This item is part of a collection donated by Helmut Grzegozewski (Ziggy) who served in the Royal Australian Infantry Corps, 3rd Battalion, The Royal Australian Regiment from December 1967 to November 1968.A laminated copy of an extract from the memoir of General Vo Nguyen Giap, who was a highly respected leader of the North Vietnamese Military, about the power of the media in America. Please see photograph for more details of quote.general vo nguyen giap, memoirs, grzegozewski, helmut, hanoi, vietnam war memorial (hanoi), tet offensive, ziggy, 39121, royal australian infantry corps, 3rd battalion, the royal australian regiment, media, us media

In WWII New Guinea, GUINEA GOLD presented news to all troops "in the field". It avoided editorial comment. It published for 1320 continuous days, without missing a single edition. The front and back pages concentrated on current world news, including major sporting events. Page 2 was generally devoted to extracts from Australian and US newspapers. Some news was obtained by taking shorthand notes of short-wave radio bulletins from Australia, the U.S. and the B.B.C. At its peak, distribution was 37,000 to US forces and 27,000 to Australian forces, daily. The daily version had four pages and the WEEK-END SUPPLEMENT edition contained 8 pages (with extra pictures & cartoons).Guinea Gold" daily brought to the news-hungry men of the Australian and American forces serving in the steaming jungle, topics of interest to allay their boredom and boost their morale. It was able to do so because US General Douglas MacArthur, Supreme Commander of Allied Forces in the South-West Pacific, gave it permission to publish his communiqués 20 hours before the release time for the rest of the world's media. The newspaper contains Australian, American & world news (military, political, sports & tabloid).Seven editions of "Guinea Gold" from 1943 and 1944. 2103.1 is edition 7/6/1943. 2103.2 is edition 8/6/1943. 2103.3 is edition 12/6/1943. 2103.4 is edition 27/2/1944. 2103.5 is edition 26/3/1944 and is the Weekend Supplement. 2103.6 is edition 26/3/1944 and 2103.7 is dated 9/4/1944 and is the Weekend Supplement.guinea-gold newspaper ww11 pacific-campaign new-guinea

Digitised video (3.11GB). Duration: 57 minutes. Recorded November, 2023 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Bryn Jones, President of Healesville Historical Society, takes us back through the ages uncovering the origins and growth of Healesville's attraction as a local and international tourism destination, with a mix of tall tales and true stories associated with some of the guest house goings-on.

This is a hard cover book of 406 pages. The cover has a blue and red background with two colour photographs of cyclists, some printed material and a marketing code with the ISBN number. The printed material includes a Contents page, an Honour Roll of winners of the Melbourne to Warrnambool/Warrnambool to Melbourne Cycle Race and photographs, both in black and white and colour and illustrations.non-fictionHistory of the Melbourne to Warrnambool Cycling Classiccycling, melbourne to warrnambool

In April 2022, the City of Melbourne partnering Storytown, with launched the "Melbourne Podcast Tour". Storytown, an application created by Jarrod Pickford offering audio guides. This self-guided tour takes you along the Yarra River, from Southbank to Docklands, taking around 1.5 hours to complete by bike or 2 hours by foot. From their website: "Told by locals Discover Australia through the voices of its locals! Storytowns collaborates with communities to craft immersive audio guides, offering authentic travel tales from the heart of each neighborhood. Simply grab your headphones, download our app and explore Melbourne’s suburbs with with our fresh-out-the-oven “Railway Stories” audio guides! And if you’re feeling adventurous this weekend, take a road trip through regional Australia and let us jazz up your adventure, where the local folks are the true stars of the story. Sue Dight was interviewed to add to tThe interview was a to way to put the Mission to Seafarers on the map and increase its visitation. Unfortunately the tour is not avalaible anymore (as from 2023).Digital copy of a media releasecom, city of melbourne, app, storytown, sue dight, on the map, marketing, audioguide, jarrod pickford, audio guides, self-guides tour, podcast, radio interview

Zonophone was a record label founded in 1899 in Camden, New Jersey, by Frank Seaman. The Zonophone name was not that of the company, but was applied to the records and machines sold by Seaman from 1899–1900 to 1903. In the United Kingdom and the Commonwealth, the Gramophone Company continued to use the Zonophone label until 1931. 'Zonophone' indicates the British label rather than Zon - O- Phone, the earlier American label. Madame Deering was Eleanor Jones-Hudson. Eleanor Jones-Hudson (1874-1946) was a Welsh soprano and wife of the flautist Eli Hudson. She recorded extensively for the Gramophone Company, in excerpts from opera, operetta, oratorio, ballads and songs. She was sometimes credited as Alvena Yarrow and as Madame Deering. The phonograph disc record was the primary medium used for music reproduction until late in the 20th century, replacing the phonograph cylinder record—with which it had co-existed from the late 1880's through to the 1920's. Records retained the largest market share even when new formats such as compact cassette were mass-marketed.. (ref Wikipedia) This item is an example of an item once commonly found in homes. By the late 1980s until 1991, digital media, in the form of the compact disc, gradually replaced the vinyl record.A black gramophone record with a blue and gold label - Zonophone. One side is Ave Maria sung in English by Madame Deering, a soprano, with orchestra and chorus. On the other side is Ora Pro Nobis (Pray For Us). It has the serial no. 472.Pressed onto the Ave Maris side is 7793-e.zonophone gramophone-record madame-deering-eleanor-jones-hudson ave-maria

Digitised video (1.05GB). Duration: 20 minutes. Recorded October, 2019 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this talk, Ringwood and District Historical Society President Russ Haines takes us through the history of the Warranwood area where he grew up, situated just north of Ringwood, Victoria.

Digitised video (4.78GB). Duration: 54 minutes. Recorded November, 2018. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)The Rogers family have been involved with the Ringwood Field Naturalists Club since its inception back in 1961. The Club has promoted natural history in the local area, through excursions, meetings and presentations to local schools. Without them, our sense of appreciation of local flora and fauna would be much poorer. Past-President Peter Rogers takes us through its wonderful history.

Digitised video (339MB). Duration: 6 minutes. Recorded May, 2019 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this talk, Ringwood and District Historical Society President Russ Haines takes us through a brief history of George and Annis Bills horse troughs, manufactured in Australia and installed to provide relief for working horses in the first half of the 20th century. Around 700 troughs were originally distributed throughout Australia and overseas, some still existing locally today.

Digitised video (4.25GB). Duration: 70 minutes. Recorded July, 2019 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this talk, Ringwood and District Historical Society President Russ Haines takes us through East Ringwood's fascinating transition from early roots going back to working class families - some still in the area - to the village of today. East Ringwood is still seen as a quiet place, having resisted large-scale development although many larger blocks now include multiple unit dwellings.

Index, ill, map, p.240non-fictionThis comprehensive and balanced account provides a highly original look at the emotive impact of the first 'media' war, charting not only the course of the war in Vietnam, but also seeking to place American involvement in Vietnam in historical perspective. The book also includes first-hand testimony on the highly charged issue of American personnel who went missing in action. vietnam conflict 1961-1975 - history, vietnam war 1961-1975 - us involvement

Its called the Silent Service. The Royal Australian Navy is not always in the news or in the spotlight, or sought out by the news, as are the other military services of this great country of ours, us matloes or sailors tend to be the most effective and efficient in times of war as well as peace over the horizon - away from the media.cruisers (warships) - australia - history, vietnam war, 1961-1975 - naval operations, hmas sydney (aircraft carrier), the vung tau ferry, royal australian navy, australia. royal australian navy

1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology

Darkness and a little light: ?Race? and sport in Australia Colin Tatz (AIATSIS & Australian National University) and Daryl Adair (University of Technology Sydney) Despite ?the wonderful and chaotic universe of clashing colors, temperaments and emotions, of brave deeds against odds seemingly insuperable?, sport is mixed with ?mean and shameful acts of pure skullduggery?, villainy, cowardice, depravity, rapaciousness and malice. Thus wrote celebrated American novelist Paul Gallico on the eve of the Second World War (Gallico 1938 [1988]:9-10). An acute enough observation about society in general, his farewell to sports writing also captures the ?clashing colors? in Australian sport. In this ?land of the fair go?, we look at the malice of racism in the arenas where, as custom might have it, one would least want or expect to find it. The history of the connection between sport, race and society - the long past, the recent past and the social present - is commonly dark and ugly but some light and decency are just becoming visible. Coming to terms: ?Race?, ethnicity, identity and Aboriginality in sport Colin Tatz (AIATSIS & Australian National University) Notions of genetic superiority have led to some of the world?s greatest human calamities. Just as social scientists thought that racial anthropology and biology had ended with the cataclysm of the Second World War, so some influential researchers and sports commentators have rekindled the pre-war debate about the muscular merits of ?races? in a new discipline that Nyborg (1994) calls the ?science of physicology?. The more recent realm of racial ?athletic genes?, especially within socially constructed black athletic communities, may intend no malice but this search for the keys to their success may well revive the old, discredited discourses. This critical commentary shows what can happen when some population geneticists and sports writers ignore history and when medical, biological and sporting doctrines deriving from ?race? are dislocated from any historical, geographic, cultural and social contexts. Understanding discourses about race, racism, ethnicity, otherness, identity and Aboriginality are essential if sense, or nonsense, is to be made of genetic/racial ?explanations? of sporting excellence. Between the two major wars boxing was, disproportionately, a Jewish sport; Kenyans and Ethiopians now ?own? middle- and long-distance running and Jamaicans the shorter events; South Koreans dominate women?s professional golf. This essay explores the various explanations put forward for such ?statistical domination?: genes, biochemistry, biomechanics, history, culture, social dynamics, the search for identity, alienation, need, chance, circumstances, and personal bent or aptitude. Traditional games of a timeless land: Play cultures in Aboriginal and Torres Strait Islander communities Ken Edwards (University of Southern Queensland) Sports history in Australia has focused almost entirely on modern, Eurocentric sports and has therefore largely ignored the multitude of unique pre- European games that are, or once were, played. The area of traditional games, especially those of Aboriginal and Torres Strait Islander peoples, is an important aspect of the cultural, social and historical experiences of Indigenous communities. These activities include customs of play that are normally not associated with European notions of competitive sport. Overall, this paper surveys research undertaken into traditional games among Indigenous Australians, as well as proposals for much needed further study in this area. Culture, ?race? and discrimination in the 1868 Aboriginal cricket tour of England David Sampson As a consequence of John Mulvaney?s important historical research, the Aboriginal cricket and performance tour of Britain in 1868 has in recent decades become established as perhaps the most famous of all public events in contact history involving Aborigines, white settlers and the British metropolis. Although recognition of its importance is welcome and significant, public commemorations of the tour have enveloped the tour in mythologies of cricket and nation. Such mythologies have obscured fundamental aspects of the tour that were inescapable racial and colonial realities of the Victorian era. This reappraisal of the tour explores the centrality of racial ideology, racial science and racial power imbalances that enabled, created and shaped the tour. By exploring beyond cricketing mythology, it restores the central importance of the spectacular performances of Aboriginal skills without which the tour would have been impossible. Such a reappraisal seeks to fully recognise the often trivialised non-cricketing expertise of all of the Aboriginal performers in 1868 for their achievement of pioneering their unique culture, skills and technologies to a mass international audience. Football, ?race? and resistance: The Darwin Football League, 1926?29 Matthew Stephen (Northern Territory Archive Service) Darwin was a diverse but deeply divided society in the early twentieth century. The Commonwealth Government introduced the Aboriginals Ordinance 1911 in the Northern Territory, instituting state surveillance, control and a racially segregated hierarchy of whites foremost, then Asians, ?Coloureds? (Aborigines and others of mixed descent) and, lastly, the so-called ?full-blood? Aborigines. Sport was important in scaffolding this stratification. Whites believed that sport was their private domain and strictly controlled non-white participation. Australian Rules football, established in Darwin from 1916, was the first sport in which ?Coloured? sportsmen challenged this domination. Football became a battleground for recognition, rights and identity for all groups. The ?Coloured? community embraced its team, Vesteys, which dominated the Northern Territory Football League (NTFL) in the 1920s. In 1926, amidst growing racial tension, the white-administered NTFL changed its constitution to exclude non-white players. In reaction, ?Coloured? and Chinese footballers formed their own competition - the Darwin Football League (DFL). The saga of that colour bar is an important chapter in Australia?s football history, yet it has faded from Darwin?s social memory and is almost unknown among historians. That picture - Nicky Winmar and the history of an image Matthew Klugman (Victoria University) and Gary Osmond (The University of Queensland) In April 1993 Australian Rules footballer Nicky Winmar responded to on-field racist abuse by lifting his jersey and pointing to his chest. The photographic image of that event is now famous as a response to racial abuse and has come to be seen as starting a movement against racism in football. The racial connotations in the image might seem a foregone conclusion: the power, appeal and dominant meaning of the photograph might appear to be self-evident. But neither the fame of the image nor its racial connotation was automatic. Through interviews with the photographers and analysis of the use of the image in the media, we explore how that picture came to be of such symbolic importance, and how it has remained something to be re-shown and emulated. Rather than analyse the image as a photograph or work of art, we uncover some of its early history and explore the debates that continue to swirl around its purpose and meaning. We also draw attention to the way the careful study of photographs might enhance the study of sport, race and racism. ?She?s not one of us?: Cathy Freeman and the place of Aboriginal people in Australian national culture Toni Bruce (University of Waikato) and Emma Wensing (Independent scholar) The Sydney 2000 Olympic Games generated a national media celebration of Aboriginal 400 metre runner Cathy Freeman. The construction of Freeman as the symbol of national reconciliation was evident in print and on television, the Internet and radio. In contrast to this celebration of Freeman, the letters to the editor sections of 11 major newspapers became sites for competing claims over what constitutes Australian identity and the place of Aboriginal people in national culture. We analyse this under-explored medium of opinion and discuss how the deep feelings evident in these letters, and the often vitriolic responses to them, illustrate some of the enduring racial tensions in Australian society. Sport, physical activity and urban Indigenous young people Alison Nelson (The University of Queensland) This paper challenges some of the commonly held assumptions and ?knowledges? about Indigenous young people and their engagement in physical activity. These include their ?natural? ability, and the use of sport as a panacea for health, education and behavioural issues. Data is presented from qualitative research undertaken with a group of 14 urban Indigenous young people with a view to ?speaking back? to these commentaries. This research draws on Critical Race Theory in order to make visible the taken-for-granted assumptions about Indigenous Australians made by the dominant white, Western culture. Multiple, shifting and complex identities were expressed in the young people?s articulation of the place and meaning of sport and physical activity in their lives. They both engaged in, and resisted, dominant Western discourses regarding representations of Indigenous people in sport. The paper gives voice to these young people in an attempt to disrupt and subvert hegemonic discourses. An unwanted corroboree: The politics of the New South Wales Aboriginal Rugby League Knockout Heidi Norman (University of Technology Sydney) The annual New South Wales Aboriginal Rugby League Knockout is so much more than a sporting event. Involving a high level of organisation, it is both a social and cultural coming together of diverse communities for a social and cultural experience considered ?bigger than Christmas?. As if the planning and logistics were not difficult enough, the rotating-venue Knockout has been beset, especially since the late 1980s and 1990s, by layers of opposition and open hostility based on ?race?: from country town newspapers, local town and shire councils, local business houses and, inevitably, the local police. A few towns have welcomed the event, seeing economic advantage and community good will for all. Commonly, the Aboriginal ?influx? of visitors and players - people perceived as ?strangers?, ?outsiders?, ?non-taxpayers? - provoked public fear about crime waves, violence and physical safety, requiring heavy policing. Without exception, these racist expectations were shown to be totally unfounded. Research report: Recent advances in digital audio recorder technology provide considerable advantages in terms of cost and portability for language workers.b&w photographs, colour photographs, tablessport and race, racism, cathy freeman, nicky winmar, rugby league, afl, athletics, cricket, digital audio recorders

Media Guide, 1999 US Open Materials: Paper, Ink, Cardboardtennis

Sculptor Karl Duldig, his wife artist Slawa Duldig and their daughter Eva, made the difficult journey from Vienna to Australia during World War II. In Australia, Karl and Slawa re-established their careers and left us the artistic legacy of the Duldig Studio, museum and sculpture garden. camberwell, glen iris, sculpture

Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler

Series of three items contained with Reg item 2400, a Folder with papers, titled "Yarra Trams 2006 - 100 Years of electric trams - Press Pack", issued 10 August 2006 by Yarra Trams and Siemens for the centenary celebrations of electric trams .1 - Bookmark - longitudinal or side on view of the Centenary Art Tram - 5006 - with the 100 years, Yarra Trams and Siemens logos. Three copies held. .2 - Have a coffee on us postcard with images of the various trams on the side of the tram and a voucher stapled to the sheet for a free coffee at Hudson's. .3 - Press or Media release for the launch of the Centenary Art Tram dated Thursday 10 August 2006 - quotes Dennis Cliche - two sheets with an image of 5006 on the second sheet. Has contact details for further information - Naomi Helleren of Yarra Trams and Joanne Woo of Siemens.trams, tramways, 100 years of electric trams, combino, siemens, yarra trams, decorated trams, tram 5006