The tree branch from which this wooden item was sculpted was from a walnut tree on the property of Dominico Lorensini, on the corner of Yendon No. 2 and Geelong Roads, BuninyongThe walnut tree whose timber was sculpted, was from the historic property of an early Buninyong family, the Lorensini family.Piece of a branch of a walnut tree, sculpted into a timber item with a central narrow stem.walnut, timber, wood, buninyong, lorensini family

Wool was dyed in dyeing workshop at Warrnambool TAFE College. (unconfirmed)Wool dyed with walnut shells / Alum -mordant Walnut shells / Alum -mordanthandicrafts, south west college of tafe - textiles department, dyeing

Sanderson P (1988): '73 Walpole Street (Kew), 'Otira'. Built 1887. Original use - Residence. Architect - Crouch. Henry Berry, a noted philanthropist and salt merchant of Melbourne, was the original owner of this two-storey, boom-period house. Berry occupied the residence until his death in 1923 while in February the following year, the property was auctioned. Subsequently purchased by the Methodist Church for use as a training college for missionaries, a number of additions and alterations were made at that stage including a memorial chapel that was built on the property in 1957.' Otira is now a private residence. Original colour positive photograph (polaroid) of 'Otira', 73 Walpole Street, Kew, taken in 1978 by students in Form 3R at Trinity Grammar School as part of a project. The view in of a fire surround and overmantel in the house."Photo 3 / Walnut mantle Otira / Trinity Form 3R"otira - 73 walpole street, henry berry, historic houses -- kew (vic.), trinity grammar school, melbourne architects -- crouch, interior design -- overmantels -- 1880s

Towanga & Mt Bogong. Mt Bogong is actually the mountain on the left at the back. Early maps spelt Tawonga differently to the current day spelling 'Tawonga'. The haystack and fence indicate that the photo may have been taken at the turn of the century. The exotic trees are not very old.This seems to be an early photo of Tawonga showing older style fencing and haystack and vegetation in the area.Black and white photo with title at the bottom middle - "Mt Bogong / Towanga (sic), Victoria Modern light brown wooden frame with black cardboard back triangular hook and black cardboard stand attached. Photo covered with clear glass.Sticker on back of frame "67480 Eng Walnut / 49426 / Made In Thailandtowanga. tawonga. mt bogong. kiewa valley.

silver brushed alloy plate on walnut timber framesociety of automotive engineers, australasia founded 1927. automotive engineering excellence awards 2006. certificate of excellence awarded to gm holden ltd in recognition of the engineering excellence embodied in the holden cold development facility and its benefit to the australasian automotive industry and community. max gillard president 11th august 2006plaque, award

brushed silver alloy plate on walnut timber framecarsales.com.au australias leading automotive website. 2003 car of the year sports car segment presented to holden ltd for the holden astra convertible. signed by greg roebuck ceo carsales .com.au ltd.award, trophy

The Shire of Braybrook (1871–1951) was a vast, semi‑rural municipality stretching from Melton to West Melbourne, centred on the old Braybrook village at Solomon’s Ford. It transformed dramatically with the arrival of railways, the rise of Braybrook Junction/Sunshine, and the industrial boom driven by H.V. McKay’s Harvester Works. The area was first organised as the Braybrook Road District on 28th May 1860, after a public meeting at the Shamrock Hotel in Albion. The district was enormous, extending from Melton to Dynon Road on the West Melbourne swamp. Early settlement clustered around Solomon’s Ford on the Maribyrnong River, a key crossing for travelers heading to Geelong, Williamstown, and the goldfields. On 23rd January 1871, the Road District became the Shire of Braybrook. Council meetings were initially held in Maidstone, reflecting the early population centres. The Braybrook Shire Hall in Deer Park was built in 1885. That 1885 building was the first official hall and council offices for the Shire of Braybrook, long before the municipality shifted its centre of gravity toward Sunshine. It stood near the Deer Park Hotel and served as the administrative heart of the shire during the late 19th century. The Braybrook Shire Hall at Deer Park effectively closed as a council headquarters in 1930, when the Shire of Braybrook shifted its administrative centre to Sunshine. In 1951, the Shire of Braybrook was renamed the City of Sunshine, reflecting the shift of population and industry eastward. In 1994 - 1995 the Kennett Government reduced Victoria’s councils from 210 to 78, the largest restructuring of local government in the state’s history and this part of the City of Sunshine became the City of Brimbank. It is believed this extension table came from the Shire of Braybrook Shire Office located in Ballarat Road, Deer Park, opposite the Deer Park Hotel. Over the years this sideboard was used in the Shire of Braybrook Shire Office Ballarat Road Deer Park, the Shire of Braybrook and City of Sunshine Memorial Hall Hampshire Road Sunshine and in the City of Sunshine Municipal Offices Alexandra Avenue Sunshine where it was used in the Mayoral's council chambers. When the City of Sunshine Municipal Offices in Alexandra Avenue, Sunshine closed down, this sideboard was presented to the Sunshine & District Historical Society by the City of Brimbank.This sideboard is one of the few remaining items that still connects us to the early days of the Shire of Braybrook.French renaissance styled carved walnut sideboard with mirrored backplate.shire of braybrook, shire of braybrook offices, ballarat road, deer park

brushed gold alloy plate mounted on walnut timber framepresented to holden's engine company by the work skill australia foundation inc. melbourne regional committee in appreciation of the valued support and contribution given for the 1988 melbourne regional competitions skill expo 88 signed by co-ordinator and chairmanplaque, dedication

Wooden walnut cracker - wooden bowl with screw in handle which crushes nuts.domestic items, food preparation

French bayonet with hooked quillion and steel scabbard Brass fittings walnut handle Armoury markings on back edge OBMES June 1880

Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. Mrs Florence Potts invented in 1871 a detachable handle made from walnut wood with a metal latch to release the handle. These wooden handles prevented burned hands and were sold to grateful women all over the world. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.Mrs Florence Potts invented this type of detachable walnut wood handle with a meta release latch for sad irons in 1871 and it sold widely throughout the world to grateful women including those in Moorabbin Shire. The family of Ms May Curtis were early settlers in Moorabbin ShireA) A sad iron, made of cast iron , has a special handle invented in 1871 by Mrs Florence Potts of Iowa, USA. B) The detachable handle made of walnut wood to prevent burned hands, was attached to the iron by a metal latch.A) UNITED/ N0 / 50 / AUSTRALIApotts florence, iowa usa, melbourne, moorabbin, sad irons, kitchen equipmentn fireplaces, walnut wood, sewing, laundry, table ware, linen, pioneers, early settlers, washing days, craftwork

German Mauser bayonet from WW1 and WW2. Grips are made of walnut. Metal scabbard.Matching numbers of bayonet and scabbard S238G and 5616B. Swastika hand engraved into wooden handle.

walnut timber frame with gold leaf edging, perspex window and black engraved plateplaystation rally round australia 1998 first four wheel drive group best placed manufactureraward, trophy

The radio was advertised in the J.C.Williamson & Dame Nellie Melba Season of Grand Opera programme (Matinee Saturday June 23 1928) p.58. All electric model with speaker and all accessories. 69 pounds 10 shillings.Gilfillan Neutrodyne Electric Radio - Gilfillan Radio Corp. Made from timber (walnut), metal and plasticGilfillan Radio Corp U.S.A. Trademarkdame nellie melba, radio, gilfillan

Wall clock with walnut surround and roman numeral. Four chains and two pulleys hang from the clock.horology, clocks

Table wooden oval dark colour, probably walnut. Covered by cloth. 1500mm x 895mm x 770mm flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Stawell Victoria March 1890 Thomas Kinsella Dear Sir, We the undersigned employees of the Magdala-cum Moonlight company have great pleasure on the eve of your departure for a tour through Europe in testifying to the respect and esteem we entertain towards you in recognition of your kind and considerate management. The very persistent efforts you have made in prospecting during the last twenty years have been the chief cause of the revival and present prosperous condition of the mining industry of Stawell, and we sincerely hope you will be richly rewarded by the future successful development of your mine. We heartily wish you Bon Voyage and shall welcome your return to your highly honorable position. We are, Dearly Sir, your obedient servants, G.W. Ware, George Wild, Thomas Morris, William Hammond Signed on behalf of one hundred employees. Stawell, Victoria 1890. Colour photo of item at the Kinsella's farm "Magdala" Lubeck July 2025 Large Illuminated address in Walnut and glass frameStawell Victoria March 1890 mining, magdala

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Sugar-coated walnuts from Ishikawa Prefecture are packed in small straw baskets and sold under the name of Chitose Kurumi, or Thousand-Year Walnuts. Both the confection and the container are traditional products of this prefecture. The basket copies the tego (hand baskets) used by farmers to carry unhulled rice and vegetables. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

A commemorative certificate from the city of Walnut, California, USA, acknowledging the friendship of the city of Wodonga.This item has a link to Wodonga's local history, and history of local government. A beige certificate with a golden seal, framed in timber. city, council, america, wodonga, california, diplomacy

Displayed at History House.Framed cotton cloth on board. Walnut finish frame with gold inner edge. Text in black ink. Town of Portland. Disorderly Persons......signage, civic order

Bluthner piano dated 1889 (patent no. 32310). PWD engraved imprint to wood. "The Bluthner grand piano came second-hand to the Chalet in 1920 when it was obtained by lessee, Hilda Samsing. This high quality German piano, which stands out as an item of individual significance, is now one of the oldest furnishings in the Chalet. When it was acquired in 1920, the Chalet already had a Beale brand upright piano which had been at the Chalet from the earliest days." (Pg. 77 Historica. 2011) 'A photograph taken of the Music Room (also known as the Drawing Room) between 1920 and 1924, when Hilda Samsing was lessee is one of the earliest known photographs of the Chalet's lounge areas. Published in the undated promotional booklet, Victoria's Wonderland Mount Buffalo, it shows 'A corner of the music room'... On the right, is the Chalet's second piano, which was purchased second-hand in 1920 from Gardner & Lang in Swanston Street, Melbourne. This impressive grand piano of walnut wood still stands in the Chalets Music Room. It was made in the world-famous factory of Julius Bluthner, in Leipzig, Germany, which has made Bluthner pianos since 1853 for numerous royals, composers, conductors, artists, authors and performers including Brahms, Mahler, Bartok, Debussy, Wagner, Strauss, Tchaikovsky and Rachmaninoff. The present stool is not part of the ensemble." ( Pg. 42. Historica )Listed in Draft Inventory of Significant Collection Items. Appendix A.1. Furnishings, Lounges and Hallways (Pg 163. Historica"Bluthner" grand piano made from walnut wood with accomanying wooden stool.(not matching). Piano features three large turned and carved legs on brass castors. Pedals on piano are solid brass, surrounded by carved and turned wooden pedal stand. Stool seat slants towards piano and two plain stretchers support four curved legs. Has 'PWD' stamped on it. PWD engraved imprint to wood.

Philip Webley was born in 1813, he was the younger brother of James Webley who was born in 1807. Both were born in Birmingham. Towards the end of the 1800s, the firm claimed establishment in 1790, this must have been the date James and Philip's father or grandfather originally established a bullet or gun implement making business. It was not, as is often stated, the date William Davis established his business. Philip Webley was apprenticed in 1827 to Benjamin Watson. James Webley also seems to have been apprenticed but to who is not known. In 1834 James and Philip established their partnership as percussioners, lock filers and gun makers at 7 Weaman Street,Birmingham which was William Davis' old premises Davis, a gun implement maker, mould and toolmaker, died in 1831 and his wife Sarah inherited the business at 84 Weaman Street which she ran with her daughter, Caroline. On 5 January 1838 Philip Webley married Caroline. Philip was recorded at 84 Weaman Street from 1838 as a gun percussioner, lock filer and gun maker and this is when the partnership was last recorded, but the brothers apparently continued to co-operate until 1845 when Philip reportedly sold his interest to James and used the money to purchase Sarah Davis' business. Even then, they worked together particularly about the design and manufacture of percussion revolvers. Philip Webley was recorded in the 1851 census as a 38-year-old gun and pistol implement manufacturer living at 84 Weaman Street with his wife Caroline they had four sons and one daughter Thomas William, Emma, and Philip Jnr, and two other sons, James, and Henry and Philip's cousin, also lived with the family probably as a nurse, Sarah Haywood. On 4 February 1853 Philip Webley registered patent No. 335 for a hinged revolver and on 14 September 1853 he registered patent No. 2127 for improvement for the first muzzle-loading percussion cap and ball revolver which became known as the "Longspur". In 1859 Philips son Thomas William, aged 21, was made a partner in the firm, which then changed its name to P Webley & Son and described itself as "Gun and Pistol Makers and Patent Revolving Pistol Makers", probably exploiting Philip Webley's patent No. 305 of February 1853 for a revolver frame and lock, and its improvement under patent No. 2127 of September 1853. Thomas later went on to managed the shotgun side of the business. From about 1863 up to the First World War, the firm made rook rifles for Holland & Holland. From the 1890s they supplied magazine rifles. In 1863 and 1864 the firm's address was given as 83-84 Weaman Street, but from late 1864 to 1875 their address was 84 Weaman Street. By 1874 the firm had a showroom in London at an unknown address. In 1875 the firm expanded into 82-84 and 88-89 Weaman Street. The shotgun is not in very good condition is unusable as a firearm and is not very significant historically or valuable, although made by a well known and respected manufacturer of firearms there are many better examples of shotguns made by P Webley and Son in collections and for sale. This particular example is of a standard pattern for utilitarian use of which many were made. Pin fire double barrel cartridge loading shotgun, the stock is of varnished walnut, the shotgun is in a wooden box, box has hinged lid and dovetail joints. Raised inscription on butt has an image of "dog carrying a bird in his mouth" and another image of a "anchor and chain". Inscribed to both sides of the locks "P Webley and Son", Maker's mark and proof marks for black powder shotguns on undersides of both barrels. Proof marks used are for Birmingham. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shotgun double barrel, double barrel, bird dog and bird, anchor and chain, webley & scott, pin fire, cartridge, philip webley

Henry MORITZ (1931- ) Born Mainz, Germany Arrived Australia c1952 Henry Moritz was an experienced commercial artist when he left Germany for Australia. After working as a railwayman, coal miner, fruit picker and steelworker, he started teaching commercial art at the Ballarat School of Mines Technical Art School in 1963. He moved to the Mount Helen Tertiary Division, and was head of the Art School at the Ballarat College of Advanced Education (BCAE) when he produced this work. The Ballarat College of Advanced Education logo was derived from the Southern Cross depicted on the Eureka Flag, which was adopted by Ballarat College of Advanced Education in 1978. The logo was designed by former student Debra Garton, who graduated with a Diploma of Art and Diploma of Education. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Farmed marquetry using fine woods chosen for their grains and reflective properties: silver ash, cedar, queensland walnut, grey bird's eye maple and African gaboon.art, artwork, henry moritz, marquetry, logo, southern cross, ballarat college of advanced education, available, stars

This solid, late Victorian era piano is branded Renardi, which is a German name. In the late 19th century thousands of pianos were exported from Germany to Australia. Some, unfortunately, were amongst the cargo of shipwrecks. It seems that the Renardi pianos were not made by a Renardi company but made to order by any of a number of German piano manufacturer and branded for distribution by Australian music stores.This Renardi piano represents an era where musical gatherings were part of domestic entertainment. Pianos were ialso installed in clubs, public halls and hospitality businesses for song nights and concerts were encouraged for community unity.Piano, upright, walnut veneer with floral design on panels. Turned columns, hinged lid and two metal pedals. Branded Renardi, a German name, made c. 1900. "RENARDI"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, musical instrument, upright piano, german, renardi, victorian era, late 19th century, entertainment