sixty of which I have been a potter, I remain concerned, if a little obsessed, with the challenge of making pots, which although belonging to a ceramic tradition of some eight thousand years or more, are undeniably and uniquely Australian. With all my changes of expression this has remained constant. The initial creative inspirations were drawn from the beauty of the coastal areas of Eastern Australia and from the mountain areas of the Great Dividing Range which stretch from North Queensland to the extreme South of Victoria. But the most lasting inspiration has come from the inland of Australia, more particularly from the Gammon and Flinders Ranges and from the Olary Uplands of South Australia, and more recently the Pilbara and Kimberley areas of Western Australia, where rock engravings place them as being amongst the oldest marks left by human-kind anywhere in the world. All parts of Australia are full of an ancient history stretching back through time and which today, despite white settlement, somehow still survives in legend and ritual. If it is the case that these legends do now only exist, in some muted half-life there is still the sense that they remain as a very powerful 'spirit-presence.' It is impossible to ignore the feeling that this country remains inhabited by the past. For me it is also impossible not to creatively respond to the echoes of the past, even if only through the somewhat vague process of inspiration and distillation. To understand this spirit, even a little, is a privilege but to try an express it is a compelling endeavour. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large ceramic platter, framed for display on wall.art, artwork, milton moon, ceramics