White sign on linen by Keith Rash publicising the Ballarat Prisoners of War Appeal.keith rash, rash, prisoner of war, pow, world war, world war two

BHS CollectionGreece War Victims Appeal Day: 4 x Blue card shield shaped with blue cord through a hole to attach. In black print is * Greece War Victims Appeal Day 14th February, 1941 - Collector's Permit - Frank Ayre, Hon. Director. No's 839, 840, 841 and 842. Box 625event, charitable, greece war victims appeal day

An example of a War Orphans Appeal button badge. These badges were a precursor to the Legacy Badge appeals that occur annually. The age of this badge is not known, possibly from the 1940s. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.An example of an early Legacy badge that was sold in the 1940s to raise money for war orphans.Round metal button badge with white background and the Legacy torch and wreath in a stapled in cardboard and plastic cover.Printed in red text 'War orphans appeal. Lest We Forget. 1/-'legacy appeal, fundraising

Metal Tie pin for prisoners of War Appeal. Circular shape with five points.war appeal, prisoners of war

Purchased by Susan Barnett in preparation for the Red Cross exhibition "Being There"Plastic coated cardboard badge for Red Cross Prisoner of War appeal for food parcels. Depicts foodstuffs and a red cross. Illustrations line drawings in black, black lettering with red decoration. Black lettering on neutral background."PRISONER OF WAR / APPEAL / SOUP / SUGAR / 1 LB / JAM / GINGER NUTS / BARLEY SUGAR / HELP SEND FOOD PARCELS"red cross, badge, wars, prisoners of war, soldiers, fundraising, george evans collection

This is an example of Sydney Legacy promotional material from 1951s for Sydney Legacy. It promoted the War Orphans Appeal which was an early means of fundraising. It suggests that a person could make a pledge of a small amount of money weekly. For instance, 3 pence per week from 40 contributors would equal £26 and provide for 1 ward. The brochure shows different stages of junior legatees life, from baby to school, and post school roles such as office girl or tradesman. Each stage is supported by Legacy.An example of promotional material from the 1950s. Promotional brochure about fundraising for Sydney Legacy in 1951.legacy promotion, war oprhans

Advertises gift evening to support Victoria's State War Council's Appeal during World War 1. Admission by gifts.White coloured card printed in bluestate war council's appeal, wwi fund-raising

Round silver badge with holding loop at top of the same. Blue enamel outer circle with prominent red cross in centre.One side marked: “2/-“ Other side around outer circle: “PRISONER OF WAR APPEAL”red cross, pow, appeal

"War Loan Appeal" re Mrs W D THOMPSONliterature, ballarat rsl, ballarat

Victorian Education Gazettes were sent to each Victorian school for the use of teachers. 10 black bound books with red spine. They are bound education gazettes from the 1940seducation gazette, teaching, drawing for secondary school, first aid, king's birthday, pre-nursing, gallipoli legion of anzacs, scholarships, creswick school of forestry, swimming, swimming and life-saving return, accomodation for teachers, ballarat teachers' college, chemistry experiments, war relief appeal, needlework, harold herbert obituary, drawing, school plantations, forest week, gould league, heavy colds - exclusion, pioneer's day, school gardens, scrap rubber, bogong, high school histories, melbourne teachers' college art collections, deaf children, physical education, education

Framed display of Badges relating to World War Two.All for Australia League-Australian Air League-"Need not Greed" austerity Pin-Lord Mayors Patriotic Fund-Church of England National Emergency Fund-Food for Britain-Aid for Russia-Australian Comfort Fund-Australia Prisoner of war Appeal-Fund raising badges for returned servicemen.

Soft covered book with a photograph from the Sunshine Advocate (1943) depicting President Reg Barclay surveying War Loans Appeals records achieved by the Shire of Braybrook.non-fictionsunshine, h.v. mckay massey harris, world war 1919 - 1945, war work, women in non traditional roles, social conditions, braybrook shire

Flyer for a Great Carnival held at St Kilda Town Hall during World War I to aid the State War Council's Appeal. The dates are not given in full but they correlate with dates in 1918.White paper, discoloured with age, printed in blue on one side.wwi fund-raising, st kilda carnivals

A colourful certificate surrounded by 21 Flags of the United Nations in a wooden frame with glass.The Korean War 1950-53 / A proud border of 21 flags of the United Nations Forces which resisted the invasion of South Korea by communist North Korea. Presented to Lilydale Sub Branch RSL in Grateful recognition of the valued support of the Korea War Memorial Appeal.

Four cards Castlemaine war memorial stadium appeal. Antique Bottle Exhibition Castlemaine, 1973. First prize - Third prize (it has a green ribbon attached) - Honourable Mention (Orange ribbon attached) - Best bottle on display (purple ribbon attached). The space for awarded to and for are left blank.event, exhibition, bottle collectors exhibition

Advertisement for an A.I.F. Concert Party, held at St Kilda Town Hall on Sunday 7 April in aid of the Mayor of St Kilda's Food for Britain Appeal. The year is not specified. After the Second World War, Britain appealed for food aid from its Commonwealth allies. Australia gave generously via Food for Britain appeals. The full date of the A.I.F. Concert Party is likely to have been Sunday 7 April 1946.Pink coloured paper printed on one side in blackfood for britain appeal

A Show and Tell panel with space for names is headed "London Hotel Gay Boys" but does not explain or give the origins of this name however an IN MEMORIAM notice in The Age, 5 Apr 1926 reading, in part, "NEVIN - In sad and loving memory of our club mate, Jimmie, who departed this life on 5th April, 1924" was inserted by the Gay Boys Club, Port Melbourne. The "White Hand", "Glee" and "Gay Boys" clubs were expected to take part in a carnival parade in Port Melbourne, Saturday 7 February 1925 for State War Council's appeal as previewed in The Record, 31 January 1925. A report on the carnival, The Record, 14 February 1925, mentions the "'White Hand' Club, a musical society, gathered themselves on a waggon and played popular orchestral numbers as they moved along. The 'Glee Boys' provided similar entertainment." But does not mention the 'Gay Boys'. Also, at Port Melbourne court on Monday, 13 June 1927, As reported in The Age the following day, George Alexander AMY, David Henry REID, Percy JENNINGS, John William DAVIS, and George William WALTON were proceeded against on complaints that on Sunday, 10th April, they were officers of an unregistered club, the 'Gay Boys', wherein liquor was kept for supply. Evidence given in court revealed that "each member paid 4/6 a week towards the cost of the liquor, which was consumed at the weekend. ... Amy, who arrived while police were there, said that he was the secretary. One of the functions of the club was to help people in distress." Given the connection to the Amy Family we can assume this is the same group still going strong in the early 1940s or perhaps it is the Glee Club that was also associated with the Amy Family.Photo taken outside London Hotel c 1941 of large group of people, including some women, and children from the McClusky family, owners. All present are wearing the same badge, which says 'No to Prohibition'. This group is ready to go off on a picnic. In shirtsleeves on the left is the publican, Bill GREGSON, who has married Eileen McCLUSKY and become publican after her husband died. Back row L-R: ?, ?, ?, Jack CALDWELL, ?, Jim MALONY, ?, Ernie STAFFORD, Jack IRVING, ?, Nat TYRELL, ?, ? Third row L-R: Bill GREGSON, Moss McCALL, ?, ?, ?, ?, ?, ?, ?, ?, ?, ?, ?, ?, ?, ?, Watty POWER, ?, ?, ?, ? Second row L-R: ?, ?, ?, ?, ?, ?, ?, Andy POWER, ?, ?, (girl) ?, ?, ? Front row L-R: ?, ?, ?, ?, ?, ?, ?, ?, (boy) ?, ?, ?, ?, (boy) ?, ?, ?, George AMY Jr, (boy) ?societies clubs unions and other organisations, jack caldwell, jim moloney, ernie stafford, jack irving, nat tyrell, bill gregson, moss mccall, walter 'watty' power, andy power snr, george amy jnr, business and traders - hotels, jim malony, gay boys club, london hotel, glee club

The Albury Sailors, Soldiers and Airmen’s Club traces its origins back to the Albury and District War Services Hall Appeal Committee. This group of the World War I diggers, service groups and parents of men serving in World War II set out to raise 14,000 pounds for a Services Memorial Hall. After the war ended, the Memorial Hall Fund was far short of its target. Also, different attitudes prevailed when the boys came home. Instead of a memorial hall, the idea of a licensed club gained favour. This was to be not merely for RSL men who had served overseas, but for many ex-servicemen who had not left Australia. Using the Memorial Hall Fund, the RSL bought the old Commercial Club buildings at 611 Dean Street, which had been a Service Rest Room throughout the war and up to February 1946. The SS&A Club was formally opened in October 1946 and was registered under the Liquor Act in 1947. The foundation stone of the new building in Olive Street was laid by Lt General Sir John Northcott, May 2, 1959. The building was opened July 15,1960 by Governor of NSW, Sir Eric Woodward. It has since undergone many extensions and developments to become a modern facility but still continues to honour its origins with the inclusion of its War MemorialThis badge is representative of the role played by licensed clubs in the local community.Enamelled membership badges for the S.S & A. Club in Albury. Many people from both Albury and Wodonga hold membership the club which provides employment and social activities for people from both sides of the Murray RIver.Red Badge, around the centre image of the Albury War Memorial: "ALBURY S.S.& A CLUB LTD/ 1981-82" On reverse: "MEMBER/NOT TRANSFERABLE/2302/PERFECTION BADGES/SYDNEY/770775" Yellow Badge, around the centre image of the Albury War Memorial: "ALBURY S.S.& A CLUB LTD/ 1980-81"albury s.s & a club, social clubs, licensed clubs albury

This stencil has been made to imprint the label, 'Britain Relief Appeal' on to parcels and packages sent to Britain in the late 1940s and the early 1950s from the City of Warrnambool. Britain endured severe rationing of food, clothing, petrol and furniture from 1940 because of the outbreak of World War Two and this rationing continued in some form after the war up to 1954. Australian towns and cities established organizations such as Food For Britain and sent regular parcels of food and clothing to Britain during those times. The British Relief Appeal in Warrnambool (via the Warrnambool Food For Britain committee) was sponsored by the Warrnambool City Council, Toc H, Australian Red Cross, and various local charities and businesses. The Warrnambool & District Historical Society has in its collection over 100 letters sent by grateful British recipients of these parcels to the senders, the employees of the local Warrnambool business, Swintons Stores.This stencil is of interest as a memento of the effects of rationing in Britain in post-World War Two times and the close ties that existed between Australian towns and cities and their British counterparts.This is a rectangular-shaped metal stencil, originally painted black, with cut-out letters in the centre. Britain Relief Appealwarrnambool food for britain committee, warrnambool britain relief committee, world war two

This badge was produced by the Returned Services league War Comforts Fund in World War Two to provide comforts for the soldiers serving abroad. The appeal was held annually throughout the war. Badges were sold for one shilling, two shillings and one pound with special badges produced for children at a cost of sixpence each.This badge is of interest as a memento of the badges sold in World War Two to provide comforts for soldiers, Gold painted metal dome with rim resembling a hat with text on the dome and the rim. On the reverse is a metal hooked clip, possibly used to insert into a button hole. TIN HAT APPEAL FOR COMFORTS R.S.L. WAR SERVICE FUND

These badges were issued by the Commonwealth Button Fund to raise funds for the Victorian Red Cross appeal in World War One. They were first issued in July 1915 and it is estimated over 300,000 were sold.These badges are retained as examples of the badges sold in World War One to raise funds for the Victorian Red Cross.Five circular, slightly concave badges with pin clasp on the reverse. The badges feature a red cross on what appears to be white piece of cloth. The background is red with a white annulus around the edge. Four are faded to orange and cream colours.FOR KITH AND KINworld war one, commonwealth button fund

These badges were sold in Australia to aid the Red Cross war effort in World War One. The Australian Red Cross was founded as a branch of the British Red Cross in Melbourne in 1914. The organization was chiefly concerned with the welfare of Australian service personnel, sending comfort parcels, working in hospitals and canteens etc.These badges have no known local provenance but are retained as examples of the badges produced to aid the Australia Red Cross war effort in World War One. .1 A circular metal badge with edging in white and red and a white flag with a red cross in the centre set in a light-brown background. Under the flag is printing in red. The back has a metal clip. .2 and .3 As above Australian Red Cross Appeal 1918australian red cross, world war one, history of warrnambool

This book has been written by Alan Mickle and tells of his impressions of England in 1908, 1923 and 1938. The proceeds of the sale of the book went to the ‘Food For Britain’ drive, an appeal that operated throughout Australia during World War Two. Alan Mickle, the son of David and Clara, was related to an early 20th century Shire Engineer in the Camperdown area and to Thomas Mickle, a prominent landowner, hotel keeper and photographer in early Warrnambool. Alan Mickle died in 1969. M.E. Clarke, whose signature appears in the book, was a descendant of a local Clarke family which included Angus Henry Clarke (b. 1866) who married Maggie Brown and Angus’ brother, John Sanders Clarke (b.1870) who married Bessie McMahon of Warrnambool. Bessie’s father, William was a prominent 19th century lawyer in Warrnambool. The book was donated to the Warrnambool and District Historical Society by Aileen Hassell who was the daughter of John and Bessie Clarke. This book is significant because of its links to the ‘Food For Britain’ appeal which was active in Warrnambool during World War Two. Also the book is significant because of its links to the Clarke and Mickle families, resident in the Warrnambool district in the late 19th and early 20th centuries This is a soft cover book of 93 pages. The cover is buff-coloured with a fold-in flap at the ends of the cover to make the cover more sturdy. The lettering on the cover is in red and black calligraphy. The book has a Foreword by the Rt. Hon. R.G. Casey and includes several black and white photographs. The cover is a little scuffed and worn. The inscription is handwritten in blue ink.‘M.E.Clarke’ alan mickle, food for britain appeal, world war two, world war two in warrnambool, john and bessie clarke, aileen hassell

The contents of this display case are known as Princess Mary’s Christmas Fund 1914. In October 1914 Princess Mary, the 17 year-old daughter of King George V and Queen Mary, launched an appeal to raise funds to produce a Christmas present for every person serving in the British and Allied Forces in World War One. The Christmas box was a silver one for officers and a brass one for other ranks. The box usually contained a packet of cigarettes and tobacco, a Christmas card and a photograph of Princess Mary but some boxes contained confectionery, notebooks, pencils etc. By Christmas 1914 200,000 boxes had been distributed but it took until 1920 to dispose of the 2,500,000 boxes that were produced. Many of the boxes given to Australian servicemen have survived but few contain any or all of the contents. It is not known to whom this box was sent. This box and its contents are of great interest as an important memento of Australian participation in World War One. This is a rectangular brass tin and its contents – two yellow cardboard boxes which originally held cigarettes and tobacco, a Christmas card and a photograph of Princess Mary. The five items are displayed within a rectangular wooden box with a removable glass top. The brass tin is embossed with an image in the centre of Princess Mary surrounded by a laurel wreath. The embossing includes the letter ‘M’ (twice) and the names of some of the allies of Britain in World War One. Christmas Card: ‘With Best Wishes for a Happy Christmas and a Victorious New Year from The Princess Mary and Friends at Home’ Cigarettes and Tobacco Boxes: ‘Her Royal Highness The Princess Mary’s Christmas Fund 1914’. warrnambool and world war one, princess mary’s christmas fund 1914

These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg

Emu eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and its aesthetic appeal.An emu egg which has been painted white and decorated with glued on cord/thread to make a pattern of flowers and leaves.emu-egg ornament handcraft

Poor video quality (noise and interference), edited raw footage with music and some commentary by Merv Hanna. A video documenting the demolition of the Shire of Eltham offices at 895 Main Road Eltham under the direction of the Commissioners appointed for the new Shire of Nillumbik and some of the communities activities surrounding the event. The building was demolished exactly 25 years after the southern wing housing Engineering and Planning on the upper level and the Eltham Library on the ground level was opened in celebration of the Shire of Eltham's centenary. Video has lots of distortion and noise, and sections of clips dubbed over. Immediate initial footage of Jenni Mitchell talking about asbestos claims in the Shire Offices (Sigmund Jorgensen standing behind her) advising Council did a review of the building several years previously and had been cleared of health problems. Cuts to group of people standing outside front door of offices but possibly voice dub over not related ? Then the date 27 Jul 1996 on a scene flashes on screen immediately followed by an edited clip intro of title and credits with classical music track. It then opens with Jenni Mitchell driving to the Shire Offices on Saturday 27 July 1996 at 11.00am. Footage of Main Road past Pitt Street, Alistair Knox Park then entering Shire Office driveway which is fenced off and contractor signs hanging up. Scenes at rear of building showing some internal demolition has commenced. View of the Administration wing. More clips of road driving, Alistair Knox Park, Eltham Library and visitor car park for Shire Offices. Cuts to a group of people standing in access to visitor carpark with new Eltham Library in background, one being immediate former Shire of Eltham President, John Graves. Scenes of people looking through chain link fence and security guard checking front door. John Graves being filmed that someone informed him the Shire was offering the building to the Community Health Centre for $2.3 million and that if they had been offered a price of $1.1 for what it apparently was sold for they would have snapped it up. View of truck loaded with brick rubble literally struggling to ascend the hill of Library Place to exit into Main Road. Cuts to a scene looking at Eltham War memorial Hall through the Memorial Gate, then the Shillinglaw trees and large banner sign ‘Delta Demolitions’ hanging on office façade. Views of front door, old library and bluestone wall. Scene (31 Jul 1996) filmed at night of several white crosses with “RIP Community” and “RIP Democracy”. Scene (1 August 1996) again driving along Main Road towards the Shire Offices then scenes of the offices showing substantially more demolition to exterior, groups of people standing on footpath outside watching, Delta heavy demolition machines, woman holding sign “Democracy where have you gone …”, the odd person in full protection gear and breathing apparatus hand carrying materials out to place on rubbish pile in front of people standing on footpath watching (with no protection) and then stamping on it to break it creating dust, security person in hard hat (no other protection) wandering around, many groups standing around watching, news film crew, person standing on roadside edge holding signs facing traffic stating “Pirate Planning” and “ Grant us your ears” also sign on back of parked car “Elthams High Jacks”, another sign “Community Democracy”, views of crosses in Main Road median strip “RIP Community”, groups of people on footpaths and reporters conducting interviews, footage of unknown person standing with Jenni Mitchell and Sigmund Jorgensen advising people have the right to protest, Jenni Mitchell urging people to ask questions of local MP and Council and Sigmund Jorgensen referring to the three historic Shillinglaw trees with demolition machinery operating in background, Jenni Mitchell and others installing more crosses in median strip; demolition machines operating inside and outside the building, more views of onlookers including Sigmund Jorgensen then Police approaching on footpath, workers and machinery continuing to operate, views of the old library being demolished, the former Community Services department, security personnel. Scene (2 August 1996) more heavy demolition machinery in operation smashing building up, people standing around southern wing watching, view overlooking Eltham Library of train pulling in to Eltham station. Scene (7 August 1996) more heavy demolition and people wandering around with only hard hat protection, no dust protection, comments from one operator dumping a bin of material stating “wait till there’s a Hungry Jack’s here, you’ll be laughing, fuel, videos, hamburgers. You’ll be up with the rest of the world soon, you’ll have electricity and everything here, ha ha ha ha”, more heavy machinery demolition and breaking up of materials, view of Hitachi train going by and Administration wing, view inside the front door opening of the staircase leading to upper level, person walking around operating heavy machinery with a hose spraying rubble (no protective gear other than hard hat interspersed with edit cuts of meeting of Commissioners and independent observers on panel as well as members of the community in public gallery. Nillumbik Shire CEO Barry Rochford addressing the meeting., Chief Commissioner Don Cordell directly addressing Jenni Mitchell with respect to permission to take photographs, Barry Rochford continues to address the question asked of Council about the valuation of the former Shire of Eltham Office building/site, public gallery calling out asking why was building demolished, what was the urgency. Scene (14 August 1996) views of southern wing, previous single demolition operator again mocking people filming, operators working in and around building, Shillinglaw trees and largely demolished front, heavy demolition equipment at work, piles of building rubble, hose spraying water over rubble, large trucks arriving for rubble removal and loading of truck. Scene (21 August) more of the same, building virtually down, Shillinglaw trees standing tall and alone, water spraying on rubble and wattle in bloom. Cuts to Council meeting with public onlookers. Barry Rochford walks out, Wayne Phillips addresses meeting explaining one or two people shouting, members of the community challenging Council (Commissioners) about why due process appear to have been subverted. Former Shire President Robert Marshall in public audience, cuts back to Shire office carpark entrance site and sign hung on fence in front of library “Think Again!” and people standing around observing awaiting a protest demonstration erecting a large sign on stilts stating “Shell No!”, people singing a revised version of God Save the Queen (God Save Us All), Sigmund Jorgensen in attendance, Jenni Mitchell, Sigmund Jorgenson and others address the protest crowd, followed by people mingling, music being played then people standing around the cleared site circumference all with arms linked (video very broken up with noise) then chants “Save the Gateway” and “No Shell for Eltham” and more music and singing “Put up a parking lot”. The crowd then proceeds to walk along the footpath of Main Road. Scene (15 Sep 1996) meeting at Montsalvat in Great Hall addressed by Sigmund Jorgensen discussing a recently published list of the Commissioner’s to senior Council Officers of banned Nillumbik people, others encouraging people to view proposed plans for the site and lodge objections. Specific issues regarding asbestos claims are also addressed. Harry Gilham addresses the meeting on the subject of the Eltham War Memorial and Memorial Gardens and how Council believe a roundabout in the vicinity is of greater importance. Views of various artworks on display (for auction) and music performance in the Barn Gallery. Meeting addressed by Sigmund Jorgensen discussing an appeal against Council granting a permit to Dallas Howgate to develop the site and that the Minister has called the matter in to be decided by the governing council. This is followed by an auction of paintings.Hi-Tech Ultra High Grade Video Cassette E-180 VHS dubbing of (poor quality) edited raw footage with some music from Star Wars and commentary by Merv Hannan Converted to MP4 file format 0:30:26, 2.6GBOn label " Merv's Demolition tape No. 2 Copy"video recording, 895 main road, alistair knox park, artworks, auction, barn gallery, barry rochford, community health centre, dallas howgate, delta demolitions, demolition, don cordell, eltham, eltham library, eltham shire office, eltham war memorial, eltham war memorial gate, eltham war memorial hall, great hall, harry gilham, jenni mitchell, john graves, library place, main road, memorial gardens, mervyn hannan, montsalvat, pitt street, protest, robert marshall, roundabout, shell oil, shillinglaw trees, sigmund jorgensen, sign, wayne phillips

From the publisher Thames & Hudson Australia's website: "In the bushy north-eastern fringe of Melbourne, an enduring, uniquely Australian architectural aesthetic has been quietly gaining recognition. Emerging out of necessity in the post-war years, it reimagined the sleek ideals of modernism through the lens of the local landscape. Simple homes built 'of the land' from mud bricks and recycled timber captured the mood of those searching for an alternative way of life close to nature. The movement gathered momentum in the counter-cultural 1960s and culminated in near-mainstream popularity in the 1970s. After a few decades where brown lost appeal in favour of white-washed minimalism, the style in all its warm, earthy glory is once again being embraced and revived by a new generation Through evocative photography by Sean Fennessy, personal stories and architectural insights, Bush Modern explores the timeless appeal of these character-filled homes: tactile, grounded and deeply in tune with their environment." Contents: Bush modern locations (map) Grounded in simplicity by Jessica Lillico and Sean Fennessy Time and place by Morag Fraser Houses featured - Stonygrad 1940, North Warrandyte Fraser-Jackson House 1947/1977, Montmorency Busst House 1948, Eltham Burstall House 1950, Montmorency Wright House II 1960, North Warrandyte Collis House 1966, Eltham Diskin House 1967, Eltham Redfern House 1967, North Warrandyte River Bend 1968/2022, Garambi Baan, Eltham Fisher House 1969, Warrandyte Borrack House 1970, Plenty Valley Fiddlers Elbow 1970, North Warrandyte Light Well House 1972, Donvale Birrarung House 1974, Garambi Baan, Eltham High Noon 1974, North Warrandyte Monty Sibbel 1975/2022, Montmorency Provan House 1976/2021, North Warrandyte Pizzey House 1977, Eltham Pittard House 1978, Eltham Gray House 1980, Eltham Carol Ann House 1989, Bend of Islands Wattle Glen 1999, Wattle Glen Big Hill 2001, Christmas Hills Inside front cover in ink: "Enjoy! Jess & Sean"stonygrad, fraser-jackson house, busst house, burstall house, wright house ii, collis house, diskin house, redfern house, river bend, fisher house, borrack house, fiddlers elbow, light well house, birrarung house, high noon, monty sibbel, provan house, pizzey house, pittard house, gray house, carol ann house, wattle glen, big hill