Ammunition made into containers

Ammunition made into container

This book was published in New Zealand by John Gilles MD. He was an avid sketch artist. Included in the book are photographs and short accounts of his experiences in Vietnam.A book with the title "Portrait of A War Artist. A revised edition. On the front cover is an image of a helicopter with two soldiers walking toward the helicopter. On the helicopter is the medical red cross symbols. A young doctor's Vietnam/wartime experience in/words and pictures/PORTRAIT/OF A WAR/ARTIST/John Gilliesmedical doctor, gillies, dr jock carnachan mnzm, vietnam., artist, war art, vietnam art, war artist, carnachan

Items from the collection of the Australian War Memorial, including works of official war artists and others relating to World War 1Paperback, 80 p. text, black and white and col. illustrationsworld war 1, war art, australian war memorial

Ill, p.96.non-fictionA collection of paintings by British war artistsart - britain - war, art - britain - history

"Soldiering On" continues the practise of the soldiers contributing to the development of the book and in this example the dustjacket design was by Ballarat Head of Arts at School of Mines Ballarat, Geoffrey Mainwaring who served as a war artist.military, new guinea, world war ii, art, war, ballarat, mainwaring, smb, australian war memorial, canberra

You hope your art will stop them for a second, anyway, and the say, 'Well, that's what is was like there at that time"war in art, war artists

This sketch by South Australian, Lance Corporal Brewster, was sketched while at the front during the Great War near Villers Bretonneux in France.Realism, War artvillers bretonneux, great war, sketch, art

the many thousands of historical pictures by Australian war artists housed in the Australian War Memorial in Canberra have been justly acclaimed as unique among national collections.australian war memorial - catalogs, war in art

Painting in acrylic in gold timber frame. Depicting housing and market in Vietnam. Colourful and vibrant.war in art

Painting - oil on board in timber frame brown/gold. Depicting Chinook Helicopter and Howitzer.SGT. Merson R.A. 1 Field Regiment Royal Aus Artillery Phuoc Tuey Province Sth Vietnam.war in art, helicopter - chinook, howitzers

Booknon-fictionUsing paintings, posters, photographs, film stills and sculpture the author explores how propaganda art can be determined and defined.war, feminism, installation art

Brown hardcover book with a grey and white dust jacket. The dust jacket shows the title printed across the top of the cover, below which is an image of a green wooden chair with a folded flag on the seat; a military jacket with medals is draped over the back rest and a hat is perched on the corner, there are two military tage hanging on the back.non-fiction'Masterpieces of the Australian War Memorial draws upon the vast collection of some 12000 works of art depicting the military conflicts in which Australia has been involved over the past 100 years.' [From inside cover] australian war memorial, australian art, art and the war

Large hardcover book with a black cover. The title and the author's name are printed in large white letters on the spine and on the front cover. The title on the cover is printed in large text across four rows in the centre of the space, the first line reads THE ART OF, then the word SACRIFICE is broken into three sections with three letters of the word on each line, the first letter i in sacrifice has been replaced with a crucifix. On the right edge of the cover is a painted partial image of a person's head and shoulders wearing a military hat.non-fiction Haunting and poignant, this collection of portraits from renowned Melbourne artist, George Petrou portrays a spirit like no other — the Anzac spirit. Australians from all walks of life have served our great nation with gallantry and sacrifice — ordinary people who displayed mateship, resilience and devotion to duty. The Art of Sacrifice captures the spirit of service in a fitting tribute to all Anzacs of every generation. Using images of the past and the stories of today, the artist travels Australia and overseas to connect the past and the present in a unique, powerful and evocative collection of outstanding portraits. The Art of Sacrifice is a stunning contribution to the understanding and commemoration of all those who have served our great country. -- Publisher. art and war, soldiers in art, australian and new zealand army corps, great britain army, grace wilson, nancy wake

A collection of stories and artwork.drawing, vietnamese - 20th century, vietnam war, 1961-1975 - art and the war

Since the days of Valley Forge, artists have witnessed and documented the annals of Americans at war.united states. marine corps. - art collections, vietnam war, 1961-1975 - art and the war

Mounted b/w phtograph of Edward VIII (Prince of Wales) walking and smiling with his left hand on his sword.Typewritten on white paper and attached to front: THE PRINCE OF WALES! = THEN DUKE OF WINDSOR Printed on back: AUSTRALIA AT WAR, REFLEX-ART COMPANY 88 ALBERT STREET WINDSOR VIC. Handwritten on back: EDWARD VIIIedward viii, the prince of wales, duke of windsor, royalty, soldiers, george evans collection

World War One Trench Art from the Collection of Charles HonybunA brass round bowl made from a shell casing with wire fram on top.on bottom - G.F.S.P. 264 June 1916trench art, ww1, charles henry honybun

WW1 The Great War 1914-1918 Trench art made with ammunition and uniform buttonsWW1 1914-1918 Trenchart WW1Made with 50 calibre brass bullets in the shape of a Bi-Plane. The two landing wheels are made of brass WW1 uniform buttons. trench art, ww1 1914-1918, model bi-plane trenchart ww1

The Lockheed P-38 Lightning is an American single seated, piston-engined fighter aircraft that was used during World War II. Trench Art is the name given to objects manufactured by both soldiers and civilians from shell casings, bullets, shrapnel and miscellaneous battlefield debris, and is predominantly associated with World War I (1914 – 18)Brass shell castings in form of P38 Lockheed lightning planeNiltrench art, plane, p38, lightning plane, world war 2

Eric Juckert He worked as a potter and painter from around 1949 to 1992 in Victoria. His pottery was also sold by the department stores Myer and David Jones under the trade name “Jacqueline”.He then set up a studio at Point Road, Grossard Point, Ventnor on Phillip Island, in 1959 where he continued working there until 1992. Henning Alfred Rathjen (1903–1968) was one of the Australian-born artists who established a new pottery studio to cater for local demand and post-war innovations in art pottery. Rathjen established his pottery studio in Melbourne in 1948, producing quality slip-cast wares over the next 20 years. HistoricalCream, rough surfaced vase with oval pinched top and daisies in relief around top by Eric Juckert. Small, cream rough surfaced vase with top that flares outward with leaves and cutout sections by Henning Rathjen.Eric Juckert, Rathjen, pottery, vases, eric juckert, henning rathjen

A book highlighting Ballarat and surrounds for visiting tourists. Green, black and red soft covered book of 50 pages. The book includes many illustrations and advertisements. Themes of the book include: Ballarat and district, Lake Wendouree, Ballarat Botanical Gardens, Statues, gold and mining, Ballarat gold nuggets, Eureka Stockade, Ballarat School of Mines, Hepburn Lagoon, Emu River, race courses, Art gallery of Ballarat Advertisements include: Dr Lem Chinese Practictioner, Eureka Aerated Waters & Brewing Co., Sunshine Harvester, Gordon Bros., Long's biscuits, South Street, Grand National Eisteddfod of Australia, Lake View Hotel, Carlyon's Hotel, Clarendon Ladies' College, J.E. Sang Chinese Doctor and Herbalist, Reid's Ballarat Coffee Palace, Robert Sim & Co Timber Merchants, Cobb & C0 livery and stables Ballarat, Eagle Foundry, Fred A. Reed Tobacconist, Heinz bros butchers, J.J. Goller & Co. Illustrations include: Craig's Royal Hotel, McBride's Boots, John Lavis Cordial Manufacturer, R. Graham & Sons tanners, Lester's hotel, Sun Foundry, Central business College, Edwards Pyrites & Ore Reduction Co., George Farmer, Sturt Street (colour), Lake Wendouree, Ballarat East Town Hall, Lake Burrumbeet, Queen Victoria Statue, Fairy Land, Ballarat Botanical Gardens, Lal Lal Falls, Moorabool Falls, Kirks Dam, Lake Wendouree and paddle boat, Lydiard Street, Bopeep Creek, Star of the East Mine, Peter Lalor Statue, great Equatorial Telescopu at Oddie Observatory (Ballarat Observatory), Boer War monument, Entrance to Art Gallery of Ballarat, interior of Art Gallery of Ballarat, Old Curiosity Shop, Angus Rialto cafe, Ballarat Brewing Co, Royal Standard brwery, Phoenix Brewery Warrenheip, John MacLeod and Companyballarat, ballarat school of mines, buninyong, burrumbeet, cobb and co, eureka brewery, ballarat brewing co, sturt street, m1604, chinese, chinese medicine, d. lem, j.e. sang, brewery, tanners

Ponsonby Carew Smyth, A.R.C.A. London, was Victorian Art Inspector of Technical Schools. "Ponsonby May Carew-Smyth (1860-1939), educationist, was born on 7 August 1860 at Cork, Ireland, son of Emmanuel Uniacke Smyth, gentleman, and his wife Catherine Giles, née Carew. Carew-Smyth's initial art training and teaching was at the Belfast Government School of Art and Design. In 1885 he entered the National Art Training School at South Kensington, London, where he remained as student and teacher for five years. He also taught at Rugby School, studied at the Royal School of Wood Carving and the Guild School of Handicrafts, London, and was sent by the Department of Science and Art to study art, art education and museum procedures in Paris. Testimonials to his career in England affirm his ability and dedication as an educationist and his integrity as a man. On 23 December 1890 Carew-Smyth married Marie Reynolds of Brixton; they migrated to Australia next January. In September Carew-Smyth applied from Melbourne for the position of master of the school of art and design, established under the auspices of the Ballarat Fine Art Gallery. Opening in November, the school offered day classes and a broad curriculum, and under Carew-Smyth's guidance, established a sound reputation. In November 1899 he was appointed inspector of drawing in the Department of Education. Carew-Smyth saw drawing as a crucial link between primary and technical education, insisting on it as a 'mental process quite as much as a manual'; he believed strongly in the utilitarian value of drawing to the artisan class and of art as 'craftmanship'. By his emphasis on teacher-training, by his role in the Teachers' Training College, and by his constant travels, writing and lecturing, he upgraded both the standard and importance of drawing early in the century. His meticulous mind formulated the Austral Drawing Books which provided the basis of instruction in the subject in Victoria until 1927. Although he gave his occupation as 'artist', Carew-Smyth was primarily an educationist. He was actively involved in the early years of Prahran and Swinburne Technical colleges, and especially the Working Men's College which held his interest even after his retirement. In 1906 he was appointed chairman of the Victorian State Schools' Equipment and Decoration Society, and he was important in the organization of the state schools' exhibition that year. He designed the commemorative wall plaques installed in state schools after World War I, and the art teachers' certificate. He was prominent in bringing about the 1922 Jubilee Exhibition, and the 1926 showing of work of overseas schools, and especially the 1934 Melbourne centenary 'Early Victorian Art' exhibition. In the 1930s he wrote wide-ranging, informative and sometimes humorous articles for the Argus on various aspects of the decorative arts. In mid-1936 he was acting director of the National Gallery of Victoria. To students his single-mindedness sometimes suggested sternness, but Carew-Smyth was always held in the highest regard both professionally and personally. His colleagues recalled a man of kindness, unstinting devotion to work, and humour; he was considered quite a raconteur. Survived by his wife, a son and a daughter, he died in his home at South Yarra on 9 October 1939, and was cremated." (Margot Lethlean, 'Carew-Smyth, Ponsonby May (1860–1939)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/carew-smyth-ponsonby-may-5501/text9359, accessed 4 June 2013.)Image of the face and shoulders of a bearded man - Ponsonby Carew Smyth. The image was originally published from the State Schools Exhibition Catalogue, 1906. (Cat. No. 401)carew smyth, inspector, technical schools, art.

This badge appears to have been made in World War Two and may be an example of trench art made by a soldier serving overseas. The piece labelled ‘Australia’ may have come from another badge belonging to that soldier. This badge has no known local connection but is of interest as a memento of World War Two. Semi circular stylised badge with background forming the letters AIF. Australia is on a slightly rounded bar in the front of the letters. Hole in upper left corner.AIF as background. Australia printed on banner at the front.warrnambool, aif warrnambool, aif badge

This container is a piece of trench art. It has been made in 1917 in World War One. The container is made from a 4.5 inches Howitzer shell. The 4.5 Howitzers were British artillery units made with a short barrel and used to fire missiles over a high trajectory. It is probable that the container was made by an Australian soldier while on active service overseas during World War One. This container has no known local provenance but it is a very interesting and attractive piece of World War One trench art. This is a heavy brass container made from a Howitzer shell. The container is round with four-leaf clover –type patterns on the side and three round knobs welded on to the bottom to give it a base. There are many markings on the base of the shell and these may all be the original markings. The lid is made of lighter brass and has an octagonal-shaped knob on top. ‘4.5 Howr 11’ ‘B.A. 3 3 17’ ‘1917’ M.A.C.’ etc world war one, warrnambool

This knife is an example of trench art and has been made during a conflict, probably during World War Two. The maker and the circumstances are unknown. It would have been used either as a cheese or a fish knifeThis item has no known provenance but is retained as an example of trench artThis is a silver-coloured metal knife with a flat curved blade with a point at the end. The handle is the casing of a bullet inserted into the bladewarrnambool history, trench art