This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. This painting is of Eagle Rock, Warrnambool, which is on the west of Port Phillip Bay. Eagle Rock is located about 400 metres west of Thunder Point, near Shelly Beach. The painting includes the rocky cliff formations looking east towards the Warrnambool Breakwater. The walk from the Thunder Point car park westwards to Shelly Beach has been popular over the decades with residents as well as tourists. Many photographs include the rock, with varying backgrounds depending on the angle of the camera. It is a popular dive site for locals and visitors, in calm weather! The site can be approached by boat from the open sea in favourable conditions, and there is plenty of native marine to be seen in this marine sanctuary. This part of Warrnambool’s rugged coastline is unprotected from the Southern Ocean with its wild icy winds and high seas. The painting’s crashing waves and the northerly direction of the smoke on the steamship sailing north show the effect of the southerly wind. INSCRIPTIONS “Mrs M Irby” and “980/Regency” The significance of the inscription “Mrs M Irby”, on the back of each of the two paintings, has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of rock formation and cliffs, two yachts, a two-masted steamboat with red funnel and smoke, flying birds, high waves breaking onto rocks, blue sky with clouds, some tinted pink.. The title is painted on lower left corner and the artist, W. Langley-Taylor, has signed his name on lower right. The inscription on the back is a handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “EAGLE ROCK, WARRNAMBOOL, VIC.” Handwritten on back “Mrs. M. Irby” and “980 [underlined] Regency”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, eagle rock warrnambool, w. langley-taylor, oil painting, wall decoration, seascape of victoria's coast, mrs m irby, art, seascape, pair of paintings

William Taylor was one of the original white settlers in the area around modern day Keilor. He had a large amount of land and ran sheep in the area. Taylors Lake and Taylors Creek now bear his name. Figure of local historical significanceMarble bust on pedestalInscription on plinthwilliam taylor

Business card with the name Homer L. Rank representing The Strong-Scott Mfg. Co. Minneapolis, Minn. On the back is written Taylors Limited E. W. Taylor 623 Colombo St Christchurch.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, homer l rank, the strong-scott mfg co minneapolis, taylors limited, e w taylor

Brown cloth loose covers with embossed pattern and inscription 'Cassell's Magazine Illustrated' Damaged spine vii ; 592 pages ; 25cm ; IllusHandwritten inscription '129' Stamp on various pages 'Kilmore Mechanics Institute'british magazine, kilmore mechanics institute library.

Blue paper dated Augt 20th 1870. I hereby Certify that W. H. Taylor of ? Flat is able to follow his usual employment. Signed H. L. Atkinson. Also signed at the end by W. H. Taylor declaring himself off the Sick Funds of the Court. Printed by J. Brockley, Printer, Bridge Street, Sandhurst.societies, aof, correspondence, ancient order of foresters no. 3770 collection - medical certificate, court king of the forest, w h taylor, h l atkinson, j brockley

Advance Bendigo and the North League, Allan's Walk, Pall Mall, Bendigo. Letterhead printed in dark blue and grey. At the top are sun rays above a cloud? On the right it has a map showing Bendigo and a large area to the North, North East and North West. On the left is an oval shape with the names of the Patron, His Worship the Mayor of Bendigo Cr. W. H. Taylor, President: Cr. G. D. Garvin, J.P., Vice-President W. Cowling, Esq, Executive Committee, Cr. J. Michelsen, J. L. Shoosmith, Cr. W. H. Taylor, J. Jeffrey, Dr. A. Beischer, C. L. Stilwell,A. L. Bolton O.B.E., W. Wallace, Lt. Col. G. V. Lansell, M.L.C.business, printers, cambridge press, cambridge press collection, advance bendigo and the north league, cr w h taylor, cr g d garvin j.p., w cowling, c m dawe, cr j michelsen, j l shoosmith, cr w h taylor, j jeffrey, dr a beischer, c l stillwell, a l bolton o.b.e., w wallace, lt col g v lansell m.l.c.

Index, ill (b/w), p.156.non-fictionAlphabetic listing of various missile types from different nationsguided missiles, military technology

The name of W. Taylor in the "Memoriam" has been scratched out. After the war had ended W. Taylor was not demobolised back to Australia with his platoon, he was missing in action and later believed to be deceased. At a platoon reunion some years later, W. Taylor attended and informed the platoon that after the war he had lived in Scotland for a year before returning to Australia. His name was scratched out of the Memoriam list at the reunion. W. Taylor was not charged with AWOL as everyone was happy to see him alive and let bygones be bygones. Wooden board with fourth columns of names of those who served. Has a "Memoriam" list in centre of board with five names, one of which has been scratched out "Taylor. W". Peechelba School Roll of Honour 1939-1945. honour board, peechelba, school, world war 2

White invitation to the City of Bendigo Mayoral Ball in the name of Miss Kerr from the Mayor and Mayoress Cr. & Mrs. W. H. Taylor, held on the 16th June, 1931. Card has gold printing.event, entertainment, city of bendigo ball, john jones collection - invitation for miss kerr, cr & mrs w h taylor, city of bendigo, h c ingleton

Two photos about the donation of a special bottle of King's Ale to Legacy that was to be auctioned to raise money for Legacy Week in 1960. A newspaper clipping about the event explains the story. In 1902 a special brew of ale was made by King Edward VII. In 1960 a bottle of the ale turned up in Melbourne and was donated to Legacy by Mr A W Taylor of 'Old Tin Shed' a motor accessories firm. The photo shows Executive Officer Ivan Layton, Mr A W Taylor and Legatee George Cowan.A record of an unusual donation in Legacy Week in the 1960s.Black and white photo x 2 of Kings Ale for Legacy Week 1960.00789.1 Handwritten in black pen: "L. to R. / Ivan Layton / Mr A. W. Taylor (of "Old Tin Shed") donor of Ale / George Cowan / Legacy Week 1960" Hand written in blue pen "('Age')". 00789.2 Handwritten in black pen "Legacy Week 1960 / Verse with King's Ale". Hand written in blue pen "('Age')". legacy week, ivan layton, george cowan, donation, ale, beer