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Clunes Museum
Book (Item), VISITORS TO CLUNES MUSEUM, Visitor's Book - Clunes Museum
... VISITORS TO CLUNES MUSEUM... 2018 Visitors CLUNES MUSEUM "Visitors" in gold leaf Book, black ...Record of visitors with comments from 4 Oct 2014 to 8 Oct 2018"Visitors" in gold leafvisitors, clunes museum -
Tatura Irrigation & Wartime Camps Museum
Note Book, Tatura and District Historical Society Visitors Book 1988-1999, 1988
... visitors to museum... Book. 1988-1999 visitors to museum Tatura and District ...Tatura and District Historical Society officially opened 6th November, 1988. This book was used as our first Visitor's Book. 1988-1999Blue hard cover book, gold letteringvisitors to museum, tatura and district historical society visitors book, visitors book -
Whitehorse Historical Society Inc.
Photograph, Open Day 1997, 1/04/1997
... Coloured photo of Visitors in Museum on Heritage Week Open... photo of Visitors in Museum on Heritage Week Open Day 1997 ...Coloured photo of Visitors in Museum on Heritage Week Open Day 1997.nunawading and district historical society, heritage week 1997 -
Whitehorse Historical Society Inc.
Photograph, Open Day 1997, 1/04/1997
... Coloured photo of Visitors in Museum on Heritage Week Open... photo of Visitors in Museum on Heritage Week Open Day 1997 ...Coloured photo of Visitors in Museum on Heritage Week Open Day 1997.heritage week 1997, nunawading and district historical society -
Whitehorse Historical Society Inc.
Photograph, Open Day 1997, 1/04/1997
... Coloured photo of Lace Makers & Visitors in Museum... photo of Lace Makers & Visitors in Museum on Heritage Week Open ...Coloured photo of Lace Makers & Visitors in Museum on Heritage Week Open Day 1997.heritage week 1997, nunawading and district historical society -
Whitehorse Historical Society Inc.
Photograph, Visitors at Display for Museum's Open Day, 1989-90
... 2 Coloured photos of Visitors at Display for Museum's Open... for Museum's Open Day 2 Coloured photos of Visitors at Display ...2 Coloured photos of Visitors at Display for Museum's Open Day.museum -
National Vietnam Veterans Museum (NVVM)
Book, Visitors book for the NVVM, 2015-2016
... and comments from visitors to the museum from September 2015 to 2016... to the museum from September 2015 to 2016 Visitors book for the NVVM ...Black, small hard covered book marked, Visitors. Signatures and comments from visitors to the museum from September 2015 to 2016visitors book -
National Vietnam Veterans Museum (NVVM)
Book - Visitors book, NVVM, 2014 - 2015
... and comments from visitors to the museum from June 2014 - June 2015...". Signatures and comments from visitors to the museum from June 2014 ...Blue, hard covered book marked, "Visitors". Signatures and comments from visitors to the museum from June 2014 - June 2015visitors book -
National Vietnam Veterans Museum (NVVM)
Book, Visitors book for the NVVM, 2013 - 2016
... from visitors to the museum from 1 January 2013 - 17 April 2016.... Signatures and comments from visitors to the museum from 1 January ...Hard covered book marked, Visitors. Signatures and comments from visitors to the museum from 1 January 2013 - 17 April 2016visitors book -
Ballarat Tramway Museum
Administrative record - BTM QR Code check in sheet, Services Victoria, 2021
... used to check members and visitors into the Museum. Used... the entry of visitors to the museum, date and time. Demonstrates ...QR Code check in sheet during the COVID-19 pandemic event used to check members and visitors into the Museum. Used during 2021 and 2022. Produced by the Victorian State Government Services Victoria unit. The system recorded the entry of visitors to the museum, date and time.Demonstrates the systems that State Government required visitors to check in using their mobile devices and a detailed QR code.Laminated A4 sheet, printed with a colour laser printer.btm, covid-19, services victoria -
Whitehorse Historical Society Inc.
Photograph, Whitehorse Museum Visitor Centre, 2011
... Whitehorse Museum Visitor Centre...8 Coloured photograph (a - h) of the erection of the museum... Mitcham melbourne Photograph Photograph Whitehorse Museum Visitor ...An extension to the Museum was erected in 2011 to provide a Visitor Centre.8 Coloured photograph (a - h) of the erection of the museum visitor centre extension and the finished interior.whitehorse museum, whitehorse historical society, museums -
Robin Boyd Foundation
Book, Sir Rudolf Bing, A Knight at the Opera, 1981
... ) inserted at p. 168-9. Visitors' information about the museum...) inserted at p. 168-9. Visitors' information about the museum ...Hardcover w/ Dust JacketPamphlet for the Norton Simon Museum (Pasadena, California) inserted at p. 168-9. Visitors' information about the museum and its collections.walsh st library -
Clunes Museum
Book - VISITOR BOOK
... CONTENT; visitor comments about the museum from 10/11/2018...Clunes Museum 36 Fraser Street Clunes goldfields VISITOR ...CONTENT; visitor comments about the museum from 10/11/2018 to 07/01/2023HARDCOVER, BOUND, BLACK VINYL COVER WITH GOLDCOLOURED METAL CORNERSvisitors book, clunes museum -
Orbost & District Historical Society
book, Visitors Book
... This was used as the Orbost Historical Society's visitors... Historical Society's visitors' book for the Orbost Museum. This book ...This was used as the Orbost Historical Society's visitors' book for the Orbost Museum.This book records those who have visited the Orbost Museum. It indicates where they are from and their thoughts about the museum.A large album with a brown cloth cover. There is gold lettering on the front cover - Visitors Book.ORBOST HISTORICAL MUSEUM Opened on December 1st, 1967 by Hon. Peter Nixon M.P., Minister for the Interior.visitors-book orbost-museum -
National Wool Museum
Decorative object - Knitted nativity scene, Christine Ballard, 2002
... Made by Christine Ballard in 2002 who was a visitor...Made by Christine Ballard in 2002 who was a visitor ...Made by Christine Ballard in 2002 who was a visitor to the Museum in late 2001. The Christmas Crib is from a Jean Greenhowe pattern. Christine originally made 4 sets of Mary, Joseph and Baby Jesus to sell at her church fete. They were so successful she received 7 orders.Knitted nativity sceneknitting christmas, christmas, hand knitting, jerusalem, knitting -
Federation University Historical Collection
Document - Document - Invoice, ZILLES: Job Breakdown Sheet, Montrose Cottage
... Licences that would be presented to visitors to the museum... to visitors to the museum zilles printers montrose cottage gold ...Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Documents relating to a printing job ordered by Montrose Cottage. They required Gold Licences that would be presented to visitors to the museum.1 Worksheet: Blue pen information in sections. .2 Example of work ordered - Gold Licence Hand writing on blue paper .2 Date and signature examples. In pen number of copies and date zilles printers, montrose cottage, gold licence, breakdown sheet -
Tatura Irrigation & Wartime Camps Museum
Folio, Camp 3, 1944/45
... Ceremony at German War Graves Cemetery. Photos of recent visitors... visitors to the Museum. Commemoration programs. Photo of Brigitte ...Material relating to Camp 3 and the Internees from Palestine. Photos of original Internee graves, Remembrance Ceremony at German War Graves Cemetery. Photos of recent visitors to the Museum. Commemoration programs. Photo of Brigitte & Leo Glockemann at Museum. Photo (O. Lobert) of group of 18 year old boys, mainly Templers, taken from Camp 3 to Loveday, then returned to Camp 1.Black 3 ring folder with printed material and photos in plastic sleeves.documents, reports -
Cheese World Museum
Crockery, fruit set, 8/5/1923
... . A visitor to the museum in March 2018 advised that the bowl.... A visitor to the museum in March 2018 advised that the bowl ...These hand painted bowls were the work of Ethel Mary Ellen Hose who married Albert Ernest Uebergang in 1917, who was an uncle of Ray and Joyce Uebergang. After leaving the family farm at Cudgee the couple moved to Surrey Hills in Melbourne. [Ref: p.228 The Uebergang Families in Australia] The donor, Heather Mclean, daughter of Charles Henry Uebergang, is a cousin of Ray and Joyce Uebergang. A visitor to the museum in March 2018 advised that the bowl with no 'U' was a replacement piece. It is unsigned and undated.This fruit set indicates the work of amateur china painters and is in pristine condition.Black hand-painted fruit set consisting of a large bowl and six small bowls. Each bowl has an individual fruit design and a gold-painted letter 'U' except one small bowl which only has the fruit design. The bowls have a gold rim.[on base] E M Uebergang/ 8/5/1923 [except for bowl with no 'U']uebergang, ethel mary uebergang, china painting, crockery, allansford, food & drink consumption -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Drawing - Plan of Box Property c1915, c1985
... member in 1985 to educate members and visitors to Box Cottage... to educate members and visitors to Box Cottage Museum. The drawing ...This ‘Plan of the Box Property c1915’ was drawn by a CMHS member in 1985 to educate members and visitors to Box Cottage Museum. The drawing shows the layout of the original pioneer cottage , the newer front house and the garden as well as the adjoining properties. It includes a detailed drawing of the Cottage roof and rooms . A coloured drawing of a Plan of Box Property c1915 in a wooden frame box william, box elizabeth, brighton, cheltenham, moorabbin, pioneers, early settlers, market gardeners, ormond -
Tatura Irrigation & Wartime Camps Museum
Album - small photo album
... campaign. This album also includes photos of visitors... Museum, Memorial service German War Cemetery 1992 and visitors ...The artist of the sketches Hans - Wolter von Gruenewaldt - ex South African Mining Engineer served in the North Africa campaign. This album also includes photos of visitors to the Tatura Museum, Memorial service German War Cemetery 1992 and visitors to Camps 1, 2, 4 and 13 Photos include Murchison R.S.L clubhouse,which was Murchison P.O.W Camp,13 Recreation Hall, Colonel Walter Tinsley D.S.O who was appointed Commandant camp 13 1946, Folk Dancers from Hungary,Scotland, Yugoslavia, Russia, Spain, Holland, German waitress, African Mother and Child,, Asia, Australian swagman, Australian A.W.A.S, British Army W.O, British Naval Officer. Visitors to Memorial service German War Cemetery 1992 Photos show a collection of the art work painted on walls of Camp 13 Recreation hall Small, green coloured photo albumHans-Wolter von Gruenewaldt, German P.O.W. painted these scenes and figures as murals on the walls of the camp 13 Recreation Hall. The hall was transferred to Murchison after WW2 and was purchased by the Murchison R.S.L. as its headquarters in 1955. These paintings can now be seen at the David Jones Nursing Home in Murchison.murchison pow recreation hall, german war cemetery -
The Beechworth Burke Museum
Animal specimen - Great Crested Grebe, Trustees of the Australian Museum, 1860-1880
... to instruct visitors to the Burke Museum of the natural world around... initially served to instruct visitors to the Burke Museum ...The Great Crested Grebe is the largest bird in the Grebe family. It has a long neck with a black crown and orange/black "fans" on the sides of the face. This bird can be found in all Australian states and territories and typically resides in open bodies of fresh water. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A Great Crested Grebe in a tall position standing on a wooden pedestal. It has a long neck and bill with coloured plumage. The crest is black with orange and black cheek "fans" on the sides of the face. The eyes are made of glass and are a red/black colour. On paper tag: "[Austra]lian... [G]rebe... [pa]ge, 42" taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, great crested grebe -
Ballarat Heritage Services
Digital Photograph, Dorothy Wickham, The Cast Courts, 2016, 09/2016
... visitors to the Museum. For centuries, antiquarian interest... visitors to the Museum. For centuries, antiquarian interest ...This ornate cross sits at the right hand side of View of Trajan's column, Cast Courts, Room 46a, The West Court, Victoria and Albert Museum, London. Cast Courts: "When the Architectural Courts – or Cast Courts as they are now known – opened in 1873, The Builder magazine compared the experience of seeing them to a first glimpse of Mont Blanc, creating one of those 'impressions that can scarcely be effaced'. Since then, these two enormous rooms and the reproductions they contain have continued to impress and inspire visitors to the Museum. For centuries, antiquarian interest in world architecture and sculpture led to reproductions – or copies – being made of outstanding national monuments and notable sculptures. When the Museum was founded, it collected and displayed reproductions of great art and architecture from across the world in order to offer objects for study and tell a complete story of the history of art and design. Casts are made by placing several plaster moulds upon the surface of the original structure. Once hardened and removed, the moulds are then enclosed in an outer casing, the interior coated with a separating agent and the wet plaster poured in. When set, the pieces are then assembled and the joints and surfaces finished off, to make a complete reproduction of the original work. The finished product – as well as being a formidable technical achievement in its own right – enables admirers to study faithful reproductions of important monuments and works of art." Ref: https://www.vam.ac.uk/articles/history-of-the-cast-courtslondon, victoria and albert museum, cast courts -
The Beechworth Burke Museum
Animal specimen - Thylacine, Reynell Eveleigh Johns, 1860-1880
... to instruct visitors to the Burke Museum of the natural world around... to instruct visitors to the Burke Museum of the natural world around ...The Thylacine or Tasmanian Tiger, was a large nocturnal carnivorous marsupial now believed to be extinct that was native to both Australia and New Guinea. The Thylacine is believed to have first appeared over two million years ago with documentation of the species appearing on rock-art that have been dated as far back as 1,000BC. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The Burke Museum Thylacine is of great historic, scientific and cultural significance as Australia's most notable example of a species made extinct within living memory. Poignant images of the last known thylacine linger in national consciousness and remain an evocative symbol of the impact of humankind on the natural environment. The Burke Museum thylacine has immense social significance not only for its ability to tell a story to present and future generations, but also for embodying the mythic tiger that lives on elusively, we hope, in the Tasmanian wilderness. Attempts to clone the thylacine from material held in museums attest to the passion that this iconic animal evokes in the scientific as well as mainstream community. Medium sized lean female thylacine with four stocky legs and a stiff tail. The fur is short and coarse and in a light brown-yellow colour with 15 dark brown stripes across the width of the body. The head is long and narrow with two small pointy ears and a large jaw with up to 30 visible teeth.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, thylacine, tasmanian tiger, rare -
The Beechworth Burke Museum
Animal specimen - White-Necked Heron, Trustees of the Australian Museum, 1860-1880
... Museum in Sydney and the National Museum of Victoria (known... initially served to instruct visitors to the Burke Museum ...The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown. [illegible] Heron / See Catalogue, page 33. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron -
The Beechworth Burke Museum
Animal specimen - White-Neck Heron, Trustees of the Australian Museum, 1860-1880
... Museum in Sydney and the National Museum of Victoria (known... initially served to instruct visitors to the Burke Museum ...The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. It is facing forwards but looking over its left shoulder. The eyes of this specimen are made from yellow glass. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron -
The Beechworth Burke Museum
Animal specimen - Diamond Firetail, Trustees of the Australian Museum, 1860-1880
... initially served to instruct visitors to the Burke Museum... initially served to instruct visitors to the Burke Museum ...The diamond firetail bird is native to inland southeastern Australia, inhabiting woodland regions. It is often described as one of the most stunningly coloured birds of the finch family. The nest is built by both partners but only the female does the weaving. Both partners incubate the eggs and care for the young. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The diamond firetail finch it characterised by the top of its body being ash brown, with crown, forehead and neck grey. The under feathers are white with a crimson rump. There is a black band across its neck which continues down the flank to be dotted with white. The bill and eye ring are coral, and the legs and feet are dark grey. The female is similar to the male although sometimes smaller. 10057 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 41a./ Firetialed Finch / See Catalogue, Page 15. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, finch, diamond firetail -
National Wool Museum
Functional object - Yarn Spinner and Accessories, John Nesbitt, 19th Century
... are on rotational display at the National Wool Museum’s ‘In the Factory... display at the National Wool Museum’s ‘In the Factory’ exhibition ...Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design.Custom made wooden hinged box with a hook latch. Brass yarn spinner, attached to a mahogany wood plinth base, which spins fibre into cord/yarn/thread. It has dials to set the rate that it spins. Metal plaque with black inlaid enamel lettering. Small cork inlay. Brass rod with hinge and wingnut, and ball at end. Ball at end has an adjustment mechanism. Rod also has an adjustable circular collar. Pair of curved tweezers. Circular magnifying glass on long thin handle. Glass has two concave lenses. Weaving sample in shades of blue, green and brown. Twill weave. Alternate pattern samples separated by red thread.Brass plaque on base of spinner: 42 MARKET St / John Nesbitt / REGd TRADE MARK / LIMd / MANCHESTER Underside of wooden plinth: 4976apparatus, textile, testing, spinning, nino corda, magnifyer, tools, brass, mahogany, tweezers, yarn, spinner, design, john nesbitt, manchester, england, 19th century, engineering, manufacturing -
The Beechworth Burke Museum
Animal specimen - Flying Fox, Trustees of the Australian Museum, 1860-1880
... to instruct visitors to the Burke Museum of the natural world around... to instruct visitors to the Burke Museum of the natural world around ...There are 62 species of Flying Foxes or "Fruit Bats" globally, with 3 existing in Australia: the grey-headed, the little-red, and the black. Flying Foxes are nocturnal, social and herbivorous animals. They can weigh up to 1kg and live up to 30 years. In Australia, Flying Foxes occupy a range from Bundaberg in Queensland to Geelong in Victoria. Most species are listed as endangered or vulnerable. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia's fauna history existed in the past and are potentially important for future environmental, climate and conservation research.Small sized flying fox with a pointed head, curved body, bushy tail, and curved claws perched on a wooden mount. The pelage is thick, long and silky in pale caramel and tan shades. The head is small with two pointed ears, two glass eyes, and about five teeth.On wooden mount: BMM5895 /taxidermy mount, taxidermy, flying fox, fruit bat, burke museum, australian museum, skin, reynell eveleigh johns, natural history, animal -
The Beechworth Burke Museum
Animal specimen - Great Crested Grebe, Trustees of the Australian Museum, 1860-1880
... to instruct visitors to the Burke Museum of the natural world around... across Australia, including the Australian Museum ...The Great Crested Grebe is a medium to large sized bird located in Australia, New Zealand, Europe, Asia and in parts of Africa. They reside in large bodies of fresh water and are renowned for their elaborate mating dances. When breeding, the Great Crested Grebe has tawny cheek "fans" and black crests; however, in the non-breading seasons the plumage of this bird turns white. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Great Crested Grebe is a medium to large sized bird. It typically has cheek "fans" on the sides of the face and elaborate crest feathers which are shed after breeding, as is the case for this specimen. This bird is in a tall standing position with its neck stretched upwards and facing left. The small dark eyes have been made from glass and a large pointed bill. It has a metal tag tied to its left leg engraved with the numbers "4401". The skin surrounding the toes are flat which assists the bird when swimming.On tag 4401taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, great crested grebe, bird -
The Beechworth Burke Museum
Animal specimen - Red-Necked Grebe, Trustees of the Australian Museum, 1860-1880
... across Australia, including the Australian Museum... to instruct visitors to the Burke Museum of the natural world around ...The Red-Necked Grebe is a medium sized bird with a long neck and pointed bill. During the non-breeding months, this bird has grey, white and brown plumage. During the breeding seasons, the Red-necked Grebe has a rusty red coloured fore-neck and breast with a black bill and white cheeks. This species can be located in freshwater lakes of the northern hemisphere. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A Red-Necked Grebe of medium size stylised in a standing position with the face positioned forward. The bird stands on a wooden pedestal with two tags around its legs. One tag is paper and documents cataloguing information and the second is metal and lists the number 4403. This Red-Necked Grebe has pale feathers of white, grey and browns typical of this species in the non-breeding months. The face is positioned towards the front and the small eyes are made from dark glass.On metal tag 4403. On paper tag "32. Red-Necked Grebe.Catalogue, page, 43"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, red-necked grebe