A copy of an early pencil sketch of Fernshaw in Victoria.A copy of an early pencil sketch of Fernshaw in Victoria by Louis Buvelot. Louis Buvelot ( 1814–1888), born Abram-Louis Buvelot, was a Swiss landscape painter who lived 17 years in Brazil and following 5 years back in Switzerland stayed 23 years in Australia, where he influenced the Heidelberg School of painters. Arriving in Melbourne in February 1865, after leaving the cold of Switzerland, which was impacting on his health, for the warmth of Australia, Buvelot was in business as a photographer in Bourke Street for a year but soon resumed his painting. He lived in Melbourne for a number of years before moving to Fitzroy. The National Gallery of Victoria purchased two of his paintings and he continued painting until his death in 1888. He was buried at the Boroondara Cemetery, where a large monument was erected in his memory. Fernshaw was a rural township 63 km northeast of Melbourne and 10 km northeast of Healesville. Situated on the Watts River, near where a log had fallen making a convenient crossing, Fernshaw was settled in the 1860s. It provided good country for orchards and berry growing. The location was at the foot of Blacks Spur, with Mounts Juliet and Mondah rising on either side, providing spectacular scenery. There were nearby fern gullies giving rise to the name – ‘shaw’ is old English for thicket or wood. By 1875 Fernshaw had a post office (1865), two hotels, a school (1871), and stores. It was famed for its beauty, attracting tourists. In 1886 the Melbourne and Metropolitan Board of Works began work on the Watts River water catchment scheme – later to become Maroondah – and the Board obtained approval for the catchment country to be reserved and kept free of settlement. This required the removal of the Fernshaw township, which was completed by about 1890.Fernshaw 17.2.83louis buvelot, fernshaw, victoria, national gallery of victoria, switzerland, boroondara cemetery, kew cemetery, artist

Victorian Institute of Occupational of Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.brown and gold framed photograph with title and names of students underneath.Framer - Creative Framing Galleryviosh, viosh australia, victorian institute of occupational safety and health, wayne clarke, joseph farrell, grant forest, andrew gibson, steven harris, fletcher hayllar, anne hurford, lauren jago, albert knowles, dennis maliby, con mavrelis, john mcinnes, stuart mclellan, don oswin, les pearson, noel scambler, mark smithy, adrian smith, lindsay stewart, timothy watts

Three copies of program for an art exhibition August 7 until August 11, 1972. Those associated with the exhibition are: City of Bendigo, The National Trust of Australia (Victoria) Central Victorian Branch, Mutual Permanent Building Society, Mrs D. I. Nolan and the Australian Galleries. The brochure names the twelve paintings, on exhibition by Sidney Nolan and Portrait of Sidney Nolan, by Christine Backhaus. There is also a short biography on Sidney Nolan. Handwritten in the top right corner of one copy is: Bush 1972.art, document, art of sidney nolan, city of bendigo, the national trust of australia (victoria) central victorian branch, mutual permanent building society, sidney nolan, cr d e elliott, colonel s r birch o b e, australian galleries, christine backhaus, the age, sidney henry nolan, dora irene nolan (sutherland), mrs l sweet, mrs m goslin, brighton technical school, raymond nolan, malcolm goslin, prahran technical school, national gallery art school, serge lifar, icarus, colonel de basil, kelly gang, unesco gallery paris, paradise gardens, her majesty the queen, arts centre st kilda road, prince phillip, lord snowdon, rev. fr. j p stockdale, mr a j watts, rosalind landells, feargus niall, mari mullins, brian mcgrath, bush

Bendigo Agricultural & Horticultural Society Certificate of Merit. Awarded to Miss. H. Maru for Third Prize for Crochet work. 15th & 16th October 1890. Signed by President and Secretary. Photos of animals on front. DR 282 on back. On small accompanying card - From Glasier & Watts (late D.G. Coope) established 1871 Carvers & Gliders. Picture frame manufacturers etc. Old frames repaired and re-gilt. Map plans mounted & varnished plaques plush & ornamental work. Art Gallery. Bath Buildings. Mitchell street. Bendigo.document, certificate, personal

This etching by British engraver Arthur Willmore was created from Russian born artist Nicholas Chevalier’s original watercolour landscape of Bontharambo, Wangaratta (Chevalier’s watercolour is held in the collection of the National Library of Australia). Chevalier moved to Australia during the Colonial period and is famous for his landscape paintings, which were most commonly commissioned by wealthy landowners or merchants wanting to record their material success. Bontharambo is a historic property located in Wangaratta which was made famous by pastoralist Joseph Docker who took up the Bontharambo run in 1838 and has remained in the family since. The historic homestead on the property was built between 1857-1859 and was designed by architect Thomas Watts.ColonialWangaratta Art Gallery CollectionA rectangular landscape etching of the homes on Bontharambo station printed in black ink on off-white paper.Obverse: N. Chevalier/ A. Willmore/ THE OLD & NEW HOME STATIONSwangaratta art gallery, arthur willmore, nicholas chevalier, bontharambo, wangaratta

Rural City of Wangaratta Collection. Gift of Leslie Morrison. Donated in memory of Bruce Morrison, Shire Engineer.A realistic pastoral landscape, painted in watercolour using a colour palette of green, blue, brown, yellow, and white.Obverse: VR WATT/ (bottom left corner)wangaratta art gallery, v. r. watt, landscape, painting, pastoral

Rural City of Wangaratta Collection. Gift of Leslie Morrison. Donated in memory of Bruce Morrison, Shire Engineer.A realistic pastoral landscape, painted in watercolour using a colour palette of green, blue, brown, yellow, and white.Obverse: VR WATT/ (bottom left corner)wangaratta art gallery, v. r. watt, landscape, pastoral, painting