Digital scan of photograph - Original Source Copy: St Margaret's Parish Archives. church of england, churches, eltham, st margarets church, reverend david warren

Roman style chasuble, part of a full vestment set used in the Catholic Cathedral Ballarat in the 1920s. This style of vestment was superseded in the1970s following the second Vatican Council. This set is unusual in its use of art-deco design.The main component of a set of vestments for use in the Catholic liturgy rare in its use of art-deco style embroidery. Roman style.Symbolism of wheat and vine with central medallion of Christ as the Sacred Heart. Also a Chiro in lower section of orphery.vestment, chasuble, art-deco, sacred heart,

Vestment worn at St Brigid's Church, Crossley. 20th CVestments worn at St Brigid's Church, Crossley. 20th CLime green synthetic material with gold and purple braid sewn perpendicularly down front and back. ecclesiastical clothing, vestments

Vestment worn at St Brigid's Church, Crossley. 20th CVestment worn at St Brigid's Church, Crossley. 20th CWhite synthetic stole.Symbol of cross machine embroidered in orange, yellow and blue. ecclesiastical clothing, vestments, religious objects

Worn during religious ceremonies at St Brigid's Church, Crossley during later part of 20th c.Full-length white linen ecclesiastical vestment with long sleeves . Velcro fasterner.ecclesiastical clothing

Accesssioned from Catholic church at Patchewollock in 2013 where it had been since the1950s before which it was used for Sunday Mass in the local hall. Tradition has it to have been a field altar used by Rev O' Sullivan Goidenach, MM at Gallipoli and on the Western Front 1915 - 1918. Associated correspondence in archive includes a letter of gratitude from General Birdwood to Monsignor Goidenach.A rare surviving example of a Roman Catholic Mass Travelling/ Field altar from the WWI era, used in Western Victorian venues before churches were built.Wooden cased travelling altar with altar stone, brass candle sconces, brass crucifix and storage for vestments, and Mass requirements. travelling altar, field altar, world war i, rev o'sullivan goidenach, patchewollock, birdwood.

Black and white photo: priest vestment, embroidered on back with doves and flowers. Written on back of photo 'needlework'. This is presumably a sample of the Poor Clare sisters' work.church, diocese of bendigo, poor clare order

The alb (from the Latin albus, meaning white), is a white liturgical vestment coming down to the ankles. In most pre-Vatican II albs the lower segment of the vestment was made of or trimmed in lace as is the case in this example. This alb is possibly that of Bishop Foley, Bishop of Ballarat 1916 - 1941.

Vietnamese gothic cut silk chasuble. These vestments were purchased by Monsignor Henry Nolan and re-sold to his fellow priests in the diocese to raise money for Vietnamese orphanage children following the Vietnam conflict. Monsignor Nolan served as a military chaplain in Vietnam. The vestments feature Vietnamese Christian motifs such as this with a bamboo cross with an Asian incense burner.vietnam, nolan, chasuble, gothic, embroidery, asian, incense, cross.

The maniple is a liturgical vestment used primarily within the Latin Rite of the Catholic Church, and occasionally by Lutheran and Anglican clergy. It is an embroidered band of silk or like fabric that hangs from the left forearm, worn over the alb. It is used only during Mass, and it is always of the same liturgical colour as other Mass vestments. The original purpose of the maniple is unclear, but it probably originated as a cloth that the priest could use to wipe his hands and face. The maniple corresponds to the epimanikia, cuffs worn on both wrists in the Eastern Orthodox, Eastern Lutheran and Eastern Catholic Churches. (wikipedia)Dark red silk damask ecclesiastical stole with gold work and silk embroidery. Motifs include dove, lamb, chalice, maltese cross and flowers and latin text. Silk and metal thread fringes both ends of both pieces.Latin textsembroidery, gold work, ecclesiastical

The stole is a liturgical vestment of various Christian denominations, which symbolizes priestly authority; in Protestant denominations which do not have priests but use stoles as a liturgical vestment, however, it symbolizes being a member of the ordained. It consists of a band of coloured cloth, usually of silk, about seven and a half to nine feet long and three to four inches wide, whose ends may be straight or may broaden out in the shape of a spade or bell. The centre of the stole is worn around the back of the neck and the two ends hang down parallel to each other in front, either attached to each other or hanging loose. The stole is almost always decorated in some way, usually with two crosses, or sometimes another significant religious design. (wikipedia)Dark red silk damask ecclesiastical stole with gold work and silk embroidery. Motifs include dove, lamb, chalice, Maltese cross and flowers and Latin text. Silk and metal thread fringes both ends of both pieces.Latin textsembroidery, gold work, ecclesiastical

A burse is a stiffened, often embroidered square cloth case used in Christian liturgy to hold the corporal (a linen cloth) during Communion services, usually matching the Mass vestments. It is placed on top of the veiled chalice and sometimes used to carry the Eucharist to the sick. Synonyms include purse, pouch, or pocketbook.A burse is a flat, square, fabric-covered case in which a folded corporal cloth is carried to and from an altar in church. The background material is a slub silk with the design worked in browns, black and golds. Black and gold cord around the edge. Design has an off centre cross worked in gold with 4 arches in various rich materials and canvas embroidery. Elizabeth Elvin 4 Harmar Close Wokingham, Berks.embroidery, ecclesiastical, england, metal thread, 20th century

The burse is a flat case used at Mass as a container for the corporal. Over the centuries it was decorated with symbols relating to its use as part of the Mass often matching the decoration on the vestments and chalice veil. This selection use simple lace trim with embroidered decoration representing the cross, the Christian fish symbol and the Greek Alpha and Omega.

The surplice is a liturgical vestment in the form of a tunic of white linen or cotton fabric, reaching to the knees, with wide or moderately wide sleeves. The lower segment is usually lace or lace trimmed. In this case it is hand crocheted. Here too the cuffs of the sleeves are lace trimmed backed with red silk to denote the rank of the wearer, in this case a bishop.

Cloth of gold is a luxurious, historically significant fabric woven with real gold (or gilt) threads, often wrapped around a silk core, creating a stiff, heavy, and incredibly expensive material used for royal robes, tapestries, and ceremonial vestments, symbolizing immense wealth and power, famously seen at the Field of the Cloth of Gold event. One of two pieces of a sari, cloth of gold woven with silk warps and gold thread weft. The selvedge has a decorative band of lions, stags and horses with flowers and scatterd motifs on the main area.

The cope is one of the most striking vestments in the Church. An ecclesiastical hood is a liturgical or monastic head covering, often part of a cope or habit, used for warmth, distinction, or decoration. Originating from medieval cloaks, it has evolved into a symbolic accessory (like a cope hood) or functional gear (like a monk’s capuce) for various religious orders.Semi circular hood of gold organza with silver metal thread and aqua silk embroidery. Dark red short full silk fringe on curved edge, and 5 loops on straight edge to attach to garment. Has been backed with apricot satin, Front of 4 flowers (5 petalled), leaves and initials.IHSembroidery, metal thread, silk, ecclesiastical, hood, hat

These slippers came in the colours of the seasons of the church and the collection has a full set. These episcopal sandals, slippers or pontifical sandals, are a pontifical vestment worn by bishops when celebrating liturgical functions according to the pre–Vatican II rubrics. After the Second Vatican Council, the episcopal sandals fell out of common use following the revisions of the liturgy resulting in the Mass of Paul VI. This set was used in the cathedral at Ballarat for Pontifical High Mass prior to 1970.Two pair of liturgical slippers one red, the other green. slippers, sandals, episcopal, vatican ii. paul vi

"Centenary of Fnrst Mass at Ballarat Friday last marked the centenary of the arrival of the first priest and the celebration of the first Mass in Ballarat. The Rev. Patrick Dunne reached the diggings on October 17, and on Sunday, October 19, 1851, in a bark hut near Brown Hill, he celebrated Mass. Worshippers had to kneel on quartz gravel. The weather had been the worst experienced in Victoria for a number of years, and most of the creeks between Melbourne and Ballarat were flowing torrents, but Father Dunne (who came from the Coburg mission), carrying the barest necessities and the sacred vestments, set out for Ballarat on horseback. He had to ford and swim his horse across the creeks. When most of his congregation left for the Castlemaine diggings Father Dunne returned to Melbourne. In August, 1852, Rev. Matthew Downing became Ballarat's first resident priest. He built a large wooden structure with a canvas roof which served as a church, but later erected at the Gravel Pits the first permanent church. This church was the largest of any house of worship on any goldfield in the colony. It cost £ 100, contributed solely by Father Downing and his flock. Soon after he got the authorities to survey a large piece of land at the back of the township as a burial ground and procured a grant of £500 for fencing it. A grant of £250 was also obtained for the improvement of the chapel and fittings of a school, where Michael Campion Carey opened the first school. Rev. Patrick Smyth succeeded Father Downing, who was followed by Rev. P. Madden, who in 1857 began to plan the erection of St. Patrick's Church. The foundation stone of this was laid by Bishop Goold on February 12, 1858, and the church was opened for the first time on November 8, 1863." (Melbourne Advocate 25 October 1951)Two colour photographs showing the St Alipius' Catholic Church flag - a blue cross and border on white. st alipius, church, ballarat east, flag

"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

"NEW CROSSLEY CHURCH. BLESSING AND OPENING CEREMONY. A lasting testimony to the faithful generosity of the Catholic community at Crossley was vouchsafed on Sunday last, when the beautiful new church of St. Brigid was formally blessed and opened, in the presence of a particularly large congregation of adherents of the Roman Catholic faith, and many supporters of the doctrines of other churches. The function was further enhanced by the presence of two noted Catholics in Dr. Higgins (Bishop of Ballarat) and Dr. Mannix (Coadjutor Archbishop of Melbourne.) Upon arrival at the church the prelates were received by a guard of honor formed by the members of the H.A.C.B. Society, and were introduced to the members of the local committee. Then his Lordship the Bishop formally blessed the exterior and interior of the building. The building is handsome and commo dious, and one that should suffice for the population of the Crossley district for many years to come. Standing upon the highest point in the vicinity it occupies a commanding position and is a prominent landmark for many miles around. At first it was intended to pull down the old church and erect the new one upon the space occupied by it, but subsequently the land adjoining was purchased, and the sacred edifice built upon it. The style of architecture is a free treatment of the Romanesque. In a short space of time the grounds and walks were transformed by working bees and made to conform to the beauty of the building. The interior is most artistic, and would be difficult to improve upon in elegance of design, while the furnishings are most appropriate, and harmonise excellently with the general scheme of decoration. It seats 400 people and in addition there is a choir gallery with a seating capacity of 60. The church is lighted with leaded Cathedral glass windows, and the front presents a pleasing appearance, the entrance porch being surmounted with a semi-Gothic window. The floor is tiled throughout. The ceilings are semi-circular in form, with beautiful designs worked in fibrous plaster. The brickwork of the structure is faced with cement, and it has a slate roof. It is undoubtedly an addition to the ecclesiastical buildings of the district, and was universally admired. The architect was Mr. A. A. Fritsch, of Melbourne, and the contractors Messrs F. and E. Deague, of North Fitzroy. On the doors being thrown open for the admission of the congregation, the seating accommodation was immediately fully taxed, and the lengthy service and sermon were listened to with the greatest interest and attention. Missa Cantata was sung, the Rev. Father Phelan, Koroit, being the celebrant. The musical arrangements were in the capable hands of Mr. Renwick, of Warrnambool, while Miss Logan presided at the organ. Mrs. Dan. Ryan was the soprano soloist, and sang Gounod's Ave Maria at the offertory very sweetly and expressively. At the consecration Rossi's Tantum Ergo was sung by Messrs Crowley and Renwick; Farmer's Kyrie Gloria and Agnus Dei and Webb's Credo were rendered during mass, and while the collection was being taken additional numbers were sung. The occasional sermon was preached by the Coadjutor Archbishop (Dr. Mannix), who based his remarks upon the Gospel for the day, St. Luke V., verses I to II, dealing with the miraculous draught of fish. On His return from Galilee Christ found that the fishermen had been toiling all night, and had caught nothing. He entered one of the ships, and addressed the multitude on shore. It was a beautiful picture, and no doubt he spoke to them about the kingdom to be established on earth. When He had finished speaking He told the fishermen to launch out into the deep. Peter said " Master, we have fished all night, and have found nothing." Still, they obeyed His command, and the nets were filled almost to breaking point. Having brought their ships to land they left everything and followed Him. In that lesson they had a symbol of God's dealing with men through the church He has established on earth. Their confidence was richly rewarded, and Christ founded His church upon those twelve Apostles. At that time the world was mostly pagan, steeped in iniquity and sin. The chosen people of God worshipped with their lips, but their hearts were far from it. When Christ wanted to estab lish His church on earth, and leave an organisation to carry on the work, did He select the most intellectual, or the most rich or powerful men? Neither did the time seem propitious. He selected twelve men who from a human point of view were quite incapable of accomplishing anything. What happened when the Jews put Him to death? The chosen twelve left Him at the critical hour, and when He came to die on the cross they were not there, but hid themselves from the hate and fury of the Jews. When the Holy Ghost came down upon them and strengthened them they became courageous and went forth at the bidding of their Master to teach all nations. Their success was not confined to the first meet ing after Pentecost, at which they made 5000 converts, but continued until the whole world had been brought into the net. It was surely a consolation to them as well as to him (the preacher), that they came from a land which of all others had been faithful to the teaching of Jesus Christ. The sons and daughters of St. Patrick had taken a great part in bringing men into the meshes of the church. It was due to the nation they belonged to that the church flourished not only in Ireland, but in England, Scotland, Ame rica, and Australia. It may have seemed hard that in the providence of God so many had to leave their homes and find a home in other lands. They had emi grated to the towns of England and Scotland, and had been the means of keeping the Catholic faith living in those places. In the United States and Canada many had made a home for themselves, and were always found faithful to God and to the true church. If to-day the Irish Catholics and Catholics of Irish des cent were taken out of the English and Scotch population there would be little left of the true Church of God. Perhaps they had not the learning of other nations. Certainly they had not the wealth of other nations, and not the power of the sword, but God was with them, and the faith they took from the old land nourished in the distant places. There was a time in Aus tralia when those opposed to God and God's Church thought they could rule Providence and make Australia a Pro testant land. They had lived to see whe ther God or His enemies are the more powerful, and the names of those who tried to stamp out the Catholic religion were forgotten, or only remembered be cause of their persecution. They had lived to see the glorious success which rested upon the Catholic Church in Aus-tralia, which the Irish people had built up stone by stone. Nowhere was it held in higher esteem than in these islands, and the people would always be faithful to God and His church. It was an inspira tion to go into the glorious church opened that day. It stood for loyalty and faith fulness and was a credit and a consola tion to the Bishop and people of the diocese, to the architect, and to the priests and the honest and zealous administrator of the parish. There was hope and an inspiration in that day's celebrations, and surely the Catholic faith would sink deeper and deeper into the people as time went on, and the progress of the last fifty years would be small as compared to the progress of the future. He congratulated the Bishop and priests who had raised that temple, and the people of Crossley upon their generosity and self-sacrifice. He prayed that the blessing of God and St. Brigid would rest upon them, their children, and their children's children. He hoped that not one of those who had received the sacrament at that church would be missing when called before the Judgment Seat, and that all would be counted into the enjoyment of eternal bliss. The Rev. Father Kerin then made a statement of the position of the finances, after which a special col lection was made towards the cost of the building. A list of subscribers of £l and upwards was read, to which Bishop Higgins contributed £250, Rev. Father Kerin £20, and the Coadjutor Archbishop £5. The amount totalled £1245 10s 7d. Pre vious donations totalled £1077 3s, and His Lordship gave an additional £250. An indebtedness of £3974 had been reduced by £1245, leaving a debit balance of £2728. The cost ot the church completed was £6250. They had broken the back of the debt, and were not frightened of it. It was also announced that the beautiful Stations of the Cross, which adorn the walls, had been donated by the following: Mr and Mrs. P. Crowe, Mr. and Mrs. T. Bushell, Mr. and Mrs. P. Gorman, Miss M. Dunne, Mr. Mugavin and Miss Mugavin, Mr. and Mrs. C. Conway, Misses A. and F. Broderick, Mr. and Mrs. Michael Hennessy, Miss K. A. M'Carthy, Mr. and Mrs. Wm. Dalton, Mrs. M. J. Greene, Mrs. and Miss K. Dwyer, Mr. and Mrs. John Mugavin, and the Rev. J. J. Manning. The new Estey organ was contributed by the school children, as the result of an enter tainment. Other donors of furnishings, etc., were Mrs. Brown, senr., (Kirkstall), and Mrs. James Maloney (Killarney), and Mrs. and Miss O'Donohue. The vestments were the gifts of Mr. and Mrs. M. Foley, of Killarney. The furnishings, carpeting, etc., of the sanctuary have been carried out by the Crossley Altar Society, of which Mrs. Jno. O'Brien is president, and Miss Mary Ryan secretary. In the course of a brief address Dr. Higgins expressed his deep indebtedness to the Coadjutor Archbishop for coming amongst them at a great sacrifice to assist in the ceremonies. He heartily thanked the people for their unbounded generosity, and congratulated priests and people upon the magnificent results of their efforts. They had an able champion in Dr. Mannix, who since coming amongst them had distinguished himself by his zeal for the church in this new land. He hoped he would be spared for many years to come to use his splendid talents in the service of the church. (Koroit Sentinel and Tower Hill Advocate, Saturday 4 July 1914, page 2)Digital images of the cathedral leadlight windowns in St Brigid's catholic Church, Crossley. st brigid's crossley, st brigid's, catholic church, catholic, church, religion, celebrations, christmas, christmas carols, carols, stained glass, window

This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Priest's robe sash or stole, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The soft, white cotton, twisted cord is finished at each end with a knot and tassel.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, priest's stole, priest's robe sash, sash, knotted sash, priest's vestment

This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Priest's robe sash or stole, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The soft, white silky twisted cord is finished at each end with a knot and tassel.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, priest's stole, priest's robe sash, sash, knotted sash, priest's vestment

Used at St Brigid's Church Crossley Rectangular cloth"Benediction " : "CSNG Crossley"ceremonial textiles

Worn during religious ceremonies at St Brigid's Church , Crossley during later part of 20th c.Oval shaped tunic style garmentRed, green and black embroideryecclesiastical clothing