Phonograph record, black shellac with Excelphone Record purple label. No cover. Side A: Sister Susie's Sewing Shirts for Soldiers. Side B: Here we are, Here we are, Here we are Again. Sung by Mr Jack North, baritone.Ref. No 449

Pattison Collection This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. We Author: Charles A Lindbergh Publisher: Cornstalk Publishing Co Date: 1927 The label on the spine with typed text RA 920.9 LIN Pastedown front endpaper has a sticker from Warrnambool Mechanics Institute and Free Library book, we, charles a lindbergh, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact

These badges appear to date from World War One. These badges are of interest as early badges issued to raise funds for the war effort in World War OneCircular concave metal badges featuring an image of an armed soldier standing on a headland with the sea beyond.. The background is cream coloured with red text. There is a clip pin on the reverse. Some are discoloured..LEST WE FORGET

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A circular pressed tin fundraising badge showing an armed soldier advancing through a rocky landscape. The soldier’s head is bandaged and spots of red indicate that the soldier has sustained wounds to the head and hand. The badge bears the word ‘Copyright’ on the border.Lest We Forgetpatriotic buttons, first world war (1914-18), numismatics, lest we forget, world war one, wwi, memorials

Large picture of a soldiers an PoppiesRemembrance Lest We Forget

To commemorate the Centenary of the Great War of 1914-1918, a number of Society Members decided to compile a list of all those who served (in the various conflicts) and were either born, worked or lived in the Ballan Shire at the time. It was noted that the existing Cenotaph outside the Ballan Post Office was not entirely accurate as some names were missing and others were not from the area, thus there was a need to correct the record. Thousands of hours of research resulted in as complete a list as possible of 810 names and the printing of this book. Two copies (each of three volumes) were printed. One is held by the Ballan RSS&AILA, the other is in the archives of this Society, and both are available for research purposes.Three substantial A4 size bound books with red leatherette covers.We Remember 1914-1918 Vol.*ballan shire, ww1 servicemen

The page seems to be the opening paragraphs of an article describing the young apprentice seamen experience and system and attempting to defuse misconceptions and perceptions of rollicking but also vulnerable young "Jacks ashore" with money in their pockets. A long standing practice of 'crimping' a sailor's earnings, targeted by the Missions throughout the 19th and early 20th Century they campaigned to stamp this practice out. The title " we all love Jack" drawn from a popular song of the time.A useful rare visual reference for the Heritage archive at MtSV as it depicts Apprentices in a typical half deck quarters of the early 20th C. with newspapers and books, some of which may have been provided by an MtS.Page from a Mission newsletter, Heading: The Missions to Seamen with which is incorporated the Thames Church Mission. "We All Love Jack" / By a Cornishwoman / a Flying Angel flag of the Missions to Seamen heads the first paragraph. A black and white photograph of six "Apprentices in the half deck" is positioned after the 2nd paragraph. apprentices, jacks ashore

Bought from Whitecombe & Tombs, Melbourne 1950.Red covered book titled People we Met by A.C.C. Lock. books

Photo in memory of Ken Lewis Black metal frame, Glass fronted, wooden backedLest We Forget Ken Lewis 10/2/2013

A History of the Stawell Progress Association 1909 - 1999White Card cover with b/w photo of Cato Lake, and black printStawell Progress Association 1909-1999 "We Strive to Improve"stawell business

Local Newspaper dated 15/8/1945 reporting on World War 2 eventsLocal Newspaper dated 15/8/1945 reporting on World War 2 eventsLocal Newspaper dated 15/8/1945 - Special - My War Part 155 - 2 CopiesJapan Agrees to Surrender , Lest We Forget- POW Prison Ordealjapan agrees to surrender, lest we forget, newspaper, world war 2

Daughter of George Temple and Mary McAuslane of Castlemaine, Hilda married James Kerr in 1893 and lived at Lincluden, Raymond Street, Orbost. Her husband, Dr James Kerr, was a Scot who had come to Australia as a ship's doctor and practised in NSW before visiting Orbost on a government vaccination programme. He liked Orbost and returned there, its first doctor, until his death in 1928. Hilda was sometimes referred to as 'Mrs Dr Kerr.' She and her sisters Mabel Stewart Temple and Margaret Ferrie Temple were all talented writers and musicians. This poem is an example of the talent of Hilda Temple Kerr. Hilda Temple Kerr (1874-1956) grew up in Orbost. She was very talented and published several books. It is reflective of the style of poetry in the early 19th century.A rectangular piece of paper with a typed poem titled, "We Come" by Hilda C. Temple-Kerr.poetry literature kerr-hilda-temple

Framed & with a chipboard base in black and white print of a poem: For the Vietnam Veterans - The Least We Can Do. Includes 20 versesG'Day, Well done and God bless you mate.poetry, veterans

Framed poem entitled "Lest We Forget". Poem comes from the Vietnamese Community in Melbourne. Chapter peom was written by Hoang Tam.Vietnamese Community in Australia - Victoria Chapter ABN 99 356 098 668hoang tam, poem, vietnamese community in australia, document

This is a hard cover book with a sepia photograph on the cover and a cream-coloured dust cover with a colour image of the City of Warrnambool logo. Endpapers have a black and white 1840s sketch of a Plan of Township and Warrnambool Bay. There are 21 chapters and 16 pages of black and white photographs. There is a Foreword by Harold Stephenson, an introduction by the author, a Table of Contents, an Index, Appendices and lists of Warrnambool Councillors. non-fictionHistory of Warrnambool to 1969history of warrnambool book, ‘by these we flourish’, c e sayers, warrnambool

Dedicated to the author's mother and all the women of the early Otways.We the Otway pioneers. G.A. Facey. 1st ed. Anglesea (Vic); G.A. Facey; nd. ii, 18 p.; illus. Soft cover.otway ranges; pioneers; women; survival; social interaction;

Framed music sheet of Song, Lest we Forget - XIN NH DUNG QUEN from Vietnamese Community in Australia, VIC Chapter. Words to the son are in Vietnamese.Vietnamese Community in Australia log. Victorian Chapter address and ABN 99356098668lest we forget, australian vietnamese community

Also titled: Eltham Shire "As We Are"The 'As We Are' Community Banner Project was the first major Community Arts project initiated and co-ordinated through the resources of the Shire of Eltham. It was originally conceived and inspired by a local textile artist, Tracey Naughton, who, together with the Community Services Manager of this local government council, made the idea a very concrete and flourishing reality. As the following report reveals, the project grew from the original fourteen or so intending participant groups to fifty-seven banners; expressions of those diverse groups' interests and identities. As a first major project it was rightly felt by Tracey Naughton, who became the Shire's first Community Arts Officer in March 1985, that it should be fully documented, so that an appraisal of the extensive growth of this community arts development process could be assessed. Given the time and money available to do this the writer, Jacky Talbot, and her advisors, decided it was appropriate to select fifteen or twenty banners for detailed analysis. This was done by taping interviews with members of the chosen groups. The groups were chosen to cover all ages participating, from the toddlers in the Playhouse to our grand elder citizens in their Nursing Horne, and to cover a wide range of different types of groups - schools, scouts, churches, youth issue based, and the numerous women's groups of various combinations, localities and concerns. ·. Some groups who presented their banners for the culminating highlight of this project - the Exhibition, held at the Eltham Community Centre on October 9th, 1986, had no contact with the Shire or project co-ordinator, but heard about the project through the local news' networks or other participants. The extent of community participation was enormous. It involved hundreds and hundreds of people. It changed some people's lives, enlivened others. As a first step on a new road its success is notable. The 'As We Are' Community Banner Project took place in the Shire of Eltham and neighbouring environs for approximately 12 months, from October 1985. Paperback; 68, [10] leaves : ill. ; 30 cm. Two copiesflags, emblems, banners, eltham, shire of eltham, community

Korea Medal - Qualifying period from July 1950 - July 1953 United Nations Service Medal (Korea) - Qualifying period from June 1950 - July 19542 round service medals encased in a gold frame. Korea Medal is a bronze round medal with a ribbon 4 dark blue and 3 Yellow vertical stripes United Nations Service Medal (Korea) is a silver round medal with a bronze bar with the word Korea and a ribbon of 9 blue and 8 White vertical stripesIn Memory of D/MX853974 P.J. Bromley LSA(S)RN HMAS Warramunga, HMAS Culgoa. "Lest We Forget"medal, korea medal, united nations service medal korea

Contents: 1. How it all began 2. How the birds got their colour 3. Iyawa 4. Proud of who we are 5. Survival 6. Koorie kidsCDkoorie tiddas youth choir, vacca, aboriginal culture, song, music, childrens choir

.1) We Remember The Home Guard. Hard cover, khaki buckram with dust cover, black / white print. Colour illustration of a man in Local Defence Volunteers uniform alongside a dog. 245 pages. .2) We Remember The Battle of Britain. Hard cover, blue buckram with dust cover, black / white print. Colour illustration of a military aircraft. 231 pages. .3) We Remember The Blitz. Hard cover, red buckram with dust cover, black / white print. Colour illustration of a blitz scene, burning buildings with 4 men in silhouette. 275 pages. .4) We Remember D Day. Hard cover, brown buckram with dust cover, black / white print. Colour illustration of a beach scene battle with landing barge in the foreground. 289 pages. .1) - .4) Pages, cut, plain, white, illustrated with black white photos. End papers are illustrated black / white images from a newspaper. .4) Handwritten inscription title page: “These books were produced on the 50th Anniversary of the major events of WWII” Handwritten in blue ink title page: “All Best Wishes Frank Shaw, J Shaw” book, we remember, 50th anniversary

Boyd questions the current rules of architecture, as do the young architects of the period - the idea of usefulness, firmness, delight and beauty in the visual environment. He says we will only get a more exciting architecture if we ask the question posed in the title.Typewritten pencil edits, quarto, 7 pagesReferences Morris Lapidus and an exhibition at The Architectural League of New York occurring "late last year". URL reference says it occured in 1970.usefulness, firmness, architecture's purpose, role of architecture, robin boyd, manuscript

“We Walk in their Shadow” - An Allied Armistice book of poetry.Book, soft cover cardboard, blue print on front and back over beige background, cover has illustrated colour collection of flags above a ribbon in scroll shape of country names, 49 pages plain white, illustrated B & W sketches with poetry.books, poetry, armistice

The quote is by English poet Thomas Jordan (c. 1612–1685).Print in black ink on white cardboard frame and black wooden frame depicting a ship Our God and the Sailor we adore in time of danger, not before The danger past both are required God is forgotten, the Sailor slighted.ship, god, sailor, artwork-paintings, sea